Tag Archives: Seams

One way to sew a flat-felled and split seam

A split side seam is a nice feature that adds a bit of visual interest as well as some wearing ease to a straight-hemmed garment, and flat-felling is a smooth and clean finishing technique for seams; but how to manage the awkward joining point between the two?
Marie Coffin and knj09705 both asked about the transition between the flat-felled seam and the split side seam on Sam’s shirt…  thanks for showing an interest!  and since I happened to making another shirt hot on the heels of the previous one I snapped a few pictures to demonstrate how I did it…
btw: I’ve checked out some of the better rtw menswear shirts and there’s a choice of finishing methods.  So the following is not the only way to construct this feature, but this is the way I chose this time.  I wonder… is there even a “right” way?
Stitch the seam down to the point at which the slit is to start.  I left an unfinished length of 10cm for the side seam splits on both of these shirts…

Press the seam open, and and the seam allowances of the split.

So in this case, the flat felled seam of this shirt is continuing from the split, right up the side seam and continuing right down the length of the sleeve to the wrist opening.  The rather weird picture below is attempting to show the side seam and sleeve seam allowances pressed open all in one continuous length; correspondingly, the seam allowance will be flat-felled all the way along this seam as one continuous length.

Decide which side of the seam allowance the seam will be flat-felled onto; again, after checking out rtw menswear shirts I’ve noticed there doesn’t seem to be an accepted convention here.  I’ve randomly decided for the seam allowances to lie against the shirt back.  
Trim this seam allowance to half its current width, with the trimming tapering off for the last couple of centimetres to the level of the slit.  Also, snip into the seam allowance of the other side to the endpoint of the side seam (pictured below).  Leave both slit seam allowances untrimmed.  

Now press the untrimmed seam allowance back over the trimmed seam allowance.
Turn the top allowance under, tucking it below the trimmed seam allowance underneath to encase it, and press.  Also, turn under the seam allowances of the split seam on both sides, and press.  Pin.
Stitch the seam allowances down, close to the pressed edge.  Stitch the short split seam allowance down separately.  
For flat-felling the sleeve seam allowance: while stitching longitudinally along a tube-like structure such as a sleeve; ALWAYS stitch from INSIDE the tube.  This eliminates the possibility of inadvertently catching down the other side of the tube by mistake.  And yes, with my machine I always have to stitch a tube seam in two stages, from the middle, out to each end!
Lastly, stitch across the top of the split seam to stabilise and strengthen the top of the split.  You could stitch a bar tack by narrow zig-zagging, or alternatively run a few forward-and-reverse passes of stitching.
Attempting to show the finished flat-felled sleeve and side seam in entirety.  Not much to see at all, really … but that’s the whole idea!  Nice and neat and tidy  ðŸ™‚

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A self-rolling edge finish for knits

This is a sweet and pretty finish to apply to the edges of casual knit garments… and a more neatly-finished-on-the-inside edging, if slightly more involved, than a similar one I wrote previously.  This is the edging technique used for this dress.
Firstly; the fabric has to be that sort that when left alone; rolls up at the edges all by itself.  Generally, this will only be a reasonably lightweight, single knitted jersey.

Cut a cross-grain strip (that is, with the stretch running along the long edge of the strip) that is as long as the aperture being edged, minus 10% and rounded to the nearest full or half centimetre, for ease of working.  
So, for example, if your neckline is 32cm, cut a strip that is 32cm – 3.2cm = 30cm.  Or if your armhole is 125cm, cut a strip to be 125cm – 12.5cm = 113cm
The width of my strip here is 4cm (or 1 1/2″)

Stitch together the short sides of the strip right sides together, in a 1cm seam.  Then pin the right side of the strip to the wrong side of the garment.  Your strip is now a bit more than 10% shorter than the armhole/neckline; apply the most stretch when attaching it to the most curved sections of the garment edge, such as the sharpest points of the underarm curve, and the centre front of the neckline.

Stitch in a 1cm (3/8″) seam.  If the area is not expected to cope with any stretch during wear then a straight stitch is fine; otherwise use a shallow zig-zag, a stretch stitch, or double-stitch with a twin needle.

