Tag Archives: Burdastyle Magazine 08-2009-128

Bright roses, tops n tights

Y’ello  ðŸ™‚
I’ve been making stoof.  Please bear with me while my photo-taking catches up…
Firstly, my new top of stretchy cotton sateen.  I must be dreaming of spring already, I think!
This is a stash-busting success story.  I fell deeply in love with this autumnal gold/orange/scarlet/khaki rose-print fabric from Tessuti’s in Melbourne last year, and threw down my credit card with blithe abandon.  So my colours!  Close-up, the print has that slightly scratchy spotty appearance of an old polaroid.  Love it.
Difficulties arose when I got home and had to come to terms with the fact that for some dumb reason I had bought only 70cm.  I have no excuse for this insanity. Yes, I was an idiot.  I’m blaming that state of mad fabric drunkenness brought on by places like Tessuti’s.  Note to self:  get at least a metre from now on.
So I made a simple little pull-on Tshirt top because fortunately you don’t need much metrage for this style.  This is the bodice from a dress pattern, Burda style magazine 08/2009, 128; elongated a bit.  I have made this pattern up twice before, firstly as a dress and then as a top just like this one, so I already know how much I love this flattering boat-neck style.  It has bust darts in the front and two long vertical darts in the back for shaping.  No zip or closure is needed because the neck opening is wide enough so that you can just pull it on over your head.

I could not make the sleeves as long as the pattern intended, as in my previous two versions.  This is the very longest I could get from out of my meagre piece.  I would really prefer them to be about 12cm longer, but meh.  I can cope.

Details:

Top; Burdastyle magazine 08/2009; 128 modified to be a top, stretchy cotton sateen, my review of this pattern here
Skirt; Burdastyle 10/2010, 136 (the Karl Lagerfeld skirt) lengthened, black suiting gabardine, details and my review of this pattern here
Shoes; Django and Juliette, from Zomp shoes
Some notes on the finishing details for this top:

The neckband is finished with facings.  I always always under-stitch facings on a garment that I wish to look sorta dressy, or just not-so casual.  Top-stitching always makes things look a bit more “casual” imo, and often you want an edge that smoothly and cleanly rolls under to the inside, with no top-stitching or anything visible on the edge.  Under-stitching (the red stitching in both photos below) always provides a nice clean and minimal look on the outside; and safeguards against facings popping up and out.

After under-stitching, the facings are stitched to the sleeve cap seam allowances just inside the previous sleeve cap stitching, and stitched-in-the-ditch down to the shoulder from the right side of the garment, to hold them firmly in place.  

But wait, there’s more…

While I am really enjoying wearing my crazier leggings and tights, I guess we all agree that plain black tights are kinda the most useful type to have, and a must for winter, right?  So I made a second pair identical in every way to my previous pair.  I am wearing these in the photo above too.
And I have made two little Tshirts too, one for me, and one for my husband, both self-drafted and custom-fit, using the very last of my 100% merino wool stash, bought from the Fabric Store in Melbourne last year.  Now we have matching his-and-hers thermal tops, haha.  Quelle romantic, non?

Random picture of the neckband, constructed using this method.  Appearing here for no better reason than for me to feel good about the increasingly better finish I am achieving nowadays.  The centre back is still a wee bit bobbly thanks to the extra thickness of fabric in the joining seam there, but it’s getting there.  Practise is benefiting the quest for perfection!
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It’s very windy…

… thus the crazy hair.
I’ve made a new top, but it’s not extravagantly exciting in either cut or construction.  Not even a Pattern Magic thing, sorry, though in my own defence this was already half finished before I even got my new Pattern Magic 2 book, plus those pattern magic designs do use more fabric than your average unadorned garment, and I had very minimal fabric to play with here.  It was squeezed out of the leftovers from this dress, and is basically the top part of a dress pattern from Burdastyle magazine 08/2009, number 128 seen in full here (and my review of this pattern also)  So just a little basic Tshirt thing that will hopefully be a useful little winter wardrobe builder.  I cut the body pieces as long as I could get them from my fabric scraps, and the front piece ended up a little longer than the back.  I like this though and decided to leave it this way, and left a little open slit up each of the side seams and hemmed around the corners.  It is not lined, but has uninterfaced, understitched front and back neckline facing, which extends to the shoulder seam and halfway down around each armscye.  The top has a long invisible zip up the centre back seam so I can get it on.
(Later edit: removed the zip; the fabric is slightly stretchy so the top can just be pulled over my head)
And I’ve made this new scarf too, this is just a couple of long skinny lengths of this rather luscious deep-raspberry coloured thin jersey knit that I picked up from the remnant bin, joined together in a French seam.  Voila.  Two embarrassingly short seams and one has a new scarf.  Couldn’t be easier.  Don’t you just looove this colour?

