Heather purple dress, part 3

So, now for the final installment of the making of this dress.
At this point it’s just a bit of finishing off to go; sewing the lining to the zip tape, and doing the hem.  It doesn’t sound like much, but hems are not to be rushed into, especially on a plain-ish dress like this one in which a wonky hem would stand out like a sore thumb.  The very simplicity of the dress’s style means that the hem has to be perfect, as there are no design details to draw the eye away from imperfections, not even a print on the fabric.
So I sew the lining on to the zip tape by hand.  A comment kindly directed me to a site where I could learn how to do this feature by machine… (haven’t checked it out yet) but I had already finished it by this stage!  

And the hem…  When I want it to be perfect there is no other way than this…  Remember when your mother got you to stand on a chair and slowly rotate while she measured and pinned your hems…?  I still do this for my daughter’s dresses but a person can’t help but shift weight a tiny bit from foot to foot, and move their hips, even the smallest amount and it really throws off your hem measurements, the beauty of Bessie is that she’s rock steady.

After I’ve trimmed the hem allowance to 5cm (I pull the dress onto the ironing board to do this), overlock the edge, pin up and press, I trim the lining to be the same length as the pinned-up hem of the dress proper.  Then I fold the lining up on the inside 1cm, press, fold up another 1cm, press, then sew it by machine.  This results in a lining hemmed exactly 2cm  shorter than my dress length, which is perfect…

I make some bias binding out of voile…

And attach this by machine to the edge to cover the overlocking stitches, press the bias edges under, then finally slip stitch the hem invisibly into place…

Voila!

I feel like a bit of a fraud modelling it as I’m not wearing it today and I don’t intend to wear it until autumn.  I am wearing the scarf (which I also made over the weekend) and shoes today, but with a different dress!
Truth be told, I finished this dress two days ago; I did say I’d been sewing like a demon, I’ve also finished my next two re-fashion projects which are lined up for those Wardrobe Refashion posts, man I’ve got to slow down…  Good news (?!) is that our office computer is up and running so I can get onto a mountain of office work as of this week…  yay (in a small, depressed voice)…

Details:
Dress; Burda 8511, modified, purple hessian silk
Scarf; turquoise silk chiffon, self-made
Shoes; lasoffitadi Gjilde, from Zomp

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Tea Cosy, specimen 8

I think this is my favourite of the tea cosies I’ve made for my friends; it’s got a “Roly Poly” base, (pattern from Wild Tea Cosies, by Loani Prior), but the three chickens in a nest on the top are my own variation.  I did this one for my friend C because she keeps chooks.

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Heather purple dress, part 2

I last left off this exciting saga (ha ha) with the front and back sewn to their facing/linings at the armhole edges and neckline, and the seam allowances clipped and graded.

I then turned the front and back pieces right side out, eased the seams open and pressed, then understitched the facings on the curved part of the seams.  I hope everyone understitches their facings, I think it makes a huge difference to keeping those facings on the inside where they should be, and not rolling out to the outside.  It’s difficult to see in the photo, (I’ve made it a big photo to help) but my unpicker and the pencil are pointing to the understitching seams.  You can’t really sew all the way up to the edge of the seams, because you are trying to sew up a tube and that’s impossible, at least on my machine, but just understitching around the curves results in a much cleaner, nicer edge that sits flat.

Now for the shoulder seams.  I sew the front and backs together, at this point I either congratulate myself on careful measuring getting those gaps exactly the same width, or I’m kicking myself I didn’t measure precisely and check properly (see part 1); nowadays I am super accurate with this part as I’ve come to grief here before…. don’t want to talk about it, but it means redoing those arm and/or neck seams again….

Then I carefully clip the corners a bit (not too closely if the fabric is a real fray-er, like this silk is) in the photo above the left side is clipped but not the right, press open with my fingers (not an iron), turn the facing shoulder seams in and pin closed, then handstitch the facing shoulder seams closed…  in the photo below I’ve stitched the right seam and just pinned the left side.  In the photo you can also see one of my sewing assistants who often helps out by plonking herself down right in the thick of things at some crucial step..

