Tag Archives: Vogue 7303

“Tablecloth” skirt, the black-and-white look

Remember how I said I’m often inspired by high end fashion shoots in making my daily outfit choices?  Well today I thought I’d share my inspiration shot with you today.  This outfit was in this month’s Vogue Australia.  Of course the original is Dolce and Gabbana head to foot and my version is low rent and handmade, but meh.
I don’t wear the black-and-white look very often but love this D&G outfit and was inspired to give it a go.  Being from a European fashion shoot it’s a springtime outfit, and I do think of the black-and-white look as being a very spring-y colour choice.  Now I’ve got it on though I’m very pleased with how this ensemble looks.  I also thrilled at how this skirt, first posted here, is shaping up in my wardrobe.  (And no, it’s not actually made from a lace tablecloth, but certainly inspired by them…!)  When I made it I thought it would be too summery to wear outside of the summer months, but am feeling very comfortable in it today with socks and boots.  It’s actually a tad warm for boots but I’m going on to a fashion parade tonight and the nights now are cool enough that my toes cry out for sock coverage… so a little overheating during the day is necessary here.
Speaking of fashion parades, I’m pretty excited about going tonight.  There will be some very swish-o labels on parade, so I’ll be doing lots of mental note-taking.  A sample of the labels promised are Isabel Marant, Alexander McQueen, Maison Martin Margiela,  Comme des Garcons and Junya Watanabe.   Yes, (air fist punch) Perth is finally getting some of the avant garde designs in stores!  Of course we love our boring basics, like Country Road etc but we love us some international wow-stuff too…

Details:
Skirt; own design, stretch lace
Camisole; Country Road
Cardigan; Picnic
Boots; Sunday, Andrea and Joen, from Uggy’s in Dunsborough
Market basket; can’t remember where I got it from

Photo above from Vogue magazine, 
Dolce and Gabbana Spring/Summer 2010, 
photographed by Steven Meisel

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Orange and khaki combo

Went into the city this morning with my daughter, and since it was a bit blustery I leapt at the opportunity to wear my trench coat… and am excited about wearing it a lot since it was so comfortable and cosy.  Crazily, I went through my wardrobe for ages this morning, unable to decide what to put on.  My husband laughs incredulously when I tell him stuff like that… “But you’ve got so many clothes!”  yes, but I still wail about having nothing to wear on a regular basis.  Ridiculous, I know.  Perhaps it’s time for a clean-out.
I’m particularly happy with the colours of my outfit today; yeah, it was inevitable that my new knotted necklace would get worn at some time with my burnt orange skirt.  I love this combination of orange with khaki and beige.  My mother has been telling me to wear colours like these for years.  They remind me a little of the outfits that men who like to hunt wear in the US; they would be all decked out in their camouflage gear, but with a neon orange vest on the top.  I was told the orange vest was so they wouldn’t inadvertently shoot each other whilst hunting.  But then why the camouflage, I wondered?  Kind of hilarious, when you think about it…
This little olive top I’m wearing I’ve had for about ten years.  It’s getting a bit thin and mis-shapen and a few times I’ve contemplated tossing it into the Salvos pile, but I’ve kept hanging on to it because of its colour.
My daughter took this photo and the reason I look so peculiar is I’m dying of embarrassment that someone is going to come around the corner of Wesley Church (the lovely brick backdrop) and see us; I loathe people seeing me have my photo taken… I’m too shy and need to be alone.
The other photos I took today I’m keeping for tomorrow; I have some interesting sewing-related observations on famous couture to talk about, but enough from me for now and I’ll be back with more later…

Details:
Trench coat; Burda 7786 modified to be double breasted, stone cotton
Top; Cue, had for about ten years
Skirt; Vogue 7303, burnt orange silk hessian
Necklace; made by me
Shoes; Betts & Betts Brazilian collection, had these for about twenty years
Bag; Gucci

