Tag Archives: Inspiration

Fabric shopping in Tokyo

Nippori-map

Tokyo is absolutely brilliant for the fabric loving visitor… it even has its own fabric district!!!! how cool is that? very, that’s what.  Nippori is the most well-known place in Tokyo to shop for fabric, but this is my third visit to the city so I investigated some more and found a few other great stores well worth a visit as well.

But firstly; Nippori… because it’s awesome.  If you only have time to visit one location then this will not disappoint.  Setting aside a whole morning, or afternoon, would not be excessive for the truly dedicated fabric lover.

It conveniently has its own train station; called Nippori, on the JR Yamanote line.  When you get off the train you really want to find and exit from the East exit, where you will descend a long flight of old stairs and soon will see this sign on the street.

IMG_9574You just keep on going and you can’t possible miss it, the street is crammed with fabric stores; also, each of those fabric stores is likewise crammed with fabric too.  Most stores are situated along the one main road.  The map above has so many marked, you can get a feel for the sheer number of options available… and there are bins and bolts of fabric set up in the street all over, you’re just spoilt for where to look next.  Prices are mostly low to middling by Australian standards, quality varies, but is overall pretty great with some fabulous bargains to be had.  The most exciting thing about it of course is the CHOICE!!  You will find selvedge denim, leather, laces, linens, cottons, tartans, knits, sweater knits, mountains of haberdashery and… well probably everything, if you take the time to look.

There is one very important thing to bear in mind when shopping in Nippori, and I cannot stress this too much…

TAKE CASH!  because some stores here will not accept credit cards.  Also, it can be quite difficult for the foreigner to obtain cash, even in shopping districts.  In my experience, 7Eleven convenience stores have ATM’s that accept foreign credit cards so are a handy place to get some Japanese yen out.

In fact, and this is general advice for the foreigner travelling in Tokyo; it’s a very good idea to sear into your memory the location of a 7Eleven nearby your ryokan/hotel and remember to pop in and stock up on yen if you’re getting low… BEFORE you head out shopping/sightseeing for the day!!  Reason being, of course while there are 7Elevens dotted about all over, you can’t count on one being there for you in a pinch and the very last thing you want in Tokyo is to be a bit low on cash.  Because I can guarantee; you WILL see adorable things everywhere that you WILL want to buy, and then you WILL waste huge amounts of time first searching for that cash and then for that cute little store again.

Unfortunately there is NOT a 7Eleven conveniently close to Nippori Textile town.  So make sure you have plenty of money before you head over!

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I bought leather and denim in Nippori.

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The good news is that all the following stores DO accept credit cards.  #shamelessenabler

Mina Perhonen Arkistot

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google map location

2nd and 3rd floor; 5-13-14 Shirokanedai, Minato-ku.  

The nearest train station to this store is Meguro, on the Tokyu-Meguro line or the JR Yamanote line.  It’s an easy fifteen minute walk away, but is very unobtrusively tucked away in a side street and you really have to keep a sharp look out for the turnoff.  The store’s lower floor is the 2nd floor, and you have to climb up that white spiral staircase pictured above to enter.  The fabrics are all located on the floor above that, on the 3rd floor.

Interesting factoid; Mina Perhonen is a Scandinavian name and I’ve always mistakenly thought it was the name of the designer too.  However the designer Akira Minagawa is Japanese, and it’s just that his love for Scandinavian design informs much of his own design.  The brand’s flagship store is very nearby, on the on the 3rd floor, 5-18-17 Shirokanedai and you can go and browse beautiful and expensive homewares and clothing… however this is a sewing blog so this is all about the fabric only, alright?  OK.

