Monthly Archives: April 2015

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lurid green skirt

A delightful morning tea with Sue and Megan this morning seemed like a good opportunity to crack out my new skirt for its maiden voyage.  And we were meeting in Kings Park which is one of Perth’s most beautiful parks, so naturally I snuck along early avec camera et tripod to have a quicksticks photo session in a blissfully empty park, prior to our morning tea! haha, doesn’t everyone do weird stuff like that?!  hmmm, don’t answer that!
This is skirt “d” from the Japanese pattern book shape shape, originally called Unique Clothes Any Way You Like, by Natsuno Hiraiwa.  To be honest, I’m a little bit sad the book was renamed to be something cool and catchy in English.  I liked its first title; I thought it quite charming and I expect it was also likely a more accurate portrayal of the original Japanese title’s intention.  Much in the same way that I prefer the title “she has a mannish style” over the new English title “she wears the pants” and speaking of that I have a bit of a grumble about that very misleading new title since there are VERY FEW pants patterns in that book! and almost all of those gorgeous pants pictured are NOT available as patterns!! but more on that another day…  I’m still quite glad I bought that book while it still had that original title too!
Back to my skirt, ahem.
I’ve made this pattern once before in silver grey, here.  Oooh, I loved that skirt, and have been wanting to replace it in my wardrobe for years now.  Now I have! although the colour is a little less, um, shall we say easy on the eye, haha!

This skirt is such a very simple and yet quite unique and clever design, cut in one piece with part on the straight grain and part on the bias.  I think it can be seen from the different angles how the drape of the skirt changes quite distinctively around the skirt from the seam around to the seam again.
The bias dropped a bit before hemming, as it is wont to do, and I really liked how that looked, so hemmed the skirt without evening it off. 

I like wearing it with the buttons situated just slightly asymmetrically to the left like here, putting the bias drape to the left/back, although the skirt can be swivelled around to wear it with the bias to the back or the right, or even the front although the longer length at the front looks a wee bit odd.  You can wear it any way you like, in fact.  Thus the original title of the book!
Please excuse the multiple pictures, but I think the skirt looks at its absolute very best when in motion, the bias part really comes to glorious, rippling, swishy life.  Really, there’s few feelings more lovely that that of soft slithery fabric swirling around and against your legs as you walk.  Bliss.

All my materials; fabric, lining and buttons, are from Fabulous Fabrics.  My fabric is a rather eye-searingly intense chartreuse poly crepe, the same fabric I used for the armbands on my second Sea Change top, here, so the two should go nicely together.  A two piece set-tacular!  It’s a little nippy for that top here today, so I hauled out a warmer thing.  Winter’s coming, yay.  Please note the use of extreme sarcasm font there.  We get very mild winters here, but I’m still that wuss that barely tolerates the slightest hint of cold in the air.

The crepe is on the sheer side so it needed a layer underneath, either a lining or a petticoat.  I decided to line, and bought some poly knit of some sort or another, chosen merely for its excellent colour match.  It’s quite stable stuff, so I merely cut it nice straight and even line at the bottom edge and left the lining unhemmed, it sits nice and flat and smooth and doesn’t show on the outside at all.  I attached the lining to the skirt at the lower edge of the waist facing, and it does its job fine.  However, the knit seems a little heavy, and I’m worried it actually drags the skirt down just a touch.  I’m toying with the idea of detaching it, adding some elastic to the top edge and wearing it as a completely separate petticoat.  Or maybe not, depends whether I can be bothered.  We’ll see how it goes.  Probably I’ll plan to alter, while wearing the skirt to the end of its natural life, unaltered.  Story of my life, pretty much!

