Tag Archives: Daily Outfit

Mayday

So, I said I wasn’t going to post a photo here every day during me-made May, since I’ve had comments on my blog about how boring it is, apparently.  Sorry.  But today is the very first day and I’m kinda pumped about joining in, so… yeah.  Here we are!  Wearing shades of beige, ivory, grey, just like those beautiful clouds above.
This is a different piccie from the one I posted on the mmm13 Flickr group, because after I uploaded that one I noticed it was actually a pretty lousy picture; one I had taken on a terrible setting apparently … doh!  I’m still learning!  Aperture too wide!  So I checked through the rejects for this one, which is not so good of my outfit I think but is a better shot, clarity-wise.
It is cloudy, which makes the photo-taking part of my brain leap for joy, the light being so much more amenable to photos; and it is so beautiful and fresh and cool at last.  I’m excited about trawling through my me-mades for outfits for this month.  I’m excited about the possibilities for layering.

min 14C; max 26C; cloudy

Details:
Tshirt; self-drafted, and never blogged before because it was a bit boring, but it was made using the leftovers from these leggings
Wrap; wrap “f” from shape shape by Natsuno Hiraiwa, cream knit dip-dyed in blue dye; more details here and my review of this book here
Skirt; Vogue 1247, of a piece of curtaining fabric; more details here and my review of this pattern here
Shoes; Betts&Betts; I’ve had these for many years

Last year, I also included when my family happened to be wearing something I had made on any given day too; so I thought I would do that again.  An old photo, but this morning my husband left for work wearing this me-made shirt:

Craig’s shirt; Burda 7767, shirting cotton, more details here and my review of this pattern here

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she’s the boss

So, you might be thinking that this is not my usual style of outfit.  And you would be right!  I did make my dress, but it was chosen by another.
But, how is this so?
Have you heard of the Sew Bossy initiative?  This is a fun game dreamt up by Heather of Closet Case Files and Oona of oonaballoona.  Heather paired up Reana Louise and me as one of her fantasy picks!  So after e-introducing ourselves to each other, Reana Louise and I mutually agreed to choose for each other something from the Stylish Dress Book, by Yoshiko Tsukiori; since we both had the book already.  Exactly which something, and what fabric was left up to the other.  I sent my package off, and then waited with bated breath.
Very soon, I received this in the mail.
This is dress “T”, from the Stylish Dress Book.  Reana Louise chose for me a soft lightweight ivory cotton meadow sprinkled with delicate blue flowers, and with a solid blue cotton for the contrasting neckband and cuffs.
So OK.  Floral, and puffy sleeves.  Hmmm.  I am being fair dinkum catapulted right out of my comfort zone here!  But Reana Louise has exemplary taste and always looks quite lovely on her blog, in her handmade creations.  I had to trust her guidance.
I did make a few teeny minor changes (forgive me, Reana Louise!)  I thought a wide block of the blue for a neckband might be a bit strong against the delicacy of the sprigged floral, so I dug out some lightweight Japanese cotton in my stash, originally bought from Potters Textiles.  This is pure white, with an irregular pattern of tiny white paisley motifs as well as little fluffy white spots scattered over.  I used this for the neckband and for the sleeve cuffs, and just used a narrow, folded bias cut strip of the blue cotton sent by Reana Louise as a demarcation line between the floral and the white.
Similarly, I broke apart the hemline with bias cut strips of each white and blue together as well.  I really like the look of these borderlines in the design, a subtle geometric statement against the pretty floral.  
I also shortened my dress slightly to hit just above the knee.
Oh, and I added pockets.  Well that’s a no-brainer.  When it comes to pockets; if you can, then you do: no internal debate entered into!
How do you feel about letting go of control in what you wear…. would you dare to submit your style to another?

