Cleaning up

Earlier in the month I wore a silk dress for general gardening.  Today I have selected black lace… to clean out the garage and shed.  Don’t worry, it’s not expensive lace just cheap-ish polyester-y stuff.  But it is lace, meaning cool and open to breezes; a priority.
Every six months local councils around here organise a verge pick-up.  That is, you get to toss out all your unwanted old junk onto your verge, and theoretically the council will come around and pick it all up for you to cart off to the tip.  Theoretically.  In reality however, everyone’s rubbish pile is reduced to a fraction of its original size by the time of the pick-up because this is just the best neighbourhood re-cycling scheme ever devised. Cars cruising very slowly up and down the streets become a common sight; people checking out everyone’s rubbish piles and periodically hopping out to retrieve a few treasures to stash in the boot for their own house and garden.   Kudos to the clever cookie in the public service who thought this one up.
And for once, this time we have managed to not pick up anybody else’s junk, although we had a close call when Sam spotted an old TV on the way home from volleyball yesterday… and I had to talk firmly and convincingly about how not only did we not know whether it actually worked  (sometimes people put a helpful note on the top telling you whether things still work; not this time which tells me it probably didn’t) but that personal TV’s in one’s bedroom are unsociable and unhealthy and not conducive to study, blah blah blah.  None of these points of view being particularly relevant arguments to the teenage mind.

Details:
Top; Butterick 4985 with different plainer sleeves, black lace and blue nacre heart-shaped buttons
Shorts; Burda 7723 modified, ivory corduroy, details here
Nail varnish; Santorini Sunset

Later: I lie.  We just got an old beautifully decorative ironwork gate from next door.  Score!

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A new shoe day is a very good day indeed

It’s actually too hot to be wearing my new shoes today, but I don’t care.  Wore them anyway, because I  just couldn’t resist their ever-so-slightly blotchy ivory leather, their pinked-edged, laced-up, strategically placed cut-outed charm.  Wore them to volleyball (we won).  To the supermarket.  Now they are off because my feet were swel-ter-ing and crying out to please be free of hot closed-in footwear… but I am already looking forward to wearing them again, soon.  Tonight, in fact, at a family barbecue…
All the other garments today are basic old favourites, all made years ago, including the necklace.  Comfort dressing.
Me-Made March has held an unexpected challenge for me in that we have had such an unprecedentedly long hot summer.  This first month of autumn has brought temperatures more like we would expect in January, meaning pretty hot.  So I haven’t been able to even think about wearing some of my old or new autumn things as planned, some of which haven’t been shown in that me-made group before.  I’m a little disappointed that most of my outfits have been just plain… well, plain.  I like to play around in my wardrobe and layer and mix things up, but when the days are an unending parade of 35C* one is limited to an unimaginative unlayered approach. Even so I’m pretty pleased with myself I’ve managed to (so far) not have any repeats, apart from my beige, sorry, sorry! nude petticoat.  The obvious inference from the fact that I am even able to do this is of course that perhaps I have too many clothes…

Details:
Top; my own design based on the basic shape of NewLook 6483, ivory cotton and crochet trim
Skirt; Vogue 7303 lined, ivory wool mix
Necklace, my own design
Shoes; Bronx, from Zomp shoes

*35C=95F in the old measurements

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A girlie day out…

…  shopping and lunching with my mother and my two sisters-in-law.  Simply delightful.  We had a cocktail with lunch as well as a load of fun, and I spent a birthday gift voucher for Zomp on some totally adorable new shoes!  Will be showing them off here soon, for sure.

Details:
Top; my own design, made from an old pair of three quarter pants, details here
Skirt; my own design, charcoal jersey knit, seen first here
Sandals; Pedro Miralles, from Soletta shoes
Nail varnish; Pouty Purple, BYS

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Some thoughts on trends and inspiration

Me-Made March, Day 24
This is another day where I’m just wearing something only just recently photographed last month… and feeling a little uninspired about taking another photo.  But here it is.

