Tag Archives: Craig

Tiny thoughts…

Me-made May, Day 9:
Isn’t it dreadful when someone with nothing worthwhile to say insists on saying something?  So I will refrain from sharing the tedium of my mundane little non-thoughts today.
You’re welcome.  ðŸ™‚
Except to say: my best wishes to everyone for a wonderful day!!
And also; No, my new ombre-dyed skirt from yesterday is not the wacky thing I’ve been working on.  The wacky thing will be obvious when it appears.  I’m waiting for a warmer day to show it off.  ðŸ™‚

Picture taken around 10.30am;  Temperature at the time 19C.
Overnight low: 12C; Today’s high: 22C 
Some breezes, some sun, some rain.  Y’know.

Details:
Cardigan; my own design, leopard print wool jersey, part of a twinset, details here, and see the twinset styled in 6 different ways here
Top; drafted from Pattern Magic 3 by Tomoko Nakamichi, blue knit jersey, details here, and see this top styled in 6 different ways here
Skirt; Vogue 1170 lengthened and lined, blue corduroy, details here and my review of this pattern here
Shoes; Enrico Antinori, from Zomp shoes

In other handmade sightings today, my husband is wearing again the same blue linen shirt from yesterday (it’s OK, he works in an operating theatre where they wear scrubs during the entire working day, so it wasn’t really dirty from yesterday.  Really  ðŸ™‚  )

And Cassie is wearing the combined beanie/scarf that I knitted for her a few years ago.

Craig’s shirt; Burda 7767 modified, blue linen, details here
Cassie’s combined beanie scarf; my own design, various wools, details here

pinterestmail

Craig’s shirt

The penultimate shirt, for now…  (and I am definitely thinking of something different to make for my boys next year!)
This particular shirt, another Burda 7767, was made using shot cotton in True Cobalt, and is a Christmas present for my husband.  I had just made for him a special (imo) new shirt for his birthday recently, but I ran up this other new one as well since I didn’t want him to feel left out when the others were all opening their gifts of handmade clothing on Christmas morning.  However.  This is the sixth mens shirt I’ve made in the past six weeks, and you might imagine I was becoming just a tad shirted-out by the time I came around to this one…?  (if so, you imagined correctly) It was a struggle for me to get enthusiastic about finishing this last one to the standards (ahem) I’ve set myself and that my menfolk have become accustomed to…  ðŸ™‚
In fact it only had the very last little touches put to it just last night  ðŸ˜€
The warp of this fabric is a deep periwinkle and the weft is only a barely lighter blue, leading to an extremely subtle “shot” effect unfortunately.  Almost too indistinct…  in fact to be blunt I was quite disappointed with this fabric when it arrived.  I’m used to the Rowan shot cottons really wowing me with their iridescence, but the colour of this one seemed pretty flat to me when I received it.  The perils of internet shopping.

So, the fabric being very plain, the shirt really needed some interesting bits and bobs to lift it above the overly mundane.  Even though Craig does like his shirts plain-ish I still thought it needed a little bit of something…

There are added arrowhead shoulder tabs and cute little miniature arrowhead sleeve tabs.  
It also has weirdly funky diagonal pockets.  Hmmm.  They seemed like a good idea at the time.  I don’t think he ever uses them much, anyway.

So! …as mentioned above; this is my 6th shirt in as many weeks… but I have only posted five! Has all this crazy shirt-making made me see a double shirt somewhere, where there is but one?   Well, no.  I can still count….  so here’s the story; I had practically finished another shirt originally intended for one of the boys’ Christmas presents before I decided the fabric was just not right for any of them and put it aside, uncertain what to do with it.  And then inspiration struck and now that shirt is in the process of being adapted into something, just a little bit different, and for me… results to appear here sometime soon.
Watch this space…
Later dudes!!  (signing off feeling pretty lighthearted since I have finally finished with The Shirts)

pinterestmail

Aegean gracefully….

