Tag Archives: Dress

Cherry velvet cocktail dress

Went out to my bookclub Christmas dinner last night and ta-dah, this is what I wore.  My hair only looks this nice because it was styled by my hairdresser, I am sadly incapable of achieving this look on my own.  My efforts with my hair always end up with wild crazy hair and me vowing to leave nature alone in future.
I made this dress about four years ago, maybe more, I really can’t remember.  It was when the wonderful Fabric Warehouse in Myaree was still open and they had this absolutely gorgeous crinkled velvet there.  I fell in love with this fabric, and I’ve never seen the likes of it since.  I chose the pattern New Look 6035 view A (the red one seen on the pattern cover above) because its wonderful simplicity would show off this fabric to best effect.  I’ve worn this dress several times and it always has a great impact;  I also lent it to my friend J to wear once and she paid me the great compliment of saying how much she loved it too (and wanted it if I should ever throw it out!)
The shoulder straps are simply dark cherry coloured thin ribbon, again for simplicity’s sake.  I always keep my accessories very simple and neutral when I wear this dress as I feel the fabric makes this one a bit of a show-stopper just in itself.  Laughably easy pattern, I remember I made this dress in just a few hours on the afternoon of the night I first wore it.

Other details:
Shoes; Alannah Hill, second hand shop
Cardigan; MNG suit, second hand shop
Bag; gift from my parents

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Classic and cool

I think of this dress as my “indestructible” dress, as no matter how roughly it gets treated it washes up as fresh looking as the day it was made, about three or four years ago.  It must be the polyester crepe; crease resistant, stain resistant, pill resistant, tough and sturdy.  I used Burda 8511 and laid the front and back pieces down crosswise (hemline on selvedge) to get the border print right and with the back piece on a central fold to eliminate the centre back seam (which would have broken up the print).  I moved the invisible zipper to the left side seam and sewed the darts in the back much deeper and longer, to improve the somewhat sack-like appearance of the original pattern.  The hem is minimal, to get the dress length and placement of the border print just where I wanted it.
Obviously the indestructible dress has been quite useful in my wardrobe.  In its heyday it was deemed dressy enough to wear with heels to smart lunches and fashion parades, now it serves as an attractive daytime knockabout dress for hot weather.  Sometimes a perverse side of me wishes it would get shabby, or suddenly show a hole or a spot that won’t come out, then I could freely evict it with no guilty conscience.  But it keeps coming up from its wash; spotlessly white, crisp, all classic looking and glamourous, so back into the wardrobe it goes.
OK, you can tell I’m a little bored with it, but its just too damn useful to ever frivolously toss out.  And on a sweltering hot day it’s the one I sigh with relief when I spy it lurking amongst the other dresses in the wardrobe, “Oh, yes, the perfect dress” and grab it for yet again another day out…

Other details:
Sandals; Sportscraft, from David Jones

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“Duro” dress

I made this dress from Simplicity 3745 view C (no bow), out of spotted swiss cotton voile with a crotcheted lace trim.  I was inspired by the “Duro” dress that was touted in Vogue magazine as being flattering to all figure types.  Well, I dispute that theory, as when I first put on this dress to show my family they all said it looked like a maternity dress.  And I looked pregnant.  Well, no thank you very much!  I’ve already been there done that (quite a few years ago) and it’s not a fashion look I’m aiming for, actually!  So I sewed down the pleats in the back to try and slim it down a little (see picture below).  I thought this improved the look of the dress a lot.  I also added big pockets, both for practicality and to add interest to the front of the dress, and lined it with plain voile as the single layer of swiss voile was completely see-through.  Even with this lining it is still a light floaty dress and will be cool to wear on hot days.  I’m particularly happy with the look of the crotcheted lace trim.  Can’t get past my love of white lace…
Today I’m meeting the Monday morning gals for lunch at Cottesloe beach, as its our last Monday before the school holidays we may only see each other sporadically for this time.  Some of us are going to the beach for a swim first; well, I intend to swim even if none of the others do!  Others may just sit on the beach looking pretty.  That is definitely not my thing.