Trim the seam allowances just a bit, by about 3mm.  
Why do we do this, and not just stitch the seam with a narrower seam allowance in the first place? because stitching a narrow seam allowance on a fine flimsy knit is not easy even on the best of sewing machines.  Most domestic sewing machines will tend to chew up the edges of a lightweight fabric if you try sewing very close to the edge, meaning you’ll end up with an uneven ugly line of stitching.  Stitching in a wider seam allowance just means the fabric glides through machine more easily, and stitches up far more smoothly, and then you can trim away the excess width afterwards.

Turn the strip up, and press up…

… then flip the strip over and onto the right side of the garment, encasing the seam allowances and press it in place.  Don’t worry if you are pressing some of the curl out of the fabric at this point, it will come back!
From the wrong side, pin the strip in place.

With the wrong side of the garment facing up, stitch in the ditch of the seamline between garment and strip.  Again, if you are stitching a garment in which has to cope with a bit of stretching then it is probably wise to use a stretch stitch, or a double stitch with a twin needle here….

Give your garment a dunk in a bucket of water and if necessary, if it isn’t curling up on its own; ease that curl back into place… it will stay there as it dries, and forever after that.  Just don’t iron it down!

Voila! cute curly seam, that looks a bit like piping  ðŸ™‚

Oh, and that strip joint…? (hehe, strip joint, (smirk)) …. be sure to situate that in an unobtrusive place, like the underarm seam, or just behind the underarm seam if bulk is an issue.  (sorry; I forgot to take a picture of this “during”)  Here the strip seam is about 1cm to the left of the side seam, with the strip seam allowances both pressed to the left and trimmed on the diagonal close to the stitching just prior to the final stitching-in-the-ditch step.

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HongKong seams and the hemline

Hong Kong seams are a tidy and very handsome way to finish raw edges… but what happens at the hemline?  The seam gets folded up on itself twice, and if you are working with a flimsy fabric and especially if you are planning a narrow hem you will end up with a hem that is thick and blobby with extra fabric; not very attractive.
The solution is to cease the HongKong seaming inside the hem, at a spot before the fabric is folded up into the hem.
With this dress, I had such minimal fabric I couldn’t have a deep hem and needed to sew as narrow a hem as pssible.  The side seams are French seams which go fine into a narrow hem, but the centre back seam with the zip in it cannot be sewn with French seams obviously, so I opted to finish the raw edges with HongKong seaming…  and I took a few photos to show how I dealt with the HongKong seaming into the hem…
The bias strip for the HongKong seaming is sewn to the raw fabric edge, down to roughly 15cm from the lower edge.  Then fold the edge of the bias strip over the raw edge, press and stitch in the ditch from the right side to about 10cm short of the first stitching, allowing plenty of tail.  I’ve left the thread ends long and un-snipped to show where I’ve finished the stitching.

Now insert the zip.

Complete sewing the centre back seam down to the bottom edge.

At this stage, measure and pin the hem, and press it in place.  Unpin and unfold the lower hem at the seam.

Trim the bias strip to be just short of the hem fold.

Finish stitching the HongKong binding in place.

Fold up the hem, pin and finish stitching the hem in place.

Voila!  The raw edges are all neatly finished, and the hem looks nice and flat with no added bulk too!

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Facings; some inner workings

I took a few photos while constructing the waistband of my new capri pants to illustrate a few of my own finishing methods, but first…
Online sewing tutorials.
Since starting my blog I have penned a few of my own sewing tutorials; snapping photos and writing happily and freely about my methods… but lately hesitation has crept in…
why? because scathing criticisms of online amateur sewing tutorials have popped up in the previously harmonious bloggy sewing world.  Some people out there loathe and detest them….  on the other hand, some people find satisfaction in seeing the inner workings of other people’s sewing projects.  Personally I do too… when they are done well.  I don’t enjoy seeing close-ups of snafu’s or obvious stuff ups.  If I have made a glaring mistake I prefer to unpick it, take it apart or do whatever possible to fix it up, not take a photo and show it off!
But I do really enjoy seeing beautiful finishes and inner workings; I strive to make my own the best I can and I like reading about how others achieve the same.
So.  
Finishing a facing, on an edge with an invisible zip closure.

