
I thought about holding off on posting anything about this ensemble until later on, like after the exhibition and I had some pictures of it actually IN the exhibition but … well obviously decided no!

I was thrilled to be invited to participate in FrockOn this year, a collaborative exhibition between Flying Fox fabrics and Ikuntji artists group; an event that aims to highlight and celebrate the work of indigenous artists in Australia … Essentially indigenous designed and printed fabrics were supplied to sewing peeps like myself and we were expected to turn it into an ensemble for the exhibition.

I received 2m of this print; “Tali Tali- Sandhills” by Alice Nampitjinpa. The design depicts the artist’s Tjukurrpa the Tali Tali Dreaming in reference to her country in Western Australia… you can read more here, and even purchase some of the fabric if you so choose…
The print is in khaki and cream on black linen and I really threw my all into making something truly worthy of this really beautiful print! I just wish I got to keep it! a few peeps on instagram suggested I buy more of the same fabric and make another set for myself, but honestly, I don’t know if I have the creative stamina to do that. But anyway! Here it is, in the spirit of continuing to document everything I make, sewing wise on this ol’ bloggeroo … 🙂

I made the top using V1486, a Nicola Finetti for Vogue design … (this pattern previously made here) I love the boxiness of this design and thought it went so well with the clean, very straight and fitted lines of the skirt… the back closes with an open ended zip and I was pretty determined to use a gold zip, the nickel colour did not look good at all… however the gold one came only in a 75cm length so it had to be shortened. This is always a far fiddly-er process than you imagine and I’m always terrified the zip pull is going to be on the wrong side or fly off the top! A solid wedge of hand stitched upholstery thread at the top provides a good thick stop though.


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I cut all internal facings from plain black linen and made bias binding for edging throughout from khaki cotton batiste … I think this looks quite smart on the inside…


I made the skirt using V1693, an Issey Miyake for Vogue pattern that is sadly long out of print… (this pattern previously made here)

I really love how the asymmetric details of this design play up the jaggedly stripes against each other in such an interesting way, adding a bit of a visual twist to a print that is already quite dramatic!


I made bias binding of khaki batiste to bind inside edges and flat felled the side seams of the skirt inside… I found the perfect blotchy khaki buttons in my stash, and handstitched some “made by me” labels inside both pieces, these are cut from the same khaki cotton batiste and handwritten using a laundry marker…


I am SO EXCITED to see the exhibition virtually in July and to view all the art and textiles work by all the artists involved… it was an honour to be invited to contribute in just this small way … It was very scary to make that first cut but once I’d committed to my chosen designs it was a hugely enjoyable process to work with such special fabric. I posted it off back towards the beginning of the month and just hope it gets there ok! Still slightly terrified!


Details:
Top; Vogue 1486
Skirt: Vogue 1693
Sandals; my old faves from Zomp boutique
boy I really kinda wish I still had it looking at these pictures now. I actually REALLY love it!






