Now for the zip…  I overlock the edges of the left side seam (if you’re a left-hander you might prefer to have your zip on the right side seam, probably one of the reasons you’re a dressmaker is so you can have this feature where you want it rather than where commercial clothing manufacturers have decided for you)  Then I physically try on the dress and pin it closed down the side seams to check just where I want them and mark front and back with pins…

Then insert the zip along these markings.  I perhaps should have taken more photos during the zip insertion process, but I always get in a bit of a zip-insertion zone at this stage and didn’t think to pick up the camera.  Anyhoo, I put the zip in, sewing from top to bottom both sides… then after this sew the seam below the zip, again from top to bottom.  Do others do it this way also?  I find if I do one side of the zip top to bottom, the the other side bottom to top, and/or the dress seam bottom to top, it’s very difficult to avoid little lumps or bumps in the seam. I think it’s because the upper and under fabric pieces shift due to tiny variations in the rate of the feed dogs on the under side compared to the rate you control the fabric feeding into the machine…  Any thoughts anyone?  It’s taken me a few imperfect zips that require unpicking and re-doing to settle on this rigid “top to bottom” rule that I never break now…  Here is the zip inserted, and the pins you can see are the lining pinned to the zip tape on the inside (photo of this further below)

Then I sew the right side seam following my markings, both the dress and the facing/lining top to bottom, and overlock/finish this seam…  (I know this looks a little tight on Bessie but the truth is that she’s a tad bigger than me and although I’m struggling to close the zip on her I have plenty of breathing space when the dress is on me… another trial and error thing I’ve learnt to adapt to)

Here is the photo of the inside of the dress so far, with the lining pinned to the zip tape ready for handsewing…. Does anyone know how to do this by machine successfully… that’s a holy grail for me, as it always ends up looking like a lumpy mess when I’ve tried and needs re-doing.  Until I can learn how to do this I’m handstitching for a perfect finish..

Finishing stages of the dress in a few days…

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Wardrobe Refashion, project 2

For my second Wardrobe Refashion project I took the scissors to some three quarter pants that I’ve had for about two or three years.  They’ve been good pants and I loved them when I first bought them, but over time the fabric had pilled a bit, “knees” developed pretty soon after putting them on, and the folded waistband, which has no zip, used to pop open in a very unattractive way without warning.  However the fabric is a nice textured charcoal linen/cotton blend which I still liked.
I envisaged a simple Japanese style top, something like the beautiful designs I saw in the Yohji Yamamoto exhibition at the Perth Art Gallery a year ago.  That was such a gorgeous exhibition, sigh, the awesomeness as a whole left me quite spellbound and deeply inspired.  I have not even close to 1% of his talent, but I thought I might be capable of a simple top, something symmetrical, but with just a few elements of asymmetry thrown in, as practiced in traditional Japanese architecture.
I’m very happy with this result although putting it together ended up a bit more complicated than I first thought – again, just like the deceptive simplicity of Yohji Yamamoto (I have one Yohji Yamamoto top that I was lucky enough to come across in a second hand shop, and it’s quite unlike any other top I’ve seen)  The difficult bit on which I spent the most time was in the inserts I put in under the arm which are to avoid inadvertent “flashing” when arm-lifting; and you can’t even really see this part of the shirt!  Even though you can’t see them, let me describe them; they are scooped and edged with scraps of self binding…
I kept the waistband of the original pants to use as a belt and my whole family agrees the top looks better with it.  
I really like the up-and-down effect of the hem; longest in front, shorter at the sides and shortest at the back.  The hems here are the original hems of the pants.  
I slashed the neckline of the top off-centre to insert a button closure and used a small amount of lightweight black fabric from my stash to face the neckline.  This button closure is functional but not really needed as it can be just slipped over my head anyway…  I love this old button I inherited in my grandmother’s haberdashery; it’s texture is a bit like rough stone.
Pretty much all of the fabric of the original pants was used in making this top; I had only the tiniest of scraps left!

Details:
Top; refashioned from old 3/4 pants, my own design
Shorts; Burda 7723, white linen
Sandals; Vicenza, bought at Soletta shoes

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Heather purple dress, part 1