(Forgive the pun; I couldn’t resist!  You don’t want to be anywhere near me after a few drinkies…  Really)
You see, today is my husband’s birthday; and I have made for him a shirt using Burda 7767 (surprise!), of Aegean shot cotton.
At the risk of self-big-noting… ah what the heck.   This is my most well-finished shirt to date, if I say so myself.  I went down the path of extra immaculateness as far as inner appearances go, and flat-felled the armscye seam allowances as well as the side and sleeve seam allowances.  In some fabrics this might be tricky wicky, but in this amazingly lovely fabric (about which I have previously raved) it turned out to be very achievable…  I’m pretty chuffed at how it turned out!
(below left; view of side, armscye and sleeve seams inside the shirt, right; lower hem and both inside and outside view of side seams)

Modifications to the pattern; well, I absolutely love this pattern (obviously, as this is just the latest in a very very long line of my efforts with Burda 7767) but it is super-basic.  Honestly; great pattern, but it is pretty much a blank canvas…  So once again my long-suffering husband is the innocent victim of experimental, and fortunately minor, mucking about; which he will have to wear out and about in the big wide world for everyone to see…  This time I tried out “coat of arms” shaped breast pockets, and shallow, extra wide pocket flaps that extend out well beyond the edges of the pockets.  This feature is echoed in miniature on the sleeve hems, with their own little “coat of arms” shaped tabs tucked under a turned-up sleeve cuff.  Kinda ups the funk-factor in an acceptably low-key way, no?  Well, I think so…  Since the sleeve cuffs obviously run the full distance around the sleeve hem, I toyed briefly with the idea of extending the breast pocket flaps to fill the entire width of the shirt front to fit in … but decided that might be too weird for my husband to consent to wearing. Sartorially speaking he is a pretty conventional bloke, actually; he likes stuff to be … plain.  I think I shall have to work him up gently to wackier stuff like that.

I sewed decorative buttonholes onto the collar points; now one of my favourite standard features to add to a man’s shirt, and curved the lower hem.  The last is a given, now.
The colour of the fabric is a result of an ultramarine warp with a bright turquoise weft, giving it that iridescent oceanic glow.  Kelly green for the thread and the buttons just seemed to “go”.

Details:
Shirt; Burda 7767 with modifications; of Aegean shot cotton

below; the Superman pose

Now our Aegean Superhero is being taken out to a slap-up birthday dinner by his wife and kiddies.  Cheers all!
pinterestmail

Seafoam linen shirt, with smile-y faces

A new linen shirt for Craig…
Burda 7767, again.  I didn’t even fold up or put away the pattern after making my “army” shirt, just laid out the fabric and cut out this one straight away… efficient, or what?!  My middle name, hehe…
Do you like the smile-y face pocket flaps?  Yes, this was sorta planned…  I don’t think Craig has cottoned on that he is sporting two smile-y faces on his chest yet, he might refuse to wear the shirt if he thinks something is too fashion-y about it…  But I like little “touches” and this one amuses me.
The lower edges of the pockets have a corresponding curve like the flaps, and the cuff edges are curved to match, and also have double buttonholes and buttons.  Those, and the fact that the lower hem has been extended and curved, are the only variations to the pattern here.
I felt a little guilty about this whole project, because the linen was part of the small stash comprising four lengths of linen that we bought with the very intent of me making shirts out of it for Craig about two years ago… and I did use three of these lengths just for that purpose.  But this rather divinely shaded seafoam-green length sat there and sat there and I couldn’t bring myself to get going on the promised shirt.  It looked so desirable and so right for … well, for me.  I was deviously planning and re-planning about a zillion things NOT of the menswear variety, that I could make using this linen; things would fit very nicely into my wardrobe thank you very much, and I even commenced a bit of a campaign about how this colour was actually a bit feminine, wasn’t it, hmmm? and how Craig now had looooads of linen shirts to choose from and might prefer something else, and how the linen would be reeeeeally much better suited to something else, like say… something for me.  And my sweet husband is so good natured he unselfishly gave up his linen shirt rights just to make me happy…  And I did feel happy for about one minute.  Then I felt mean.  So I set to and made him the promised shirt.  And now I don’t feel mean.  And d’ya know the good news, there is actually a largish chunk of leftovers, maybe enough for something to fit me after all.  And I have a clear conscience.
Maybe there is a moral there, something about good feelings and peace of mind.  Attainable to those who don’t wilfully and selfishly steal their loved ones fabric.  Yah, something real deep and meaningful and navel-gazing like that.  But I’m not sure the goodwill will extend to me not appropriating the shirt every once in a while.  After all, look how well it goes with my first self-pedicure of the season?  I think this shirt deserves to be worn with my nail polish, don’t you?