The zip is in, and I’ve attached the interfaced waistband facing.
The next step is to trim and clip the seam allowances.  My own approach to trimming the seam allowances I have been doing for years, with no concrete memory of where I learnt it: the layers closest to the inside, or closest to your skin are trimmed away the most, graduating from a narrowest layer out to the wider-most layer closest to the outside of the garment, which are trimmed the least.  So, the wider allowances are always against the outside of the garment, the narrower ones to the inside.
I rarely trim the stitching of the seam itself away, but trim out to the edge, so as to preserve intact the backwards/forwards securing stitches at the beginning of the seam.

When clipping curves, and especially if the fabric is thick, I sometimes take the precaution of clipping in an offset pattern of clips, like so.  This lessens the likelihood of the seam allowances showing up like a little row of “teeth” in embossed shadows around the edge after pressing.

Below is the opening edge, with the facing folded back on itself (wrong sides together), and the zip edge with the garment seam allowance (with overlocked raw edge) folded over it, right sides together; and stitched.  I never ever ever (ever ever) diagonally clip away the corner of that fold, but leave it intact, just like this.  With care, when you turn it out you should be able to get a nice square point at the corner of facing/waistband just like below right.  If the corner does seem a tad too bulky with layers of fabric, turn it back out wrong side out and right on the very corner, just inside the seam allowance at the starting point of that stitching, give it a few good sharp whacks with a heavy wooden spoon to flatten it; then try turning it out again.  I promise you, this does work!!  Just be super careful not to whack the top of the zip….  This is an old “couture” trick which I read in the Vogue 8333 instructions.

Under-stitching.  When I was a younger slapdash thing I sometimes used to lazily skip this step.  So foolish!  It makes all the difference to a neatly turned faced edge.  Do it!

btw, a note on the different coloured threads I have used in this project…
this is not a tip really, but an economical thing; I save my matching coloured thread for any stitching that is going to be visible either inside or outside the garment.  I use either black or white whichever is the closest in shade, in this case white, for any stitching that is hidden away inside the folds of fabric.  This is because I buy matching colour threads for a project in the smaller and more expensive 100m reels; and I buy black and white thread in the cheaper 1000m reels.  I have a black and a white bobbin permanently threaded up, and wind a bobbin in my matching thread before a project, as well as the reels for the top of the machine in white/black and my matching thread: and interchange them depending on whether the thread is going to be visible or not.  I know this means extra fiddling about and is not a tip everyone wants to bother with, but it does save money, which can be spent on other things  ðŸ™‚  This is why you can see some stitching, the visible stitching, is in the matching beige thread, and some stitching is in white.  I’m Ok with that because the white stitching is in the hidden spots, and will invisible both inside and outside of the finished garment.

Fold the facing opening edge in smoothly to an even width against the zip tape.  I nearly always have to adjust my waistbands, so it is not a given that this will be the same as the allowance dictated by the pattern piece.

It is only at this point that I finish the lower edge of the facing, all in one go.  This time I opted to use the overlocker for a flatter finish, but HongKong seams look real nice. I overlock the opening edge fold down in place as they are pinned above, and also the facing seam allowances down to the facing at this point.  Neat and tidy!

The facing edge is hand stitched to the zip tape using fell stitches.
The facing at the centre back and the other side seam is stitched to the seam allowances.  It can be seen clearly here how the seam allowances of the facing have been overlocked down to the the facing in just one pass of the overlocker.

Finito!
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Tips for sewing with PU laminate (leatherette)

(I should have posted this straight after posting my PU skirt, but I forgot… oops!)

I’m not really an expert on this “fabric” but I thought I would just jot down a few little techniques I used when making my skirt, in the hope that they will help others…
I’ve read that there is a teflon foot that one can use for working with leather and other “hide” like fabrics such as poly-urethane laminated cloth, PVC and other plastics; fabrics that have a “sticky” surface that adheres to the underside of the foot and so do not pass through the machine easily.  However, I didn’t want to buy a whole new foot just for the tiny amount of topstitching and stay-stitching needed for one, or even a few, garments; so I decided to try out my usual method for tricky fabrics…  I cut tissue paper into strips and hold this in place under the foot of the machine as I am sewing, laying it in place as I go and feeding in new strips as needed.
This worked a treat!

