Tag Archives: Sss11

Posing with water

Self-stitched September, Day 14:
Today’s photo challenge, to pose with water.  Hehe.  Oh you can be sure I put in my vote for that one myself too… 
I think I voted for “water” because it would be a good excuse to get out and do this very activity I am doing here.
Well, any excuse is a goodie, right?  There’s nothing like a walk along the beach beach to lift the spirits.  Yah, so I walk along the river beach every day, but the ocean beach is just something else; so invigorating.  Feeds the soul.  Truly…   So for today, the Indian Ocean.

Details:
Dress; Vogue 1152 with minor modifications and without the sleeve cuffs, made of cotton chambray, details and my review of this pattern here (I did finish the dress with the sleeve cuffs here, but took them off pretty pronto.  They were just not me)
Black scarf; of soft black net, an ex-lining cut into strips and knotted together, details here
Blue scarf; a refashioned tank top, details and a tute here
Sandals; Micam by Joanne Mercer, from Hobbs shoes

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Bare legs!

Yesterday I roasted a bit in those tights, so today I decided to be brave and make this the first day in the new season to go without.   And haven’t regretted it one bit.  I think the weather has turned at last!
Well, bare legs in a short-ish skirt, that is.  I’ve just realised I have gone without tights already this self-stitched September, but that was in long-ish skirts.  You can wear long skirts and they will keep your pegs quite nicely warm in a light wind.  Short skirts take a bit more courage and conviction, a real test of warmth or lack of.  It helps that the morning lows are not dropping below double figures now (that’s in Celsius, natch!) and that sure does make everything feel a whole lot more hey-it-‘s-spring like and not when-the-heck-is-it-going-to-warm-up like.
Today I’m trialling this old skirt.  I’m not sure about it.  It’s been sitting in my possible Sammie’s pile for a few weeks, since I realised I didn’t wear it at all during autumn or winter.  I’m not sure if the python print is me, or not.  When I made it I was particularly pleased with the black side panels which I randomly tuck-stitched to match the leather-y look of the print, and look like this below… And I’m always hesitant to toss out things that are still perfectly serviceable and don’t yet look just awful through too much wear; plus are potentially useful little summer things, like a skirt in a neutral but interesting print.  What do you think?
D’ya wanna know something interesting about this little photo spot?  Well, probably not that interesting but just a little factoid; this is like the opposite spot from where I took every single one of my me-made June photos.  Opposite, in that I used to set up my camera on these rocks where I am standing here, tucked away in these bushes, and stand down on the beach down where my camera is sitting today.  
Hehe, well, I did admit that it wasn’t that interesting…

Details:
Shirt; Burda 7767 with modifications, dark olive linen, details here
Skirt; Vogue 7303 lined, python print satin, details here, but shortened since then
Sandshoes; Country Road

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Burnt orange skirt

I’ve seen a couple of other little orange skirts just like this recently, namely Gail’s and Yoshimi’s, so you will have to take my word for it that I bought this fabric a couple of months ago and have had this skirt at the nearly finished stage for a few weeks!  So, I claim immunity from copy-itis, but instead invite you to marvel for a minute at the like-mindedness of great minds…
Now actually there is an element of copy-itis going on.  I saw a skirt in the window of Cue with an interesting waistband, pleat and pocket feature.  I am always on the lookout for interesting ways to incorporate pockets into straight skirts, a silhouette that I think suits me but is often difficult to put a pocket in successfully.  I thought the Cue team had done a marvellous job.  All Aussies will know how Cue along with its sister store Veronika Maine are veritable goldmines for interesting little features a seamstress can think about incorporating into her garments.  I just love browsing these stores, and if I wasn’t making my own clothes I would be wearing their designs.  Along with my all-time favourite Metalicus, of course…  Anyhoo, I digress; so, I went home inspired, then it was a week or so before the next visit to the fabric store, then it was another week or so before I got around to constructing my skirt.  So I was doing it from memory and it turns out mine is quite different from the Cue one, which on my next pass by the store window I noticed had two pleats, both situated between the front middle panel and the pocket.  Mine ended up having but one pleat, situated underneath the front middle panel.  Oh, OK OK, a fairly miniature difference that only a nit-picking detail-maniac like me would notice…  but, doesn’t matter the design still works for me…
I adapted one of the Vogue 8363 variations, modifying by redrafting the front waistband piece to have a lower curve (I wanted this shape as opposed to a flat straight waistband) and drafted a middle front panel and re-drafted the skirt front piece accordingly to accommodate these two changes.  The two front darts of the pattern were partly integrated into the middle front panel, and partly transformed into the small pleat.  The beauty of this pleat is that it enables some “hand-room” for when one is using the slanted front pockets.  Voila!  I’m extremely pleased with how it turned out.  I can shove my hands down deep into the pockets and the discreet little pleat enables one to do this comfortably, while still maintaining a nice little straight skirt silhouette.

