Some thoughts on corduroy jeans

Dressing down,  (and a dressing-down; my husband said, looking at this photo, hmmm, not your best look… thanks darling…)
These corduroy jeans are not really wearing well at all, and are now my equivalent of tracky-dacks.  They are still quite warm, but the fabric is thin and not very stretchy, so bags out rapidly in places where one does not want one’s jeans to bag out.  Sad, because I was so pleased with these, and thought they’d be good ones for mixing and matching all winter long.  The colour was just right.  And I only made them last year, so you’d think they would last a little longer, right?  But quality shows, my friends, quality shows…
I adore corduroy jeans.  They are so comfortable and warm; more comfortable that denim, and a lot warmer too.  So much more practical for winter.  I loved wearing them as a child, and I dressed my own children in corduroy jeans during winter all through their childhood.  I loved seeing my children in cords and white Tshirts; such a cute look, and just what little children should look like.  But of course kids look cute in whatever, even cords with baggy bottoms and knees.  Adults, not so much.

I think I need to find myself a supplier of quality corduroy.

Details:
Jeans; Burda 7863 with modifications, bone corduroy, details here
Top; adapted from top “a” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, blue shot cotton, details here
Cardigan; my own design, knitted from Jo Sharp Silk Road DK Tweed in Brindle, details here (button made by my Dad!)
Socks; (not seen) old and comfy ones, also handknit by me,  here
Shoes; Francesco Morichetti (uggies all the rest of the day at home though)

Later edit:  You know what?  This outfit and these jeans actually do look so much better, more appropriate, with my ugg boots.  But I’m not taking another picture; just imagine ugg boots on the bottom…

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Useful shoes

I know what people might be thinking; does she even have any other shoes?  Well, of course I have.  People who visit this blog regularly will know I have a veritable plethora, in fact the last time my mother visited and I mentioned a desire for a pair of new black high heeled boot/shoes, something that had go with dresses and jeans, I think I might have overheard something about Imelda Marcos mentioned in muttered undertones.
So I abstained.
Happily, these shoes do seem to go well with both dresses and jeans, and are very comfortable for dog-walking and well, all my daily activities.  They are my current favourites.  But I should try to mix it up more, true.  My other shoes will be getting jealous.
While the shirt is a recent creation I made my skirt years ago.  The fabric is handwoven by Mum so it is quite precious to me.  I just love the lower fringe of warp ends.  She was slightly horrified I didn’t hem them under properly, but I like how they look and wanted them on view!

A quick styling note: (not that I am any styling expert, hehe…)The top of this skirt usually sits at medium hip level, and the lower “fringe” sits at about about knee length.  But for today I swivelled the zip around to the front, overlapped the open zip and hoinked the top together with a safety pin so it is sitting up at my waist level, which has shortened the skirt to a length which I think looks better with these shoes….  And I don’t think you can even see the slight fold in the front of the skirt, can you?

Details:
Shirt; I used elements of several patterns to get the look I had in mind, so I’m going to call it my own design.  Black cottony stuff, and the dress-making details are here
Skirt; Vogue 7303, fabric of various yarns woven by Mum
Belt; from a long gone pair of cargoes
Tights; Kolotex
Shoes; Francesco Morichetti, from Zomp shoes
Sunnies; RayBan

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Twirled piece

Claudine said, spin.  I said, OK then.

Details:
Shirt; Burda 8497, white cotton, details here
Skirt Vogue 8296, cream wool printed with khaki brush strokes (divine but one of the most expensive fabric purchases I’ve ever made) and lined with silk.  Yes, this is my good winter skirt.  A better non-spinning view here.
Socks; knitted by me, white cotton, details here
Trench coat, in case I got cold (I didn’t, spinning is kinda warming);  Burda 7786 modified to be double-breasted, details here
Shoes; Francesco Morichetti, from Zomp shoes

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The second of June

…as it is here.   Il secondo di giugno, as it is in Italy.  June two, as it is in the USA.
The second day of Me-Made June 2011.
Please enjoy my autumnal roses in an old coffee-jar from our own garden, pictured below.  This is why I am so enjoying my daily washing-up lately, with this to look at.  You see, our rose bushes haven’t yet got the memo that it is winter and still think it’s autumn, so are producing their second flush accordingly.
Tres jolie, oui?
And why is it, do you think, you don’t you ever see charming, olde world blooms with this particular brand of random, haphazard loveliness in the florists?