Details:
Shirt; Burda 7767 with minor modifications, seafoam-green linen

pinterestmail

Burda 7767; a rogue’s gallery

A while ago, Myrna suggested that I do something about rounding up together in one post the number of variations on a pattern that I have made up; as a sort of “hey, look at the number of different looks you can get from just one pattern” kind of a post.  Thank you, Myrna!
I thought it was a terrific suggestion, as I do re-use favourite patterns a whole bunch of times, probably painfully and boringly so from the point of view of people who like to go for new and exciting patterns with every garment.  But to redeem the boredom of going again and again with the same old same old patterns I usually introduce a little something to a pattern to get slightly different garments each and every time.
One pattern I have used a lot is Burda 7767, a basic men’s shirt pattern.  Now agreed, it’s very basic, and seamstresses after a challenging sew usually avoid basic patterns like the plague.  Advanced seamstresses often prefer to go for something with a few exciting variations or twists already incorporated in it.  But just think, a basic pattern is often the best for playing around with and once you have mastered basic sewing techniques you can introduce your own features.  So much more fun!  I do prefer DIY-ing my own features to being spoon-fed a design; and from the sewing-challenge point of view incorporating your own ideas can be a bigger challenge than even the toughest Vogue Advanced pattern, and you will feel more like an actual “designer” in control of your own ideas.
Most of the shirts I have made from this pattern have been for the menfolk in my life; my husband and my two sons.  OK, I admit I have also made one version for me too, hehe…  and unfortunately men love for their stuff to be kinda unadorned.  But you can still squeeze a few little variations in here and there and as long as it is not too asymmetric or “weird” your menfolk will probably consent to wear it…
So here, without further ado, is my gallery of Burda 7767 (so far…)

The first version: just to the pattern with no bells or whistles, pink linen, navy blue topstitching and navy blue buttons.  I was sewing this one as a birthday surprise so couldn’t do any actual fitting.  It turned out a tad too tight under the arms for Craig, but not to worry, Tim has it in his wardrobe (he is not the kind of guy who feels his masculinity is challenged by a pink shirt) and I have borrowed it tonnes of times too.

Version two; maroon linen, with black contrasting topstitching and buttons.  Variations, a curved pocket flap, curved pocket edges, narrow spaced double rows topstitching.  I’ve also borrowed this one on a few occasions, hehe (it’s a good thing my husband is so generous with his wardrobe, hmmm?)

Version three; blue linen with light brown contrasting topstitching and light brown mottley bone buttons.  Variations, arrowhead pocket flap, curved pocket edges, wider spaced double topstitching.

Version four; for Sam, turquoise and white striped cotton with contrasting navy blue topstitching and navy blue snaps.  Variations; double bias placed breast pockets with arrowhead bias placed pocket flaps, shoulder tabs, inner sleeve tabs (so the sleeves can be rolled up like pictured) and snap closures throughout.

Version five; for Tim, blue, black and white plaid flannelette, with navy topstitching and navy blue snaps.  Variations, pieced pocket pieces (to take advantage of that interesting plaid), bias placed arrowhead pocket flaps. shoulder tabs, inner sleeve tabs and snap closure throughout.

Version six; for Craig, white linen, white topstitching and buttons. Variations; one double welt breast pocket with looped button closure, no collar, curved lower hemline.  Yup, I’ve borrowed this one a tonne too…!

Version seven; (blush) for me…, blue cotton chambray, white topstitching and copper-toned snaps.  Variations, double breast pockets with arrowhead pocket flaps, shoulder tabs and inner sleeve tabs, curved lower hemline.

Version eight; for Craig, navy and white striped cotton, yellow cotton, white topstitching and yellow buttons.  Variations, contrasting fabric for collar stand lining and sleeve cuff lining.  Buttonholes sewn on the diagonal, and grouped together down the buttonband in pairs, curved lower hemline.

Version nine; for Craig, green shot cotton, contrasting yellow topstitching, brown mottley buttons.  Variations, of summer weight cotton, with short sleeves, double curved edge breast pockets, arrowhead pocket flaps, curved lower hemline.  Did an interesting little triangular cut-out feature thingy on the ends of the sleeves

Version ten; for Tim, beige, black and white irregularly striped “scrunched” cotton, with black topstitching and black snaps.  Variations,  sleeve tabs, motif ironed onto pocket, double breast pockets, curved pocket flaps, snap closure throughout, curved lower hemline.