Anyway, my discovery that the designer was actually Japanese zoomed a quest for Mina Perhonen textiles right up high on my must-do list.  Prices are high, which is kinda to be expected for a designer name brand of this calibre.  The small range of fabrics is really gorgeous, and there is also a small sprinkling of very cute and interesting knick-knacks to tempt you; everything beautiful, and exquisitely displayed.  The store feels a bit art museum-y, and you’re treated with quiet and charming attention by the staff.  I decided upon one metre of printed linen; which was reverentially wrapped up in tissue paper printed with abstract-y sewing pattern pieces and, along with a complementary pattern for a handbag and a small box of incense sticks; popped into a really nice little fabric carry bag then tied up with a mina perhonen ribbon.  The lady spent about five minutes tying the most perfect, beautiful little bow with the ribbon.  It’s all very very lovely.

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Even the sticky tape on my parcel has the mina perhonen butterfly!!  #attentiontodetail

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The next store I visited was Cocca

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google map location

1-31-13 Ebisunishi, Shibuya-ku.

The closest train station to this store is Daiken-Yama on the Tokyu-Toyoko line, and the store is short and easy, uphill walk from this station.    This shop supports work by local art and textile people, and also has some handmade clothing for sale too.  Overall, it had a relaxed and busy vibe almost like a studio, and I swear some of the interesting-looking people who came in and went straight up the staircase to the loft were some of the makers themselves, coming in to do something creative.  Fabric-wise, there were lots of  interesting “art” prints that were probably unique one-offs, as well as there was a nice selection of more regular fabrics too; some pretty polkadots, stripes and checks.  I was more interested in the “art” fabrics though, and it was actually very hard to choose!    The prices here were mostly middling; not particularly cheap but not top end either.  I eventually bought a length of wool printed? or painted? with a “messy”, brush-stroke-like tree print.

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Craig sneakily took this picture below; of me poking about in the store while he was waiting for me to make up my freaking mind.

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The last store I visited was Check & Stripe

checkstripe

google map location

2-24-13 Midorigaoka, Meguro-ku.  

The closest station to this store is Jiyogaoka, on the Tokyu-Toyoko line, or the Tokyu-Oimachi line

If you are planning to visit with an unenthusiastic husband and/or offspring in tow, you will all be pleased to hear that just around the corner from this store is Jiyugaoka Burger, which has huge burgers that are everything your average meat-eater dreams of and more.  Also, just near the train station I noticed a store with the very promising name of Sweets Forest.  Just saying  😉

Anyway, Check & Stripe is a quietly uber-chic kind of a fabric store, with a beautiful range of checks and stripes obviously, as well as tartans, polkadots and plains.  It may sound ordinary and the prints themselves were, but what made the fabrics stand out for me was the exceptional quality.  The store also carried a decent range of Liberty fabrics, I think they could have been the Japanese printed Liberties.   My husband chose some for a shirt, although now I’m secretly coveting it myself, hehe.  Although since I’d requisitioned some of his spare suitcase space for that very heavy roll of factory selvedge denim that I’d bought in Nippori… well I figured I should let him have something.   As well as the divine fabrics that were right up my alley, the store had adorable buttons, embroidered labels, and a few eponymous pattern books, filled with simple, very loose and unfitted styles photographed in minimalist, faded-colour settings; that “look” that those of us who have more than one Japanese pattern book are all very familiar with now.

Prices were middling, and I thought excellent value for the quality of the stuff.  Hmmm, I bought quite a lot in this place!

checkandstripe

In closing, how nice is this little thought printed on my Mina Perhonen carry bag…  !

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Aurelio Costarella retrospective and FrockStars at the WA Museum

Just some eye candy  🙂 …  in an uncharacteristic, er, fashion, our very own WA Museum is currently showing two fashion exhibitions.   Perth’s Aurelio Costarella has a 30 year retrospective happening concurrently with Frock Stars, a selection of iconic garments by contemporary Australian designers garments from the Powerhouse Museum, and some friends and I all agreed; clearly this needed prompt checking out…
The Aurelio Costarella dress above, with the silk ribbon, free-range embroidery might just qualify as one of my favourite dresses of all time.  My friend L, remarked “oh, that is so you, Carolyn”.  Thinks; ah, she knows me so well.  She then added, “you could easily make something like that”.  O I wish!
Below; Akira Isogawa.  I can remember when this design was for sale in David Jones, I tried one on.  A few years ago now… it was so utterly beautiful.
Below; Romance was Born’s Iced Vovo dress.  Inspired by the Aussie bikkie.  Obviously this one caused a bit of a stir when it appeared on the catwalk.  Would love to have the guts to wear something like this.  I’m pretty sure my Granny used to wear a cap like that for swimming, back in the day.  
More Aurelio Costarella, leather “fish scales”, with a bolero of layered ruffled chiffon, chartreuse lace and heavily embroidered silk with matching ostrich feather bolero…
That drape and that gloriously pooled train.  Bias cut elegance, by Aurelio Costarella.

