Tag Archives: Daily Outfit

Strawberry pink jeans

I have made some new jeans!  Au Bonheur des Petites Mains PLH08002: Pantalon droit avec decoupes.  (my less than perfect translation: trousers right with slices?, hehe)
Now; to say I am grateful to shams for helping me to obtain this awesomely cool jeans pattern is an understatement; I will be forever.  Eternally.  Grateful!  This is a reeeally good pattern, and is destined to become my go-to pattern for non-stretchy denim jeans.
THANK YOU SO MUCH SHAMS!!  YOU’RE A GODDESS!
The pattern has a few quirky and unusual styling details, which I love, and which add a very unique flavour to the jeans, but the long-term value of this pattern for me is that the jeans fit beee-autifully!  If I tried these on in a store I would be slapping down the plastic due purely to the classic perfection of the fit alone.  In a pair of jeans this is a massive massive plus; I cannot stress this sincerely enough.  What is more; even though the styling is quite unique and eye-catching the pattern can also be easily adapted to make a more conventional pair if jeans if one desires just one quirky pair in one’s collection.
I used non-stretchy thick-ish cotton denim from Spotlight in a cheerful shade of strawberry pink, which has white undertones in the drill weave.  Thus my selection of white thread for all the top-stitching details.  I elected to have just a single row of top-stitching throughout, and I left off some of the top-stitching details suggested in the pattern.  I highly recommend you also check out and admire shams‘ awesome variations on this pattern; here and here and here.
For the waistband facing and the pocket facing I used a pink print cotton, that was formerly a pair of old pj bottoms.  I cut a separate pocket facing, rather than have the pocket bag stitched directly onto the jeans front, because I had decided I wanted the front of my jeans “bare-r” with less top-stitching detailing, but obviously I was not going to forgo having those awesome pockets!

Shams elected in her second and third pairs of these jeans to put in a slanted high hip pocket because of “pooching” of the pocket opening; I decided to go ahead and make the pocket as per the pattern in this my first go at it, and see how it went.  Y’know what? it does bulge out a bit, but not enough to worry me so I’m OK with it.  The best thing about the location of the pocket is that they are perfectly situated to make slouching around with one’s hands shoved deep in one’s pockets very very easy.  I am pretty partial to mooching about with my hands in my pockets, so yeah  🙂  The slanted high-hip pocket location that one sees in regular jeans is not hands-in-pocket friendly, imo.  A feature that is fairly high on my personal list of criteria for garment satisfaction.

hands-in-pockets, for the win

I added a zip placket, and used a red jeans zip from Spotlight.  Functionally, this was a fairly hideous zip that required copious anointing with household oil to make it zip up and down smoothly!  Inserting the jeans zip with that zig-zag front seam to look acceptably centred and evenly spaced across the front fly and with the top-stitching on each side lining up was interesting.  I spent quite a bit of time on this, and re-inserted that zip twice before I was satisfied.

I left off the pocket flaps on the rear patch pockets, and after eyeballing the placement of those cute darted patch pockets decided to situate them on opposite butt cheeks than how they had been illustrated in the pattern.  I don’t know if this is visually more slimming or not, methinks this could be merely a self-delusion  🙂

I did not taper the lower leg pieces, but cut the side edges straight to get more of a cargo/bootleg silhouette, which I think suits my figure.  Also, The back lower leg pieces were cut, pieced and top-stitched near the lower hem.  No, that was not because I did not have enough length, I did this on purpose.  I liked it this way  🙂 

da knees…

I added quite a bit of length to the lower leg piece, a standard precaution for me when cutting out.  I’m wearing them with flatties here but I like the option of wearing heels if I want…. also, I am on the tall side.  However, this is where I came a bit of a cropper, and I cannot believe I did not foresee a now  blindingly obvious beginner’s trap: of course I should have added some length to that upper leg piece, as well as to the lower leg piece!  Doh!  The upper leg piece turned out to be on the short side and so the knee piece is situated rather weirdly high on my leg…  I’m pretty cross with myself about this, I’ve become so blase about adding length I stupidly did not think it through and break it down into the individual pattern components, like I darn well should have.  Lesson learned.  One is never incapable of making a fundamental boo-boo with a new design.

