Tag Archives: Daily Outfit

White Shirt Day

Showing my support for this inaugural initiative by the Ovarian Cancer Research Campaign.  Wear a white shirt as a silent but visual show of support for women and their families affected.
Happily with my tastes, it’s pretty easy for me to lay a hand on a white shirt in my wardrobe…
Which brings me to Barbara’s White Shirt Challenge I started last year.  The brief was to make ten white shirts.  Well, not strictly ten, but just however many you wanted, exploring new and different patterns and techniques.  White shirts are dear to my heart, so I leapt on the bandwagon immediatemente.
So today I am wearing my second white shirt in the series, perhaps the only really “proper” white shirt I’ve made for this challenge so far?!  Thankfully Barbara created the challenge to be a flexible one, open to interpretation by the participants themselves.  Allowing one to go with few ivory and cream options also, which made it good for me with my colouring.  Pure white can be quite harsh on most women, just a lucky few being able to rock it gooood.  And I decided to allow myself to include tops and jackets as well.  This could be considered cheating, but I am still going to go there, why?  Because when I think “shirts” the classic button-up shirt is what springs immediately to mind, but I do not want to limit myself so severely in style as this.  Because I want to make and wear tops and jackets that are white too.  I wanted to consider my challenge to be more of a general exploration of white-ish or light-ish things that are worn on the torso or top half of the body.  So it seemed logical and OK for me to include these. But I also get that my version as stated there is a very inelegant and unwieldy name to have to fit onto a button….  so yeah.  Just “shirts” will have to suffice.
Anyhoo, I thought today an appropriate day to provide a quick summary of my progress in this challenge.  So far I have completed six white or white-ish, shirts or shirt-ish type things, displayed below.

And onto new sewing stuff; because we all love a challenge, I am also participating in Joy’s Bellbottom challenge.  See the adorable button at right?  Happily this is also one fitting in with my current plans for my winter wardrobe; a few pairs of jeans are always a necessary annual addition, and I’ve been quite inspired by one or two examples I’ve seen in blogland lately…  stay tuned.  At least I’m only making one of these…hehe.

Details:
Top; Burda 8497, white cotton
Pants; Burda 7944, gunmental linen, to see these pants styled in 6 different ways, go here
Shoes; Country Road

the White “Shirt” gallery so far…
below left; top”a” from Unique Clothes Any Way You Like, by Natsuno Hiraiwa: below right; Burda 8497

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Bracelet-sleeve jacket in raspberry

I finished my jacket for Sherry’s RTW Tailoring sew-along!  Finally…
Hehe, I wouldn’t blame poor Sherry for giving up on me in disgust, what with my intermittent effort thanks to pattern indecision, as well as the interruption of hiking trips and charity balls, both of which required some intervening sewing effort from me, but here is my RTW jacket, finally finished.  Of course eagle eyed readers will notice immediately that this is a completely different jacket from my original good intentions (snort).  No really, I still do intend to get onto that pattern and that fabric properly.  One day…
Now did I employ the couture techniques learnt from the wonderful Vogue 8333 in the making of this simple little thing?  (pause for effect..)  no.
I basically followed this pattern, and just made a few adjustments for fitting considerations.  Namely, took some width off those grid-iron shoulders, and removed considerable width from the top half of those weight-lifter-worthy sleeves.  
The thing I’m fairly proud of is that I only had about 1.3m of this raspberry-red hessian silk in my stash, enough for a good length skirt.  Not really enough for a jacket!  Thus the choice of this pattern, a simply proportioned cropped jacket with bracelet length sleeves.  And even so, my sleeves are about 5cm shorter than specified in the pattern, and I barely squeaked the pattern pieces out of my length of fabric.  And I had to leave off the pockets (sigh, I do love pockets…)

If you look at the front facings inside the jacket, you will see more evidence of my lack of fabric, see that triangular patched in bit?  It looks the same on each of the facings, and was necessary because I really didn’t have enough fabric.  Usually I hate that sort of messy piecing together of bits to get a pattern piece out of the available fabric, but every now and again it has to be done, in emergencies.  This was an emergency.  I even traipsed out to the fabric shop to get a bit extra of the same fabric… you guessed it, it had sold out and the colour was discontinued.  That will teach me, for hanging on to fabric for years before using it…  Thankfully the patch is completely unseen when I am wearing the jacket, or I wouldn’t have considered it.