Version eleven; for Sam, black and white check “scrunched” cotton, black topstitching, silver snaps.  Variations, short sleeves with a little tab with snap closure on the edge of the sleeve hem.  Shoulder tabs with snap closure.  Pocket motif.  Bias cut double breast pockets, bias cut (but the opposite way) arrownhead pocket flaps, curved lower hemline.

Version twelve; for Craig, blue shot cotton, rusty red topstitching and buttons. Variations, short sleeved summer-y version, buttons on sleeve ends, double breast pockets, flattish arrowhead pocket flaps, curved lower hemline.

Version thirteen; for Sam, navy blue corduroy, navy topstitching, brown snaps.  Variations, made it a tad bigger and longer and out of corduroy to make a jacket-y thing. Double breast pockets, deep arrowhead pocket flaps, curved lower hemline.  Contrasting beige cotton for lining the collar stand, pocket flaps and pockets.  Copied some very cool double hip pockets here that I had seen on a jacket in the surf shop.  Both my boys love these jackets btw!

Version fourteen; for Tim, beige corduroy, brown topstitching (a mistake, should have chosen matching thread…), brown snaps.  Variations, as above, with the double hip pocket thing.  Contrasting blue linen for lining the collar stand, pocket flaps and pockets.

Version fifteen; not surprisingly, I have another one cut out and awaiting my attention!  This one for me.  Stay tuned for this next one…

I hope you’ve enjoyed this little overview of the very versatile Burda 7767, and can appreciate why it is one of my favourite go-to’s!

pinterestmail

Smoky short sleeved mens’ shirt

I made for my husband another shirt using the Kaffe Fasset shot cotton from purl soho.  This fabric is so wonderful to work with I’ve considered a few times sneaking off with it to make myself something instead of for him… but that would not be playing fair, right?  This fabric was bought with shirts for Craig in mind, and I must stick with my original good intentions.  No matter how fabulous it is… sigh
The name of this colour is Smoky; and has a deep purply blue warp and a lighter periwinkle/baby blue weft.  I’ve put in a picture showing the different threads below, because I know everyone is totally and completely fascinated with fabric and its composition and loves to get up close and personal …. no? er, that is just me then…hehe
This shot cotton is very light and almost sheer, and is perfect for mens’ summer shirts.  I often feel sorry for men in the heat of summer, they have to wear shorts or trousers, and don’t get the option of floaty unfitted dresses like us girls, which are so much cooler.  I know for myself when the temperature is brutally high I almost can’t bear the thought of a constricting waistband, trapping in the heat and suffocating my body.  This fabric is light and breezy and just gorgeous.  And a dream to work with.
I made this shirt using Burda 7767.  I’ve used this pattern so many times now it is practically a sloper, whatever that is.   Such a strange word, yes?  
There are not many variations introduced into the pattern this time, it is a pretty basic effort.  There are two breast pockets with flaps, and the sleeves have been shortened.  Of course, the shortening of the sleeves makes for a heaps easier construction, not to mention a decent amount of leftovers that I might manage to get some little thing out of for me!  The lower hemline is curved.  This can be quite difficult to do with some wovens but not so much with this great fabric.  I think the looseness of the weave is just enough so it has a very slight stretch to it, making a double foldover hem around those curved edges not so much of a problem.
I used up some leftover thread (from my rusty corduroy jeans) to stitch this.  Plain mens shirts look great with contrasting topstitching, and I adore the vibrancy of this strong tomato red against the dull denim-y blue!  I was also lucky enough to find the perfect buttons.  There is one sewn decoratively on the outside of each sleeve hem for a bit of interest.  Also there is a buttonhole on each of the collar ends, but this is purely decorative and has no button, nor is it even cut open.  This is just a casual shirt, but I like these echoes of businesswear details on a casual shirt sometimes.
(btw, about the headless shots?  sometimes he gets shy and requests this….)