Ice blue chiffon, Dion Lee

This gown took my breathe away, impossibly glamorous against prehistoric bones…  Aurelio Costarella, again.

The Aurelio Costarella Retrospective is showing until 2nd February 2014, Frock Stars until 27th January.

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Modern Love exhibition at the Bendigo Art Gallery

If you are fortunate enough to be in Victoria any time this summer then hie thee to the Bendigo Art Gallery to view the Modern Love exhibition, a selection from the archives of the Fashion Institute of Design and Merchandising Museum in Los Angeles.  You’ll need to set aside the bulk of a day to get out there and make the most of it, but man, it is so worth the effort.  This is the creme de la creme of high end sartorialism; and Mum, Cassie and I spent a thoroughly enjoyable few hours oohing and aahing in happy wonder.  
Each and every piece had something about it that delighted the eye and set it apart; a design element, a fabric, a silhouette, an embellishment, a system of piecing; a sleeve here, a pocket there, a random safety pin somewhere else, and one cheeky mirrored fig leaf just where it should be.
Photos are allowed, so despite the abysmal lighting conditions we did… punch-drunk, I took photos of everything; but am just whittling it down to my absolute favourites here.

Vivienne Westwood, from the Anglomania collection of 93-94.  The bias cut tartan jacket has over-sized pocket flaps, and very interesting shaping at the front achieved by a single diagonal tuck at the collarbone, into the collar.

Thierry Mugler, 92.  That chocolate brown inset pocket piecing, lower front.  I mean, omigod.  A seamstress can but gape in awe.

Vivienne Westwood, 89-90.  There’s that fig leaf.  Well, a mirror is always a handy thing to have on one’s person…
at right, source

Comme des Garcons, 2011.  terrible photo because it was in the deepest darkest corner of the gallery, but this was Cassie’s favourite piece in the exhibition.  Rei Kawakubo created this intricate bunchy kaleidoscope of a dress using her own silk scarves that she has personally collected over many years.  It is paired with a simple pair of white sand shoes, similar to how it was styled in the runway show.  This is about as feminine and glamorous as it gets in the CdG world.  And absolutely wearable.

Christian Francis Roth, 91-92; that piecing…  :O

Vivienne Westwood, 94;  crazy woollen tweed pantaloons, with a vaguely Scarlet O’Hara-like air about them of being constructed from the furnishings of a late Victorian sitting room; tasselled edging and all.  It’s all about the tassels here.  I love it.  Ponders: could I get away with a skirt sporting a lushly tasselled hemline, in suburban Perth?

Dolce and Gabbana, 94-95; looks like cow hide, is actually constructed using animal-rights friendly rayon/cotton plush and vinyl.  A simple style and silhouette; of course the novelty fabric is what makes it…  lends it that cowboy/rockstar vibe that’s going on.  This is very very cool.  Mental note; keep a look out for cow-hide plush….

Alexander McQueen, 02-03; denim jacket, raw edges, an overall lived in beaten-up appearance like a favourite pair of ancient levi’s.  But with structure and form, and a mass of decorative double rowed top-stitching; a nod to the flat-felled seaming that is a seam-strengthening functional feature in the aforementioned jeans..

