Tag Archives: Skirt

Riverside situation

Little adventure this morning.  Lately I’m in the habit of combining my two early morning tasks of dog-walking with taking my photo, if I’m planning to take one that day, that is.  I have my camera, tripod and the shoes I’m planning to wear the remainder of that day in a backpack, I take Sienna with me and stop somewhere picturesque and set up for a few minutes.  Well today, I’m out on this tiny jetty and it’s quite windy, I’ve got the tripod shored up between a pillar and the backpack to prevent it from blowing over (yeah, it was windy enough that that was a real risk!) and next thing I know, whoosh! my tripod bag is now floating in the river about five metres away.  Bob bob bob, it goes, taunting me,  out of reach.  I look at it with despair.  Should I abandon modesty and wade out to it?  No, the river is over thigh deep at that point…  Sienna is no bloomin’ good at all, she may look pretty but that’s as far as her usefulness goes.  Fetch, she does not do…  I look about for a handy young man jogging in his shorts who may gallantly help me out, but I’ve chosen my time well and there is absolutely no-bloomin’-one in sight AT ALL.  No canoe-ers.  I’ve got the foreshore to myself.  Usually this is a plus as I’m shy about taking my own photo if anyone’s about, but this time I could really do with a helpful man… (couldn’t we all…?!, joking, I’ve got my own man, but he’s gone to work early, dammit)
So I hightail it home, dragging Sienna, not allowing her to sniff or socialise, and luckily my eldest two are still around, and my daughter, never shy of an adventurous stunt, immediately dons bathers and we drive back down, she swims out, it’s about twenty metres out by now, and rescues the tripod bag…
As the song goes, thank goodness for little girls…
As a anticlimactic afterthought, my hat.  It’s newish, well on its maiden voyage anyhow (like my tripod bag).  I bought a single ball of this yummy wool at anny blat at their shop in Paris when we were there six years ago.  I finally made this beanie last year from my own design, just cast onto four double-ended needles and made it up as I went along.  I’m going to make myself wear hats more often.  I wish they were more in fashion.

Details:
Skirt; Vogue 7303, fabric handwoven by my Mum
Top; refashioned from husband’s old workshirt, my own design
Scarf; Country Road
Shoes; Timberland, bought in Rome
Cloche; annyblat yarn, my own design

 

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Head to toe, turquoise

Turquoise.  Lashings of it.  This outfit brings back to me cerulean memories of Santorini and all its abundance of charm.  The vivid sea, the stark and yet rustic houses.  Most beautiful holiday, ever.
(The extremely strong wind that we had this morning also was a reminder of that holiday, I am completely wind-blasted in this photo….)
I can remember a saying from when I was growing up; “Blue and green should never be seen”  Be seen together, that is.  I guess it was a fashion faux pas back in the day.  Seems needlessly restrictive nowadays as colour combinations wax and wane in popularity faster than a monthly Vogue can keep up and it seems anything goes in the fashion world.  And what about lovely turquoise?  Somewhere in between blue and green, vacillating back and forth, a tonally peaceful companion to both.  Today I’m wearing my latest turquoise skirt with blue, and a bit of green, just to be daring (ha ha)…  I think it looks OK.
Sewing notes about the hem; when I made this skirt I didn’t initially purchase enough fabric to make the length called for in the pattern.  Didn’t really matter, as I wanted a shorter skirt than that anyway, but when it came time to hem I realised I didn’t even have the length for a decent hem, or at least one that was going to leave me with a decent skirt!!.  
So I did this: using some matching turquoise cotton I cut a 7cm strip of bias, after pressing 1cm over on each side I had a 5cm hemming band.  This I attached to the lower overlocked edge of my skirt with a 1cm seam allowance.  I pressed this up directly on the skirt/bias tape seam and invisibly handstitched the hem down at the top of the bias tape.  Voila.  Hem is now acceptably deep.

Details:
Skirt; Vogue 1023 view C, shortened, turquoise polycotton
Camisole; Country Road
Cardigan; Metalicus
Sandals; lasoffitadi Gilde
Bracelet; jade and silver, gift from my parents

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Turquoise pencil skirt

I’ve made this skirt for my autumn wardrobe, but thought dang it! I’m wearing it today.  Well, with a temp of 30C it’s finally cool enough to wear something like this, and I thought, what the hey, I’m going to the beach!  I was hoping the sand was cooler so there won’t be so much danger of burning one’s toes.  And I was right.  It was gorgeous at the beach, and I had a swim after taking my photos.
Instead of turning to my tried and true Vogue 7303 I plucked out a different pattern from my collection, a real oldie, this one dating back from my teenage years, I think.  It’s Vogue 1023, no doubt out of print by now.  I’m vaguely certain my mother made the long version of this for me to wear for my school concert band formal dress…  Anyhoo, decided from the cover illustrations to make version C, took out all the pattern pieces and was quite disappointed to find the pocket piece and the waistband piece were missing… not devastating enough that I couldn’t work these out for myself, but a little sad to see it wasn’t intact any more…
I selected this fabric for its colour, I really wanted some punch for autumn.  (Please note I’m trying to inject a little colour in my wardrobe!)  
I love it.  Not feeling quite brave enough to pair with other bright colours yet and playing it safe today with a white shirt, but I’m sure I’ll get over that…

