Tag Archives: Daily Outfit

An ever-changing backdrop

Those who are familiar with my efforts in these seasonal me-made challenges might remember that I usually employ a variety of settings in my photographs.  For several reasons:
-I like interesting and beautiful photography (not that my photographs are either interesting or beautiful, but I enjoy trying)
-I love nature, and the great outdoors, and am out in it everyday, anyway
-A beautiful backdrop will will enhance any outfit
-There are so many beautiful places around, it seems silly not to make use of them
But the sharp eyed will notice a creeping sameness to my photos, this time around.  I just thought for this Me-Made June 2011 challenge, and since lighting etc is not so important to show up the colour and/or dressmaking details for items that I have posted about previously, to simply set up in the same spot each day, on the same point of my walk, so, roughly the same time each day also.  It will simplify things if I have a routine to follow, and I can rely on the ingenuity of mother nature to provide the interesting variety in my background.  Plus, weather, and how it is in other parts of the world interest me greatly in other people’s photographs, and I thought it might be cool to have a daily record of the river-and-sky during this first month of winter for me to look back on too.
Although by this point I was hoping for at least one photograph in which an umbrella might be called for;
yes, it rained a bit on the first of June, but all those promising looking clouds in my photos since then have come to nought…

Details:
Dress; an adaption of NewLook 6699, various cottons, details here
Hooded cardigan; my own design, handknit with Jo Sharp Silk Road DK Tweed in Ambrosia, details here
Socks; handknit by me, details here
Shoes; Francesco Morichetti, from Zomp shoes

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Some thoughts on corduroy jeans

Dressing down,  (and a dressing-down; my husband said, looking at this photo, hmmm, not your best look… thanks darling…)
These corduroy jeans are not really wearing well at all, and are now my equivalent of tracky-dacks.  They are still quite warm, but the fabric is thin and not very stretchy, so bags out rapidly in places where one does not want one’s jeans to bag out.  Sad, because I was so pleased with these, and thought they’d be good ones for mixing and matching all winter long.  The colour was just right.  And I only made them last year, so you’d think they would last a little longer, right?  But quality shows, my friends, quality shows…
I adore corduroy jeans.  They are so comfortable and warm; more comfortable that denim, and a lot warmer too.  So much more practical for winter.  I loved wearing them as a child, and I dressed my own children in corduroy jeans during winter all through their childhood.  I loved seeing my children in cords and white Tshirts; such a cute look, and just what little children should look like.  But of course kids look cute in whatever, even cords with baggy bottoms and knees.  Adults, not so much.

I think I need to find myself a supplier of quality corduroy.

Details:
Jeans; Burda 7863 with modifications, bone corduroy, details here
Top; adapted from top “a” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, blue shot cotton, details here
Cardigan; my own design, knitted from Jo Sharp Silk Road DK Tweed in Brindle, details here (button made by my Dad!)
Socks; (not seen) old and comfy ones, also handknit by me,  here
Shoes; Francesco Morichetti (uggies all the rest of the day at home though)

Later edit:  You know what?  This outfit and these jeans actually do look so much better, more appropriate, with my ugg boots.  But I’m not taking another picture; just imagine ugg boots on the bottom…

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Useful shoes

I know what people might be thinking; does she even have any other shoes?  Well, of course I have.  People who visit this blog regularly will know I have a veritable plethora, in fact the last time my mother visited and I mentioned a desire for a pair of new black high heeled boot/shoes, something that had go with dresses and jeans, I think I might have overheard something about Imelda Marcos mentioned in muttered undertones.
So I abstained.
Happily, these shoes do seem to go well with both dresses and jeans, and are very comfortable for dog-walking and well, all my daily activities.  They are my current favourites.  But I should try to mix it up more, true.  My other shoes will be getting jealous.
While the shirt is a recent creation I made my skirt years ago.  The fabric is handwoven by Mum so it is quite precious to me.  I just love the lower fringe of warp ends.  She was slightly horrified I didn’t hem them under properly, but I like how they look and wanted them on view!