Calvin Klein, 88; nothing head-swivelling here, but the 80’s girl in me just stopped in her tracks and ohhh-ed blissfully at this point.  A blousy, laid-back sportiness as expressed in a deluxe fabric.  I just adore this ensemble.  And I actually do already have a pattern that could step in and fit the bill here… and some shot taffeta… hmmm…

Franco Moschino, 92; I’ve included the picture at left from the Bendigo Advertiser since mine is pretty terrible, but this piece was Mum’s favourite.  We all loved the styling of the exhibit; the black and white striped, wicked-witch-of-the-east tights looked playful and edgy against the frou-frou puffs and bows of jewel-toned satin.

Tony Maticevski, 13-14; this softly sculptural, neoprene dress is the first Australian design to be acquired into the collection.  Loved the complexity of this dress; formless, organic and futuristic, although we all wondered how it would go with staying on your shoulders, though.  Wouldn’t you just love to see the pattern for this?
From a distance I first thought that adorable little bouquet of pink and white flowers was an actual bag.  It isn’t, but it reminded me of one of the tea cosies designed by Loani Prior for her book “Wild Tea Cosies”, from which I made quite a number of tea cosies a few years ago, and I reckon it would be pretty easy to whip this up as a pompom bag.  Would be cute, no?

For some more eye candy, Yoshimi also took this wonderful picture of the Alexander McQueen 2008 peacock gown during her recent visit to the exhibition.
This is but a very small sampling of the lovelies on display, to see more whizz on over to Bendigo Art Gallery before 2nd February 2014.  Fabulosity awaits.
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Linda Jackson; at the NGV

above: at left; silk chiffon gown; at right, screen printed kimono jacket

I was idly sorting out my phone the other day, and came across some pictures I snapped at the Linda Jackson Bush Couture exhibition, held in the National Gallery of Victoria.  I visited the gallery last September, and viewed the exhibition then.  These pieces are designed and created by the Australian artist and designer Linda Jackson, most of the examples made in the 1970’s-1980’s.
I’m afraid I no longer have the notes I took on the day, that I scribbled on a scrap of paper while I was studying the pieces, I must have stupidly thrown it out.  But I can still show these pictures to readers who may not be familiar with Linda Jackson and her exuberant aesthetic.
Linda Jackson took her inspiration from nature, and interpreted the Australian landscape into art and fashion by variously exploring screen-printing, applique, quilting, embroidery, patchwork and hand-painted fabrics as well as innovative piecing and regular sewing methods.
I took these photos with my phone, so please excuse any less than stellar image quality.  I did not use a flash but relied on the lighting in the gallery.  And incidentally, I looked for but found no signs forbidding photography, it was an open and free exhibition, and a guard saw me with my phone out in an obviously photo-taking attitude and simply smiled cheerfully at me, so I assumed photos were allowed.  However if they were not, and I am transgressing some copyright then someone please let me know and I will remove them immediately.
However I hope not, since I think some of my readers may not have come across her before, and will be as enthralled as I at her marvellous attention to detail, her eye for fabulous colour and intricate artistic design, and the superb execution in bringing her fantastical visions to life…
You can read a short bio of Linda Jackson here, see a selection of her artworks and clothing here, and other better photographs and examples of her work here

below at left, appliqued jacket and trousers and at right, patchwork ensemble
below; organza and silk dupion gown
below: jacket and trousers hand-knitted in the intarsia method
below: silk dupion gumleaf costume.  I cannot recall if this was screen-printed or applique…
below at left; handpainted coat, trousers and headscarf, at right screen-printed dress and coat
below at left; printed silk dress and headscarf, the print was designed by Linda Jackson I think as part of a collection for Oroton: and at right, a Waratah inspired gown and veil
These three dresses at the left are quite a different aesthetic to her usual bold and vivid style, featuring softer muted colours and more conventional design lines.  I probably would not have picked them as Linda Jackson’s if I hadn’t seen them here with my own eyes!
below: Sturt desert pea inspired ensemble, applique
below: handpainted silk dupion gown and ?cape?
below: quilted satin gown with veil.  Other gowns in the background that I foolishly did not photograph better.
I hope you enjoyed this look at the works of a prominent Australian designer.
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Sweet nothings

Recently I received the Very Inspiring Blog award from pdiddly, janessewandtell and also from EmSewCrazy, thank you so much Pauline, Jane and Emily!