Details:
Skirt; skirt “d”, from Shape Shape by Natsuno Hiraiwa, chartreuse poly crepe, lined with knit
Shirt; Burda 8497 with added cuffs, white cotton, details here
Sandals; Zomp, from Zomp shoe boutique

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Inside Out

Today is Fashion Revolution Day; where we are supposed to reflect upon the question; who made my clothes?  And yes, I am wearing everything inside out too even though I have no labels.
You can find out more about how to get involved here 

Details:
Dress and petticoat; Vogue 1160, brown chiffon and silk charmeuse, details here and petticoat here.  It was a little difficult to get the zip on the dress done up inside out!! so it’s only partway up  😉 but the evidence is covered up with my cardigan so that’s ok
Cardigan; Audrey in Unst, knitted by me from wool I bought in Paris (Renaissance dyeing 4 ply poll dorset), details here
Sandals; la soffitada Gilde, from Zomp shoes

Now, on another note; I have been updating my daily outfit blog for the last year and a third and although I will continue to do so I have decided to make that blog private, for the time being at least.  There’s no sudden or dramatic reason for this decision, just call it a dawning self-awareness, if you like.  I guess I’m starting to feel a little self conscious about it, like publicising it is a bit silly.  And that maybe I prefer to maintain a higher standard for the material I am dumping out there, for public perusal, on the poor ol’ world wide web, since few my daily outfits are particularly exciting.
Except um, haha, *blush* I’ve just remembered that I’ve signed up for me-made May 2015! But I’ll be posting those on the Flickr group, just like everyone else  🙂
Thank you so very much to everyone who “liked” my posts  *mwah* and probably I’ll still do a 6-different ways post here periodically, to round up some of my favourites.  I’ll see how it goes  🙂

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fractal

I’ve made a weird patched dress using twelve old Tshirts of my boys’.  I know it’s bizarre and crazy and probably a little bit ugly but I totally love it!
I’m constantly pinning patchwork-y and randomly asymmetric things.  I’m actually very inspired by and crave to wear stuff like this A LOT in reality, even though I also make and wear a lot of plain things.  I think I have a very non-cohesive brain, wardrobe-wise.  It plods along all plain and quiet and unobtrusive for a while, “fitting in” with the norm *yawn* and then will suddenly have the urge to zoom off into arty, thrown-together-land.  Making something kinda weird and wild like this makes me feel quite exhilarated; sorta free and unconstrained and satisfied and happy.  I don’t think I act upon this often enough.  Clearly, I need a little more such craziness in my life!
Anyway, the new dress.  I was inspired by this dress credited to Jurgen Lehl.    
I used one of my oldies, Vogue 7795 with some adjustments; namely with the front bodice tucks and back bodice darts removed and the waterfall skirt drape transformed into an asymmetric box pleat.  Also I made the back bodice and back skirt as one piece each, with the CB seam removed from both.  In my memory this is a very drop waisted design, so I also shortened the bodice pieces by about 4cm.

I’ve made this pattern up a couple of times before; both many years ago, my first version in white swiss dotted voile is pictured here looking tres touristy with a gelato and at the Fontana di Trevi in Rome, and my second version was pink, although I can’t find any pictures of that one.

When you’re making a large scale, randomly patchworked design like this one, I’ve found it’s a good idea to draw out the adjusted pieces full scale and lay them out as a guide for the patchworking.  That way, you can see how the design is looking on the scale of the dress as the piecing progresses.

I selected twelve Tshirts, all old, some very old, cast-offs from my boys.  This is one of the things I love the most about it actually, in that I am so familiar with each and every one of these shirts, having watched my boys run around playing in them a zillion times, also of course I’ve washed them all, hung them on the line, folded them and tucked them away into their dressers about a zillion times each also.  
A sentimental dress then, in a way  🙂

There’s also one “new” fabric, harvested from a recent Absolute Fail… *sad face* IG’ed here.  
I cut all the fabric into varied width strips and then just got creative.  

In a super random design like this one it’s good to install some order to the thing somewhere, and in this case I stuck to the same order in the colour arrangement.   I finished the neckline and armscyes as simply as possible with strips of black Tshirt, stitched on right sides together, then folded to the inside and topstitched.

