I’ve resolved to include in this blog more pictures of projects in the making; however my latest project had to be kept a secret as my Dad reads this blog! I chose this coloured wool for a scarf for him because I think Dad is an Autumn like me, or more accurately I should say I am an Autumn like my Dad! This lovely wool leapt out at me as soon as I laid eyes on it at Calico and Ivy and I knew it would be perfect to complement his wardrobe as I see him wearing dark brown or green jumpers a lot during winter. Also my husband bought himself a scarf recently which he has been wearing a lot even in this hot weather, and I am quite liking the look of scarves on men just as a decorative accessory and not necessarily as a functional neck warmer.
I used three balls of Lang Mille Colori, made in Italy, colour 914, and 3mm needles (if you plan on making this, bear in mind that I knit quite tightly and a “normal” knitter will probably be using 4mm or 4.5 mm needles, check your tension if in doubt)
Cast on 24 stitches (incidentally the age Dad was when I was born!) and knit 1, purl 1 until end of row.
Next row; Purl 1, knit 1 until end of row.
Repeat these two rows until wool is finished.
Easy peasy!
This, of course, is moss stitch. I debated over using moss stitch as I have a bit of a love/hate relationship with it. I love the look of it, but hate doing it. All that wool forward, wool back; breaks up the easy flow of knitting and requires concentration. However, scarves only really look any good if the back looks the same as the front, and I think garter stitch can look a little amateurish. I wanted Dad’s scarf to look smart, so moss stitch it was.
When it comes to knitting scarves where there is not really a defined front or back, the knots and joins can sometimes be a problem as you can’t just hide them in at the back. I usually just tie a really tight and tiny knot and then weave the ends in a best I can (see close-up picture). If you can hide the very fluffy end bit inside a strand of wool in the knitting, so much the better. I know this sounds nit-picking (or should I say knit-picking?!), but these little finishing touches can make a big difference between an obvious homemade job and a smart and beautiful piece of wearable art.
Many thanks to Dad for agreeing to pose for the blog!
Dad’s birthday present
Chapel cushion, specimen 3
Here tis; chapel cushion numero tre, dedicated to my youngest son. This design was chosen because he was such a happy sunny child always smiling when a small boy. Note the use of past tense, now he’s a teenager he is decidedly less sunny, but I’m sure he will start being nice again. Soon.
I should explain that the initials on the cushion stand for “in his care”, with the cross incorporated; similarly the cushion I posted about yesterday the initials were for “in his service”. Just saying, for information like.
When I attended our Auxiliary AGM recently it occurred to me that this was probably the last time I was stepping foot on the school, for a while at least, so I took the opportunity to nip into the chapel and take these pictures of the three cushions; that’s why they’re appearing three days in a row, boom boom boom like that. And I’m sure it’s nice to have a change from my modelling efforts. I have done plenty of embroidery and craft projects in my time, but my first love is dressmaking and fashion and always will be, I think. Thus the heavy emphasis in this blog on clothing and the like.
Have had a little project brewing that I will reveal tomorrow, for reasons to become clear…
Chapel cushion, specimen 2
This second tapestry cushion I worked for my daughter’s school chapel was dedicated to my eldest son. I chose this design because it contains most of the letters of his name. And if you squint a bit and join the first “i” on to the next symbol, you can imagine an “m”, thus it has all the letters of his name. Well, it may seem like a strange thing to think but it occurred to me the first time I saw the design, and it was just one of the idle thoughts that kept flickering through my brain throughout the hours I spent stitching it. I spent some time meditating on his name and why we had chosen it; being our first child we spent hours discussing names and drawing up lists, rejecting ones that resulted in funny initials and ones with dubious meanings, honing it down to the perfect name.
It’s often funny, the kinds of things that occupy your mind during a long and drawn-out project, like these cushions were for me. Sometimes you are just thinking about the mundane nuts and bolts of your life, like bills that are due, what you need to buy next time you go to the supermarket, a meeting you have coming up and what you should keep in mind to say… Other times you find yourself musing on the big questions in life, or the lives of those close to you. Once I helped finish a quilt for a friend who was too ill to finish it herself, and she passed away shortly after it was finished. As I was working on it I found myself meditating on her and her life, and thinking about her circumstances a lot. It was a very sad time; I’m the sort who usually pushes away grief and painful thoughts, and working on my friend’s quilt was an enforced period of time for me to reflect as I knew she didn’t have long. She died too young, and it was an introduction to the sad time when we begin to lose our peers, friends in our own generation.
Chapel cushion, specimen 1
My daughter’s (now ex-)school has a wonderful tapestry cushion project going, whereby people can embroider a tapestry cushion to donate to the chapel on behalf of someone of their choice. Most people chose to donate on behalf of their daughters at the school, but I did one each for my two sons as well as this one for my daughter, for fairness as the boys’ school doesn’t do stuff like that. People’s cushions were sometimes a multi-generational affair, with grandmothers, mothers and daughters all contributing to the embroidery of their cushion. A number of different designs are available and the aim is for no two cushions to be alike but all matching with similar borders in a few colourways and for each design to have some biblical significance (they are chapel cushions after all). They are used in the chapel for special occasions, and there is a lovely book with photographs of each one and a brief summary of its maker/s as well as its dedicatee (not sure if that’s a word…)
Anyhoo, this is the first cushion I did, for my daughter. I chose this design because I liked the colours of soft pinks, terracottas and greens, as well as the palm leaf design.