Details:
Top; the top part of Burdastyle magazine 08/2009, dress 128, of charcoal wool mix, my review of this pattern here
Skirt; my own design; charcoal jersey knit, details here
Scarf; just two skinny lengths of raspberry marle jersey knit, joined together with a French seam
Tights; Metalicus
Socks; handknit by me, details here
Shoes; Francesco Morichetti, from Zomp shoes

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Oo la la

I’ve made a new dress for winter!
This fabric, a sort of very roughly spun and woven silk, with some very stiffish almost stick-like pieces woven into it, was one of my Christmas presents; that I bought so the children could have some things to give me; hehe, I know, so thoughtful of me…  I always wanted to make some sort of unadorned sheath dress with it, something that was plain-ish, yet still chic and polished, that could be dressed up or down to suit a multitude of “looks”.  And in an ideal world, pockets would be in there too somehow.  But how to incorporate pockets into a sheath dress?   It is almost impossible, without resorting to the ol’ patch pockets, which are not very chic and not a very polished look.  I wanted “polished”, in case if I so desired I just could wear my dress to semi-formal do-es.  Occasionally, I do so desire.  So when I saw this pattern, dress 128 from the 08/2009 Burdastyle magazine I realised that while the dress did appear quite fitted and sheath-like, the pleated fullness at the front of the skirt meant that inseam side pockets were a distinct possibility.  So I tried out putting some in, and they worked out pretty good, imo.  Yes! (self high five)  Is that a case of having my cake and eating it too, or what?!
Apart from the inseam pockets, I made a few other small modifications.  Firstly, I have a slight pet aversion to dresses that have a waist seam on the front and not on the back.  Just privately, it bothers my pernickety need for order and continuity… so I cut the back pieces to have a corresponding waist seam at the back, corresponding to fit with the front waist seam.  This also enabled me to make a slight sway back adjustment easily, a double win.
Also, my dress is fully lined with acetate lining fabric, unlike the pattern, which stipulates a bodice lining only.  Why would you have a lined bodice, and not go that small extra step to line the skirt section? Hmmm…  imo, a skirt lining is mandatory in a winter dress, so it doesn’t stick to your tights.  For my dress lining pieces, apart from the very top neckline and sleeve bits which are to the pattern, I used mostly the lower portion of an ol’ faithful Burda 8511.  So apart from the bust darts at the front, and long double ended body darts at the back, the lining is quite plain.
I also opted to line the sleeves, for extra warmth.  But here I made a small error of misjudgement, although I know that sleeve linings need wearing ease, at this stage I was happily whizzing ahead in my blissful little sewing trance, and didn’t incorporate enough into mine.  Agreed, I should know better by now… still, this is only a problem for that one moment in my day when I am trying to zip up the thing at the back, you know when you are twisted in that position with one arm up and one arm down behind your back, trying to hold that back centre seam in place with one hand and grab the zip pull with the other to pull it up?  I’m sure this is one of the main reasons yoga was invented.  I mean, the need to stay limber enough so we can get our back dress zips up by ourselves, naturally… 
The fabric is that sort of silk that frays like a madman, fraying all by itself just seconds after it has been cut. So I edged all the straight raw edges in HongKong seaming, while some of the “hidden” ones up inside the bodice and in the sleeves were just overlocked to finish…  did someone just say “lazy?”  Who, moi?  On the bottom hem, I made a wide strip of bias binding to make a divinely wide hem…  just look at that hem width, and not a raw edge to be seen anywhere.  Couture heaven, no?!

Details:
Dress; pattern no 128 Burdastyle magazine 08/2009 with some modifications, silk
Sandals; akiel, from an op shop

Below is my pattern review, if you are interested…

Pattern Description:
This figure-following sheath dress constitutes a tribute to all Paris fashion designers; the bodice remains plain while little waist tucks lend the skirt a refined tulip look  (don’t you just love Burdastyle descriptions…!)
Pattern Sizing:
36-44, I sewed a 38, and  graduated the skirt pieces out to 40 from hip height down because I wanted to incorporate inseam side pockets.
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
yes!
Were the instructions easy to follow?
very straightforward and easy
What did you particularly like or dislike about the pattern?
There’s nothing not to like about this pattern!  I made a few slight modifications to suit my personal taste.
Fabric Used:
A roughly spun and woven silk, with acetate lining
Pattern alterations or any design changes you made:
I incorporated inseam side pockets.  The slight flare at the front of the skirt provided by the waist pleats made this an obvious modification, and very easy to do.
I cut the dress back pieces to have a waist seam, corresponding to the waist seam at the front of the dress.  I prefer the continuity of this look, and it also enabled me to make a slight sway back adjustment.
I fully lined the dress, including the skirt and sleeves.  For the dress lining pieces, I used a plain shift dress pattern I already have; which does not have the shaping of the main dress pieces.  For the sleeve linings I used the pattern pieces, although, note to others who plan to do this, be sure allow some wearing ease here!
Would you sew it again? Would you recommend it to others?
I highly recommend this to others!
Conclusion:
This is an easy dress pattern with a lovely, flattering and classic shape.

below; side view, with pockets in action…

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