So, my dress is fulfilling several intentions; firstly to satisfy that creative urge, and my desire for a bit more crazy in my life as outlined above.  Tick!
Secondly, I made it as a kind of a muslin for another project that I’m planning right now.  Then I had the patching idea, was distracted and got  a bit carried away.  I may or may not go ahead with that original plan, but I’m very happy with this particular result! I’m pleased to say  🙂

And lastly, I recently received an email from Charlotte regarding the sew solidarity challenge run by the charity TRAID.  Essentially it’s this: to commemorate the Rana Plaza garment factory collapse you select an old, not new! mass-produced garment, possibly from Bangladesh although I didn’t restrict my options country-of-origin-wise, re-fashion it fit for a new life and then you’re supposed to wear it on 24th April.  Last year I joined in the same-aimed Fashion Revolution movement by wearing my self-made clothes inside out.  Theoretically this year I could do either of these commemorative activities… option 1, wear this dress as per the Sew Solidarity challenge; option 2, like last year wear something else I’ve made inside out as per the Fashion revolution challenge; OR option 3, combine the two challenges and wear this dress inside out.  The only problem with option 3 is that I’m pretty sure my insides might be kinda too ugly for me to get away with this in my very conservative suburb!  The insides are a gridlock of overlocked seams, and because I used some fabric pieces wrong side out, the prints are then on the inside of the dress; so it’s a bit of an unholy mess in there.  But I guess the option is there, should I choose to look irredeemably ridiculous.

Details:
Dress; modified Vogue 7795, made from old Tshirts
Shoes; Zomp, from Zomp shoe boutique

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two sea change tops and a little blue skirt

I absolutely adored the new Lily Sage & Co Sea Change top when Debbie debuted it on instagram and rushed with unseemly haste to sign up when she called for testers.  My love has not diminished upon making up a few either.

The top can be made in either a stretch or a woven, and I elected to make up one in each.
Exhibit A is in a deep blue stretch panne velvet, from the leftovers from Sam’s Magicka robe here.  Basically, it’s a big, roomy, cropped, oversized velvet Tshirt.  Ha! I know that sounds weird and like the kind of thing that has potential to be hideous, but I think it turned out absolutely not.  I love it, unequivocally.

The Sea Change is a gorgeous design; modern and stylish, comfortably roomy, chicly oversized and tres elegant.  It is also a super easy, quick and simple project; a “can be started the night before to wear the next day”, kind of a project.  My measurements fell on the upper side of Small, lower side of Medium, so I elected to go Medium.  This feels fine, but the top is quite unfitted and intentionally roomy so I would have been equally comfortable in the Small too, I think.

So, that’s top numero uno.
And theeeeeeeen…
Having done a little cleanout recently I realised that I had very few skirts that matched my lovely new top… the horror!  I raced to rectify this terrible situation.
I unearthed from le stash a few smallish pieces of bright blue cotton corduroy, the leftovers from my dyed blue ray dress here.  I had just exactly enough to eke out the pieces of Vogue 1247… o joy!  It’s bordering on embarrassing how many of these skirts I have made by now.  It’s such a fantabulous little pattern; a. on its own merits, nothing else considered; and also b. for using up a pile of awkwardly too-big-to-throw-away leftover scraps, and also c. it’s hard to have too many of these classic little A-line skirts in winter.

The brightness of the blue is borderline OK/not-OK for me.  I’m humming and haa-ing about it a bit.  I’ve been entertaining very tempting thoughts of dyeing it a deeper darker dirtier blue; a colour which I think will blend in a lot better with my current colours hanging in the wardrobe.  But for now I’m just going to live with it for a while and see how it goes…
I bound the inner seam allowances of the skirt with some pretty pink and white polycotton gingham, itself the leftovers from a lemon-butter bottling project, and also used for this nightie.  I have now used up every.  Single.  Last.  Weeny.  Scrap, of this stuff.  Hurrah!
The only thing I had to buy new for this entire outfit was the invisible zip for the skirt… and then this is a whole new outfit ALL from leftovers! So it feels kinda free, in a way.  Double hurrah!

