Tag Archives: Alabama Chanin

Pink Alabama Chanin T-shirt

I’m very happy and pleased that my Mum agreed to let me photograph her wearing her very recently completed hand-dyed-embroidered-and-stitched creation, and to show the pictures here on my blog …
thank you so much Mum!
This is Mum’s third Alabama Chanin project, and the first completed one… she has very nearly finished a more wintery skirt and top but has put those aside for a little bit in order to make something with the flavour of summer.  She wanted to have something to wear now!

Mum hand-dyed white cotton jersey in three different shades of pink for her top; pale apricot pink for the under layer, a deeper apricot-rose pink for the upper layer, and a true pink- pink for the neckline binding.  The floral design is her own, and she made a stencil using dressmaking paper from Jackson’s but does NOT recommend this; it buckled and was apparently a nightmare.  The design was rollered on to the upper layer in slightly watered down, regular household paint applied with a small roller.  Mum used double thickness Gutermann’s upholstery thread to hand-stitch the floral motifs, all seams and the flat felling of all seams; and pink stranded embroidery cotton for the cretonne stitch to secure the neckline binding.  We had some debate on whether the armscye seams should be stitched down to the sleeves or the body?? a quick recce of the Tshirts in the general vicinity seemed to indicate that there is no convention here but men’s buttoned shirts are to the body so this seemed like a good example to follow.

The pattern is the Tshirt pattern from the book Alabama Studio Sewing + Design, by Natalie Chanin, with the neckline from the tank/dress pattern, and short sleeves.  Before launching into all that time-consuming embroidery Mum wisely tested the pattern and found it necessary to make small adjustments for fit… both of us loathe muslins and generally avoid them like the plague and yeah, it does seem ludicrous for a basic Tshirt in a forgiving stretch knit, but an Alabama Chanin project is kinda exceptional.   It doesn’t take long to run up a test Tshirt on the machine using a long basting stitch, and is well worth the effort.  And could save lives!!  Well; at the very least, a tantrum  😀
Thank you so much Mum!

pinterestmail

Alabama Chanin; a tank top

Fortunately I have managed to finish the matching embroidered tank top to go with my skirt.  Hurrah! for plane trips and the resulting enforced hand-sewing time!  I’m so happy with the full ensemble; I like how it looks like a full dress, and that if I choose I can break it up into the separate components.  The pattern is the fitted top from the  Alabama Studio Sewing + Style book (Natalie Chanin), and is made from the same fabrics as the skirt; a thickish, cafe au lait cotton jersey substratum (KnitWit) with a dark olive, lightweight jersey overlay (Potters Textiles), the latter stencilled with the Anna’s Garden stencil from the same book as outlined here, and top-stitched with Gutermanns topstitching thread.  

I took a slight swayback wedge out of the tank pattern…. looking at the picture below I could possibly have gone further with that, oh well, next time.  Otherwise it has the same width shoulder straps and the same low rise of the back neckline as the original pattern.  The stitching throughout is in exactly the same style as the skirt; with all seams stitched and flat-felled by hand, and the neckline and armhole binding sewn on using herringbone stitch.

My Mum wanted to know if the jersey fabric loses its stretch though being embroidered; it does lose a little, but not all of its stretch.  The fabric also shrinks ever so slightly through the process of quilting the two layers together. Not drastically, but if your muslin is skintight then I reckon this is definitely something to bear in mind.