But I just had to laugh a little bit…  my 2012 round-up post attracted a comment, Anonymous of course, that read something like this…

Congratulations.  I think your blog is the most up your own ass (sic) blog I’ve ever come across.

My typical knee jerk reaction is to spam those mean-spirited comments, only now I wish I hadn’t because in retrospect it’s kind of hilarious, isn’t it?  Maybe I should make up a button and all.  Except I have absolutely zero skills in the button-making department.  Would anyone like to receive that blog award?  😀

Anyways; inspiration, inspiration… now I do know you’re supposed to write stuff about yourself here, but: well since I am taking part in the cloth habit Bra-sewalong masterminded by Amy at the mo’ my brain is stuffed full to overflowing with thoughts of lingerie! and I thought I would share with you some of my current favourite inspirations instead… some colourful and funky, some cute, some eclectic, some ethereally beautiful, all have something to give one some great ideas, yes?

Orange – custom tailored lingerie; source
Mimi Holliday, source
VPL source
Stella McCartney, source
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Marni source
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anthropologie, source
Roseanna, source not found
If you haven’t yet; do these lovelies inspire you to attempt your own lingerie??
I am passing the Very Inspiring blogger award onto:
I have been making some weird looking things… not very inspiring stuff I’m afraid.
This is my meagre progress in the sew-along so far  😉 3 tester bras.  At least I think I have correctly identified my size at last.  
Because of one rather weird result I got in one online bra-size calculator, which I didn’t want to just dismiss summarily without giving it the smallest benefit of the doubt; I also made up a 32C tester, the top bra pictured above.  Well, it was utterly ridiculous on me.  I quietly left that one out of the Flickr group!!  The other two are 34A (what I thought I was) and 32A (what I am).
And I have made my two pairs of matching undies already… they are now sitting on my sewing bench just awaiting their bra!
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Wedgwood blue damask, with brass zips

A new dressy-wess!  This is dress 109 from the
Burdastyle magazine issue 09/2008, part of the Pattern Pyramid spoils that I had my clutches on for One Glorious Week!  I did manage to trace off a couple more of the treasures within (hehehe) before sending it off on its way to gladden the hearts of
new and eager seamsters….

Brocades and damasks rich in surface texture have been popping up on the runways; and exposed zips have been hot hot
hot for a few years now… so my new dress is fabulously current, ticking two
trend boxes in one neat little package. 
Trendiness doesn’t usually power my wardrobe choices, I tend to do my
own thing….  but it does feel nice
to have something that is the dernier cri every so often, oui?  Oh oui!
above: at left, glossy gold damask at Marchesa; at right; Balmain damask jacket and shirt,  heavily textured Azzedine Alaia skirt.  both pictures from Vogue Australia magazine

The damask from Fabulous Fabrics was a gift to me from Sam, for last
Christmas.  The delicate lace-like figuring
against a rather divine background of pale Wedgwood blue whispers “luxury” to
me; bringing to my mind the type of expensive upholstery that would fit right
into a chic Parisian salon.  I
think it contrasts beautifully against the slightly industrial feel of the heavy brass zips that I used for the pockets and the front opening.  Shimmering luxury and tarnished toughness: together in one dress.  I love the clash.

The dress is completely lined with coffee-coloured
polyacetate lining also from Fabulous Fabrics, and I bought the heavy-duty brass zips in Spotlight, of lengths reasonably
close enough to those stipulated in the pattern.  Initially I was disappointed I could not find zips with pale blue tape
to match the colour of the fabric more closely, but in Perth you take what you
can get, haberdashery wise.  I
counted myself super lucky to find four matching ones! And I came to like the white; how it holds its own; clean
and fresh against the delicacy of the blue and the gleam of the brass. 
The three pocket zips are all jeans zips, and a touch
longer than called for in the pattern, dictating that I cut my pockets all a bit wider.  That long centre-front, open-ended zip is 10cm short, but I opted to not hem my dress correspondingly 10cm
shorter, ahem!  I hemmed the skirt
to my tastes, longer than the zip.  I’m OK with that!
I left off the belt loops, so I can choose to wear it with or without a belt, whichever I so desire  🙂  I like it equally both ways.