Details:
Dress; Burdastyle magazine 05-2010-114, printed cotton brought home from Japan, see my review (and a better picture) here
Shorts (underneath, not seen); Burdastyle magazine 10-2010-111A, same printed cotton, seen here, with a review of this pattern

Lauriana commented yesterday about the seasonal influences and differences in the fashion scene between Australia and Europe, well I thought I would address that since it’s one that provides food for discussion amongst those of us interested in fashion here too.  We follow the fashions in Europe here to a degree, more so than we follow US fashions.  That is to say, when distressed khaki was big news in Europe, a few of our local designers here followed suit.  European fashion turns to tailored minimalism, and boutiques here get back to simple neutral-toned classics too…  European designers such as Louis Vuitton, Gucci, Prada and Chanel have set up shop here, whereas we have no American designer boutiques here that I can think of (I could be wrong there…)  
But because of the enormous difference in climate, and I’m not just talking about the roundabout seasons but the fact that our summers are so very hot compared to Europe and our winters are much milder with no snow, the fashion here does march to the beat of its own drum and Australians do have their own “looks” that are distinctly ours and mark out our niche in the fashion world.  The surfie look, for example, is HUGE here amongst young people and I’ve never seen this look in any other country we’ve visited.   And yes, I’m including the US, who have their own, more polished, surfer look.  Aussie surfers wouldn’t touch Hawaiian print, for example except in an ironic way, like say if it was a bit ripped or graffiti’d over somehow to deconstruct it and grunge it up.
My colourblock top from yesterday I made partly because those scraps were sitting next to each other in my fabric cupboard, and I grew to like the look of those colours next to each other.  Then I pulled them out and wondered what I could do with them, and came up with that Tshirt, based on my previous long corduroy Tshirt that itself was copied from this look at right from Marni Spring/Summer 2007 (that year I made myself a whole outfit that looked pretty much identical to this one, loved it to death! but I don’t have it any more).  So in a roundabout way, my look from yesterday has sprung from a European fashion from 2007, and the colourblocking was thanks to having to use up scraps of different coloured fabric!  Yes, I was also quite happy to see that Bally dress in my latest Vogue magazine as being a look “current” in Europe, but that similarity was serendipitous and not planned by me.  Whether or not we are going to see any colourblocking happening here in the local fashion scene over the winter season and into spring and next summer, as influenced by those European trends, remains to be seen.  I might end up being the only colourblocked Aussie around, all alone and locally unfashionable!
(photo at right from Marni Autumn/Winter 2007, found here)

Where do you find inspiration for your “look”?

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Colourblock, eh?

This is one of the new things I’ve made in my stash’n’scrap busting efforts; a new top.  Getting rid of two more smallish pieces of fabric…!  
The rust coloured corduroy used for the body is the leftover from these jeans.  I really love both making and wearing corduroy jeans, but the fabric width is just than little bit too narrow so that you have to buy twice your leg length to make a pair of jeans, because of the fabric nap.  And this means a couple of large chunks of leftovers.  Not to worry, I’m nothing if not diligent about using up those scraps as usefully as I can.
The purple sleeves are the very last leftovers from this dress.  (And I assure you the sleeves are exactly the same length, in spite of the funny way I am obviously posing…)
I know I’m going to love this top.  About three years ago I made another corduroy Tshirt that I wore a heap during winter, and was pretty darn sad when I spilled something down the front and it finally had to go.  Don’t know why it’s taken me this long to replace it, actually…  It is a laughably simple design, just rectangles of fabric with armholes cut into the body of the Tshirt, and bit of a boatneck-line scooped out, and long flat sleeve caps on the top of the tubular sleeves, measured and cut to fit the armhole lengths of the body.  Faced the neckline from other scraps.  Hemmed.  Done.  Simple and very easy to wear.

And happily fashionable.  My eye was caught by this outfit from Bally… quite similar, no? although this is a dress, and my outfit is a skirt and top.  I really this look of solid blocks of strong colour stacked up on top of each other; a look reminiscent of children’s building blocks, simple, colourful, a bit fun and interesting.  The extra plus for the self seamstress is that these simple unstructured shapes are so easy to sew, and the different blocks of colour are tailor-made (haha, a little joke there…) for using up scraps…

Details:
Top; my own design, rust corduroy and purple raw silk sleeves
Skirt; Vogue 7303, orange raw silk, details here
Shoes; Perrini, had for ages
Sunnies; RayBan
Nail varnish; Pouty Purple, BYS