I used a denim needle, and set the machine to a slightly longer than normal stitch (3mm) and after stitching I simply pulled the paper off of each side of my stitching.  Easy, and free! since the tissue paper I use is… well, you know when you buy breakables and it gets wrapped up in a few sheets of thin tissue paper at the point of sale?  Well I keep that paper just for this purpose; waste not want not, and all that….  and cut it into strips when I need it.  Re-using and re-cycling!
Obviously, I didn’t need to use the tissue paper when I was sewing seams, fabric right sides together, since the backing fabric had a regular fabric-y texture that passed through my sewing machine just fine; and I found I didn’t need it for top-stitching the HongKong seaming down either.  The tissue strips were only necessary for the very small amount of top-stitching and stay-stitching called for in my pattern, which is great since it can be a kinda fiddly technique.  If one was top-stitching leather frequently then sure, it might well be worth investing in that teflon foot.

Incidentally, the tissue strip method is one I do use a lot of the time; any slippery and delicate fabrics such as silk and polyester chiffons, silk charmeuse, also with lightweight wool and rayon knits, and especially and always sewing delicates on the bias to avoid stretching; if I experience any difficulties I turn to the tissue paper treatment.  Also, the few times I have cut up and re-fashoned RTW knitted jumpers and cardigans; the tissue paper strips work like a charm enabling me to sew these highly fray-able, and more bulkier knits on my regular machine as well.  In fact all knits; from the very fragile to the very heavy hand-knits, will all go through one’s machine with ease using this method.

But getting off track there; back to the PU…
My second tip is for the waistband; sewing the waistband facing down inside.  My usual method using regular fabrics is to stitch a virtually invisible fell-stitch, picking up a scant one thread on one side then a scant one thread on the other, hiding the running thread under the fold of the waistband.  In this fabric however, I worried that this would not be sturdy enough.  Picking up just a scant fold of the PU, my thread ran the risk of not getting through to the backing fabric and just piercing the flimsy layer of laminate which could easily just tear away.  I did not want topstitching visible on the outer view of the waistband, and hand-stitching big ugly visible sturdy stitches, even on the inside of a garment, was not an option (years of conditioning cannot be ignored here!)  

So I turned in the seam allowance of the waistband facing, and machined a nice even line of topstitching along just inside the fold by a scant 2mm, keeping the interfaced outer waistband free.  This provided a firm stitching line along which I could anchor the stitches, securing the waistband facing down to the waistband/skirt seams allowance.  It also provides a focal point, a visual foil that draws attention away from those small hand stitches.  See how those fell stitches are nearly invisible to the eye?

And no stitching visible on the outer waistband…

My last tip, a kinda obvious one hehe; I realised when I went to hang up my new skirt that the skirt hanger was going to leave permanent big ugly pinch marks on my beautiful pristine waistband.  So I hand stitched (fyi; blanket stitches) on some ribbon hanging-loops to the sides …  I say no! to big ugly pinch marks!
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More finishing details for jersey knits

In making my grey striped jersey dress here, I opted to re-inforce the shoulder seams.  I do not re-inforce the shoulder seams in all my knit garments, but in this case; a long tank dress in a stretchy fabric, where the weight of an entire dress is hanging off those two meagre teensy little shoulder seams, then it is a very good idea to build in a little extra strength in this vulnerable area.
And this is how:
Sew the shoulder seams, and then overlock the raw edges (optional, since you won’t see this when it is finished..).

I then cut a short strip on the bias, in a thin but strong, woven cotton.  Quilting cotton is fine for this purpose.

Stitch the bias strip to the dress shoulder seam; directly over the previous dress/shoulder-seam stitching.  The bias strip should be laying over the dress front, as pictured at right.

Fold the bias strip up over the overlocked seam allowance and press.

Fold the bias strip and the shoulder seam allowance back to lie flat over the dress back, and press.  Fold under the bias raw edge to an even width, encasing the shoulder seam allowance, and pin in place.

Top stitch the folded edge down onto the dress.

There!  Now your shoulder seams will be perfectly rigid and strong enough to hold up the weight of the dress without stretching or ever becoming mis-shapen over time….