The pattern incorporates a very interesting sleeve design, a design I’ve not come across before.  They are two pieced sleeves, but not the usual kind.  Instead, they have an under-sleeve seam, hitting right at the lowest point of the armscye, and a top of sleeve seam, running along the top of each arm.  The top shaping of the sleeve cap is enhanced by two darts.
Also, the coat has side pieces, with no side seams; resulting in princess-like seams on the front and the back.  So that under-sleeve seam doesn’t meet up with a side seam.  A unique design in my experience.  

The jacket is completely lined with raspberry coloured acetate lining. 
I chose not to block-fuse the entire jacket.  This is because I like my jackets to be soft and comfy, like a cardigan.  I used fusible interfacing on the front facings, the collar and on the hem allowances of the jacket and sleeves.
However, patched-together facing pieces aside, I do love my new jacket.  It is a colour I love, in a comfortable easy to wear style that I love.  I’m sure it will be appearing a few times here, come Me-Made June.

Details:
Jacket; Vogue 2894 with some fitting modifications, raspberry hessian silk
Skirt; Vogue 7303, olive green corduroy, to see this skirt styled in 6 different ways go here
Scarf; made by me, a re-fashioned Tshirt, see here
Top and tights; Metalicus
Shoes; Francesco Morichetti, from Zomp shoes

And if you are interested, below is the review of this pattern I submitted to Pattern Review…

Pattern Description:
Loose-fitting fully interfaced, lined jacket with collar, patch pockets and three-quarter length sleeves.  Pleated skirt, 2″ below waistline with yoke, side pocket opening and below mid-knee length.  I have made the skirt as well but this review is just for the jacket.
Pattern Sizing:
8-10-12, I used size 8.  I would usually fit a size 10, but the 8 is still quite a loose-fitting jacket on me.
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
yes
Were the instructions easy to follow?
very easy
What did you particularly like or dislike about the pattern?
The sizing runs quite big.  Even though I went down a size, the shoulders were still very grid iron on me, and the sleeves themselves so puffy as to make me look like a weight-lifter on my day off.
But after removing fabric off each of these areas I’m very happy with the boxy yet streamlined shape of the jacket.
I like that it didn’t require much fabric.  I only had 1.3m, from which I just managed to squeeze out the pattern pieces.  Admittedly, I had to make a small patch on the front facings, but I still managed to get out my jacket!
The design is quite unusual, which I really like.  The sleeves are two-pieced, but not in the usual way.  Instead there is an underarm seam, joining up with the lowest point of the arm-scye, and a top of sleeve seam, meeting up with the shoulder seam.  The sleeve cap is shaped with two darts.  I’ve never come across this sleeve design before.
The body of the jacket has side pieces, meaning there are princess like seams on the front and back of the jacket, but no side seams.  Meaning that under-sleeve seam doesn’t meet up with a matching side seam… interesting.
Fabric Used:
Silk hessian
Pattern alterations or any design changes you made:
Because of the grid-iron shoulders, I took off about 4cm off the width of the shoulders, and graded in the arm-scye and top of the torso area accordingly.  The sleeves are also very roomy.  I took in about 2.5cm from the width of the top of the sleeves.  I sadly had to leave off the patch pockets, and my sleeves are about 5cm shorter than the pattern, thanks to lack of fabric…
I chose not to fully interface the jacket, as I like my jackets to be soft.  I used fusible interfacing on the front facings, the collar, and on the jacket and sleeve hem allowances.
Would you sew it again? Would you recommend it to others?
Definitely I will sew this cute little jacket again!
Conclusion:
Great little pattern with some unusual design features, and very very easy!

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Me-Made June; a new challenge

I’ve signed to take part again in Zoe’s seasonal challenge, this time to be called Me-Made June 11.