Details:
Top; top “b” from Unique Clothes Any Way You Like, by Natsuno Hiraiwa, white cotton, details here
Jeans; adapted from Burda 7683, rusty corduroy, details here
Jacket; Vogue 2894 in raspberry silk, details and a review of this pattern here
Socks (not seen); also handknit, exactly the same ones as yesterday.  Well, I was wearing them over tights, so I figured they weren’t really dirty….
Shoes; Francesco Morichetti, from Zomp shoes

dog; attired as yesterday

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Today is lots of days…

…rolled up into one.
Firstly, and most importantly; today is my brother’s birthday.  Happy Birthday, D!  D is my middle brother, and here’s something funny… our girls shared one year at the same school, and at the first school function my friends all spotted this man in the crowds of other parents and knew instantly on first sight that he was my brother.  So I guess we look very alike!  D is a great Dad, a wonderful Uncle, and a fantastic brother.  I hope you found your prezzie last night.  Hint: look in your letter box…
Secondly; today is the first day of winter!  Thus my gloomy picture, matching the gloomy clouds above  (sigh)… but everyone is cheering for the few inches of rain we have had in the past few days.  Here’s keeping fingers crossed for lots more, and a good year for our farmers.
And finally; the first day of Me-Made June!  Well, all is me-made here except the underthings.  And tights.  Tights are almost like underthings, right?
A random observation; thick tights plus thick hand-knitted socks makes for kinda tight shoes!  No matter, my tootsies are snuggly warm….

Details:
Dress; Burdastyle magazine 05-2010-111 with minor modifications, plaid brushed cotton, details and a review of this pattern here
Skirt; Vogue 7303, olive green corduroy, to see this skirt styled in 6 different ways go here
Tights; Metalicus
Socks; handknit by me in Morris 4ply “Russet” here
Shoes; Francesco Morichetti, from Zomp

dog self-styled with her own fur coat

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Some dyeing…

My dear friend C gave me a whole bunch of fabric last night, following a major clean-out of her late mother’s house.  Some of it is very nice, lots of it is… er, very green.  I am very grateful, however mindful of the fact that a person’s wardrobe can contain limited amounts of bright green.  
So this was today’s activities…

Dyeing the paler green was my main aim, and it got boiled for the requisite hour.  I love the dirty khaki brown it has become, and even though I originally envisioned a Pattern Magic 2 thing I am now leaning towards a skirt.  The two darker greens were tossed in the leftovers, just because I thought “why not?”.  They are less “St Patricks Day” now, and more “wine bottle”, so a bit better.  I might do them over again, with a fresh batch of dye.  Another reason they didn’t “take” as well is probably that they are mostly cotton.

At the same time, I noticed my T-shirt that I boiled in turmeric eighteen months ago had gone very pale.  Not enough salt?  So it enjoyed a re-spicing up.  Literally.  This time half a cup of salt went in, plus 2tsp turmeric.  We’ll see how the colour holds up this time…

And in case you are wondering, that top pot is only used for dyeing…. I have no intentions of poisoning my family’s soup!
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It was inevitable…

… and was simply a matter of when my self-discipline would falter.  I’m classifying this as a belated Mother’s Day present to myself.