Details:
Skirt; Vogue 1023 view C, shortened, turquoise polycotton
Top; New Look 6252, white seersucker
Necklace; from the surf shop on Rottnest Island
Nail varnish; own mix of BYS Mint Condition and French White

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Gelato colours

When wearing pastels, especially head-to-toe, one is in danger of looking sticky sickly sweet.  Additionally if the silhouette is too “safe” you may come across as grandmotherly or queen-motherish.  An outfit of this type needs some elements of hard-edge or rawness to save it; my ensemble here(worn yesterday) has a tweed skirt, a pink camisole and a little cardigan, all in safe pastel colours, so has all the sweet little old lady boxes ticked off right there.  Not my ideal look, obviously.  I think my normal style is aim for a little deconstruction, not too polished.  But I’m still liking this look here.
I think it’s the unfinished fringe on the edge of my skirt and the raw edges of my cardigan that save it from being too pretty and ordinary and give the outfit that little zing of deconstruction that is needed.  Although raw edges are seen everywhere now and hardly put you in the punk category anymore.  Perhaps it’s also my jade green pedicure that also adds that necessary unexpected note.  And my necklace, while composed of shades of pretty pink, has a kind of random twisty-ness quality to it.
So, “pretty in pink”?  Not what I’m aiming for, but chic enough to pass muster, hopefully.

Details;
Skirt; Vogue 7303, fabric handwoven by my Mum
Camisole; Country Road
Cardigan; own design, coffee and white net
Necklace; own design
Sunnies; RayBan
Shoes; op shop
Nail polish; own mix of BYS French White and Mint Condition

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Khaki and lace

Today I look a little like I’m on safari.  Hilarious, considering the only wildlife around the beach here is birds, possums, the odd bobtail and Sienna.
I know I showcased this olive skirt only recently, paired with a rainbow of colours; but I just couldn’t resist pulling it out again.  Here it is in a neutral ensemble and complemented by all the soft subtle colouring that distinguishes the coastal palette.  Smudgy khaki and browns have always been my best neutrals I think.  I used to have a whole bunch of khaki clothes I took to Africa with me in the top of our wardrobe which have now inexplicably disappeared.  Surely I couldn’t have thrown them out?  That would be extremely idiotic, even for a forgetful airhead like me.  Not impossibly idiotic, though…
My cream lace top is another old favourite that is more interesting than it appears from a distance; having lace strips sewn randomly all over and lovely old buttons.
My nail varnish is a colour I mixed up myself, after seeing a similar shade in a magazine editorial and immediately thinking “want”.  Aiming for a light jade green I used mostly BYS French White with a little bit of BYS Mint Condition thrown in.  Does anyone else mix their own nail varnish at all?  I found it trickier than I thought.  I recommend mixing only enough for one coat, then mixing the second coat when you need it; as the varnish dries so quickly you’re faced with a gluggy difficult-to-apply sludge by the time your first coat dries… of course I could have just paid ten times as much for the designer colour already mixed and saved myself the hassle, but that’s just no challenge to a DIY-er like me….
Details:
Skirt; Vogue 7303, olive green corduroy
Top; Butterick 4985; cream broderie anglaise cheesecloth with cotton lace overlays and crotchet tie
Overshirt; bought from Tinga Game Lodge, South Africa (stolen from husband’s wardrobe)
Belt; stolen from husband
Shoes; op shop
Bag; made by my Mum
Nail varnish; self mixed, using BYS French White and Mint Condition
(David Attenborough-style whispered voiceover) “Here we have a dangerously cute specimen which may attack without warning, smothering its victim with excessive licking… may mercilessly flay an unprepared observer with its wildly whipping tail…  give this beast a wide berth”
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Wardrobe Refashion, project 5

Has anyone seen the Vivienne Westwood Spring/Summer 2010 collection, a parade which included what looks like Frankenstein-ed business shirts jammed together in magnificent artistic disarray, at left; sigh, pure gorgeousness incarnate, no?  I think Vivienne Westwood is a design genius, and this is not the first time I have sighed lustfully over her collection.  In a further enticement I also spotted and was mesmerised by this sculptural and beautiful shirt-monster, at right, which I found on outsapop.
Obviously for my own wardrobe I need to tone down the overall excessiveness of these extreme looks, as I live and operate in a fairly conservative little community where artistic fabulousness is likely to provoke tears of hilarity rather than admiration; but I felt so inspired by these examples I wanted to attempt my own version.
Enter; three old business shirts belonging to my husband, which had been put in my “fabric” trunk many years ago.  Don’t remember now exactly why I decided to hang onto these, but I must have had an inkling that they would come in handy one day…
I didn’t take any photos during the construction process this time.  However, the sleeves used for the top have been shortened to be ¾ length, which I think is a more feminine look and I used the collar of one shirt to make a partial attached belt to bring in the back of the top and give it a bit more shape and definition as well as to bring in this fabric colour to the top.  The skirt is comprised of two layers formed by the bodies of the two remaining shirts.  I made a bias binding of some of the leftover fabric to bind the waistband of the skirt which has a single button closure at the left waist, and saved the sleeves of the short-sleeved shirt to make the inserted pockets (see details below)  I really love the final outcome, satisfies my “waste-not-want-not” instincts whilst also looking kind of shabby/trendy and still undeniably unique all together…  I confess it did turn a few heads when I went grocery shopping in town this morning but I’m hoping it was in a good way.  Nobody was pointing and laughing and I take this as a good sign.
Details:
Skirt and top; re-fashioned from three old business shirts
Shoes; Country Road
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Wardrobe Refashion, project 4