I, Carolyn of “Handmade by Carolyn”, sign up as a participant of Me-Made-June ’11. I endeavour to wear as much handmade as possible each day for the duration of June 2011′

And I’m not going to be so hard on myself this time; I will not (sternly shaking my finger at my always-makes-things-too-hard-for-myself self) make too much of an effort to not-repeat.  Just maybe a small, teensy-tiny effort, to stave off boredom.  Hehe…
And since June is newly winter for us southern hemisphere dwellers I may have to pop on a few RTW thermals or Tshirts once in a while for a bit of extra warmth!  I may need to, I may not.  We’ll have to see how we go with that one.
See, here’s the dilemma, the same ol’ dilemma.  I have a collection of perfectly serviceable Tshirts and cardigans.  I like challenging myself to wear all me-made, but I still have to make use of the garments I’ve got, right?  Otherwise, I am just being wasteful of my current resources, er wardrobe.  It’s silly for me to go out and, source, say, black stretch fabric to make myself useful black Tshirts and cardigans, when I have some RTW ones already.  So, yeah…
And yesterday, with all the new technological lessons being introduced into my sad, old brain such as a) how to film myself, talking all by myself and b) learning how to upload a video onto YouTube (they didn’t teach this in school in my day), it slipped my mind that I had taken an outfit photo on our walk that morning.  So there it is, what I was wearing yesterday.  In the vlog too.  I’m just putting it in here, just because.  The weather has been such that one has to start the morning with a cardigan, but before one has got more than 100m on one’s walk one needs to take it off.  And then one needs it again as the sun drops below the yard-arm (there’s that random saying again, what does that even mean?)
And sewing-wise, I will just hint that I have been sewing up a veritable storm lately!  I have lots of newly constructed stuff to show, with which I’m extremely pleased… but I’m waiting for the right moment.  You’ll see soon.  Promise.

Details:
Dress; Vogue 1152, cotton chambray, details and a review of this pattern here
Scarf; re-fashioned from an old Tshirt, tutorial here
Cardigan; Country Road found secondhand, and dyed yellow by me here
Sandals; Anna, from Marie-Claire shoes

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Girl-y, with a bit of white

Like yesterday…. but super-creatively (hehe) substituting white accessories for black.
I wore this to the Alumni High Tea up at the college today.  A lovely afternoon of tea, tiny sandwiches and miniature cakes and lots of catching up with friends, some of whom I hadn’t seen in a while.  
The only just slightly funny thing was the flute of champagne on entry.  You always get presented with one upon entry at things now.  What’s with that?!  There’s something incredibly decadent and naughty about a glass of champagne in the afternoon, no?  When I attend a tea I really expect tea, not booze.  Nonetheless everyone at our table enjoyed the champagne too….  😉
Now, tell me what you think… taking photos in Perth can be really challenging at times because the sunlight is soooo bright here.  Forcing the amateur DIY photographer like me to seek out shady spots as much as possible…  Apart from cropping which I always do I don’t normally alter my photos a lot.  I once blurred out a person in the background, and once a stray bra-strap, but usually the photo is as is.  Sometimes I reduce the exposure, because of the aforementioned brightness factor.  Today I tried experimenting with the contrast to get a sort of washed out antique-y look.  My children like the original (above), I thought the altered one below looked more interesting as well as showed off the outfit better which I think should be the point… which photo do you prefer?  I would love to have photoshop to play with, but I don’t want to present a false picture of my work or myself…  Opinions?
Do you prefer arty, or true-to-life?

Details:
Dress; adapted from Vogue 8555, printed cotton, bodice of my own design details here, and a review of the pattern here
Cardigan; Picnic
Necklace; Diva
Sandals; Franco Burrone, from David Jones

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Girl-y, with a bit of black

My sister in law S’s birthday today, so I took her out for afternoon tea; cake and a chin-wag.  Girly stuff. We would have liked to squeeze in a bit of shopping too, but we both had had a jam-full day… hopefully next time.
So far I’ve just worn this very girly pink lace dress with light soft neutrals for spring and summer, and I wanted to see how it stood up to being mixed with darks, for the cooler months.  I think it works OK with charcoal and black, what do you think?  I think the trick to mixing a powder-pink very delicate spider-webby lace like this with strong darks is to keep the touches of charcoal/black equally as light, delicate and feminine as possible, because a dress like this could easily be overwhelmed by strong colours.  So I picked my strappiest black sandals, a very light and little charcoal cardigan, and my necklace of graduated polished iron-ore balls, a noir twist on the more traditional ladylike pearls.