The three pockets are all perfectly functional, but
the zip
teeth on those hip pockets are on the scratchy side against my tender skin. And the breast
pocket would look strange with anything bulkier than a credit card or maybe a
single slender hanky inside.  That
one is pretty much purely decorative, although I have completed it to be a
perfect self-contained little pocket. 
I cannot bear fake details in clothes, like zips that go nowhere and pockets with no pocket bags that are sewn shut.  Loathe that.

I liked the instruction to topstitch closely along each side of each seam, and followed it.  A subtle detail, and adds a bit of extra something…

The fabric is gorgeous, but I found
during construction it is the sort that finds snags on fingernails that you
could have sworn were perfectly smooth! 
:S  so I will just have to wear and
wear and wear my dress and thoroughly enjoy it for as long as I can!
Later edit: I added a full-length zip placket to the centre opening… those zip teeth are sharp against the tender tummy skin!

Details:
Dress; Burdastyle magazine 09/2008, dress 109, in a pale
Wedgewood-blue damask
Belt; Country Road, from yonks ago
Shoes; akiel, from an op shop

Pattern
Description:
Fully
lined, sheath dress with high stand-up collar, princess seamed front with a
centre front opening by full-length, exposed, open-ended zip, inseam hip pockets
and single slanted breast pocket all with exposed zip closure.
Pattern
Sizing:
European
sizes 34-42; I made the size 38
Did
it look like the photo/drawing on the pattern envelope once you had finished
sewing it?
Yes.
Were
the instructions easy to follow?
Yes, in
my opinion the instructions are absolutely excellent!
What
did you particularly like or dislike about the pattern?
The pattern as is … there was barely any shaping, and when I tried on the basted dress and looked at my reflection in the mirror the words “Easter Egg” popped inexorably into my mind.  I looked like an egg!  Not the image I really wanted to evoke, so I made alterations so the dress skimmed closely to my figure.  I’m very happy with the shape of the dress now, though  🙂
I really love the look of that double topstitching on either side of the seams.
The
instructions on lining the dress are really excellent; an elegant and tidy
solution to lining a dress that I am sure I will refer to for other lined
dresses in the future.
Fabric
Used:
Damask
Pattern
alterations or any design changes you made:
There
was re-fitting aplenty necessary to transform it from a cocoon to a shapely dress …
The instructions direct you to topstitch closely to either side of the seamlines; I was glad I delayed this stitching until after basting all the seams up to check the fit, and I recommend to anyone else to do the same!  
I did
not transfer my fitting alterations to the lining pieces.  Since it is quite blousy on me, there is a bit of extra
wearing ease in there, always a good idea in a lining.
A
minor consideration, but one you have to take into account before cutting the
pocket pieces: since the zips are fully exposed, the length of the zips you buy
strictly dictates the size of the pocket openings.  There were only a few limited zip lengths available to me,
so I cut the pocket pieces in sizes to exactly fit the zips I bought.
I
made the belt carriers, but ultimately left them off.  I thought they made the dress look tacky with no belt, and I
wanted the option of wearing it beltless.
I added a full-length zip placket in underneath the central opening zip… (here) my industrial strength brass zip looked awesome but those teeth are sharp against the tummy skin!  Ouch!
Would
you sew it again? Would you recommend it to others?
I
think I will sew this again.  I
know I always say this and then I pounce joyfully onto the next new-and-shiny
pattern to cross my path  🙂  but I do think this will have an encore.  The pattern has classic clean lines and I think has the
capability to change its personality depending on the fabric chosen.  I do recommend this on-trend little
number, if lengthened a tad it would make a lovely smart little dress for the
office.  You just have to locate a
long enough front zip!
Conclusion:
Well,
now that it fits me, I just love it! the high collar, the simple, sleeveless, streamlined silhouette.
The exposed zips are very on-trend and the rich damask fabric I chose
ticks off another trend I have noticed cropping up in high-end designers this
season…