(but check out those mad arrow-adding skillz … howzat, huh?!  🙂 )

But I am not going to beat myself up over it, and certainly this little detail is not going to stop me from wearing the heck out of my fab new jeans.  Look at that yummy colour!  Plus, I decided after looking at these pics that the high-ish knee patch is not hugely obvious nor detrimental to the overall appearance.

Details:
Jeans; Au Bonheur des Petites Mains PLH08002, strawberry pink non-stretch cotton denim
Top; drafted from the Japanese pattern book Pattern Magic by Tomoko Nakamichi, white linen, details here
Thongs; KMart

Pattern Description:
Jeans, with funky unique seaming, topstitching and styling details
Pattern Sizing:
38
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
Pretty much. I made a few minor modifications
Were the instructions easy to follow?
They were in French. After applying google translate, which substitutes interesting English alternatives to what are probably commonly used sewing terms in France; much hilarity ensued!
Seriously though, the instructions assume the seamster has made jeans before and has a pretty good general knowledge of sewing already, so do not go into details… they are really pretty scant. So I ended up not using them; just piecing together in the same order of construction I have always made jeans.
What did you particularly like or dislike about the pattern? 
The fit is perfection. I love love love the funky styling and the interesting seaming. If I did want to make up an “ordinary” pair of jeans it will be easy to adapt this pattern, with its great fit, to a more conventional style.
The side pockets on the hip are my favourite in jeans so far, since they enable one to mooch about with the hands shoved down deep in the pockets. Aah, sheer heaven.
There is nothing I do not like about this pattern.
Fabric Used:
thickish cotton denim
Pattern alterations or any design changes you made:
Cut the lower legs straight down rather than tapered to get more of a cargo silhouette, since I think this suits my figure better.
Sewed the pockets as a bag with a lightweight cotton facing, so it is not attached to the jeans front with topstitching as per the pattern.
Left off the rear pocket flaps, and some of the top-stitching details, although I will definitely use the suggested top-stitching as a feature in a future pair.
Cut the lower legs longer, but next time I will add length to the upper legs as well, since the legs are of three pieces. The knee piece ended up a little high on my leg :S
Would you sew it again? Would you recommend it to others?
I definitely will be using this pattern again; it is destined to become my go-to pattern for non-stretch denim jeans.
Conclusion:
I adore these jeans! and will be wearing them to the ground. 

A very big thank you to shams! for her help, and for her never-ending inspiration!
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A good hair day

A very special and super fantastic night; we went to the Amanda Young Foundation Ball.  I wore my Grecian-style ballgown, made in 2004.  An oldie now but still a goodie.  I had my hair put up professionally, which always makes me feel super glamorous!
Now please excuse my lack of loquaciousness, Cinderella is off to bed before she turns into a pumpkin….

Details:
Ballgown; Vogue 2480, sage green and oyster white satin, details here
Sandals; Sachi, bought from some little boutique in Melbourne
Earrings; Sophie Kyron