OH BTW! a little tip I forgot to mention before… when the pattern pieces have been cut out and stencilled, stay-stitched and are awaiting embellishment; the very first thing I did was to tack a scrap of paper to each piece as above, marking the centre front or centre back of each piece, as applicable.  The pattern pieces for both tank and skirt, are actually all so similar to each other that I think this is an essential precaution!
Well, was it was worth all the hours of hand-work?  But of course.  I’m not going say otherwise now, am I?  😉

Actually, seriously, I totally love my AC pieces and it was no biggie to make the tank top; each pattern piece is quite small and manageable and the embroidery can be knocked off in a couple movies or a short plane trip quite easily.  A little tank top is not really the sewing marathon that the midi skirt is.  I’m even feeling optimistic about taking on another Alabama Chanin project…! (gasp!) um, well… in a while.  Maybe, hehe.  Well, I should really, I bought a whole lot of beads while Mum, Cassie and I were in Melbourne, in a zealous fit of enthusiasm, so hmmm.  (blush)

Details:
Top; the fitted top from the Alabama Studio Sewing + Style book,  hand-embroidered and -stitched cotton jersey knit in two solid colours
Skirt; the midi skirt, same as above, all sewing details here
Sandals; Zomp, from Zomp shoes

pinterestmail

Alabama Chanin skirt and tank

Hello!
So! after hours (and hours… and hours…) of aeroplane and in-front-of-the-TV stitching, I have finished my first AC project(s).
This is the mid-length skirt and the fitted tank top, both from the book, Alabama Studio Sewing + Design, by Natalie Chanin.  The two are actually just one pattern, a full length dress pattern, which you cut off at the relevant places to make either a skirt or a top.  Or a tunic or a dress.
Great idea, by the way.    I love the economy of one all-inclusive pattern.  Means you only have one thing to store, but about a zillion “making” opportunities in there.  OK, to be accurate there are eight garment possibilities from the one pattern, but surely at least a zillion wearing and layering combinations to be had.

My skirt!  I’m so pleased with it!  It is totally hand-quilted and stitched in the reverse appliqué technique described in the book;  using a top layer of lightweight deep olive bamboo/cotton knit, bought originally from Potters Textiles years ago, and the base layer is a thicker and more stable dirt-brown cotton jersey from KnitWit, also bought years ago.  These are my colours, yo  🙂  I also used some of that same brown cotton to make part of Tim’s hoodie, here.

The stencil pattern is Anna’s Garden from the AC book, enlarged 306%.  I applied the stencil to the olive fabric using a small foam roller and regular household paint, as described here.  The thread used throughout is a brown/grey Gutermann’s upholstery thread, although Spotlight ran out of my colour (grrr!) so a small portion was done in the same colour of Gutermann’s topstitching thread.  Top-stitching thread is kinda OK stuff but I really prefer the upholstery thread; much smoother and less prone to the strands separating from each other.
All the seams are hand stitched too, and felled by hand.  I had initially toyed with machine stitching the seams; but of course after all that hand embroidery I knew I had to finish off properly….   This took a blink of an eye compared to the embroidery side of things, so I am so pleased I opted to “do it right”, so to speak.  I like the way the felling shows upon the right side as a row of dimples; barely hinted-at stitches along the seams.

I finished the waistband with chocolate brown fold over elastic, bought from Tessuti’s in Melbourne. This stuff is extraordinarily expensive here and pretty hard to find in Perth.  Believe it or not; this colour is the closest match that I’ve found… anywhere

My top: I actually do have a matching deep-olive-and-dirt-brown fitted tank top printed, planned and ready to go, but as soon as I finished the skirt I had a Vision; only the plainest of plain white tanks would be the absolutely perfect-est accompaniment to this busy busy skirt.  I had the immediate compulsion to make such a thing.

I bought the white cotton jersey from KnitWit, and made up a very simple fitted tank; no frills but still constructed in the Alabama Chanin way, so stylistically it matches the skirt really well.    The seams are stitched and felled by hand, and the binding applied with herringbone stitch.  Although there a visible knots aplenty on the inside of the skirt… unavoidable!  I went out of my way to hide them on the inside of the tank top, concealing all the knots inside the layers of the felling and binding.
Neckline and armhole binding and seams: below left, right side view; at right, inner view with felled seams