A quick styling note: (not that I am any styling expert, hehe…)The top of this skirt usually sits at medium hip level, and the lower “fringe” sits at about about knee length.  But for today I swivelled the zip around to the front, overlapped the open zip and hoinked the top together with a safety pin so it is sitting up at my waist level, which has shortened the skirt to a length which I think looks better with these shoes….  And I don’t think you can even see the slight fold in the front of the skirt, can you?

Details:
Shirt; I used elements of several patterns to get the look I had in mind, so I’m going to call it my own design.  Black cottony stuff, and the dress-making details are here
Skirt; Vogue 7303, fabric of various yarns woven by Mum
Belt; from a long gone pair of cargoes
Tights; Kolotex
Shoes; Francesco Morichetti, from Zomp shoes
Sunnies; RayBan

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Twirled piece

Claudine said, spin.  I said, OK then.

Details:
Shirt; Burda 8497, white cotton, details here
Skirt Vogue 8296, cream wool printed with khaki brush strokes (divine but one of the most expensive fabric purchases I’ve ever made) and lined with silk.  Yes, this is my good winter skirt.  A better non-spinning view here.
Socks; knitted by me, white cotton, details here
Trench coat, in case I got cold (I didn’t, spinning is kinda warming);  Burda 7786 modified to be double-breasted, details here
Shoes; Francesco Morichetti, from Zomp shoes

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The second of June

…as it is here.   Il secondo di giugno, as it is in Italy.  June two, as it is in the USA.
The second day of Me-Made June 2011.
Please enjoy my autumnal roses in an old coffee-jar from our own garden, pictured below.  This is why I am so enjoying my daily washing-up lately, with this to look at.  You see, our rose bushes haven’t yet got the memo that it is winter and still think it’s autumn, so are producing their second flush accordingly.
Tres jolie, oui?
And why is it, do you think, you don’t you ever see charming, olde world blooms with this particular brand of random, haphazard loveliness in the florists?

Details:
Top; top “b” from Unique Clothes Any Way You Like, by Natsuno Hiraiwa, white cotton, details here
Jeans; adapted from Burda 7683, rusty corduroy, details here
Jacket; Vogue 2894 in raspberry silk, details and a review of this pattern here
Socks (not seen); also handknit, exactly the same ones as yesterday.  Well, I was wearing them over tights, so I figured they weren’t really dirty….
Shoes; Francesco Morichetti, from Zomp shoes

dog; attired as yesterday

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Today is lots of days…

…rolled up into one.
Firstly, and most importantly; today is my brother’s birthday.  Happy Birthday, D!  D is my middle brother, and here’s something funny… our girls shared one year at the same school, and at the first school function my friends all spotted this man in the crowds of other parents and knew instantly on first sight that he was my brother.  So I guess we look very alike!  D is a great Dad, a wonderful Uncle, and a fantastic brother.  I hope you found your prezzie last night.  Hint: look in your letter box…
Secondly; today is the first day of winter!  Thus my gloomy picture, matching the gloomy clouds above  (sigh)… but everyone is cheering for the few inches of rain we have had in the past few days.  Here’s keeping fingers crossed for lots more, and a good year for our farmers.
And finally; the first day of Me-Made June!  Well, all is me-made here except the underthings.  And tights.  Tights are almost like underthings, right?
A random observation; thick tights plus thick hand-knitted socks makes for kinda tight shoes!  No matter, my tootsies are snuggly warm….