At right, from Bally Spring/Summer 2011, here

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Un-feminine, but…

I quite like the utilitarian edginess of this outfit, with vaguely military overtones, thanks to the trench skirt.  When I first tried this top on with this skirt I was a bit struck with the unusualness of the look.  Sort of  intriguingly different.  It’s all quite boxy and not shaped to flatter my body at all.  But I’m OK with that.  After all, I dress to please myself; for both comfort and appropriateness to the weather, as well as to look nice.  Today is another hot one, so the airiness and unfittedness of the outfit allows for breezes.  And “nice” encompasses many things, pretty not always having to be amongst them.  This is more funky.  It’s not a very feminine look, but I don’t want always to look feminine.  I like an edgy unconventional look too; and I think this has that appeal.  So yeah.
The necklace is another I made a few years ago, during my beading fad.
Re Vogue 8333, the jacket with the “inside secrets to luxurious custom couture construction” (this is verbatim from the envelope, I’m actually not making that up); I bought some wool/silk mix while in Japan specifically for this jacket pattern and made a tiny start today.  I cut out the paper pieces today and read through the instructions.   Well, I did say a tiny start…
Has anyone else got this pattern and read through these instructions?
Some new concepts here; hair canvas… pad-stitching… er, bridles? I always thought bridles were for horses, apparently ladies wear them too, just in a different form, tucked away inside their lapels… ha!
You learn something new everyday.

Details:
Top; my own design, made from an old pair of ivory light cotton pants, details here
Skirt; Burdastyle magazine 08-2009-107, khaki cotton, close-up details and my review of this pattern here
Necklace; my own design
Belt; Country Road, had this for about twenty years
Shoes; Betts & Betts Brazilian collection, had these for about twenty years too

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Not beige, dear; nude

Me-Made March; Day 21
I may have been more influenced by Collette Dinnigan’s collection from Friday’s fashion parade than I realised as this morning I felt lace-y and nude and feminine was sartorially just what I craved.  The images of those pretty lingerie -y dresses have been simmering and percolating in my brain over the weekend and slowly settling in and I just had to go there.
“Nude” as a colour; one that has been bandied about in fashion circles as being very “in” a few years back when I made this dress.  My very stylish friend J who works in a boutique informs me quite seriously that “nude” is the word to use; no one uses “beige” anymore.  “Beige” is out out out, one must say nude, or alternatively stone or putty or sand or one of a small collection of more aesthetically pleasing variations, but never never beige.
Beige has “connotations”, it seems.
So I do still love this dress, whatever colour it is.  The lace has black and metallic silver in it, and I used a smudge-y purply silk chiffon for the ruche-d midriff section and the sash.  The dress has been seen here on the blog before; an oldie but still a favourite, a used-to-be-good dress for smart semi-formal does, now relegated to a day dress that makes me feel extra-specially feminine when I wear it.

Details:
Dress; based loosely on NewLook 6699, lace, border lace, silk chiffon and swiss voile lining
Sandals; Vincenza, from Soletta shoes
Nail varnish; Pouty Purple, BYS
(woops, I just realised… I did have a vague feeling of deja vu about this picture… and look here… snap!)

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Sunday…

… and a walk in the park avec husband and doggie.
It’s funny; I made this blouse following one of those wardrobe advice articles in a fashion magazine, that every woman should have a crisp white blouse in their collection.  So I made one.  This one.  And even though I’m a self-confessed white-top-addict I hardly ever wear it…

Details:
Top; Burda 8497 with foldback sleeve cuffs added, white cotton, details here
Skirt; Vogue 7303, printed cotton
Hat; Country Road
Sunnies; RayBan
Thongs; Mountain Design
Nail varnish; Bright Light, BYS

Out of interest I googled the Collette Dinnigan current collection last night, yes, it was Collette Dinnigan showing at the fashion parade and lunch I referred to last Friday.  And was amazed to discover that there were perfectly lovely garments very well suited to the age of the assembled crowd, as well as in a financial position to even consider Collette Dinnigan…
This is a sample of some of the actual garments we were shown…

kinda… skimpy?  and below are just some of the slightly more sophisticated of the current collection we did not see.  Similar style, I agree but just that little bit longer and that little bit more covered up and a bit more of a grown-up air about them; looks that would have been far more likely to have ladies at the luncheon stampeding over to the boutique, credit cards at the ready…  except for me, naturally, who would have stampeded instead right over to the fabric store, or even the op shop looking for old wedding gowns to chop up.

Actually, I’m still a bit tempted to visit the op shop, hehe.
(inspiration photos from Collette Dinnigan Spring/Summer 2011 found here)

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