Cushion, specimen 2, to be featured tomorrow, and 3 the day after…
Ghost Paw

Yesterday at the nursery we bought three of these new kangaroo paws, the colours of which I think are absolutely stunning. The stems are dark purple and the paws at the top are sage green. So unusual. We are pulling out a bed of roses that have never performed all that well and replacing them with these and a few other native plants. But while they are still in their pots I decided to use them in today’s photo shoot.
I made this outfit for last summer and wore it a lot then; the top is McCalls 4454 view C and the skirt is Vogue 7880 view B. The straps and edging on the top are a lovely thin natural coloured crochet border with black velvet ribbon woven through, some of the latter I used to make a little bow on the bodice also. The bottom edge of the top and all the edges on the skirt are finished with a black rolled hem done on the overlocker. The fabric is a self embroidered soft sage green. The days are warming up but this purple Metalicus cardigan is thin enough to wear on a mild day like today.
After a bit of gardening we plan to visit my brother for his birthday ( and photograph my sister-in-law’s tea cosy!)
Other details:
Cardigan; Metalicus
Thongs (flipflops); bought in some little shop in South Africa
Strings of pebbles, washed smooth and soft…
This is a necklace I made a few years ago at the height of my beading phase. I loved these uneven lumpy beads that remind me of ocean-smoothed pebbles on a European beach in that particularly gorgeous mix of smoky purple, grey and muted rose that they have up there.
This necklace was carefully planned down to the placement of each and every bead and the random-looking twists and knots are the result of intricate and precision placement … ha ha ha, not really … It looks jumble-y and spontaneous because that’s pretty much how it was made! The only planning was to string small lengths of the small beads interspersed with either two or three medium beads and an occasional large thrown in. The necklace was twisted, knotted and fitted to Bessie (the dressmaker’s dummy and sometime model) before separating the strands into “neck-sized” lengths, tied off, and a lobster claw and jump-ring knotted to the ends.
Today a busy day in the garden is planned and probably another trip to the nursery, maybe some afternoon tea with my husband somewhere? Hope so.
Other details:
Skirt; Desire, op shop
Cardigan and camisole; Country Road
We will fight them in the sewing rooms…

When I saw this happy sunny cotton print at Fabulous fabrics last year I had to make something out of it immediately. I love the bright bright colours of this fabric and the sort of vaguely exotic ethnic print on it, a mix of paisleys, florals and medallions all overprinted and shadowed on each other. I made the skirt from Vogue 7880, view C, a pattern I’ve used quite a lot as I like all the random overlays. This is the longest version, the one my daughter complains about when she sees me making it up (“why do you always make skirts too long, Mum?!”) On this particular pattern I’ve usually finished the edges with a rolled hem on the overlocker, and it was making this skirt that I discovered a golden rule of overlocking; always use overlocking thread on the overlocker. For this project I was using a mix of leftover threads in various colours, some overlocker threads, some ordinary sewing machine thread, and boy, did my overlocker chuck a major hissy fit. I got so frustrated with it unthreading itself, thread breaking etc I was ready to heave it straight in the bin. However I managed to breathe deep and regain a zen-like calm (ha!) and eventually got it finished. And by “eventually”, I really mean “eventually”. Like hours later. Yes! I am master of my overlocker. This skirt is the spoils of a war with my overlocker that I WON and my overlocker now knows to submit to me. Yeah, right…
Had a very pleasant day today (except that I’m now facing office work); visited a nursery with my friend E, then spent some time with my sister-in-law, before running a few errands. Looking forward to the weekend!
Other details:
T-shirt; Country Road
Thongs (flipflops); Mountain Designs
Cardigan; Nine, bought at Labels
Pendant; bead from Gypsy Bead
Tea Cosy, specimen 2
Here is my friend D’s tea cosy. Looking back I think it was the first Roly Poly one I made out of “Wild Tea Cosies” by Loani Prior, the first of many (future posts to feature subsequent examples) Her birthday was back close to Easter time, so it seemed fitting at the time that her tea cosy looked a bit like a little basket of Easter Eggs in pretty pastel colours. It was photographed on her outdoor table with her tablecloth and china (and we had a cup of tea after). Unfortunately I didn’t realise when taking the picture that the cosy’s mauve underskirt had rolled up underneath and so is not visible here.
Tea cosies seem to be such old-fashioned concept, that is experiencing an inexplicable resurgence in popularity and “coolness”. People are currently knitting the most funky and glorious tea cosies imaginable.
The wool for this tea cosy came from all various sources; the green from Calico and Ivy (I’m currently knitting a jumper from the same), the pink and mauve from the now sadly defunct Cottonfields, and the blue I bought in Paris from Anny Blatt, a truly adorable wool store. The grey is leftover from A’s tea cosy.





