Fitting-wise;  I raised the back neckline of the tank and made the shoulder straps a little wider also.  In my early experiments, I sliced a biggish sway-back wedge from the pattern which affected both the tank and the skirt pieces. 
Time-wise; the tank top took, like, one day at the most? while the skirt has taken weeks!  Although I would like to add more Alabama Chanin pieces to my wardrobe, there is no danger that I am going to get addicted to this technique.  It is basically identical to hand-quilting and I have made enough quilts to know I can only take so much of that.  My left pointer finger needs time to rest and recuperate.  The tip of that finger has skin like a rhino now.  Seriously.
Obviously I am thrilled to bits with my first Alabama Chanin project, and the second!  however there will be one little hurdle; I’m going to have to force myself to wear the skirt and not treat it like a museum piece.  I’m having visions of unwittingly sitting down on a patch of oil, or brushing against a spiky bush or someone carrying a glass of red wine tripping and falling in slow motion  in my direction…. aaagh!  The stuff of nightmares!  😉

Details:
Skirt; the mid-length skirt from Alabama Studio Sewing + Design, hand-embroidered and stitched cotton jersey in two solid colours
Top; the fitted tank from Alabama Studio Sewing + Design, hand-stitched, white cotton jersey
Sandals: Franco Burrone, from Marie Claire

pinterestmail

sewing on planes; a tip

The thing about plane trips:  the thought of spending four or five or even more hours sitting in one spot with absolutely nothing to do is an almost unbearable concept to those of us with busy hands, and when you have a huge hand-sewing project on the go it is even more so!  I was determined to not let that time go to waste so went into my recent interstate flights prepared.  Scissors, even little plastic kindergarten ones, are verboten on a plane but you are allowed to take on dental floss and the tiny little floss-cutter at the top can be used to cut your thread.  It doesn’t make a very clean cut but it does the job in a pinch.  I also pre-cut plenty of lengths of threads beforehand to minimise the number of times I needed to make a cut.

pinterestmail

Experiments in Alabama Chanin

There has been progress; I’ve been mucking about with Alabama Chanin stooff, partially making a little fitted tank top to test for size and to allow me to get a feel for the techniques.  It’s only half finished, and I’ve set it aside now to concentrate on my second and “real” Alabama Chanin project  🙂
I have outlined some of my thoughts in the hope that they may be useful to others starting out with Alabama Chanin too.  Particularly for Australians: the thing is;
the AC book is not written with us in mind; which is fair enough of
course but we can’t always get hold of the listed materials here.  I am trying to use only materials that are readily available
here in Australia.

Fabric: a couple of the boys’ old Tshirts from the toss-out bag.  I harvested the fabric for the neck and armhole bands from the sleeves.

yes, the same fabric as above, and no the colour is not off.   it got dyed after this photo was taken

Thread:
button craft thread is specified. 
This is more correctly known as button and craft thread, and Natalie
Chanin describes it as “one of the strongest threads (the Alabama Chanin team
has) found”.  Unfortunately I
couldn’t find anything of this name in Perth so I’m using Gutermann’s upholstery
thread from Spotlight.  It is the strongest in the Gutermann range and is typically available in about a dozen shades.

all-purpose thread at top, the upholstery thread below

I
traced the full front and back pieces of the Short/Long fitted dress, fitted top and fitted tunic pattern as
one piece each and will just folded back the excess portions when tracing each thing.  I’m generally a bit of a slacker when it comes to checking for fit but since there is a
heckuva lot of hand-stitching in these garments, I think a careful check for fit
is pretty important! And I am sooo glad I did since I found it necessary to
make a substantial sway-back adjustment. 