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Sapote cotton cardigan

Oh g’day peeps!  May I present to you my latest completed knitting project…
This is another version of the Jo Sharp Fitted Cardigan.  I have knitted this pattern before, my first version is here.  I really loved that knitted lace on the lower edge of the design, and I decided to make this newest version with the edging on the sleeves as well.  This took just one extra ball of yarn over the amount stipulated in the pattern, a small extra cost I was happy to pay considering I was buying during a 30% off sale.  Yeeeeah! 
Great colour, huh?  This colour is called Sapote, and is named after the fruit which comes in several colour varieties.  The black sapote when ripe is a beautifully deep and rich purple-y brown colour, and has paler, caramel-brown woody-textured seeds… which inspired my choice of buttons for my new cardigan.  Whaddya think?
I have to confess; I finished knitting this cardigan a few months ago, and for ages have been searching and searching for just the right buttons.  I was hunting for deep chocolate-y purple buttons, something the exact same shade as the yarn… and failing.  But eventually and fortuitously I checked out a photograph of the sapote fruit, and noticed the colour and texture of those seeds, and how perfectly natural they looked nestled in the flesh of the sapote fruit, and realised that buttons of this colour and texture were what I should be searching for… and then I found them straight away!  It was meant to be. 

Details:
Cardigan; Jo Sharp’s Knitted Cardigan with the addition of knitted lace edging on the sleeve hems, using Jo Sharp Soho Summer DK Cotton in Sapote (col 216)
Shirt (under); my own design, made from a pair of old white linen trousers, details here
Shorts; Burda 7723, white linen, details here
Thongs; Mountain Design

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Clipped Wings; a top

Here is my latest from Pattern Magic 3, by Tomoko Nakamichi; this is the top from p61/91. The seamlines at the side and centre back seams of this top are gently angled out, causing the top to fall in a series of rather lovely, loose, triangular folds around the small of one’s back.  Interesting, and also quite flattering.  I loved the wide high square neckline and the elegant long raglan sleeves.  I also loved that the top has a bland front view and a busy back view.  But to be honest; I wasn’t sure I loved the look of the “bumps” (pictured below). 
Without understanding the Japanese text, I think that the aforementioned bumps; two protrusions sprouting from the back of the raglan sleeve seam right where one’s scapulas sit; are intended to be the focus of the project, the challenge to be mastered from drafting and making up this piece.  But I’m afraid I just thought they looked a bit …er… odd.  As though if one was thinking of transforming oneself into an angel then the top was all ready with some pouches to accommodate one’s budding wings.  But sadly I am no angel  🙂
I went ahead and made up the top with the angel-wing bumps, for no better reason that to prove something to myself.  The long suffering Bessie modeled the bumpy version of the top for a photo (oh, it’s OK, like a true professional she doesn’t really mind how strange are the clothes I make her wear) 
below: the winged version; pre-clipping; see those bumps on the raglan seam?

Then straight away I unpicked that back raglan seam and sewed it up again, sans bumps!  Sorry, but sometimes the authenticity of the design is of a lesser consideration to me than the wearability, and I pretty certain a non-sewing observer would consider those bumps, clever little feature though they are, and definitely not an easier option than a straight seam; to be a mistake on my part.  So.  Off with their heads!
I used a rather nice cotton knit jersey from Knit Wit, in a light grey marle with distinct yellow undertones.  I bought a long length of this fabric last year, specifically for the purpose of running up Pattern Magic projects.  This is the first time I have bitten into it, having now used up the jersey knits in the stash given to me by my friend C.  Future projects using this grey fabric may or may not be subjected to some sort of colour treatment 🙂
I overlocked all the raw edges before sewing any seams, and the neckline, sleeve hems and lower hem are folded in once and finished with a twin needle on my sewing machine.  If you look real closely, you can see that I used a creamy-ivory thread and a white thread in the twin needle.  I didn’t bother with winding a second spool with the creamy colour that matches the yellow tones in my fabric, but y’know what? I think it turned out kinda cool.  The more I look at those two different colours the more I like that effect.  Will probably do that again!
Details:
Top; from p61/91 of Pattern Magic 3 (by Tomoko Nakamichi), and made of grey marle cotton knit jersey
Shorts; Burda 7723, hot pink linen, details here, and these shorts styled in 6 different ways here
Thongs; cheapies from Kmart (I know, but it was an emergency purchase.  My previous beach thongs broke)
(below; spot the dog…)
(btw; Beryl commented wondering whether the extra challenge I alluded to for Me-Made May was a pregnancy… NO!  but thank you so much for even considering me in that age bracket….!   I am flattered; but no, I will be travelling during the month of May!)
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A Genuine Leather (ette) skirt