The only thing about the design I’m not completely happy with is the middle front panel.  On the Cue skirt it looked really good, on mine I think it looks less so, and wish I had kept it as part of the front skirt piece.  I think it is do do with my fabric choice, the flatness of the fabric means the less seaming, the better it looks.  The Cue skirt was made of a quite textured fabric with a very busy multicoloured weave, which looked very good with the separate panel pieces… if I do this again I will try to remember this…
When I bought the burnt orange, there was no matching lining fabric nor zip to be found, so instead I went wild and bought a contrasting maroon lining and zip, and also for the cotton to make my HongKong seaming tape and hemming tape.  You can see I went happily all out on the HongKong seaming there…  this silk hessian is one of my favourite fabrics but frays like a madman…  so raw edges are a big no no.  I covered a button with some of the fabric, and also made a bound buttonhole, but took absolutely no close-ups of this.  For a reason…  After viewing Sherry’s superb bound buttonholes I’ve decided mine is nought but a travesty of a bound buttonhole.  I salvage my pride by saying humbly yet again that this fabric frays like a monster… I did my best but it is sadly far far from a perfect thing.

Details:
Skirt; my own adaptions of Vogue 8363, burnt orange silk hessian, my review of this pattern here
Top; the bodice part only of Burdastyle magazine 08/2009, dress 128, charcoal wool mix, details here
Scarf; my own design, details and my pattern here
Tights; Kolotex
Shoes; Django and Juliette, from Zomp shoes

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Remembering

A lot of us are going to be remembering today the terrible events of 9/11 ten years ago, and what they were doing that day… this is a rambling recollection of my pretty ordinary life on that day.
We were living in Pennsylvania, USA at the time.  We had been there for about three months… Craig was doing a teaching exchange at a teaching hospital and our young children were booked into the local school..
To explain, Perth is a great place to live, but nothing ever happens in Perth.  This is a very quiet and laid-back little city.  A lot of young people from Perth are dying to leave, just because it is so quiet (and nearly always move back home as they get older for the very same reason…) Craig and I were still in the young category who wanted to be somewhere exciting.  And we were in America! of all places.  Fed on a childhood diet of US sitcoms and TV series and Hollywood movies all our lives, we had been brought up brainwashed into believing America was the place everything happened.  It seemed everywhere we turned there was something famous, somewhere where something amazing or fabulous or eventful and interesting had happened.  We’d only seen it in the movies but now we were visiting those places, seeing it, experiencing it, living in it!  It seemed so awesome and exciting and overwhelming and we were there.
We had met lovely people and made friends.  I was homesick but I liked the little town we were living in, and I loved the friendly happy people.  They were so welcoming and kindhearted.  We even entertained thoughts about a more permanent move… too early to make any decisions but we were talking about it.
So.
The children had just got off to school, Craig was already at work and I was doing a bit of housework before my usual jog/brisk walk.  The phone rang as I was about to head out.  It was my brother, checking to see we were home and OK.  He had seen it on the evening news in Perth… this was about 9.30am Pennsylvania time… I turned on the TV just in time to see footage of the second plane.  I didn’t go out for anything at all that day just stayed glued to the TV; my family all rang at some point to check we were OK, they had also heard about a plane missing over Pennsylvania which ?I think? I’m not sure now, was information that was kept from us actually living there…
My children came home from school, and I immediately switched the TV off, thinking naively that they wouldn’t know about it, and I wanted to protect their young sweet minds …. naturally their teachers had had the TV on in the classroom all day also.  My eldest son, 11 years old, asked if the people jumping out of windows were going to be OK.  I just said, no, darling.  I felt a tiny twinge of anger at the complete lack of censorship, but was too confused and blank with the horrors of the day to think about saying anything to their teachers.  Anyhow, any small petty feelings I might have had about my children’s innocence seemed completely and utterly trivial by comparison.
The day was surreal… we were in a country in which events such as these were a common silver-screen occurrence.  Stuff like this does actually happen in the US, according to the movies.  We had seen all this sort of thing in the movies before, we had seen planes crashing in movies before we had seen people running terrified down the streets of New York in the movies before, we had seen horrendous dust clouds in the movies before.  It was kind of hard to grasp reality.   I vacillated between feeling bizarrely like it was all a movie or something else dreamt up by the land of smoke and mirrors, and then back again to reality.  When the reality did set in I just wanted my children to be back in that country where nothing ever happened.
The next few days, or weeks? it is hazy now, but I do remember all planes were grounded.  There was an anticipatory fear about what would come next.  No one knew.  My mother wanted us all to come home immediately.  I wondered if this was the start of a war; the president certainly said they were at war, and here we were, there.  When the crashed plane was discovered in Pennsylvania, that was a fresh horror.  I’ve never been so geographically close to a major plane crash like that in my life.  That event was tragic enough on its own but sadly and awfully overshadowed in the media by the massiveness of the other attacks.
(Oh, and we didn’t leave, not until our time was up.  I’m really glad we didn’t.  Also in case you are wondering, Tim does remember the day well, Cassie only vaguely, and Sam has no memory.  Tim remembers a girl crying and being taken out of class because her father worked in one of the Twin Towers.  I heard he got out OK.)

