Monthly Archives: May 2018

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high heeled black oxfords (shoes), plus some other stuff

I’ve made some new shoes!

These have had a bit of a journey in the making, with a gap of about five months in the middle of it when I did absolutely nothing to them!  Several things; feeling torn as to the colour I’d chosen, as well as a little overwhelmed with the thought of actually finishing them, when it was actually all pretty quick and simple and painless once I got over that…

So obviously, they’re black.  However! my original plan back in December of last year was to make some two-tone saddle shoes.  I cut out my pieces using the same beige upholstery suede that these shoes are made in, and dyed the pieces respectively caramel brown and “black”, though the latter turned out to be more of a deep charcoal really.

I thought the combo would be pretty cool… but once I’d formed them on the lasts and it came time to sole and add heels, I was starting to go off the saddle idea already.

I already suspected that what I really wanted was for some plain black heeled oxfords in my shoe collection… but it was summer at the time, too hot for winter shoes to be a tempting project anyway, and truthfully?   Christmas had exhausted me a bit and it just all seemed too hard, so I just chucked the half-made shoes into a drawer and basically didn’t touch them again for the next five months…

Fastforward to last week; winter has started to creep in with cold, probing tentacles, and with it the need for warm shoes.  I got the half-made saddles out of the drawer where they’d lain, idle and ignored, and re-assessed.  Carving the heels was the next step, that had been such a stumbling block to me, and really? it’s not that hard of a one.  I bought some wood from Bunnings, got Craig to help me set up the sander on the triton, and sanded myself some heels… hilariously to me, after all that procrastination it took about an hour, tops!  Soled my shoes, glued and nailed on the heels.

oh hey Clara!! and NO, lovely girl…. these are NOT for eating!

I painted the heels with a coat of black satin enamel paint.  I probably should have just painted the whole shoes themselves at this point too, but I still had that tiny shred of uncertainty that I might still want saddles …?  but nope.  Seeing the heels painted a beautiful pure black made the dyed suede look quite muddily unattractive, banishing all doubt.   I went right ahead and did a few more coats taking in the whole shoe, using the same black enamel paint.  Bunged in a foam insert, covered with the same chocolate brown suedette that I’d used to line the uppers, and FINALLY FINITO.

I’ve worn them four days straight already!  A coupla times they’ve got drenched in the pouring rain… in the past this would have filled me with horror but nowadays I have more confidence in the strength and durability, and importantly the waterproof-ness of my shoes! and of course they’ve held up beautifully.   Seriously, I’m totally chuffed! could not be any happier with them!!

Having said that, well of course theoretically I could actually be happier… they’re not perfect and I can certainly see little bits that I could have done better.  But with each and every pair of shoes I really do feel like I’m improving – to see my shoe-making journey, it’s all here under the tag “shoes” – and these ones are very satisfying to me.  They are exactly what I want to wear right now!

This is how I wore them for their maiden voyage… out to lunch on Friday with my friend J, and then later on to book club with a larger group of my friends… I felt pretty cool and chic!  No one asked me if I’d made my shoes! which means any one of three things; they look OK enough to pass for rtw (yay!) or SO bad that people are just too embarrassed to say anything (not-so yay).  The third and most likely option is that no one actually noticed them.  I’m ok with that option, to be honest  😉

Details:

Dress; V1351, floral chiffon, details here
Cardigan; the Miette, a free pattern by Andi Satterlund, all details here
Tights; my own pattern, details here, and my tutorial for making your own custom-fit tights pattern is here
Shoes… MADE BY ME!!!!!

SO, while I’m here and writing stuff… I’ve been making some other things lately too, that I haven’t got around to mentioning so far.

I discovered this pattern for little sockettes that you wear with ballerina flats; the Sytt & Prytt Florens Ballerina Socks, designed by Lena Lundvall.  I found this through a mention from someone doing me-made May on instagram, though for the life of me I cannot remember who it was.. so if that person is reading this then I’m sorry not to give credit!  Anyway, I looked up the Sytt & Prytt Etsy shop and bought the pattern.

 

 

This blue pair is made up exactly to the pattern; my toes are covered… JUST

It’s a super quick and extremely easy thing to make, though I altered the pattern somewhat to make them exactly what I wanted…  specifically, the socks as they are quite “skimpy”.  To be fair, I think this coverage is perfectly adequate if you’re wearing them with ballet flats, which is totally what they are designed for.  However, for me personally, I’m really so not a ballet flat person, and I wanted to wear them with my oxford shoes, that have higher sides and cover the top of my foot too, and so I wanted my sockettes to have more foot coverage too.

I wanted EXTRAAAA!!!

