Category Archives: Uncategorized

Limes, oranges, and thoughts on self esteem

This skirt is another version of Vogue 7303, made up quite plain as a mini.  I fell in love with the fresh green lime print of this fabric and thought it would be ideal for a cool little summer skirt.  Just the colour alone is refreshing!  I matched the print of limes on the skirt with these orange slice earrings that I bought back in the 80’s which are now definitely passe as earrings, but look OK strung on a chain as a necklace.  A good way to rework some old accessories.
This skirt pattern has been such a great pattern I can’t see myself ever tiring of it.  Its most important asset is that it fits me perfectly.  The value of this cannot be over-emphasised.  And its plain enough to jazz up in ways only limited by your imagination.

Actually, setting myself this challenge of wearing something completely different every day has been very good for me, and breathed new life into many of my clothes that I have passed over in favour of a few favourites too often.  And taking my photo each day has also made me more aware of my personal grooming and image that I’m presenting to my family and friends and the world.  I’m telling you it’s not always a pretty sight, and  I’m definitely trying to smarten up my act a bit.
I firmly believe that when you make an effort to look good on the outside and you are pleased with your appearance and attire, it definitely lifts your spirits and makes you feel much better within yourself.  The result is a happier more cheery me who is more pleasant for my family and friends to spend time with!  I hope!
Plus, I’m realising I’ve made heaps of clothes that aren’t maybe quite as hideous as I sometimes think.  They just need to be “styled”, with things I already have, or can be made by me if I need to.  Half the battle in making your own clothes and loving them enough to wear them is simply to just DO IT.  Without second guessing yourself too much.  We shouldn’t just assume that shop-bought is necessarily superior.

Other details:
Cardigan & T-shirt; Country Road
Sandals; Vicenza, bought at Soletta Shoes
Necklace; earrings (origins lost in the mists of time) strung on a chain

 

pinterestmail

Space Age nun

When I saw this heavy, slightly shiny fabric at Fabulous Fabrics I immediately visualised this dress.  I pictured something severe and unusual.  When it was finished and I first put it on and looked at myself I immediately thought, “Futuristic nun.”  Sort of what Sister Perpetua on board a space station like Battlestar Galactica would be wearing, say.  Still, I really like the dress, and feel it’s quite unusual and perhaps it will help me get in touch with my inner sci-fi geek.
The dress is basically Burda 8511 with some modifications.  Namely the centre back seam was eliminated to make the back one piece, and the front and back panels were cut with no shaping down the side.  I sewed the front shaping darts, but not those on the back.  I inserted shorter white panels inside the side seams, inset under the front and back panels by about 2cm and with an inverted pleat at the underarm seam.  The final effect is of a white slip underneath a heavier tunic.  I had enough of this white fabric leftover to make this top.  The dress has no zips or buttons as it’s loose enough to just pull over my head.  The white velvet ribbon is simply sewn inside the side seams at the waist and tied to bring the whole thing in together and give it some shape.
The pendant is one that was given to me by my parents probably back in the mid seventies.  Its pewter, made by Jorgen Jensen of Denmark, and has a poem inscribed on the front.  It reads as follows:  

Mind these three: 
T.T.T. 
Hear their chime: 
Things Take Time.
Isn’t that lovely?  Just the sort of advice a future nun might impart…
Other details:
Shoes; Perrini, bought quite a few years ago from I don’t know where
Pendant; Jorgen Jensen of Denmark, gift from my parents
pinterestmail

Turquoise, chocolate and cream

I went out for breakfast with the Monday morning gals in Bicton at a lovely new cafe this morning so wanted to go for something smartish in my apparel. 
 I started planning this outfit with my beautiful Italian sandals bought on super special from Zomp last year. The sandals are bright turquoise with a gorgeous crackled effect on the (chunky!) heels in chocolate and cream, thus determining the colour scheme for the day. 
I made this dress at the beginning of the year to be a useful little basic dress but I ended up rarely wearing it as it felt a bit boring.  However I tried it on with this ruffle hemmed petticoat during my wardrobe clean-out and it suddenly looked quite stylish I thought!  The pattern is Burda 8071, view B, a good basic sundress pattern that uses very little fabric.  I’ve made probably four or five dresses out of it over the past few years.  The fabric I used for this one is cream broderie anglaise cheesecloth.  Having worn it today quite successfully and comfortably I’ll definitely put it to better use than its had up til now and just learn to add to it so its not so plain!
Today I flew totally out of my comfort zone and changed my earrings (gasp!)  I do this very rarely!  Decided that I really need to accessorize a bit more, as when you look at the pictures in fashion mags its often the jewellery and other little details that can make or break an outfit.  I also needed to pick up the turquoise colour of the sandals somewhere else in my ensemble.  Hence, out came this lovely silver and turquoise jewellery I bought from Navajo jewellers in New Mexico.
Other details:
Cardigan; Alannah Hill
Petticoat; Metalicus
Sandals; lasoffittadi Gilde, from Zomp
Jewellery; made by Navajo jewellers, New Mexico