Details:
Shirt; Burda 7767, with minor fitting and design modifications, shot cotton

pinterestmail

Lichen shot-cotton shirt

This is a shirt I made for Craig for his Christmas present, cut out and made up in lots of super secret cloak-and-dagger sewing sessions… although he did help choose the fabric a year ago, so perhaps he might have had some inkling…
But he was nice enough to act satisfyingly surprised and delighted when he opened his present.
The fabric is Kaffe Fasset shot cotton, bought online from purlsoho.com, only the second time I’ve bought fabric in this way.  Usually I prefer to feel the fabric myself with my own two hands to weigh up its suitability to the project I have in mind before purchasing.  Actually “prefer” is too soft a word; I consider this a non-negotiable essential rule for buying fabric…  But I’m familiar with Kaffe Fasset cotton, having come across it before in a local shop (Calico and Ivy), so I knew it would be a good choice for lightweight summer mens’ shirts.
This fabric is a dream to work with, and as the word “shot” implies, has a bright cobalt blue warp combined with an intense acidic yellow weft, to give the fabric this deceptively subdued mossy green hue.  I chose thread exactly matched to the yellow of the weft, for all the topstitching.
Same old same old Burda 7767 again, with his custom fitting modifications, plus two breast pockets with shaped flaps and a longer curved hem.  Well, with the shorter sleeves as well obviously, and also I added a little decorative button detail to the sleeve hems for fun.

Very easy; here is a quick how-to…
Before sewing the sleeve and side seams, measure the desired length of sleeve from the top of the sleeve cap and mark with a pin

Turn back the seam allowance, right sides together and mark centre point.  Also mark with pins points 1cm each side of centre point, and 1cm into the seam allowance, creating a little right-angled triangle on the sleeve edge.
Sew along the two short sides of this little triangle, trim and clip into the corners.
Turn the seam allowance to the inside of the sleeve, wrong sides together and press.
Now sew the sleeve and side seams as usual…
and turn up, press and sew the sleeve hem allowance as normal.  I topstitched along the hem edge to help hold those little peaks in place.
And finally, sewed some smaller (4mm) buttons on the peaks.  A side note; it took me ages to find the two different sized but matching buttons for this shirt…  got these from Fabulous Fabrics.  I used these smaller buttons for the collar button-down too.  (Is there a correct term for that?)
Cute, no?  I think this would look even cuter with an acute angle… haha.  
See, I made a little joke.  
Hmmm.
pinterestmail

The B1,B2 shirt

Hehe, I realise only Aussies are going to get that reference.  My daughter suggested the name at first sight, and the similarities had up until that moment escaped me.  But mean wife that I am, I informed my husband that he still has to wear his new shirt, nonetheless…
To explain; Bananas in Pyjamas is a favourite Australian children’s television show, starring (of course) B1 and B2.  My kids all adored this show as littlies…
As the Bananas are always “coming down the stairs” I just had to make my husband come down the stairs for this photo…!

Prior to my daughter’s brilliant observations, I was pretty pleased with this latest addition to my husband’s wardrobe.  Oh, OK, I still am pretty pleased… particularly with the buttonholes.  They are on the diagonal!!  Cool, no?  I had seen a shirt in a very expensive menswear store with diagonally placed buttonholes, and decided they looked pretty interesting; a tiny little twist on an otherwise standard shirt, so I decided to incorporate this feature in the shirt.  And I do like to experiment with different effects, even in something as basic and potentially unexciting to the home seamstress as a men’s casual shirt.
To draw attention to this feature I also placed the buttonholes in pairs, and used bright contrasting buttons.  Well, they deserve to be noticed, right?!  My husband had put in his boring request for white or navy buttons, but has conceded now that the yellow buttons are a bit more fun and casual.  And definitely more interesting.
I had also used contrasting fabric for the collar and cuff lining, a feature I’d seen on other shirts in the same expensive store, and had decided the yellow buttons were sort of necessary to tie in somehow with the yellow fabric I’d used here.  I just felt the shirt needed a little zing to it, as the fabric was so… conventional.  I had bought the striped fabric about a year ago always with the intention of making a men’s shirt, but had not got around to it.  I think now I just felt uninspired with the prospect of a kinda blah end result, but with the slightly off-kilter extra details I’m now very happy with it and don’t feel it is at all boring!
And yes, my husband likes it too!

Details:
Shirt; Burda 7767 with the usual custom fittings, navy and white striped cotton

pinterestmail
Switch to mobile version
↓