Now for the armhole and neckline bands…
I’ve mentioned before how I call this the Metalicus finish, this is merely because I learnt it by studying my Metalicus pieces where I first observed this technique and started trying it out on my own garments.  It probably goes by some other proper name really, but meh, that is my name for it.  It is a very nice neat finish, uses the same fabric, and requires no hand-stitching, expensive twin needles or special machines like overlocking or cover-stitch machines.  And still looks really professional.
It can be used on any raw edge; armholes, necklines, sleeve edges, cardigan edges, Tshirt hems, I’ve even used it on firm stretch fabric waistbands, dress hems; anything.
(Later edit) I’m adding this to address some comments: if you follow this method the seam allowances will not flip out to the outside and will not need topstitching down!

Start out by trimming the armholes/neckline/sleeve length/Tshirt length; whatever, to the finished desired length.

The dimensions of your band strips are calculated as follows:
Measure the raw edge and cut a strip to exactly this length plus 2cm for hemming.

Now, since my fabric in this example here is a stripe,  I wanted to get the stripes matching with the joining seam invisibly between two stripes.  This meant cutting the band to a different, very slightly shorter length that was ideal compared to my measurements.  In the case of pattern matching like this, it is OK to cut the strip a tiny tad shorter, but NOT longer, than required, but you do not want for the difference in length to be any more than 5%.  If you are trying to match up wide stripes and your measurement looks like it is going to be more than 5%, then it would be best to not bother with pattern matching.  Any differences bigger than 5% will mean that your garment will look bunched up, or “gathered”, into the finishing band.
AND, since your stitching line is a longer length than the raw edge, (being a concentric circle of a wider diameter) your band is a slightly shorter length than the stitching length around your neckline/armhole, meaning the band will be stretched slightly during stitching and WILL sit up nicely on the outside of the garment when finished.
The width of your strip should be double the desired finished strip width plus seam allowances…  So for example; say I wish for my neckline band to be a finished width of around 1.5cm, and I am allowing a seam allowance of 1cm.  I should cut my bands to a width of (1.5cm + 1cm) x2 = 5cm; and then add a tad to allow for losing some in the fold-over process, so round it up to 5.2cm.
These are my two armhole bands….

Lay the strip right sides together and sew the short edges together in a 1cm seam to form a ring.

Fold the band in half along its length, wrong sides together.

Pin this ring to the raw edge that you are finishing, right sides together, aligning all three raw edges, and stitch along the seam allowance.
And sorry, I did not take a picture during this stage… but this picture below might give you some idea, with the three raw edges aligned in the seam allowance at the right there.  This is an easy sew; since there is only a slight difference in the measurements of the ring and the raw edge, then there is only a little stretching or easing happening.

At this point, turn out the strip and check to see that the band is sitting in a perfectly even width all the way around, with no dips or lumps or bumps marring the evenness.  If there are any, un pick and re-stitch these bits.
And essentially, you are pretty much finished!
Unless you have an overlocker…  but that is OK if you don’t  ðŸ™‚
Since I do have an overlocker I always go over and finish off the raw edges on the inside, but if you don’t have one you can pink with the pinking shears, or just trim neatly.
If I have reinforced the shoulder seams with a bias strip as outlined above, then BEFORE OVERLOCKING I trim away that bias strip from the seam allowance, as close to the armhole/neckline stitching as possible to remove some of that fabric bulk that is going to end up inside my band finish (as pictured above)

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An casual edging for knits

I used this great edging for some of my latest T-shirts.  This is a nice casual look for thin floppy knits that don’t fray very much.  It works really well on those fabrics that want to curl up spontaneously… and it’s always a good idea to listen to what the fabric wants to do and work with it rather than struggling to force it into submission…
Firstly, when you cut out the sleeves, cut them about 2.5cm longer than you want, and then slice off this extra length.  
(Oh, for the neckline, you have to measure the finished length of the edge of your neckline, and cut out a 2.5cm width strip (with the length going the stretchy way, natch) the same length, plus 2cm for seaming.  I didn’t take any photos of the neckline finishing, sorry…. maybe next time 🙂 but it’s essentially the same process from here on)

With right sides together, sew the sleeve seam, and the seam of the strip to form a ring.