Details:
Dress; Burdastyle magazine 05-2010-111 with minor modifications, plaid brushed cotton, details and a review of this pattern here
Skirt; Vogue 7303, olive green corduroy, to see this skirt styled in 6 different ways go here
Tights; Metalicus
Socks; handknit by me in Morris 4ply “Russet” here
Shoes; Francesco Morichetti, from Zomp

dog self-styled with her own fur coat

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Pattern Magic, revisited

This is my second attempt at this pattern; the design from page 10 of Pattern Magic by Tomoko Nakamichi; my first was here.  I loved the design, but unfortunately that first dress was kinda disastrous.  Firstly, I didn’t love the fabric I had used, which was a super-cheapy thick-ish polyester selected for its colour only from the remnants table.  On top of the doubtful quality of the fabric and the fact that it didn’t drape very well, my finishing off of that dress was of equally doubtful quality…  I didn’t have enough of the blue to cut facings, and used instead a tobacco coloured fabric, a too-thin and also-nasty scrap of polyester.  And I didn’t fit the dress properly to myself, and allowed too much seam allowance around the armscye, but sewed a normal width seam allowance, resulting that the dress dug into my armpits in a painful and irritating way, and to unpick the stitching plus understitching around the armscye just seemed all too difficult, since I had sewn them up scrupulously well, and combined with the nasty fabric quality… (deep breath)  I guess in hindsight I was treating the dress like a muslin, which is how it turned out as I wore it precisely two times.  I know, I’m embarrassed by my wastefulness, too…  I can only hope that someone at the Salvos with smaller arms than me saw something good in that thing…
Enough with the saga of sewing failure…
The good news is that I still loved the design enough to really want to have a go at a better one, using nice fabric.  Et voila!

side views (one is more interesting than the other…)

Details:
Dress; drafted from the Japanese pattern book Pattern Magic by Tomoko Nakamichi, in slightly nubbly, charcoal-marle polyester/wool suiting
Petticoat; (honestly can’t really remember the pattern I used for this), black satin, another picture here
Top and tights; Metalicus
Boots; Andrea and Joen, from Uggies in Dunsborough

back view

Dressmaking details:
There is only one front piece and one back piece, but the shape of the pieces is such that the bodice area is on-grain, but the skirt section is on the bias.  Resulting in that lovely ripply drape. 
This time I carefully measured the bodice area, armscye and the hip area against an old favourite Burda 8511; and made the necessary fitting adjustments to the armscye.  The fabric is a rather nice thin and very drape-y, but still a bit nubbly wool/polyester mix suiting fabric in charcoal marle.  For the cord casing around the “hole” I made bias tape from the same fabric.  The cord is a 120cm brown/black bootlace.
I cut the facing pieces from the same fabric so that the fabric selvedge edge forms the lower edge of the facing.  These pieces are not interfaced; I think the fact they are cut on the cross-grain, while the bodice is on-grain will provide enough stability to this area, and I love the softness of the finished bodice.  The neckline and armscyes are under-stitched and not topstitched.  The other raw edges inside the dress are overlocked to finish, and the hem is hand-stitched.