Other details:
Cardigan; Metalicus
Necklace; souvenir from Murano, Venice
Shoes; Sandler, op shop

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Dress with weird bodice…

I made this dress for last winter from Burda 7897 from a dark olive green bamboo/cotton mix fabric from Fabulous Fabrics.  It was a pretty good basic dress that I wore a lot, but the bodice was a bit weird and I always ended up wearing a scarf or stole over it as I am for this picture.  I’m not sure why it was such a flop; literally, as well as metaphorically.  Maybe it was designed for a big-busted woman, but even if so the bodice wasn’t too big for me, just sort of baggy and drape-y in an unattractive way, as you can see in the picture sans stole which I included for honesty’s sake.  
As for the rest of the dress; I liked the flippy nature of the skirt, and the length and simple style of the sleeves, the pattern for which I’ve used in several other dresses and blouses.  I also decided that I wanted to line the whole dress with bemsilk for warmth, the provision for which wasn’t in the pattern instructions.  However I plowed ahead anyway, and eventually managed to get it together with a lining, this really improved its wearability in winter.
I may make this pattern up again, but I would modify the bodice drastically if I did.  I’m not sure how, but I’ll have to get to work on Bessie one day with some fabric scraps and sort something out.  I think it would look a whole lot better if it was a bit more fitted up top.
Keep you posted…

I wore this to a casual cocktail party last night with my new shoes from Iceland which I am totally in love with.  In fact I am planning most of my future autumn and winter wardrobe around colour schemes in honour of these shoes, that’s how much I love them!

Other details:
Stole; d/lux, from Calico and Ivy
Belt; emu leather, bought from Luxe
Shoes; KronKron, from Iceland, bought online

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Achieving a perfect fit (thanks to Bessie)

I decided last night to wear this dress today, long before I remembered it was Remembrance Day.  Seemed fortuitous when I saw the RSL poppies being sold on the streets.
This dress is derived from McCalls 4453 view C, which is actually a halter neck top pattern.  However there were many things I wanted for this dress that didn’t correspond with the pattern, so I really only used the bodice fronts from the pattern and the rest was designed by me using Bessie, the dressmaker’s dummy.   The bodice is quite close fitting, with no elastication.  Also the skirt has been elongated, and altered a lot.  Actually I just typed in a whole paragraph detailing how it was altered, and reading it through I decided it was boring, so deleted it!  The result is my own vision, originally intended for a beach dress, but great for a light summer dress too.  The fabric, bought on super special from Fabulous Fabrics, is blotchy red and pink polyester chiffon, with multicoloured and silver sparkles all over.
I really like my colour scheme today, with just a touch of  black.  As a rule I don’t like black and red together as it makes me think “emo”, but I think the stone white of my cardigan makes it all OK.
My sister-in-law asked in a comment how I found the sizing of New Look patterns.  I find them to fit fine, with my usual adjustments.  Through trial and error over the years, I now manage to achieve perfect fit on my own garments pretty much every time.  I’ll summarise my procedure on sizing my own clothing just in case this helps others:

I always use as my starting point the sizing recommended on the pattern envelope.  Depending on what you are making, either the bust, waist or hip measurement will be the most important consideration.  For top and blouse patterns the bust size is crucial, for flared skirts the waist size is crucial, and for more fitted skirts and pants the waist and hip sizes are the most important measurements to consider when choosing your pattern size.
During the cutting stage I take into account my own personal body shape.  All women will have a pretty good awareness of their own shape, and will already know if they are pear-shaped, hourglass, boy shaped or petite (lucky you), round, top heavy, etc.  I myself am slightly pear-shaped.  I take a smaller size blouse or top than I do in pants or skirts.  So, when I am trialling a new pattern of a dress, I generally adjust by cutting the top to my (smaller) bust and waist measurement, then from the waist to hip taper out to the (larger) hip measurement.
To use another example, for a woman with a big bust but small hips, she may cut her tops to her larger size bust, but taper down to a smaller size going on down to the hip.
Patterns usually have the waistline marked, and the hipline is sometimes marked, you may have to work this out yourself but its generally at the widest point below the waistline.
No matter what garment I am making, I usually fit the pieces to Bessie to check during the sewing process, and/or try them on myself several times also to check if everything fits where it should.  I do the fitting for a garment before I do any seam finishing (overlocking or pinking) or ironing, as adjustments can be made quite easily during these early stages.  Once I am satisfied that the garment fits everywhere it should, and I’ve made the necessary adjustments through the addition of darts, letting out seams or whatever is required, I complete sewing the seams and finishing.