I’ve made another winter skirt.  From the tanned hide of that elusive and rare wild beast; the leatherette.  Classy, non?
Hehe, so I’ve made bags and tablecloths using PVC before, pretty simple beginner’s type stuff; but this is the first wearable garment I’ve attempted from this sort of stuff.  Phwoar!  A first! (self high five)
I spotted this fab leatherette at Fabulous Fabrics, and practically pounced on it.  The colour is a pretty awesome colour for winter, no?  Sorta grey, sorta brown.  Very moi.  There was also a marvellous dirty pumpkin colour, which was pretty divine.  That one was darn tempting as well.  I’ll be honest with you, I dithered.  But eventually I had to choose a colour, just one colour, although it was like having to choose between two of my children.
Oh, it also came in black, but that caused no dithering on my part.  I was dither-less in the face of black.
I used the skirt pattern from Vogue 1170.  I have made the top from this pattern already, reviewed here, but this is the first time I have made the skirt.
I bound all the raw edges with HongKong binding, as stipulated, and although I did buy lining fabric I opted not to use it.  The built-in body and stiffness inherent in this type of coated fabric along with the frictionless texture of the backing stuff means that sticking to tights is not going to be a problem here.  The leatherette is surprisingly soft and pliable to wear, although I can tell it is going to take some getting used to.  I feel almost Barbarella in this.  Modern.  A bit suave and sophisticated; a little bit “cool”.  Very unlike me  🙂
above right; those funny fat seam allowances in the small of the back? That, my friends, is my sway back adjustment  🙂

The pattern stipulates a hemline facing, which I did, but it was utterly disastrous in this fabric.  With the facing in place the hemline went from previously smooth and free flowing to stiff and awkward and pokey-outy  horrible.  Finally I decided that the best finish was to have the curved edge trimmed as smoothly as I was capable of, and left raw and un-hemmed.  Which is what I did after unpicking the hem stitching, and the under-stitching, and I even rescued the HongKong seaming off the facing also to use for a future project  (waste not want not, and all that….)  That was a whole heap of painstaking unpicking, I tell you.
What else… oh, I made the pockets deeper.  The pocket was pieced for reduced bulk., so that the pocket facings on the outer edges of the pocket are leatherette and lightweight polycotton forms the bulk of the pocket piece.  This polycotton was harvested from one of my old Pattern Magic muslins and was also used for the HongKong seaming.  Unfortunately the placement of the pockets is right on the hipbone, which means that one cannot really use them for anything bulkier than a tissue or a credit card anyway.  Just saying.  But at least the pockets are there!
Details:
Skirt; Vogue 1170, “leatherette”
Shirt; my own design, using several patterns, of black cotton mix, details here
Shoes; Perrini (I’ve had these for donkey’s years)
Pattern Description:
Flared skirt has front and back seam details, back invisible zip closing and wide waistband
Pattern Sizing:
4-10.  I made mine a straight size 10.
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
Well, mine resembles the line drawing on the envelope.  The photo on the envelope is completely featureless.  Black… really??  You can’t make out any details on the skirt at all!
Were the instructions easy to follow?
Yes.
What did you particularly like or dislike about the pattern?
Pretty, flirty and feminine, resembling a straight A-line from the front view, and then frilly and twirly from the back view.  The angular seaming between the skirt and the front yoke is a nice feature.  I also like that lovely wide high waistband, and the instruction to bind all the internal raw edges with HongKong seaming is a nice finishing touch.  I really like to see patterns encouraging people to extend themselves to use high quality internal finishes like this.
A small gripe, the pockets are situated right high on the hip, so they not really very useful.  Also, in my opinion, the more “twirly” a short skirt is the more difficult it can be to wear.  I added 10cm in length to the lower edge of my lower skirt pieces.
Fabric Used:
PU laminate or “leatherette”, lightweight polycotton for the HongKong seaming
Pattern alterations or any design changes you made:
 I thought it looked quite short on the envelope photograph so I lengthened the skirt by 10cm.  This meant the skirt facing pieces were completely different to the pattern piece; but that was no biggie, I just used my new longer skirt pieces themselves to cut the facings.  However, I ended up not using them because this method of hemming turned out to be disastrously bulky with my PU.  I went with a clean-cut raw edge.
I made my pocket pieces longer for a deeper pocket, and pieced them to be PU for the facings on the edges, and lightweight polycotton for the central main part of the pocket piece; for lesser bulk.
I removed width in the back/side back seams for a sway back adjustment.
Would you sew it again? Would you recommend it to others?
Yes, I would sew it up again … and already have!  😉   And yes!
Conclusion:
A very nice skirt pattern, with interesting seaming and a pretty yet modern silhouette.  However I do think the skirt length as it is in the pattern presents an unbalanced and slightly unflattering silhouette, and adding just 10cm to the length substantially improved the proportions of the skirt.  I think it is visually important that the lower flounce at the back of the skirt be at least as long as the fitted yoke sections above it.  Shorter; the effect is slightly “top heavy”.
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Curtaining skirt