But wait, there’s more…
Exhibit B.

My second Sea Change top is made from a very lightweight and drapey crepe from Fabulous Fabrics.  All new fabric for this baby!  It is a rather divine and heavenly pale pink in colour, and sheer enough that I decided to underline totally in a slightly deeper pink, poly chiffon.  By “underline” I actually sewed all shoulder and side seams, the sewed the two different tops together around the neckline, right sides together, turned the chiffon top to the inside and under stitched and top stitched around the neckline… then, from then on, treated the two layers as one.  So, that’s not really the same as underlining, but I have no other, more accurate word for that process.  All seams are concealed away within the layers of the top and bands.

I embroidered a tiny “x” to mark the back…

The armbands are the same stuff, in a garish lime-y greeny yellow that I was drawn to immediately.  While I was petting it another lady in the store remarked, “that is your colour!”
*cue immediate purchase*
I bought enough for a matching skirt too.  I’m rather excited about the skirt; which I have to confess is already made, finished and hanging in the wardrobe but not yet worn or documented, whoops!! anyway I’m excited about wearing it because I think it will go very nicely with both of these tops, and a whole lot of my current existing tops too.  In fact, I’m quite looking forward to mixing and matching all these things in with my new and existing winter wardrobe.

 

Details:
Tops; the Sea Change top by Lily Sage & Co, (1) dark blue stretch velvet, and  (2) pink and green poly crepe lined with pink chiffon
Skirts; Vogue 1247 lengthened, (1) blue cotton corduroy, and (2) yellow cotton corduroy, details here and my review of this pattern here

Update: it’s been great, but nearly two years of use later and I got a bit bored with the vivid bright blue-ness of that little blue skirt, so I’ve over dyed it with some brown dye.  Now it’s a lovely deep navy/teal colour.  Like having a new skirt!
Wearing it with my paprika Nettie bodysuit and my suedette MN Dove blouse that’s a pretty good colour match, yay!

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jumper of triangles

I’ve knitted a jumper  🙂
I’ve knitted jumpers before but this one felt different because I didn’t feel like I was knitting an actual real entire jumper, a process that can sometimes feel a bit never-ending while you’re so engaged… this rather unusual and innovative design is essentially a patchwork comprised entirely of plain and identical triangles.   So all you’re doing is knitting is a whole bunch of very quick and simple triangles, separately, one by one… you knit a triangle, toss it on the pile, knit another, whenever.  The triangle itself is a super quick n’ easy pattern that you’ve memorised after the first couple.  Making it a fairly mindless and terrifically painless project.  Once you have enough you stitch them together into a jumper shape.  So really it’s like, the jumper to knit when you don’t want to knit a jumper!
I bought the pattern pamphlet from Spotlight, thinking about the awkward quantity of fiddly diddly leftovers in my collection that were not enough to do anything with on their own but that were too much to throw away.  Mission: Use Up Leftovers; and I think I’ve accomplished that quite successfully, ahem *smug self back pat*  I used several different shades of grey, chocolate, beige, black, navy blue, mustard, natural and white; various Patons 8 ply and Rowan tweeds and several others too, basically a small collection of disparate leftovers I’ve held on to for forever.  I also had to buy some new, don’t you always?! I bought some of the recommended Cleckheaton Country Naturals 8 ply from Spotlight.   Which is where I bought the pattern pamphlet too 🙂
The pattern can quite easily look like a, er, regular jumper too if you aren’t keen on the multi-coloured harlequin look; you can always just use one colour for all your triangles.  In the pamphlet there’s also pictured another, rather chic and stylish version made up in deep flecked charcoal which looks quite classic and mainstream and normal, and not patchwork-y at all! 
But, as an interesting way to make good use of little bits and bobs I reckon this is a pretty good design idea, and is a nice and easy project for beginners too  🙂
Details:
Jumper; knitted by me from various 8ply yarns, a Nikki Gabriel design for Cleckheaton
Shorts; Burda 7723, made from an old charcoal gabardine skirt, details here
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Maldives; a travel wardrobe