Details: (seems hugely silly to mention it now, but for the sake of self-stitched September…)
Top; Butterick 4985 with different sleeves and modified to be a hoodie, white lace, details here
Skirt; skirt “d” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, silver grey crepe, details here, and go here to see this skirt styled in 6 different ways
Sandshoes: Country Road

 

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A repeat…

…for real.  (the jeans)
Although I last wore them tucked into my biker boots and this time they are hanging out in all their flared glory…  I love the 70’s bellbottom-ness of them, and with ma skivvy here, and ma dip-dyed wrap thing; well, I think I’m just about ready to hop straight into Hair and this is the dawning of the age of Aquariuuuuus!
However, I suspect I’m a little too grey to fit into that era’s rainbow-hued colour scheme.  I’ve got the 70’s silhouette happening but just not the palette; I’m like a stormcloud-hued depressed moan-groan new millenium version of the 70’s here…
My parents had the Hair record and I grew up being uplifted and moved by the joy of those supremely optimistic songs.  Yup, I wore flares ands skivvys and tie-dyed stuff the first time around, and you know what they say about if you were there the first time around…. (don’t go there the second time around) but I am a child of the 70’s so there is no getting away from that.  Anyhow fashion-wise just about anything goes now, and so if one wants to dress like a monotonal fallout from another decade then go for it, yeah!

Details:
Top; self-drafted, from greige/purple-y knit stuff, details here
Jeans; Burda 7863 modified, black stretch corduroy, details here
Wrap; wrap “f” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, cream knit stuff dipdyed in a mixture of iDye Poly Blue and coffee, details here
(socks, not seen but knitted by me)
Shoes; Francesco Morichetti, from Zomp shoes

Below; recent naughty purchases, am rapidly becoming a pattern junkie…  the two Vogues, completely influenced by shams, whose creations are too terribly superbly tempting to resist emulating; also the Donna Karan maxi from ebay for which I paid ridiculous postage (don’t ask, I reckon Americans charge Australians like they are posting to the moon); and the Burdastyle magazine was completely on a whim.  I think I need help, is there a patternaholics anonymous…?

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A repeat…

… of sorts.  Not a repeat of any actual garments, per se, and btw I am not consciously trying to avoid repeats during self-stitched September at all, because I’ve decided that would be silly.  I just want to wear what I want to wear, y’know?  But I am wearing exactly the same pattern combination as I did last Friday, coincidentally.  That is; the twist top from Pattern Magic; this is the cream version and last Friday I was wearing my charcoal version.  And Burda 7863 jeans; today the purple denim version whereas last Friday I had on my black corduroy version.  So, different enough?
And I whacked the scarf on just because I thought the outfit was a tad bland without it, it needed just some extra bit of colour, or something, somewhere.
I just love this scarf, rapidly becoming one of my everyday favourites and it was fair dinkum one of the easiest things ever… just a French seam joining two ginormously long strips; from a pitifully unwanted 80cm remnant of thin soft jersey.  Just goes to show, whilst much pleasure can be gained from a long-term beautifully constructed garment (and it is a rare seamstress who does not aspire to a sartorial work-of-art every once in a while) sometimes the simplest of things can turn out pretty wonderful too.  So moral of the story; always check out those remnant bins.  There may be a fabulous potential scarf sitting in there with your name on it… 