Adding on a good inch nearly all the way around and reducing the elastic length gave me this!  much better suited to the kind of shoes I wear.

my white oxford shoes, blogged here

I made nine pairs overall, including my trials runs, which I’m still going to wear, ‘cos it’s not like anyone can see the less-than wonderful ones in situ.  With the exception of the white ones, which is fresh fabric, the others are all made from old Tshirts.

Thanks for helping me with my pictures, Clara!! xxx

And finally… !

I made a toiletries bag for a friend for her birthday, using the dopp kit pattern from the Grainline Portside Travel set… I’ve made quite  a few of these, see my previous versions here.  The cool crackle print is cotton canvas hand painted in Zambia, I bought it at the Fabric Store in Melbourne during my holiday there with Mum and Cassie, and made a skirt for Cassie for Christmas.  This is the very last of it!

I lined it fully with plastic waterproof stuff from Spotlight, and made little zip pulls for fun, using beads and earring wires leftover from my jewellery making days.  I think it turned out pretty cute, and my friend professed herself very happy with it too  🙂

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white palm leaf lace

So, we were going to Bali to attend our friends L&L’s wedding in early May… and I decided I wanted to make a special new ensemble to take away with me.  Not to wear to the wedding, because, well … is ivory still a no-no for a wedding guest? I’ve always thought so, but then I did notice a few white-ish ensembles at the wedding anyway.  So maybe times are a-changing…  but I digress.

In any case, I took a different dress to wear to the wedding.

So… this outfit.  Craig and I were planning some special dinners while we were in Bali, because this was a meaningful holiday for us for a reason totally unrelated to our friends’  wedding… it’s our 30th wedding anniversary this year! and the last time we were in Bali was for our honeymoon.  When we heard L & L were planning their wedding there, we decided we’d make this trip a kind of second honeymoon for ourselves.  And I wanted something new for the occasion  🙂

I bought the very unusual lace fabric from Tessuti’s in Melbourne, during my girls’ trip over with Mum and Cassie.  It’s quite a dramatic fabric, very stiff and with a “painted” feel to it… I will admit to a small “what was I thinking?” moment afterwards! but some of my favourite ensembles have come out of crazy, challenging fabrics, so I try not to let that impede the hurtling of the creative trainwreck at all…

I underlined throughout with a creamy cotton voile, that I bought from the Morrison fabric and clothing sale… honestly one of my favourite sales to go to here in Perth, though it is very much a lucky dip.  You can get amaaaaaaazing bargains, at the same time there can be a lot of weird and horrible stuff too that you simply can’t believe Morrison would ever use for their beautiful clothing line!  But it’s nearly always super cheap, so well worth a look in!  This creamy-coloured voile was $10 for a whole roll.  Awesome sauce!!

Patterns… the skirt is my regular ol’ standby Vogue 1247, lengthened, with the pieces spliced to eliminate the horizontal seams.  btw, Sanni asked about this pattern and how it’s keeping, and the truth is that it is indeed getting pretty tatty!!  I really should trace it on something tough to preserve it because it really is a winner and no doubt I will be using it, yet again!

The top is the Collins top, by Sydney designer In the Folds.  Emily put out a call on IG for contributors to a kickstarter to help her to get a print run of her previously pdf only patterns, and since she had been kind enough to send me the Acton dress pattern a year ago I wanted to pay it forward … the reward was this pattern! which of course I am super thrilled about.  It’s a pretty popular pattern, and I thought its exaggerated swing shape would sit out nicely in the stiffish lace, and make a cool counterpoint to a little fitted miniskirt underneath.  I underlined both garments throughout, with the exception of the raglan sleeves, which are just the lace.

Neckline bound with self-made bias binding, from the same cream cotton voile as the underlining.

To keep things light, I just trimmed all the raw edges inside with my pinking shears

The lower edges of the lace are just trimmed evenly with my rotary cutter, the voile is hemmed with a narrow, 1cm hem.

Skirt waistband; cut from a different piece of thicker, naturally crinkle-y, cafe-au-lait cotton, also bought from the Morrison fabric and clothing sale.  For closure on both skirt and top I used small mother-of-pearl buttons, found in Le Stash.

Do you wanna hear something funny?  See that trapezoidal piece at the back, lower edge of the top?  I cut that piece out upside down… with the palm leaves pointing UP instead of down like they are everywhere else… not once, but twice!   Once was bad enough, but I couldn’t believe my own stupidity when I found myself doing the same thing, a second time! *facepalm  and it was an absolute miracle I had a large enough piece leftover to cut it out a third time in one piece since I really had bought only just enough of the lace in the first place.  It is very slightly off-grain… but hey! at least it’s the right way up!!

wot is this pose then, eh?