And for Perth readers, Janet very kindly left me a note yesterday to say that Pattern Magic 1 and 2 in English are available at Subiaco Books.  Thank you so much for your comment, Janet!  
I will add that I have also seen the English version in Dymocks in Melbourne, so maybe they are in the odd Dymocks store elsewhere too…   It made me smile to have a look through it, as I have only the Japanese version myself.  All those mysterious and very intriguing Japanese notes and instructions dotted everywhere throughout the book, which seemed to promise in the artistry of the script all the secrets of sculptural pattern manipulation and Japanese couture that I felt if only I could divine their meaning I would gain some sort of sartorial enlightenment and rise up to a new higher plane of sewing mastery…  Well naturally upon reading the English version I was highly disappointed to find out actually translated to things like “back”, “dart”, “fold” and “cut 2” and so on and so forth.  Absolutely no earth shattering to be had…  Laugh!  
But seriously I still recommend this series to the serious seamstress.  The garments are not all conventionally wearable, but that is not the point.  I think of them as like sewing textbooks, akin to a musician practising scales to improve technique.   Working through the Pattern Magic books is sure to increase your pattern manipulation and adaption skills, as well as understanding the ways in which interesting sculptural details can be incorporated into a garment.
Also thank you to everyone who has left a link to the pattern for Pippa Middleton’s bridesmaids dress.    

Details:
Dress; modified Simplicity 3745, pink lace and pink border lace, sewing details of dress and petticoat together here
Petticoat (underneath); Burda 8071, pink silk satin
Cardigan; Country Road
Sandals; Micam by Joanne Mercer, from Hobbs shoes
Necklace; iron ore orbs, souvenir from Egypt
Bag; Louis Vuitton
Nail varnish; Blackest Black, Revlon

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Back to my usual haunts…

… and back with my usual walking companion   🙂
I think she’s missed our little outings.  She sure was happy to get out and about this morning, and was quite the scamper-puppy.
It seems to me, from casual convo’s with my friends, as well as reading opinions from out there in blogland, that autumn is possibly the most favourite season of the general population.  It certainly is mine.  This kind of weather is just so glorious one becomes stuffed full of feelings of goodwill and joy and love of life just by the simple act of going outside.
It was unsurprising to learn that we have just had the sunniest April on record (after a completely sunny March also), and that more of the same is on offer.  And a bit amazing, since we got rained on so heartily the last few days of our walk, well c’est la vie…  So ironic, no?
Not that I’m aiming to gloat about our lovely weather, well, not intentionally anyway, but take a squiz at our weekend’s 7-day forecast below…  I’ll have to make more excuses to get outside this week, which is going to take some doing given that the office needs opening up again, and sartorially I have a ball-dress to plan… eeek!

Details:
Shirt; adapted from Burda 7767, cotton chambray, details here
Skirt; Vogue 7303, orange hessian silk, details here
Belt; Country Road, had for yonks
Necklace; made by me from knotted rope, tutorial here
Shoes; Betts&Betts, had for yonks
(temperatures below in Celsius, natch!)