Stitching:
So, to machine stitch or hand-stitch? 
I totally cheated and stay-stitched and basted by machine!  I’m undecided about
whether or not I will hand-stitch all the seams in my final garment… part of me
thinks it would be better to save that effort for the decorative stitching
on the motifs.  In some cases I
allowed the knots to fall on the outside or right side, a
sometimes feature of AC work.  I
decided this is not a finish that appeals to me, so I will probably be concealing them
on the inside from now on.
The
stencil
; I bought the plastic sheet for the stencil from Jacksons Drawing Supplies and enlarged the Anna’s Garden stencil from my copy of the AC book.  The whole process is very time-consuming, so the design should be one you’re absolutely sure that you will like.  I totally wanted to design
my own stencil but decided to play it safe with one that I know from looking at the beautiful projects in the book looks really
amazing.  Using a proven design is good practice for getting a feel for how proportions and size of the motifs
work for the embroidery and appliqué techniques.  I think once I have a few projects under my belt then I might branch out and try my own ideas.
Printing: y’know, I’ve got a feeling this is going to be the most difficult part to get right out of the whole exercise…!  I haven’t found any sprayable textile paints as recommended, so I experimented with a watered
down solution of the Permaset textile paint from Jacksons Drawing Supplies, that I use for screen-printing, mixed in a regular spray
bottle.  Results: disastrous!
It bled underneath the stencil and the edges were
unclear and blurry.  NO pictures because it looked so awful  🙁
Attempt
number two;  tried stippling
undiluted textile paint with a stiff and bristly paintbrush.  This is effective, but took forever!  This may be worth it for small areas of
stenciling, and when I want to use just a small amount of the textile paint.

Permaset textile paint, stippled on with a dry brush
Permaset textile paint (Jackson’s Drawing Supplies), sample pot of Dulux household acrylic paint (Bunnings)

Attempt number 3; since textile paints are actually quite expensive, and since for some
techniques the painted sections are just cut away and discarded anyway, I
tried using a cheaper paint.  I
bought a sample pot of Dulux acrylic household paint and a small foam roller from Bunnings.  This worked beautifully!  Because the motifs are ultimately to be cut away I applied it lightly
and roughly here, without giving too much attention to getting perfect coverage but it would be pretty easy to get completely even coverage using the roller, if you were aiming to
keep the painted sections partially intact in the final design.

Obviously, household paint is only a good choice if the motifs in the final design are going to be completely cut away because it is stiff and inflexible and not comfortable to wear.  In the case that motifs are to be left partially or completely intact then proper textile paints would be necessary.

the Dulux acrylic paint, rollered onto my “real” project  🙂

Something I noticed when comparing my sample with the ones in the book: my stitches are teeny tiny compared to theirs!  Hmmm, might have something to do with why this has taken me sooooo long!  but very small stitches have always been my thing.  In my “real” project I am making an effort to do larger stitches… the project will go along a lot faster and will look more “Alabama Chanin-y” although that’s not so important to me as authenticity to my own personal style.  

…the size of those stitches!!!!

I didn’t get very far along with this little sample top, but I do quite like it and may actually finish it…  one of these days… once I’ve finished my swap items, that is 🙂

pinterestmail

yesterday…

… I received a belated birthday present from Mum and Dad.
woa.  Further experiments in, effectively, creating your own fabric designs.  Eye candy, indeed.  It’s rare for me to get this excited about a(nother) sewing book.  Ha ha! well, we all know that’s a lie… beautiful fabrics?  a concept that is but always going to reel me in, the proverbial hook, line and all.
Prior to my birthday, Mum had offhandedly asked me: did I like embellishments?  Embellishments.  A concept that has gained a bad rep, thanks to scrappy leftovers rosettes, and sweatshirts sporting appliqued quilting cotton prints outlined in squiggle paint.  I world-wearily said no.  But I’ve changed my tune now.  This is the new and improved version of embellishment, a modern and yet still authentic approach.
Appetite whetters include…

my favourite..
no, actually this is my favourite
no, wait, this is ..
oh hang on a sec… this
omg, shut the front door!  gorgeous!

I would dearly love to get into this.  Could I incorporate some of these ideas into my mini wardrobe plans??  hmmmm, possibly. *rubs chin, glint in eyes* yes, quaite possibly.

(tagged “book review” but really this is just my first impression.  I will write something more in-depth and intelligent once I’ve actually used the patterns and ideas in the book  🙂  )

pinterestmail
Switch to mobile version
↓