pinterestmail

Denim with a white top

I read somewhere that denim jeans and a white top is a fashion look that is worn more commonly by the general population than any other look.  If this is true, then today I am merely conforming to the norm.
Just a plain top today for a plain sort of Sunday; cooking, gardening and a bit of dying.  That’s the colouring of fabric kind, not the having a heart attack kind.  I hope.  The results of the former activity to be featured in a future post, with luck.  
This top, Butterick 4985, is rapidly becoming my favourite blouse pattern, with adjustments.  Because I have a narrow torso I take in the side seams by about 3cm each side.  This can only be achieved by altering the order in which the pieces are sewn together; I construct the two fronts, and the back section, before sewing the side seams, unlike the pattern instructions.  This way I can achieve a perfect fit.
This fabric was entirely leftover from another project, this dress, that’s how little fabric this pattern uses.  I also used some old buttons from my collection, that I had removed from a previous top I was throwing out.  These are a pretty bluey-grey, made from shells.  I’m sure I’m not the only one who keeps lovely old buttons, just in case.  I’ve inherited some really beautiful buttons from my grandmother and great aunt that I will never ever throw out, but re-use, re-use and re-use again.  Hopefully my daughter will too.
As a result this top cost nothing to make but my time, a bonus for a useful little top.

Other details:
Denim shorts; previously owned by my son
Necklace; self-made

pinterestmail

Which witch

Today being Halloween and all, even though we don’t celebrate it here in Australia, I decided to embrace the Halloween spirit in my daily ensemble.  Hence the witch-y colour scheme, and the appearance of my familiar in the photo at right.  However I was the only one in the family that got the reference.  Neither did I see anybody else out and about today who looked remotely Halloweenish.  Oh, apart from a photo of my 4yr old nephew who went to a party last night dressed as a skeleton.  So cute!
I love this dress.  This has to be the easiest pattern in the Vogue repertoire; it has, ooh, three pieces and one of these is a mere stay.  I ask you.  Foolproof.
In this incarnation it is my “little black dress”.  I chose high quality silk jersey mix as I wanted it to look really good and to last.  The look of the dress is unique I think.  The unusual folds and interesting draping effects take it a step above your average run-of-the-mill LBD.  The pattern is an Issey Miyake design, who is a genius at realising simple, very sculptural shapes that manage to celebrate the female form while appearing quite unlike most of the dresses you’re used to seeing around.
Today was very windy so I wore a cardigan for most of the day; shopping and spending time with my mother, my daughter and my sister-in-law; a girl’s morning out.  To show off the details of the fabric manipulation I also included a photo of the dress sans cardi.

So.  It’s a very comfortable dress to wear, obviously as its all stretch fabric.  Its also SO easy to make; oh, did I mention that there is absolutely NO hemming or finishing of the raw edges?  How great is that?!  The perfect beginners project, and a designer look into the bargain!!
Other details:
Cardigan; Scope, bought at some shop in Melbourne
Sandals; Micam by Joanne Mercer, bought in Hobbs
pinterestmail

Post with no name

Please don’t yawn, but this skirt is … wait for it … Vogue 7303.  Again.  I know, sorry.
I really made this one for winter, out of a lovely winter-white wool mix, with a cream bemsilk lining, but it works just as well for spring.  I centred the (invisible) zip in the back this time.   Just a simple plain stylish skirt out of beautiful fabric, that can be dressed up or down.