When I saw this skirt in an op shop I think I just saw “white” and “kind of lacy” and grabbed it thinking yeah!  But on getting it home I had second thoughts about the applique-y pattern on the net overlay; it was too geometric and ordered, or something, anyhow just not pleasing to my eye.  I love white and lacy, but I think I like an element of deconstruction, too.  I decided I could get a skirt and a top out of it, as it was quite a long skirt, with godets sewn in all round.  It also had a nice white voile underlay, soft and worn-in from washings over the years and I planned to make use of this too.
The waistband of my new skirt is the original waistband, with the original zip and button closure, but I re-arranged it so the voile underlay was the outside layer and the original net top part of the skirt was now a petticoat.  I also added an extra overskirt of some of the voile, which is wrapped over the front and has its own button closure on the opposite side.
From the lower part of the net overskirt I cut the front and back and two sleeves of the top and fitted them to Bessie, aiming for a kind of loose “stand-uppy” neckline, which I edged with bias tape made from some more of the leftover voile underskirt.
I also, and this was fun, attacked the applique, snipping portions of the sewn-on fabric to try to break up the geometry of the original print and introduce a bit more randomness and unpredictability to the design.  I think the applique is now much improved!
The sleeves, hmmm, the sleeves were an entire disaster story on their own; I planned to remove the applique entirely from the net for the sleeves.  I proceeded to unpick all the stitching and applique from the sleeve pieces.  It. Took. Hours.  When I finally finished, a few Top Gears, Man vs Wilds, Wallanders and various foreign films later, I sewed up the sleeves and the top, and was finished?  Threw it on for a look in the mirror….. well, dear reader, my hard-labour sleeves actually looked awful.  Because I had cut them from the bottom of the skirt, where all the godets were, and of course, what do godets have, yes, seams.  The new de-appliqued sleeves had overlocked seams running across and through, and, whilst I like randomness in fashion design, embrace it even, this time it just didn’t cut it.  The sleeves let the whole thing down and had to go.  But I had my heart set on sleeves now!  So I turned to my stack of leftovers and found a little bit of net from a previous project of which I managed to get out some new sleeves; final result, much cleaner and a better foil to the raggedy randomness which is already there in the main body of the top.  Much better.
Apart from the sleeves, it’s all from the old skirt, this pleases my sad passion for minimal wastage.  I’m pretty happy with the final look of my new outfit too, of course I do have a real weakness for white garments!!  But, can you ever have too many white clothes?  (pleading pathetically)  Reassuring myself, of course not, there’s always the dye-bath if I feel the need of a change…  But I like it just how it is for now.

Details:
Top and skirt; refashioned from old skirt, own design
Grey camisole; Country Road
Belt; op shop
Shoes; Marco Santini, from Marie Claire

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Wardrobe Refashion, project 3

Not a terribly exciting re-fashion this week, but I’m still pretty happy with the result.  Before; an old work shirt of my husband’s that he was tossing out.  Pro’s; it’s made of sturdy thick cotton knit with a lovely blue-marle denim-y colour that has a lived-in comfortable feel about it, and it has a nice button up front with attractive metallic-look buttons.  Problem areas, it was HUGE, it had a kind of daggy “sporty” collar and two too many logos.  I hate logos.  I don’t really want to walk around looking like a billboard for somebody else’s business, thankyou very much.
It may not look like a dramatic difference, but this shirt has been re-constructed completely, apart from the button up front which I kept untouched and the bottom hemline is also the original.  The collar was removed.  As the logos were embroidered onto the fabric they couldn’t be unpicked without leaving an unholy mess behind (or should I say, a very hole-y mess!), so the sleeves were shortened, removing one logo, and I added a small self fabric pocket, covering up the other logo.  The shirt pieces were rejoined to become a much slimmer, more feminine shape.
I think the new streamlined look of the T-shirt is now quite attractive and will be a useful new resident in my wardrobe.
I made my skirt also, about four or five years ago and I posted about it previously here.

Details:
Shirt; refashioned from my husband’s old work shirt
Skirt; my own design, various cottons and cheesecloths
Sandals; Vicenza, from Soletta shoes

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