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“Black-adder” cardigan

I finished this cardigan just before we set out on our trek but didn’t get time to do a post about it.
Do you remember me mentioning some rubber/plastic coated jersey knit, stamped in a kind of scaly print that I thought would be ideal to finish off my python print satin outfit, but it wasn’t?  (I know, shocking grammar, there has to be a better way of phrasing that…)  Gorgeous and unusual fabric, fell in love with it at first sight.  A tough-but-still-chic-looking leather alternative to satisfy even the most ardent PETA supporter.  I think I’ll be wearing it a lot this autumn/winter!
Ultimately this was a very easy project, sewn together completely on my overlocker and took all of about twenty minutes to put together once cut out.  I didn’t think to take any “during” photos, but I’ll provide a few construction details in case anyone wishes to reproduce this one for themselves.
So I had 70cm of this stuff and decided to make a little cardigan out of it.  I took one of my existing cardigans which I like the shape of, laid it flat and smooth as possible onto paper and drew respectively around its back, front and sleeve, adding a 1cm seam allowance.  

When I tried to lay these out on my fabric the fun began and I had to have a good long think about what was possible.  There really wasn’t enough fabric to make a full length cardigan, so there was compromise.  This end result is proof that even if you don’t have quite enough fabric to fit your vision, if you are determined and persevere and think outside the box about using all your fabric to best effect, you can still have a good outcome.  And I was determined…!
The body pieces had to be cut shorter to about waist-length.  Paradoxically this still left plenty of long strips on the edges, so I used these for the waistband, sleeve bindings, and also to add a long collar/front tie to the neckline.  I didn’t use pattern pieces for these strips, just measured myself, pinned and adlibbed.
The wrist bands are made by serging your wrist strip along its short edge into a tube.  Fold this in half wrong sides together around the circular middle of the tube.  Pin to the right side of your sewn-together sleeve and serge around the raw edges.

The waistband strip is folded in half along its long axis wrong sides together, likewise pinned to the right side of the bottom edge and raw edges simply serged together.  My waistband strip wasn’t quite long enough for proper squared edges, so I sewed the ends on a narrowing curve as they ended at the front edges, and I really like the look of how this turned out.  I got the idea for this from one of my Metalicus cardigans.

The raw edges of the fronts and the long tie collar posed their own finishing problem.  No finish seemed to look right: visible serged edges looked a bit unprofessional; topstitching looked horrendous and my ordinary machine hated the rubbery plastic finish, it kept sticking in the machine; rolled and hand-sewn edges wouldn’t have worked because this fabric does not crease or fold.  So eventually I unearthed a bit of leftover black silk jersey (leftover from this dress, made about five years ago, yes, I often keep scraps that long!!)
I had just enough to cut out two front pieces and a strip the same length as my neck piece (er, the same length once I pieced together three smaller strips, that is).  Sewing these to their corresponding fashion fabric pieces right sides together at the edges, turning right side out, then treating as one piece seemed to do the trick nicely.  I apologise that they look a bit cat-hair-y in this photo.  I did say the fabric had been sitting around a while…!  And you can probably make out the selvedge holes along the edge of the silk jersey, I really did have only just enough fabric!  Yeah, I could have bought a bit more fabric, but by now I was on a minimal-wastage mission…

And so my new cardigan.  Today has brought a tiny taste of winter to Perth (thank goodness we had fabulous weather for out trek!), so I’m dressing a bit wintery-like.

Details:
Cardigan; own design, scale print jersey knit
Top; Ezibuy
Skirt; Vogue 7303, olive green corduroy
Leggings; Metalicus
Boots; Sunday, Andrea & Joen, from Uggys in Dunsborough

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Python alert

I finished my python print satin outfit!  Here in this photo I’m not sure if I look as much like a sleepy python draped lazily down a tree trunk any more than I do an extra from the set of Dynasty… all that satin….  At least I’m not sporting shoulder pads, but give me a dry martini, a grotesquely over-carved balustrade to drape myself over, or at least a gilt-handled door to slam and I’m your woman…
The top is out of Burda 8497, with the only variation in the addition of long pointy cuffs that are permanently sewn closed with these rather gorgeous metal buttons I found.  I considered making cufflinks out of the buttons and going down that path with buttonholes in the cuffs… but nah, this is a much simpler solution; not to mention looks better finished.  Given the struggles my menfolk have with cufflinks I like to just be able to throw on my outfit and swan out the door with minimal fiddling over my ensemble, so it was  “no” to the cufflink idea.
The skirt was kind of based on Vogue 7303, my old favourite which I use as a basic shape for so many projects.  I’ve had enquiries about this one, sadly I think it’s out of print (or I’d get another as a back-up for myself!) but some are possibly floating around on the second hand scene.  It’s really just a good basic pattern, of which there are many many new varieties available in dressmaking stores.
As I posted about before, the panels down the side are satin, which I pintucked randomly and ironed flat, aiming for a scale-y effect with debatable success…  At one point these panels, which are finished off properly, hung lower than the hemline in a randomly wavy point, but I decided this looked a bit odd and folded them up level with the rest of the skirt and tacked them up on the inside.  They’re still up there if I change my mind and want the skirt to look more gothic-y, I can just unpick the tacking stitches and let them fall down again.
The lining of the skirt (not seen here, but posted about yesterday) is jungle green bemsilk.
Over the cooler season coming up I plan to wear this to formal and semi-formal functions with my Icelandic shoes, pictured.  I just LOVE these shoes!!