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A little bit of Lagerfeld

Filling another (so-called) must-have void in my wardrobe; the little black skirt.  I do have a charcoal skirt already, that is a much worn little thing, but the classic black was missing; well, no more.  I really made this about a month ago, and am only now getting around to wearing it and photographing it.  With Me-Made June floating around soon I thought I’d better get onto keeping up with documenting my actual sewing in these posts, I still have a few newies that haven’t appeared here yet…
So now I have my classic black skirt I should be set for winter, although as Donna rightly pointed out yesterday I rarely wear the “classic white shirt” much either.  Maybe I’m not classic enough?  Paradoxically I often find my more out-there and distinctive garments such as my bright orange skirt, a lot easier to work into my daily ensembles.  Hmmm, ridiculously still don’t really know what my “style” is; this requires more thought…
Whastevs, I always intended to have a go at this allegedly Karl Lagerfeld designed skirt from the 10/2010 issue of Burdastyle magazine, the reason I bought this magazine, actually.
I used up another piece of leftovers from my stash, this a piece of black gabardine leftover from a long gone skirt I made back in 2007.  Yah, ’bout time it got used up, huh…?
I feel hugely and disproportionately chuffed when I do reduce the stash, especially when it’s a piece of fabric I’ve had this long.  And, confession time, the stash is still getting added to, all too frequently…  it’s like a one step forward, two steps back kind of thing.  I wonder if I will ever be at a point when I have no fabric, and need to go fabric shopping?  Hard to imagine… (insert literal lol here)
Back to the skirt…
I did incorporate a few modifications, as usual.  The blindingly obvious is that I lengthened it by about 12cm, or as much as my piece of fabric would allow me.  Would you look at the skirt length on that model?? (at right)  Granted, she could be over six foot tall, but still.  Almost more like a belt, really.  My husband has a term to describe skirts like that, but I won’t reproduce it here… family viewing and all that…
Another obvious modification I made is to the back of the skirt; if you look at Burda’s line drawing you can see the original design has a gathered elasticised waistband at the back.  Gathered elasticised waistbands are an anathema to me.  Like, no way…  So I made a slightly curved back waistband fitted to my waist, and dealt with the fullness of the skirt by incorporating two big inverted box pleats, sewed to about 7cm long, in the usual dart position.  Pretty pleased with how this looks too.  I like my version, a lot.  I think the pleats are far more pleasing to the eye that a gather would be, and the look of them fits in a lot better with the look of the front of the skirt, which has some pleating too.
The other modification; a minor one, is to increase the size of those laughably small inseam side pockets.  No kidding, those pockets as they were were designed for children.
So there you have it.  My new skirt, a little bit of Lagerfeld in my wardrobe!

Details:
Skirt; Burdastyle magazine 10-2010-136 with some modifications, black gabardine
Shirt; Brown Sugar
Cardigan; Allude, from Ricarda
Tights; Kolotex
Shoes; Misano, from Labels

Above and below; the buttons are decorative, closure is by hidden snaps sewn inside the front waistband
The back view, with box pleats sewn in the skirt back instead of the gathered elasticised waistband

Below is my pattern review…

Pattern Description:
Trouser styled mini skirt with front creases, front fly zip and extra-wide hem-cuff/turn-up.
Pattern Sizing:
34-42, I made a size 38
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
yes, except that mine is about 12cm longer.
Were the instructions easy to follow?
Pretty easy.
What did you particularly like or dislike about the pattern?
I particularly like the “trouser” styling of the skirt. It’s a really tailored kind of looking skirt, and yet still manages to look cute and funky.   The front pleats are sharp; in the cool and stylin’ sense of the word…  I also love the interest of the little flaps over the front pleats.  The turn-up at the hem is yet another interesting feature in a little skirt packed with interesting features.
I didn’t like how the back was to be gathered into an elasticised waistband, but that is just my personal taste; I loathe elasticised waistbands with a passion.  So I modified mine to be NOT elasticised.
Fabric Used:
Gabardine, the sort men’s business suits are made of
Pattern alterations or any design changes you made:
I lengthened the skirt pieces at around hip level,  by about 12cm.  The original is SHORT!
To replace the elasticised waistband; I made a slightly curved back waistband fitted to my waist, and folded and sewed box pleats (7cm long) on each of the skirt backs in the usual dart position, to take in the extra fullness of the skirt pieces into my waist measurement.  I really like how my skirt back turned out, much much better than an elasticised waist… sorry, Mr Lagerfeld.
The inseam side pockets as they are, are tiny, so I made mine a bit bigger.
Would you sew it again? Would you recommend it to others?
I’m sure when this distinctive little skirt is worn out, I will sew a replacement!
Conclusion:
I bought this issue of the Burdastyle magazine, just because of the Lagerfeld patterns, and this skirt didn’t let me down.  I adore the styling of it!  It is tailored, classic and smart, and yet has interesting and distinctive features.  With that bit of added length I think it would make quite a witty office skirt too.

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