Details:
Top; the twist top, drafted from Pattern Magic by Tomoko Nakamichi, cream knit stuff, details here
Jeans; Burda 7863 with modifications, purple stretch denim, details here
Scarf; raspberry marle jersey remnant, details here
(also, socks not seen, but knitted by me)
Shoes; Francesco Morichetti, from Zomp shoes

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A rare floral moment

Spring must really be in the air for me to think about a print, and not just any ol’  print but a floral one yowsa!  Not that I don’t love florals; I do, but in moderation and in general preferably on other people…  🙂
This is an old dress now, that I first made back here, and I’ve worn it here on the blog before.  In fact I was clad in this very same outfit for my favourite day during self-stitched September last year and the dress was a year old then.  It’s stood up pretty well, I reckon…  this is my darling Mum’s favourite dress of my creation,  and I’ve alway loved how the sleeve cuff/ties worked out and thought they were a particularly serendipitous detail.  
So of course I do repeat outfits, sure.  As we all do…  And especially if I have found a fab combo that really works for me, or in this case a dress that needs nothing further to make it perfect for … well, anything!  Even though this is kinda “pretty” I’m not precious about any of my dresses and don’t take particular care with them.  When I took this to Melbourne I rolled it into a ball and stuffed it in the corner of the suitcase – no ironing!- … today I’ve walked the dog, done the office work, had lunch with a friend, and am now curled up on the couch… when I wash it tomorrow it will get tossed in the machine on a normal wash cycle…  You can do whatever you want with a zipless wrap dress in an easy-care fabric, you see, and it will loyally forgive you all your neglect and continue to look as fabudabulous as ever…  
Digressing for a minute; the phrase “easy-care”.  Music to the ears, no?  Think about it, easy care.  Says it all.  Now, if I wasn’t such a snob about linen, silk, wool and cotton and didn’t keep on stubbornly giving preference to all these delicious and decidedly LESS easy-care fabrics, my life would be oh-so-much easier, methinks… sigh.
I made a pink stretch-y petticoat to go underneath, for a bit of extra warmth, that you can’t see in the above picture but is at right.  Thank you Bessie, for agreeing to model a petticoat for the internet; something I am waaay too shy for!

Details:
Dress; Vogue 7748, but modified quite a lot, floral polyester chiffon, more details here
Petticoat (underneath, and modelled at right by Bessie); pink stretchy stuff, my own design
Tights; Kolotex
Shoes; Django and Juliette, from Zomp shoes

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Lack of Tshirts

More correctly, I do not have a lack of Tshirts, but just a lack of me-made Tshirts.  And after a few experiments I feel this dress really looks best over a form-fitting knit Tshirt and not over a blouse.  So here it is again, this time over my striped Tshirt.  I’m not sure the dress is as successful over a print as it is over a solid coloured Tshirt… what do you think?
Anyhoo, it should be obvious that I adore this dress and have worn it a lot over winter and hope to continue wearing it over these cooler early cool days of spring too.  This should go some way to assuaging my disappointment that it is too warm to wear my new crocheted skirt already, and I had been looking forward to showing it off at least once during self-stitched September!   This is often a minor problem with me, though naturally, not such a problem that I am not massively thrilled about the warmer weather!  But, with my sewing and knitting projects at this time of year, I am partly stuck in “winter” mode and still envisaging projects suitable for the cooler weather, when really it is too warm to be wearing them for very long…  why do I keep doing this?  How do you go with thinking ahead in your seasonal wardrobe planning?

Details:
Dress; the “gathered hole” dress form Pattern Magic by Tomoko Nakamichi, made of a grey wool mix, details here
Tshirt; self drafted, navy and white striped jersey, details here
Tights; Metalicus
Shoes; Francesco Morichetti, from Zomp shoes

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