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With Military Precision

My most recent creation: a jacket! made using pattern 104 from the Burdastyle magazine 09/2008 from the Pattern Pyramid giveaway.  Uber cool, yes?  I think so.
Flicking through the magazine; the military style of this jacket with the double breasted front, the rows of buttons, the high collar and the little buttoned-down belt really caught my eye, but not until looking at the fine print did I notice the cool knitted wristbands that are attached to the sleeve lining inside the sleeves …  sold!!  I immediately knew this was The One.  I totally love it; even though there is hardly any winter left here… shhh.  I should be able to squeeze in a few more wears at least, and I’ve always found it fab to have something sorta new-ish in the wardrobe for next year, the next time winter starts to creep up and you’re not quite ready  🙂
Even better, I made the jacket using all leftover fabrics and yarns from my stash; small-ish quantities that were too titchy tiny for any one thing alone, but still too much and too good quality to even dream of ditching.  I’ve noticed a few smartly tailored jackets in Vogue magazine lately, made from combinations of very different materials and the idea of following suit really appealed to me.

Above: both these ads taken from Vogue Australia.  At left; Burberry Prorsum, at right; JBrand. 

I used a browny-grey polyurethane laminate, originally from Fabulous Fabrics and leftover from this skirt, and a grey wool, originally from Spotlight and leftover from this coat.  Whoar, it felt gooood to use up that fabric!!  The knitted wristwarmers are knitted from Jo Sharp Silkroad DK Tweed in colour Peppercorn, the leftover yarn from this cardigan.  I didn’t have quite enough of the wool to knit the full length required, but I think they turned out quite long enough anyway.

I cut the back, sides and fronts of the jacket from the PU laminate: and the centre fronts, shoulders, collar, sleeves and the belt from the wool fabric.  Even though I did not have enough of either fabric to cut the whole jacket, I did have enough of both together to make the jacket 15cm longer than stipulated in the pattern, which suited me to a T.  I prefer a hip-length to a cropped jacket, particularly when in a very fitted style like this.  I left off the gathered peplum, and instead cut the back piece as one long piece.
The pattern directs for two short belts to be sewn in with the side/back seams; instead I made mine as one completely separate longer belt.  It still buttons onto the lower two front buttons, just like in the pattern.  I like the way the belt pulls in the back of the jacket, and gives me more of a “shape”.  I think it might have looked a little boxy for my tastes otherwise.
I topstitched onto the wool portion of the jacket, but avoided any topstitching on the PU laminate; because I know from brief experiments when making my skirt from this fabric that topstitching looks tres hidous on this stuff.
The collar is faced with a lightweight elephant-grey cotton rather than with self-fabric; this is because that wool is thick!  It was pretty hard to get all those double thickness shoulder and collar seams all sitting down on the inside nice and flat as it was, without the extra bulk of a woollen facing… for that reason I did not button the collar ends back on themselves as suggested in the pattern because the grey cotton facing fabric would have showed.  Instead my collar just crosses and buttons right end over the left.

The jacket is lined completely with a coffee-coloured polyacetate lining, from Fabulous Fabrics.  This, along with the buttons, also from Fabulous Fabrics, are the only things I had to buy!

Details:
Jacket; Burdastyle magazine 09/2008, 104, with minor modifications; made of wool, PU laminate, Jo Sharp Silkroad DK Tweed
Jeans; Burda 7863, khaki stretch gabardine, details and my review of this pattern here, and see these jeans styled in 6 different ways here
Shoes; Francesco Morichetti from Zomp shoes