I have been sewing like mad over the past few weeks, what with the kids on holidays and I’ve got a break from my office work as we’re in the process of switching over computer systems, and I’ve nearly finished all of my autumn sewing plan.  I finally finished my trench coat the other day; the belt buckle situation was a real hold-up, but I went op-shopping with my daughter and I picked up a nice heavy-ish brass one (attached to a ghastly PVC belt, I wouldn’t chop up a leather belt but PVC, hey, all bets are off!)  I only have one item left to do on my plan and that’s the heather purple sheath dress.  It was my husband who suggested I take some photos during the construction process and put them up here as a kind of progress report.  After all, even my mother probably doesn’t want to look at photos of me every day! so I thought, good idea…. I think I’ll do this on alternate days for a while.
For my sheath dress I’m using Burda 8511, one I’ve used before four times.  My first version I thoughtlessly put in the Good Sammy’s bin during a fit of cleaning madness, the second version is here, the third here, and the fourth is a winter dress I haven’t posted about on this blog yet.  Although the third version is a loose shapeless dress, on each of the other versions I have fine-tuned the fitting of this dress and am quite happy with the simple chic of this style.  For this one I want it to be quite formfitting.
I’m using hessian silk, from Fabulous fabrics, which has a sort of rich magenta warp with a sky blue weft, the final effect is a sort of dusky purple.  For the lining I’m using mauve bemsilk, and I’ve got a 46cm “eggplant” invisible zip.
Variations I am doing on the pattern:
1. As this is to be an autumn/winter dress I’m lining the whole thing.  (this is a bigger variation than it initially appears!)
2. The back is laid on a centre fold, eliminating the central back seam, and I’m relocating the zip to the left side seam.
3. I’m shaping my own neckline
4. The dress will be fitted to be way more form-fitting, as the original pattern is pretty shapeless. (again, a biggie)
5. The dress will sit above knee, so no need for a rear central slit.

Here are some of the pattern pieces, cut out.  The front neckline (at left) is still uncut as I haven’t decided whether to make it rounded or square at this point yet (often a last-minute decision!)  On my sewing plan I drew it as quite high necked, but then had second thoughts… I’ve also cut out full dress lining pieces.
As I am doing a whole dress lining, I’ve extended the facing pieces and made a composite facing/lining out of self fabric and bemsilk.  (This is something I worked out successfully from the last time I made this dress)

Here are the facing/lining pieces; the front (at right) has been joined and edges finished (overlocked and topstitched down) and the back facing + lining are pinned ready for seaming (the whole bit at the top above the pins will be cut off with the seam!).  The shaping and darting markings haven’t been transferred yet.

Here I have pinned the front and back pieces onto Bessie and marked my own fitting darts.  These were perfected in my previous efforts using this pattern.  Sorry, I’ve realised just now that some of the pins I used are small headed and so invisible in these photos! Doh, camera skills, please…

And here is the front piece with darts sewed in.

These same shaping darts are sewn in the lining also, although here I have sewn them approximately 5mm shallower on each longitudinal dart, for ease of movement.  Then the front lining and front are pinned together at the neckline and armhole edge and sewn, likewise the back and its facing/lining piece.  
At this point it is essential that the seams start and finish 1.5cm in from the raw edge (my unpicker is pointing to illustrate), and that the gaps at the top for your shoulder seams are exactly the same width front and back.  This is real important.  If they are not exact, there will be tears.  Just saying.

The front (at right) has been sewn, and the seams graded and clipped, you can see I’ve decided on a demure curved neckline, and the back (at left) is just pinned.  
At this point I stopped for the day, not because I wanted to, but because the family was starting to grizzle from hunger…  must be dinner time already.
More in a couple of days..

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A dye-job

Looking through my wardrobe searching for new combinations of my clothes to wear each day, I am continually struck by how many of my shirts are … white… Yes, can’t seem to break my white shirt habit; I just love white shirts and always seem to have multitudes.  By white, I’m including off-white, cream, beige, etc.  My Mum would confirm it’s all I wanted to wear as I was growing up, just a white T-shirt and jeans/denim skirt.  I still can’t stop buying and/or making them in the dozens.
This particular tank top I’ve had for about three years and in duplicate, and I have a hankering for a yellow top, so it was off to rummage through the spice box…
Ground turmeric, in my opinion, is a very reliable yellow dyer, with a pretty good colourfast factor.  You only need a tiny quantity, and it’s a damn sight cheaper than purchasing a commercial dye, not to mention kinder to the environment, so is the dye of choice for a small item like this one.  Of course, if you’re dying a whole sheet set, say, and you don’t want your bedroom smelling like a curry house because you failed to rinse sufficiently well; perhaps a commercial dye may be wiser.  Of course a thorough rinsing would be essential anyway if you want to avoid waking up in the morning looking like a serious case of jaundice has struck during the night…
Woah, getting off track like I always do, we’re not dying a sheet set here, just a simple tee, so…
Before…