Other details:
Cardigan; Morrison
Beaded thongs (flipflops); bought at some little shop in South Africa
Poppy; for Remembrance Day

 

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A spy is amongst us…

Hey ho, it’s Saturday.  We didn’t get to go to the art exhibition last night but that’s OK.  Around at my brother’s yesterday afternoon they had set up karaoke for my niece’s birthday party, and we mucked around on that for a bit before the girls got there.  Hilarious!  I tried to do “Bat out of Hell” and realised that Meatloaf really had a very good voice after all.  Boy that’s a difficult song to karaoke to!  Furthermore, it was demonstrated why it was a good decision for me to drop out of choir.
This dress I’m wearing today is a recent creation.  It’s New Look 6699, with a few modifications.  Namely the bodice with strap arrangement in the pattern was reshaped into a proper one-piece bodice front and back, and instead of gathering the bust section into the midriff I made three tiny pleats each side.  I inserted a sash to be tied in back of the midriff, and moved the zip to left side seam.  The skirt is flared slightly more that the “straight” one in the pattern.  The best modification is the addition of these huge pockets!!!  Major upgrade of the dress!
I really like the two contrasting fabrics I used, each is white based, with splashes of unusual “ugly” colours and a touch of black.  The necklace adds to the overall random hodge-podge effect.
Confession time: when I made this dress I used an invisible zip I had already, and it really was not long enough.  Meaning that when I take the dress off it would make a hilarious spectacle to an casual observer.  Sort of like a mad battle with a strait-jacket. 

The close up photo of the pot below shows my little spy, who is not visible in the other photo… 

Other details:
Necklace; Surf shop on Rottnest Island
Sandals; Micam by Joanne Mercer, bought at Hobbs

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Space Age nun

When I saw this heavy, slightly shiny fabric at Fabulous Fabrics I immediately visualised this dress.  I pictured something severe and unusual.  When it was finished and I first put it on and looked at myself I immediately thought, “Futuristic nun.”  Sort of what Sister Perpetua on board a space station like Battlestar Galactica would be wearing, say.  Still, I really like the dress, and feel it’s quite unusual and perhaps it will help me get in touch with my inner sci-fi geek.
The dress is basically Burda 8511 with some modifications.  Namely the centre back seam was eliminated to make the back one piece, and the front and back panels were cut with no shaping down the side.  I sewed the front shaping darts, but not those on the back.  I inserted shorter white panels inside the side seams, inset under the front and back panels by about 2cm and with an inverted pleat at the underarm seam.  The final effect is of a white slip underneath a heavier tunic.  I had enough of this white fabric leftover to make this top.  The dress has no zips or buttons as it’s loose enough to just pull over my head.  The white velvet ribbon is simply sewn inside the side seams at the waist and tied to bring the whole thing in together and give it some shape.
The pendant is one that was given to me by my parents probably back in the mid seventies.  Its pewter, made by Jorgen Jensen of Denmark, and has a poem inscribed on the front.  It reads as follows:  

Mind these three: 
T.T.T. 
Hear their chime: 
Things Take Time.
Isn’t that lovely?  Just the sort of advice a future nun might impart…
Other details:
Shoes; Perrini, bought quite a few years ago from I don’t know where
Pendant; Jorgen Jensen of Denmark, gift from my parents
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Turquoise, chocolate and cream

I went out for breakfast with the Monday morning gals in Bicton at a lovely new cafe this morning so wanted to go for something smartish in my apparel. 
 I started planning this outfit with my beautiful Italian sandals bought on super special from Zomp last year. The sandals are bright turquoise with a gorgeous crackled effect on the (chunky!) heels in chocolate and cream, thus determining the colour scheme for the day. 
I made this dress at the beginning of the year to be a useful little basic dress but I ended up rarely wearing it as it felt a bit boring.  However I tried it on with this ruffle hemmed petticoat during my wardrobe clean-out and it suddenly looked quite stylish I thought!  The pattern is Burda 8071, view B, a good basic sundress pattern that uses very little fabric.  I’ve made probably four or five dresses out of it over the past few years.  The fabric I used for this one is cream broderie anglaise cheesecloth.  Having worn it today quite successfully and comfortably I’ll definitely put it to better use than its had up til now and just learn to add to it so its not so plain!
Today I flew totally out of my comfort zone and changed my earrings (gasp!)  I do this very rarely!  Decided that I really need to accessorize a bit more, as when you look at the pictures in fashion mags its often the jewellery and other little details that can make or break an outfit.  I also needed to pick up the turquoise colour of the sandals somewhere else in my ensemble.  Hence, out came this lovely silver and turquoise jewellery I bought from Navajo jewellers in New Mexico.
Other details:
Cardigan; Alannah Hill
Petticoat; Metalicus
Sandals; lasoffittadi Gilde, from Zomp
Jewellery; made by Navajo jewellers, New Mexico

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