Pattern Description:
Masculine, lady-like or sporty?  This jacket fulfils all three requirements!  The front in severe military style, the back with a feminine peplum, and the sleeves with long, hand-knitted cuffs that are attached to the lining.
Pattern Sizing:
European 36 to 44,  I made the size 38.
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
I made mine 15cm longer; but otherwise yes
Were the instructions easy to follow?
They’re ok.  Burdastyle are well known for their challenging pattern instructions!  The instruction to sew the facing pieces together seems to be missing so if you have not made a lined jacket before you might get pretty confused in this section.
What did you particularly like or dislike about the pattern?
I just love the style!  Very interesting and quite unique.  I was particularly drawn to the knitted wrist-warmers feature; I just love combining different bits and bobs together in one garment like this!!
Fabric Used:
I used a combination of several fabrics; a PU-laminate and a charcoal wool for the jacket pieces, and Jo Sharp Silkroad DK Tweed for the wristwarmers.
Pattern alterations or any design changes you made:
My jacket is 15cm longer than stipulated, and I left off the gathered peplum and instead cut the back as one piece, as per jacket 105.  I made the belt as one long and completely separate belt, that encircles my waist so it nips in the back of the jacket, and gives me more shape.  My wool fabric used for the collar is very thick, so I faced the collar with a lightweight cotton.  For this reason I did not fold back the collar ends to button on themselves, but instead laid them over each other, so the ends button onto each other.
Would you sew it again? Would you recommend it to others?
I might sew this again! and I definitely recommend this interesting and fashion forward pattern to others!
Conclusion:
Well, I’m completely chuffed with my new jacket!  I really love trench coats and military style jackets, which is why I fell for this one; a nice combination of the two styles.  The double breasted front and high stand-up collar look smart and will be nice and cosy on a cold day.  I really love the belt, to nip in the waist.  I particularly adore the knitted wristwarmers.  All round a unique and very cool little jacket, and a really good choice for a cold weather jacket.

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A tee or three


I have made a few new
Tshirts…
I’ve noticed a few examples
of mixing and matching different colour and/or width stripes in the one Tshirt,
and decided to have a go at adding something like to my wardrobe; using up some scraps and a few more of the old Tshirts in my bag
of refashioning garments…
Below: I took both these
pictures from Australian Vogue, at left is part of a Tommy Hilfiger advert; at
right, from the Antipodium resort ’13 collection.
Quite interesting, yes?
My Tshirt is made from: the baby blue with thin black stripe is cut
from one of Tim’s old Tshirts; the sage green with diagonal white stripes is
leftover fabric from a top Cassie made for herself; and the yellow sleeves are
cut from one of my old tank tops, that was once white and that I dyed yellow
with ground turmeric, here.  The
green/white stripe fabric is an interesting print; the stripe is on the diagonal!  So while it looks like the lower part
of the body is cut on the bias, it is not!  
The pattern is my own
self-drafted pattern, with the sides cut straight down, instead of my usual
fitted-to-the-waist curve, because I wanted to match those diagonal stripes
down each side, this would have been a Mission Impossible with a waist curve!  I’m pleased to say, mission was accomplished.
I’ve also made a coupla new
plain white Tshirts.  I came across
some white cotton knit, leftover from this dress, while searching for suitable
candidates for lingerie, and while I decided it was not suitable for lingerie it
is perfect for Tshirts.  So I cut
out two new Tshirts.  Only then did I remember that I had mentally set this fabric aside for another Pattern Magic thing… (headslap)
oh well!  There is fabric aplenty
still for Pattern Magic things!
These will be great for thermal purposes and just basic useful things… one can never have too many white Tshirts, no?
The only special thing
about these new Tshirts is that I stabilized the shoulder seams with Seams
Great.  This was a gift from
the kind and clever velosewer; thank you so much velosewer!  This gossamer thin tape is new-to-me, and I am thrilled with how unobtrusive and tidy it
looks sewn over those shoulder seams!
The lower hems of the two
white Tshirts were finished with a twin needle blahdy blah, but for the striped Tshirt I
just decided on a whim to go with a simple zig-zag.  Man, but I’m just one crazy rebel, sometimes  😉  If it goes wave-y or funny I can always re-do it with a twin
needle, properly.
 
Details:
Tshirt; self-drafted, from
a mix of old and leftover cotton knits
Skirt; Vogue 1170, PU
laminate, details and my review of this pattern here
Shoes; Perrini, had these
for donkey’s years
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