So that’s it! I really reeeeeally love it, but then again I’ve always had a predilection for white lace things.  This one is not too sweet or “young” for me, but just nicely sophisticated enough, I think.  I wore it to two separate dinners in Bali, and the tropical feel of the palm leaf motifs combined with the cool airy breeziness of lace and voile in the humidity of Bali  made it the most perfect of perfect things to wear for our special outings.

Verdict; very happy  🙂

 

Oooh! before I forget! a post script/public service announcement… I recently received an email from the Great British Sewing Bee! *cue excited squeal when I had a split second of thinking they were having an Aussie version..  however sadly, NO…the email was to let me know that the next UK season is open to applications and asking me to spread the word.  I mean, if we had one here I would love it if someone let me know about it! so I’m like, OK!  Also, if we did have one here I would be SO onto that in a hot minute, and if you’re lucky enough to live somewhere where you do have these things, well what are you waiting for?!

THE GREAT BRITISH SEWING BEE is looking for a new collection of brilliant amateur sewers for the fifth series of BBC Two’s The Great British Sewing Bee. For more information or to apply please go to: www.applyforsewingbee.co.uk

Closing Date: Midnight May 28th 2018

  

Details:

Top; In the Folds Collins top, in a stiff lace underlined with cotton voile
Skirt; based on Vogue 1247
Sandals; (white) designed and made by me, details here
(turquoise) la Soffita di Gilde

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saving a little bit of sunshine

So, once upon a time I picked up a lovely remnant of fine-grade sunshine-yellow linen from a sale at Potters Textile … and then at some point decided I wanted to make a yellow skirt.  I plucked this, my only piece of yellow fabric, from Le Stash; and selected Burda 2/2015;109, which I’ve been admiring and coveting for some time.  I traced it out, noted very happily that the pieces fitted perfectly on my piece of yellow linen with practically nothing to spare whatsoever, cut it out and made it up without much further thought.

And lo, it was horrible.  I can’t even begin to describe just how frumptastic it looked.  I didn’t even take a picture of myself wearing it, it was that bad, though I did have the presence of mind to force it upon poor Jane to model before taking the scissors to it again.

It actually looks quite nice on Jane here, but trust me, it didn’t look nearly so nice on ME.

I don’t blame the pattern, which I still think will be quite nice with the right fabric, of a stiffness and body that can hold its own with a pleat.  In a lightweight linen?  NUP.

Anyway, obviously I cannot bear to waste a lovely piece of fabric, and particularly one of such a sunny disposition.  And this time I listened to what it was whispering to me in its tiny, squeaky, linen-y little voice (yes, Virginia, fabrics DO have a voice) and realised that this delightfully lightweight loveliness wanted to be a delightfully lightweight, breezy little TOP.  Of course I granted its wish.  Who am I to deny a fabric its destiny?

Fortunately it wasn’t too difficult… the skirt had long long ties to go around the waist, and it was easy to open out the waistband and let out each of the pleats just a little, to allow what was previously the waistband to be an underarm band instead, and re-jig the old side seams.  I harvested what was remaining of the waist ties to be shoulder straps for my new top, unpicked the two big pockets, and re-cut one to be a triangular insert to go in the previous skirt opening to fill in that gap, and re-cut the other to be a big kangaroo pocket to go on the front of the new top.  By the way, the old side seams are now at the centre front and back of the top, and the previous centre front and centre back, which is where the big skirt pleats were before, are now situated at the underarm seams.  Finally I stitched a buttonhole and a button from my stash to the newly extended underarm band so it can close, since the ties are gone.

Et voila!  a bright and sunshine-y little top.  I love it in this guise so much! it’s hard to remember how sad and tragic it was as a skirt.  I took it to Bali, when we went there for L and L’s wedding – ah such a wonderful time we had!  I’ll have to write something about that here soon  🙂

note; Craig does not take pictures of me as a rule! but I basically forced him to each day we were away.  I’m like, but it’s me-made May!!  Reaffirming long held suspicions that the depths of the feminine nature will forever remain a mystery best left unsolved #instagramhusband  

Now we’re back home and  winter is creeping slowly into Perth and I’m reluctantly putting it away with the other little summer lovelies… but am happy to think it’ll be waiting in the wings, an cheerful little thing for when summer rolls around again.  🙂

Details:

Blue trousers; the Sasha trousers ,by Closet Case patterns, blue stretch denim, details here
Red cardigan; the Miette, in Debbie Bliss donegal irish tweed, details here
Clogs; designed and made by me, details here

Bali pics:

  

Skirt; variation on Vogue 1247, in a map print
Hat; Vogue 8844, made from old ivory corduroy jeans, details here
White sandals, designed and made by me, details here

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