I soaked the tank top thoroughly, sprinkled a few shakes of ground turmeric into my wash-bucket (probably about half a teaspoon)  A little bit of this goes a long way, and I wanted a gentle yellow wash not a really garish bright yellow.  I’ve got nothing against garish bright yellow, but not this time…
I used about half boiling water straight from the kettle, then about half cold water, then dunked in the top in one swift plunge…. followed by lots of swirling, whooshing (technical terms), soaked for a few hours for good measure, then rinsed THOROUGHLY.  And I’m a good greenie, I poured the rinsings over all my pot plants…

And I have a great “new” tank top to mix and match for some new looks.
This skirt I’ve posted about previously, it’s the same pattern as the skirt I posted about yesterday, but view C.  I love this new colour of the top; its an almost lime-y acidic yellow which I think will carry me through autumn and should combine well with and cheer up the grey beiges, greys and even blacks of winter.  Am I starting to fantasise just a leetle of autumn/winter already? that’s because I saw on the news last night we are expecting a couple of days of over 40C, oh, joy… 

Details:
Skirt; Vogue 7880 view C, printed cotton
Top; Country Road; dyed with ground turmeric
Hat; Rusty, from the surf shop at Dunsborough
Sandals; Anna, bought from Marie Claire

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Jewel tones

Today I feel a bit old-world-jewel-y, like Aladdin’s cave wrapped around me somehow (yeeah, my similes sometimes, oftentimes leave much to be desired).  I’ve always loved this fabric, bought on first sight at my favourite fabric shop, and felt inspired by its gorgeous shades of of gold, bronze, copper and raspberry, mixed in with a whole kaleidoscope of other random colours; it feels rich and warm, and yet in a light floaty fabric that can be worn on the hottest of days.  OK, if I’m honest, the cardi is probably not going to stay on all day, forecast for a warmish one.  Given the up and down nature of the temp it could be on and off more times that the proverbial … something (brain refusing to come up with any proverbs, here)
Take last night, was a bit chilly so I had to put on my woolly winter dressing gown to get my weekly TV fix of Bear Grylls doing his usual manly surviving stuff.  Hmm… yes, ok…
Back to the fashion, I like how the general clash of brights actually go really well with this skirt.  The shoes.  Even the pedicure fits in, miraculously.  Amazing how this baby blue nail varnish has actually complemented all my outfits, er, I’ll leave that one for others to judge, but I’ve loved it.
Got a few appointments today, and errands, been working on my weekly Wardrobe Refashion project (I’m pretty pleased with this one although its been more complicated that first anticipated), and its now off to walk the pooch….

Details:
Skirt; Vogue 7880, view B (minus the odd hanging thingys), burnt-out polyester chiffon
Camisole; Country Road
Cardi; Alannah Hill
Necklace; Sportsgirl
Shoes; Neo, bought from Nine West (I think?)
Nail varnish, Litl Boy Blue, Artmatix

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Cool neutrals

(Can I just start by saying that I looked back over a few of my old comments and people have written such kind and uplifting comments; thankyou all so much!  Especially about my daughter’s ballgown, yes I am so proud of her, and some of the beautiful things you had to say truly brought a bit of a tear to my eye!  It was very thoughtful, thankyou…)

Today dug out my favourite pale pink skirt for an airing.  I love this skirt.  Although pale pink isn’t strictly a neutral it seems to work as one with this skirt here.  When I conceived this skirt I had a kind of creative mental maelstrom going on where I worked feverishly on the design with no thought to passing time and it all came together perfectly and was exactly how I envisioned it.  The skirt has eight layers, four at front and four at back; the six under layers are attached to the lining separately, graduated and all slightly angled and offset to each other, it’s actually kind of clever and now I don’t quite know how I did it myself.  It all just seemed to happily brainstorm together and worked out just right. Very rewarding…
I’m wearing it today because it’s practically cold in Perth … 27C!  
Also I just felt like dressing elegant.  After a coupla days of casualness I just wanted to up the ante for a change and look like a lady.  So it was out with my beloved neutrals and hopefully channelling the sort of beige loveliness that calls to mind the careless cool of a previous era…..
Please note below the incredibly artistic reflective pool shot, in which one can contemplate with crystal like clarity the classy layered fashionableness of one’s ensemble… and be reminded that one should really skim the leaves off the pool before one’s photo shoot next time…

Details:
Skirt; own design based on Vogue 7303, from pale pink silky damask
Top; Tutte, from Mid 70’s, gift from my parents
Camisole; Country Road
Shoes; from an op shop
Nail varnish; Litl Boy Blue, Artmatix
Bag; Gucci

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