It looks plain, but my new skirt has one fun and unusual little fact about its origins.
The fabric was part of the bundle of fabrics given to me by my friend C from her late mother’s stash.  That’s not the unusual little fact, btw…  actually, it seems like a lot of my new item posts start out with that statement, and yes, I fully appreciate my very lovely friend to give to me such a marvellous gift of fabric, and I am roaring through it at a most satisfying rate! Since using up this little bit I still have about four or five choice pieces left…
But about this piece; it is curtaining fabric.  Complete with the rubber black-out backing and all…  I know, right?!  cue images of sister Maria ripping down the nursery curtains in the Sound of  Music…  but waste not want not, hmm?  There was only quite a small piece of it, which along with the heavy texture dictated a skirt.
I decided to use my latest favourite skirt pattern, the one from Vogue 1247.  Every version of this skirt I have seen on the internet is extremely cute, and I can sense this is going to become another staple pattern for me too…  I love the way it is just like an ordinary little skirt, but has those fabulously unexpected pockets in the front.  Who would have thought pockets in such an unlikely place could be so successful?!
A commenter noted that one couldn’t put anything bulky in the pockets, and I agree, but really you couldn’t put pockets anywhere on a little skirt like this and expect them to carry very much.  They are just about the best pockets one could even think of for a silhouette like this, imo.  I reckon this was a stroke of genius on the part of the designer.  They are perfectly fine for a hanky, a credit card, a mobile phone, and a house key, and really; what more does a lady need?
I added about 10cm to the length of the lower skirt pieces, and flared them just very slightly towards the hemline (approx 1.5cm each side?); and still managed to get all the main pieces of the skirt out of the piece of fabric, but I had to cut the waistband out of other fabric.  For this I used heavy and stiff delustred satin (leftover from my trench coat), and I also had to piece together the pocket lining with some of this same fabric.  The skirt is lined with the leftover poly satin that was also used to line my ivory trench coat… so really, the skirt is like part of a matching set with that trench coat!
Because the curtain fabric is really quite heavy, I hemmed with a strip of bias cut cotton; meaning less bulk because I didn’t have to turn the fabric under twice, plus a longer skirt.  Given how tiny this skirt is already, I was aiming to get as much length as possible here!
Given my mad passion for ivory and other neutrals, methinks this is going to become a much worn little thing this winter…  bring it on!