I tried to get Sienna to pose in the picture, but she got camera shy this time and hid bashfully behind me!  I think she’s embarrassed about her naughty barking during the night…

Please excuse my unattractive feet but I wanted to show my Revlon Blackest Black toenails.  Aren’t they cool?

 

Other details:

Camisole; Country Road
Cardigan; Diesel, bought in Rome
Necklace; Charmed I’m Sure, gift from my husband
Sandals; Vicenza, from Soletta shoes

 

pinterestmail

International Wear a Dress Day

Today I went to the cinema with a friend so decided to wear my NEW dress for the occasion.  Also, Dress-a-Day has decreed today “International Wear a Dress Day”, so how could I not?  Any excuse…

I’m quite proud of this dress.  I made it specifically to go with this very expensive cardigan I bought several years ago.  I’ve worn this cardigan with other things that have now gone the way of the Good Samaritan’s bin, and I needed to have something else for it to go with.  I thought this polyester chiffon fabric was a pretty good match for the (silk) chiffon pockets on the cardigan (see detail picture below), and envisaged a floaty, dreamy, pretty summer dress.
The pattern, Vogue 7748, is one I bought years ago but not yet used, so I decided to give it a whirl.  It seemed a good base for a wrap dress, with no frills.  However I thought it was a bit too basic and I wanted just a few frills!  I also wanted the final effect of the dress to be a kind of jumble of flowery colours, without a discernible pattern repeat.  The addition of a few ruffles could help achieve this.
I cut each of the skirt pieces to half their supposed length.  The right front, which ends up crossed over the left front in the finished garment, was further shaped in a curve up to the waistline.  For each skirt piece, I joined together three large part doughnut shapes, and added these to the bottom of each of the skirt pieces.
I also added a double ruffle around the neckline, although only slightly ruffled as I’m not a very frilly person!  
I didn’t make the belt in the pattern; but added long sashes to the waist edge of each dress front, and left a small gap in the right side seam for the left sash to pass through, so I can tie it at the back of the dress.  I also added a sleeve detail (see below picture) to look more feminine and interesting than the plain hem indicated in the pattern.
The skirt hem and the neck ruffles were finished with a black rolled hem edge, done on the overlocker.
Because the fabric is see-through, I made a separate petticoat out of lightweight jersey (see below, modelled by Bessie).  This is simply a tanktop bodice, copied from a tanktop I already had, and a quarter-circle each for the skirt front and back.  This was just run up on the overlocker, and the edges left raw.  Its just a petticoat after all, and the jersey won’t unravel or fray.

I felt good and comfortable in this dress today, so it’ll probably get a lot of use this summer.

Other details:
Cardigan; Alannah Hill
Shoes; Micam by Joanne Mercer, bought in Hobbs

pinterestmail

Rediscovering the full-length skirt

This skirt was made last summer when I felt in the mood for something long and swishy; inspired by a skirt I had seen in a parade at Ricarda.  I can’t remember who the designer was.  This polyester chiffon was on super special at Fabulous Fabrics and I bought the rest of the roll, about 3m.  This skirt used every last cm! My starting point was Butterick 3134, a great basic pattern to have as it contains a pattern for each of two, three and four gore A-line skirts.  I used the three gore version, without the waistband.  Customising proceeded as follows:  each piece was lengthened and tapered down the left side to a “shark-tooth”point.  To the bottom of each piece was added a huge gathered part-doughnut shaped piece of fabric, skewed with a thicker doughnut width to the high side, narrowing to a lesser width on the low side, to create the ruffled swirly hemline.  The gores were then pieced together.  A silver bemsilk lining was cut using my old standby Vogue 7303, and the edge of the skirt was finished with a fine handkerchief hem. 
 I wore this a lot; it felt so elegant and feminine to wear as it flutters and kicks out with each step.  I tried to show this in the picture by getting an action shot as you can’t capture the breezy beauty of it when its just hanging flat.
Although grey is never my first choice when it comes to choosing colours for my wardrobe, and I really bought this fabric because it was a bargain, it proved to be right on trend as Australia had a love affair with grey that lasted all last summer.  Grey, grey, grey, or alternatively charcoal, stone, cement or putty (these colour descriptions from a friend that works in a very trendy boutique!)  
Why does a country so saturated with sunlight choose the drabbest of colours to garb itself?
Other details:
Camisole and cardigan; Country Road
pinterestmail
Switch to mobile version
↓