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Red and turquoise

I spotted this image at right of a Nina Ricci look in my Vogue magazine and became kind of super inspired by the mere idea of red and turquoise together.  Actually, my turquoise skirt here has had a new little lease on life since I wore it during me-made March here and has once more become a prominent piece that I am becoming more and more interested in wearing again, and in lots of different ways.  Hmmm, do I sense another re-mix here?… quite possibly.  I do feel like it was a well-made skirt to start with (if I say so myself) and it feels quite luxe when wearing it, which sounds weird since it is just polyester-y type stuff.  But the fabric has a weight and body to it that just makes it feel classy.
Also, in the progress of my jacket; don’t worry, I have not given up on my hand-tailored jacket ambitions.  However, I got together with a group of good friends last night and brought my fabric and pattern out and honest opinions were aired, and the advice from all co-incided with that from Mary Nanna (as well as my own persistent and nebulous feelings of disquiet) that this was the wrong pattern for this fabric.  Or, the wrong fabric for this pattern.  Both.  So, I am still going to make a jacket using Vogue 8333, and I am still going to make a jacket using this fabric, but the two will be separate projects.  Of course, there is nothing at all from stopping me from taking the custom couture tailoring lessons I learnt from the excellent Vogue 8333 instructions, and applying them to any lined jacket pattern, right?  That Vogue pattern was sooo worth the cost, simply for the absolutely fantastic sewing lessons contained within the instructions, I’m so glad I got it and gave it a try.
So, I think now I will participate in the sewalong properly, making a proper RTW jacket as per Sherry’s instructions, using some other fabric from stash.  Luckily, I have no shortage of this, no shortage at all…!  😉

Details:
Top and cardigan; Metalicus, cardigan found secondhand
Skirt; Vogue 1023, turquoise synthetic stuff, details here
Shoes; Betts & Betts.  
Disclosure, I couldn’t wear these shoes for long as I am developing a blister!  Yikes, a blister is such a disproportionately debilitating little thing when a long hike is forthcoming, which one is, and that thing has to heal, and fast!  So it was back to the old thongs for the rest of the day…

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Autumnal shades, and a dilemma

Just been enjoying those lovely fresh autumnal days lately, feeling the sunlight warm but not harsh on the skin, breathing in that fresh crisp air.  When the days are just that little bit fresher like today I get to employ one of my favourite outfit styles; layering a few thin cardigans together to get a bit of a autumnal colour palette happening.  I just love these rich warm colours together, I think they are “me” colours, and I’m happy the weather is cool enough for me to wear this great dress again.

Details:
Dress; Burda 8511, with minor modifications and lined, purple raw silk (hessian silk?) seen first here
Apricot cardigan; Metalicus, found secondhand
Khaki cardigan; Country Road
Scarf; refashioned from an old Tshirt, seen first here, tutorial here
Shoes; Betts & Betts, had these for about twenty years

I went out and bought a few extra supplies for my Vogue 8333 jacket; the horsehair canvas and the silk organza for the underlining.  Something I have not got yet though is the lining and this is because I have hit a bit of a dilemma; when I looked at the silk linings I still couldn’t decide which side of this fabric is to be my right side…  When I first spotted this fabric in Japan I knew it was The One, and I initially was drawn to the wrong wide of the fabric, which is the darker side.  It is mostly a very dark charcoaly-brown, almost-but-not-quite black, and showing through is the multicoloured thread of the other side, coming up as dots of coffee, beige and bone.
However since I got home and have looked at it a few more times, the right side is starting to grow on me too, a rich mixture of all the warm shades of coffee, caramel and bone, and with a hint of metallic gold sparkly thread every now and again which probably doesn’t show very well in my picture below.  The golden sparkle was the initial turn-off to me for using this side out as I’m not sure if a sparkly coat, even a subtly sparkly coat is really “me”, but the warm cosy browns are kind of appealing to me a lot right now.  It would certainly be a more interesting jacket and more out of the ordinary.

Thoughts anyone?
In fact, I will admit that actually the sheer beauty of this fabric is crippling me somewhat… the prospect of stuffing up is causing a mild case of paralysis.  When you have cheap fabric and an easy project it’s very easy to slice straight into it and whip something up, and the confidence and lack of worry one has simply because of the cheapness of the fabric and the easiness of the pattern, often insures a good dressmaking result.  On the other hand when one is facing magnificent fabric and a difficult pattern, the looming menace of failure sits on one’s shoulder like the little old man of the sea….

Does anyone else ever get flummoxed by the crushing responsibility of not ruining a too-beautiful fabric?
(I will confess to fleeting thoughts of going and buying less gorgeous fabric for this project, just to avoid making a terrible mistake…. !!!  this has not been ruled out!)

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