Actually, I’m supremely excited about this second instalment in the Pattern Magic series by Tomoko Nakamichi, why? (well apart from the obvious one that the designs are unique, interesting, beautiful and magical!) but also partly because the majority of the projects are shirts.  Something of which I am somewhat short in the handmade department.  And such wondrous sculptural projects, the like of which I have never come across before; exercises on wearing a balloon, wearing a circle, wearing a square and wearing a triangle in one section; not to mention another very enticing section, the “vanishing” features.  Some of which I am giving you a little taster here;
the vanishing tie;

the vanishing scarf;

and the vanishing lapel;

another section deals with cowl experimentation;

I barely know which wonderful design to select first…  and yes, in case you are wondering, I think having the English translation is going to make things a lot easier.  Obviously, for a start one can understand the what-goes-where, which helps.  Additionally though, most of the designs come with a brief note written by the designer, touching on her thoughts and inspirations behind these unique design, and these are a real pleasure to be able to read.  These little snippets are sometimes purely informative, sometimes lyrical, sometimes take an unexpectedly poetic turn-about in a few short words.  Like a haiku.  For example: “I increased the depth of the shadows by rotating the fabric and then flipping it over like the flip turn of swimmers in a pool”
Swimmers flipping in pools; a lovely visual moment with which to finish, yes?  I can’t wait to get started…
(all pictures from Pattern Magic 2, by Tomoko Nakamichi)

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Pattern Magic, revisited

This is my second attempt at this pattern; the design from page 10 of Pattern Magic by Tomoko Nakamichi; my first was here.  I loved the design, but unfortunately that first dress was kinda disastrous.  Firstly, I didn’t love the fabric I had used, which was a super-cheapy thick-ish polyester selected for its colour only from the remnants table.  On top of the doubtful quality of the fabric and the fact that it didn’t drape very well, my finishing off of that dress was of equally doubtful quality…  I didn’t have enough of the blue to cut facings, and used instead a tobacco coloured fabric, a too-thin and also-nasty scrap of polyester.  And I didn’t fit the dress properly to myself, and allowed too much seam allowance around the armscye, but sewed a normal width seam allowance, resulting that the dress dug into my armpits in a painful and irritating way, and to unpick the stitching plus understitching around the armscye just seemed all too difficult, since I had sewn them up scrupulously well, and combined with the nasty fabric quality… (deep breath)  I guess in hindsight I was treating the dress like a muslin, which is how it turned out as I wore it precisely two times.  I know, I’m embarrassed by my wastefulness, too…  I can only hope that someone at the Salvos with smaller arms than me saw something good in that thing…
Enough with the saga of sewing failure…
The good news is that I still loved the design enough to really want to have a go at a better one, using nice fabric.  Et voila!

side views (one is more interesting than the other…)

Details:
Dress; drafted from the Japanese pattern book Pattern Magic by Tomoko Nakamichi, in slightly nubbly, charcoal-marle polyester/wool suiting
Petticoat; (honestly can’t really remember the pattern I used for this), black satin, another picture here
Top and tights; Metalicus
Boots; Andrea and Joen, from Uggies in Dunsborough

back view

Dressmaking details:
There is only one front piece and one back piece, but the shape of the pieces is such that the bodice area is on-grain, but the skirt section is on the bias.  Resulting in that lovely ripply drape. 
This time I carefully measured the bodice area, armscye and the hip area against an old favourite Burda 8511; and made the necessary fitting adjustments to the armscye.  The fabric is a rather nice thin and very drape-y, but still a bit nubbly wool/polyester mix suiting fabric in charcoal marle.  For the cord casing around the “hole” I made bias tape from the same fabric.  The cord is a 120cm brown/black bootlace.
I cut the facing pieces from the same fabric so that the fabric selvedge edge forms the lower edge of the facing.  These pieces are not interfaced; I think the fact they are cut on the cross-grain, while the bodice is on-grain will provide enough stability to this area, and I love the softness of the finished bodice.  The neckline and armscyes are under-stitched and not topstitched.  The other raw edges inside the dress are overlocked to finish, and the hem is hand-stitched.

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