Details:
Top; Burda 8497, satin print
Skirt; my own variation on Vogue 7303, satin print with satin side panels
Shoes; Kron by KronKron, bought online

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St Patrick’s Day

How do I know it’s St Patrick’s Day, even though we don’t make a big deal out of it here in Australia?  Why, because the Spotlight stores, which are heavily influenced by American merchandising choices are simply chocka with fluorescent green top hats, fluffy-haired leprachauns, wigs and shamrocks, which will most likely and sadly go unpurchased by Australians….
So, even though I don’t have a single drop of Irish blood in me my outfit for today is influenced by my perception of the Irish manner of dress which is quite different from the Spotlight examples.  My one Irish friend S has quiet and subdued tastes in her colour choices of apparel and kelly green rarely makes an appearance on her person…  I’m wondering if the holiday is becoming more an American tradition than Irish?  Thoughts, anyone?
When we were living briefly in the US we bought this simply gorgeous bedspread from a shop called Orvis, a store which had a beautifully provincial huntin’/fishin’ vibe that truly gladdened my rustic little heart.  This bedspread is made completely from patches of pure Irish wool tweed, which in their previous life provided warmth to Seamus’s and Liams on their daily pilgrimage to the village pub, or so we believe.  We’re always on the lookout for a recycled objet d’art and this one has dressed our bed every winter since we got it, and I love it more and more with each passing year.

On another, only slightly related note: conversation with my son last night illustrating the youthful Australian take on a sainted day…
T: “Do you know what day it is tomorrow, Mum?”
Me: “St Patrick’s Day.”
T: “No, it’s Touch-A-Boob Day”
Confused pause, then “Whaaaaat?”
T(patiently):”Touch-a-boob day.”
Me: “No, it’s not…”
T: “Everyone knows it’s touch-a-boob day…”
Later on…
T: “Dad, do you know what day it is tomorrow?”
C: “St Patrick’s Day?”
T: (sighing) “It’s touch-a-boob day…”
C: “Oh reeeeally…”
We’re so behind the times…

Details:
Skirt; my own design based on Vogue 7303, lace knit
Camisole and cardigan; Country Road
Shoes; so old I can no longer read the name on the inside…
Bedspread; Pure Irish wool, Orvis

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Orange skirt

I’ve finished a new skirt, as part of my autumn wardrobe plans!  It was a little delayed in getting finished as I debated whether to go and buy matching cotton to finish the seams ; yeah, HongKong seaming is my new passion!…. but I eventually settled for a bit of leftover print in my scraps bag (you may recognise it as the remains of the floral skirt I’ve been wearing a lot past summer).
It’s using Vogue 7303 again, cut short and lined.  This is a plain pattern but one I turn to over and over as it fits me so well, and I really wanted this skirt to be a plain unadorned little number to add a splash of bright cheery colour to my wardrobe, I think I got it, no?  Most of my encounters today resulted in a complimentary comment, so I’m very happy with it!