We have just returned from the most wonderful holiday on Velassaru in the Maldives *sigh* and it’s time for me to have the usual retrospective think about my travel wardrobe.  Such as; how did my selection work, was it appropriate, and could I do better for next time… if we should ever be so incredibly fortunate as to have a next time!
Time away:
7 days
Where to:
the Maldives
Season:
the tail end of the northeast monsoon, or dry season.  Beautifully warm 24 hours a day, with a daily temperature range of roughly 28-31C.
Expected activities:
well, very little! haha! specifically; wandering along the beach, laying about on the sun lounge, reading, um…. a bit of knitting? *blush* gawd I’m such an old biddy…  Occasional spurts of swimming, snorkelling, canoeing, and of course cocktails and dinner!
Colour scheme:
a very summery, and hopefully pretty, selection of white, pink and blue!
What I packed:

from left to right, top to bottom, each garment is linked to its original construction post
powder blue dress
ivory broderie anglaise petticoat
pale blue tunic dress
red gingham dress
white linen dress
pink leather bag
watercolour silk dress (for dinners)
hot pink cardigan (Metalicus)
(left) white broderie/lace top
beige top with white print
pink patchwork top
white cotton LS shirt
white shorts
charcoal shorts
ivory corduroy hat
green floral bathers
white thongs
black sandals
not pictured, selection of underwear, nightie, toiletries

My daily outfits:

Thoughts:
Well, going to the Maldives has been my dream holiday, numero uno on my bucket list for only like, forever! so for a few brief mad moments I had happy daydreams about making for myself an entire new wardrobe in the honour… tonnes of white and turquoise!  floor-sweeping maxis! a fantabulously elegant super-widebrimmed hat! anyway, clearly I got sensible and just took a selection of the regular clothes I’ve already been wearing all summer.  
And that was just fine! if not so exciting as a whole new wardrobe.  That would’ve been very nice!  😉  but well.  Clothes are not supposed to define your holiday.  Our island, Velassaru, which let me just say is the most beautiful place imaginable, everything I could have dreamed of,  like heaven-on-earth, and more!  well, it is super quiet, easy-going and very relaxed and I pretty much spent most of the time in my bathers and hat with a loose dress or top n’ shorts tossed on over, and only really “dressed” for brekkie and dinner.
I enjoyed my colour scheme; it felt easy, unobtrusive and quietly pretty.  For my bag, I took my really old pink leather Country Road bag; it fitted in nicely colour-wise, was just the right size for my essentials, as well as perfectly beachy-casual and old enough that I didn’t mind tossing it down on the sand.
Shoe wise, I took my nice black leather thong-sandals for nice shoes, just in case, and they never even left the suitcase!  I only ever wore my white rubber beach thongs, since the island was basically a white sandy beach all over.  I wore them on the plane too! comfort ruled over glamour this time 😉
It was too warm for my white LS cotton Carolyn shirt, so that didn’t get worn at all either, but the other clothes eked out nicely for the week.  Even though your clothes have no opportunity to get actually dirty,  you do get a bit saltwatery-y and sweaty in the sun, so you do need to change every day.  My hat got worn continuously, and I was glad I had my one nice silk dress (at far right) to look swish for dinner.
My old, hot pink Metalicus cardigan went with everything but then wasn’t needed on the island at all! however it was essential for the plane which was, as expected, freezing!  For the same reason, I wore my cream broderie anglaise petticoat/dress underneath other dresses on the plane for warmth, my plane outfits are the first and last pictures above.  And also I thought that dress could be a spare if needed.  It wasn’t, but again I was so glad I had that extra layer on the plane!

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