Details:
Skirt; Vogue 1247 lengthened and lined, heavy cream curtaining fabric, ivory delustred satin waistband, ivory satin lining, my review of this pattern here
Shirt; Burda 7767 modified, khaki linen, details here
Sandals; akiel, from an op shop

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Bitumen hued shorts, with French fly

Ta da!
New shorts!
The funny thing about these is that during one of my regular stash sort-throughs, I had picked up this bit of fabric, shaken it out, sized it up, done one of those quick mental assessments (I’m sure you’re familiar with that) and designated it as a new pair of Burda 7723 shorts.  That was months ago.  Then distraction had set in  (I’m sure you’re all familiar with that too) and I had all but forgotten about it.
It was only until this week, doing the one-week-one-pattern challenge, and I was starting to wonder which Burda 7723 thing I would wear today, which would be the privileged “double-up”, so to speak, thus marking it as my favourite, when that potential pair of shorts suddenly popped into my head again.  Of course!  Now was the time…. I made these over the past few days, just in time to be included in the week of Burda 7723’s.
The fabric is very lovely, a very soft linen/cotton mix that crinkles up beautifully from Fabulous Fabrics, with a woven-in pinstripe of motley charcoal and ivory giving the fabric a gentle overall hue of variegated warm grey.  The pieces are the leftovers from this dress (which was transformed into a mini later and given to Cassie, giving me some more fabric to play with) and we had bought even more of this fabric later for Cassie to make herself a pair of trousers, so there were some leftovers from that project too.  Just enough for me to squeeze out the pieces for this fantastic pattern.
These shorts are pretty much made straight up to the pattern, except that they have back patch pockets and are flared just slightly.  Also I incorporated a French fly, after reading and giving some thought to the Waves series on the superior finishes often evident in menswear and lacking in womenswear.  Thinking about it made me decide to have a go at working out how to put in a French fly.
I checked out some of Craig’s really good suit trousers to get the general idea, and adapted the bare bones of the French fly principle to fit into my own pattern.  I did take some pictures during the process so I can do a tutorial if anyone is interested…?
The French fly performs the same duty as a waist stay.  Actually, it is the very same principle…  I know you cannot see any difference on the outside of the shorts, but I do feel like everything feels beautifully firm and pulled in.  What is more, the front of the shorts does sit a lot better with the French fly in place.  I’ve always thought the area right above the zip pull (meaning that bit you grab to pull the zip down) is the weak point on a pair of trousers/shorts.  The little bump of that zip pull, and the small empty space above it and just below the waistband, combined with the fact it is sitting right at the junction of zip/waistband where all the wearing strain is, often causes the shorts to bulge or gape a teensy bit at this point.   Having the French fly has pulled the shorts in nice and firmly right underneath that zip pull, taking the strain off at that spot and allowing the flap of the fly to sit down flat in a more relaxed way.

Details:
Shorts; Burda 7723, grey linen/cotton mix
Top; my own design, embroidered and cut-out ivory linen
Camisole (underneath); Country Road
Shorts; Bronx from Zomp shoes

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Just a splash of Colour…

So on what is yet another sunny sunny day (yeah, we do get lots of them here) I would normally head straight for the shadows away from that notoriously harsh Australian light that drains all colour and detail from my clothes and everything, but I knew these cheerfully intense colours were strong enough to stand up to the full force of the early morning sunlight.
I have been asked many times before if I touch up my photos or alter them, and I admit that in a photo like this I certainly do look as if I’ve stepped straight into cartoonland, but let me assure you right now that this is not an altered photo in any way.  Apart from my usual cropping, that is.  I like my photos to be square.  Yeah yeah.  Square, just like me….  🙂
The second to last day of the one-week-one-pattern challenge, and I have worn all of my garments from the pattern Burda 7723… or have I??  
Hehe, stay tuned…. I might just have a surprise up my (voluminous orange) sleeve….

Details:
Top; Vogue 1247, orange shot cotton, details and my review of this pattern here
Shorts; Burda 7723, hot pink linen, details here
Sandals; Misano from MarieClaire shoes

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