Skirt; Vogue 7303, lined, orange hessian silk
Top and ballet wrap; Metalicus
Sandals; op shop
Backpack; my son’s, souvenir from Santa Fe

 

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Riverside situation

Little adventure this morning.  Lately I’m in the habit of combining my two early morning tasks of dog-walking with taking my photo, if I’m planning to take one that day, that is.  I have my camera, tripod and the shoes I’m planning to wear the remainder of that day in a backpack, I take Sienna with me and stop somewhere picturesque and set up for a few minutes.  Well today, I’m out on this tiny jetty and it’s quite windy, I’ve got the tripod shored up between a pillar and the backpack to prevent it from blowing over (yeah, it was windy enough that that was a real risk!) and next thing I know, whoosh! my tripod bag is now floating in the river about five metres away.  Bob bob bob, it goes, taunting me,  out of reach.  I look at it with despair.  Should I abandon modesty and wade out to it?  No, the river is over thigh deep at that point…  Sienna is no bloomin’ good at all, she may look pretty but that’s as far as her usefulness goes.  Fetch, she does not do…  I look about for a handy young man jogging in his shorts who may gallantly help me out, but I’ve chosen my time well and there is absolutely no-bloomin’-one in sight AT ALL.  No canoe-ers.  I’ve got the foreshore to myself.  Usually this is a plus as I’m shy about taking my own photo if anyone’s about, but this time I could really do with a helpful man… (couldn’t we all…?!, joking, I’ve got my own man, but he’s gone to work early, dammit)
So I hightail it home, dragging Sienna, not allowing her to sniff or socialise, and luckily my eldest two are still around, and my daughter, never shy of an adventurous stunt, immediately dons bathers and we drive back down, she swims out, it’s about twenty metres out by now, and rescues the tripod bag…
As the song goes, thank goodness for little girls…
As a anticlimactic afterthought, my hat.  It’s newish, well on its maiden voyage anyhow (like my tripod bag).  I bought a single ball of this yummy wool at anny blat at their shop in Paris when we were there six years ago.  I finally made this beanie last year from my own design, just cast onto four double-ended needles and made it up as I went along.  I’m going to make myself wear hats more often.  I wish they were more in fashion.

Details:
Skirt; Vogue 7303, fabric handwoven by my Mum
Top; refashioned from husband’s old workshirt, my own design
Scarf; Country Road
Shoes; Timberland, bought in Rome
Cloche; annyblat yarn, my own design

 

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The summer in review

Today is officially the first day of autumn.  Seems kind of hilarious given that it’s going to be 37C again, and will continue to be in the high thirties for another week or so… anyhoo, I thought I’d review my most worn items of clothing over the past summer.  Now I don’t take my photo every day, and I am making an effort to rotate through the wardrobe and wear everything once in a while, but that being said there are still the favourites that I turn to time and time again on my days “off” from posing for a photo because a. they are comfortable and b. I feel good in them.  So I guess these clothes sum up “my style” for the summer (inverted commas because I’m still a bit hazy on what the heck my style even is!)…
It’s been an extremely hot summer with comfortable days few and far in between so it’s hardly surprising that the coolest items in my wardrobe have been the most popular, which means lots of white… even so I was surprised at how consistent my colour palette has been, and strong and bright.  I seem to have gone for greens and raspberry pink quite a lot this season.  For the five or six semi-formal functions I’ve attended I’ve gone for the beige lace dress I made at the beginning of last spring (for which I’ve received many compliments from very kind friends); I made it under the influence of the “nude” colour trend that was about at the time.  Not all of these clothes were made by me, but I tried to be honest about the clothes I’ve turned to most frequently and this included a few store-bought items and one op shop item; in the evenings, or when I’ve required a light cool cardigan, my turquoise and hot pink cardigans from Metalicus have been my go-to’s, and without a doubt my most worn accessory has been my cheap little necklace I bought from the surf shop at Rottnest about four years ago… even so looking over these I’m pretty pleased that most of my daily wear falls in to the handmade category… how about your wardrobe?  Have you worn mostly your own clothes lately?

Details:
Dresses;(nude) my own design variations based on New Look 6699, two types of beige lace and purple shot  silk
               (white) Simplicity3745, spotted swiss voile with lace trim
Necklace; from the surf shop on Rottnest Island
Skirts; (lime print) Vogue 7303, cotton
             (white cotton) bought from Old Navy, Capetown South Africa
           (olive green) Vogue 7303, corduroy
           (red floral)Vogue 2894, cotton
Shorts; Burda 7723, white linen
Tops; New Look 6252, lime green linen
          New Look 6252, white seersucker
          (pink) Aztec Rose, op shop
          (apricot) Country Road
Cardigans; both from Metalicus

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