Take your sleeve edge strip and fold it wrong sides together in half along its long length, over and enclosing the raw lower edge of the sleeve.

Pin in place.

Using a twin needle on your machine, stitch the strip down, keeping the stitching a perfectly even length from the folded edge.

So, you end up with this, which doesn’t look particularly… wow.  In its ironed, just-been-neatly-sewn state.  But wait…

…after washing, the raw edge of the knit will curl up nicely, creating a tight little ridge over the stitching.

Then I dyed the T-shirt using iDye in Crimson, which throws the blue stitching into focus.  Of course, if you don’t want contrasting top-stitching to show up as a feature on your garment; you must choose a thread colour that is going to blend in with your final colour after dyeing, as I did for my “bat” shirt.  In that case, I top-stitched with a black thread, since in that design I wanted the top-stitching to blend in, and the shirt was going to become a deep deep brown.  But in this case I like the tiny accent of blue on an otherwise very plain shirt.  And the way the raw edge of the edging has curled up and over the lower row of stitching is very pleasing.  I think it looks a little bit like piping.

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Flat-felling a curved seam

Flat-felling gives such a nice finish to tailored items, but if you try it out on a seam with a bit of a concave curve happening it can end up looking messy and not much of an improvement to the looks of the garment after all!
I wondered whether running a line of gathering stitched along the seam allowance might help to solve the problem of turning under that excess fabric around the curve and help it sit nice and flat.  So I tried it out on the sleeve cap seam allowance of the next shirt to roll out of the atelier, Craig’s birthday shirt, and it worked like a charm… I did take some pictures to illustrate but unfortunately a couple seem to have been lost in a recent computer clean-up  :(( so for the missing pictures I shall attempt to explain as best I can… 😀
So.
The sleeve cap  has been attached flat to the body of the shirt, and the sleeve and side seams of the shirt are still unstitched.  I want to flat-fell the seam allowance along that top curve of the sleeve cap.  The sleeve cap seam has been pressed up towards the body of the shirt…

Lift up the top layer of the seam allowance and snip the underneath allowance to just less than half its width, just as you would with a straight flat-felled seam (tutorial for that here)…

Now run a single line of gathering stitch along the wider upper curved seam allowance, at the halfwidth line.

Now turn under the raw edge along the line of gathering stitches, treating the line of stitching as the fold line.  If the curve is not very pronounced, the gathering may only need to be pulled in just a little…  Distribute and ease out the gathering as needed to achieve a flat a finish as possible.

Press and pin in place.

(missing picture here, sorry)  I topstitched the seam allowance down from the inside of the shirt; taking great care to keep the topstitching a perfectly even distance from the seam stitching, that is using the seam stitching as the guide to gauging the width of topstitching.  If you forget this and aim to topstitch using the folded edge as your guide, it may end up looking a little uneven on the right side (because not even the most careful of us is Perfect at folding under and pressing  an exact width fold), and this you want to avoid.  After all, the appearance on the outside of the garment is what counts!
To illustrate; here is the underarm at the 4-corner point where the sleeve seam meets the side seam: Below; inside the armhole, that flat-felled edging has a few little bumps along that folded edge because of the allowance not turning under completely even-width so doesn’t appear super perfect..

but below; the outside does.  So I’m OK with that…

(another missing-in-action shot, so below is an “after” shot) Now I stitched the sleeve and side seam in one go; and flat felled this seam allowance.

Because this seam here is a convex curve the seam allowance has less fabric along the raw edge than the seam, (rather than more fabric as in for a concave curve) and so it folds under more easily.  However because there is less fabric, you need to stretch out the seam allowance a little when flat-felling it down.  In my experience this is a lot easier to achieve than dealing with the excess fabric in a concave curve, but very rigid fabric may either need a bit of a snip around very tight curves, or alternatively a HongKong finish may be more suitable.

(Hmmm, diverted a little into mathematics territory there, but I hope that helped to illustrate the point!)

 

I don’t know I would bother with flat-felling the side-and-sleeve seam of a long sleeved shirt,; sewing neatly up the inside of a long tube is probably high up the list of things that are disproportionately difficult with consideration to actually how much it really improves the look of the shirt… but I’ve found sewing up the inside of a short-sleeved shirt to be OK and not too much of a hassle.

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