Details:
Dress; dress “T” from the Stylish Dress book, by Yoshiko Tsukiori, blue sprigged cotton, with blue and white accents
Hat; Vogue 8844, ivory corduroy refashioned from an old pair of jeans, details and my review of this pattern here
Sandals; Pedro Miralles, from Soletta shoes
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Taurus

 
I have made a new leather jacket.  Well…  it’s “pleather” really.  A faux leather jacket; or maybe we can call it a fleather jacket… ha!   I’m going to go with that.  I’m pretty happy with how it turned out!  I’ve been thinking wistfully about a leather jacket for years, and I was super impressed with kbenco‘s gorgeous leather jacket.  So, while I was staying at my parents’ place over Easter I noticed this pattern, designed for leather in one of Mum’s old Burda style magazines. I found this very nice chocolate brown and black-splodged PU laminate in Fabulous Fabrics; the texture is very realistic, semi-matte and soft and very faintly “crazed” like very well-loved, well-worn old leather.  I bought up and got cracking.
The jacket is pattern number 113 from Burda style magazine, 08/2010.  I made no modifications, excepting multiple teeny modifications to get a good fit.  There were plenty of these, but I’m only listing them in my review below if you feel like plodding through the nitty gritty, since reading about personal fitting modifications is the most boring thing on the planet.  The only one really worth mentioning is that the sleeve cap to this pattern is rather high and leather is not a fabric that lends itself well to easing.  So I shaved off quite some height off the top of the sleeve cap, just over 1cm tapering off to the gathering start and end points.

I’m not completely sure about that slit at the lower edge of the centre back seam.  I don’t really see the point of it.  I’m giving it a fair go though.  It’s on trial.  I might decide to sew it up sometime down the track…
The jacket is fully lined with chocolate brown polyacetate lining fabric.  

It has a hidden button placket for two hidden buttons, and two large, lined, flapped patch pockets at the hips, which are unfortunately not situated very conveniently for actually putting your hands in (sad face)  But you can still put things in them, and they do look pretty cool.  I like leather jackets to have lots of things and detailing and stuff on the outside.  In my opinion details really up the cool quotient on a casual jacket and lend it a young, urban aesthetic.

The jacket also has one small welted pocket on the upper left.  My fabric tended to “bounce” out of a fold, so I edge-stitched the welt, as well as the collar and front opening edges, to give them a flat sharp edge.  
The pattern called for the pocket bag under the welt to be inserted in line with and perpendicular to the pocket, which would have meant it would sit stuck out at a slight angle.  Whaaaa?  So I changed it so it hangs down vertically from the welt.  It’s hidden in between the lining and the jacket, so you can’t actually see the pocket bag at all, but I just didn’t like the idea of it sitting out all skewiff, defying gravity like that; it seemed an oddly imperfect and unbalanced way of doing the pocket, and it would have flopped in on itself a bit.  I think Burda probably did it this way to make the pattern piece and the instructions easier; but I just had to alter it to have a straight-hanging pocket.
Apparently the sleeves are 7cm longer than normal so that the wearer can roll or fold them back.  Well, I love this longer length.  This is great for winter.  I always get really cold wrists in winter, and so I won’t be rolling or folding them up at all!

Details:
Jacket; Burda style magazine 08/2010, 113, pleather
Skirt; Vogue 8363 with modifications, rusty red wool/silk mix, details and my review of this pattern here
Tshirt; self-drafted, white cotton, details here
Boots; Enrico Antinori

By the way, I often state that whatever I am wearing in my picture is what I am wearing that day, that I keep it real and never ever “dress up” just for the camera.  Well obviously, everyone in Perth will know straight away that it is a bit too warm for a winter-y get-up like this today! so in this case I am “dressing up”  (blush)  Sorry, but I just couldn’t wait for winter to show off my new jacket!

Pattern
Description:

Fitted
jacket with a short V-neckline, narrow standing collar, single welted breast pocket and two flapped patch
pockets.  Long two piece sleeves,
front has two darts for shaping, the back features a short lower hem vent and
the front closes by partially hidden button placket
Pattern
Sizing:
Petite/half
sizes 17-21; I made the size 19
Did
it look like the photo/drawing on the pattern envelope once you had finished
sewing it?
Yes.
Were
the instructions easy to follow?
Yes
What
did you particularly like or dislike about the pattern?
Well; I think the styling is great; a mixture of classic blazer and motorcycle jacket with a neat and nifty, waist-defining shape, and cute detailing.  I really like the pockets and I think they look really great in leather.  The sleeves are 7cm longer than normal.  I love this, they will keep my wrists nice and warm this winter.
I’m not completely sold on that centre back slit at the hem.  I don’t really see the point of it.  This may or may not get sewn up in the future, if it lets too much cold air in.
Fabric
Used:
Faux
leather, with polyacetate lining fabric for the lining
Pattern
alterations or any design changes you made:
I didn’t make any design changes, but I made tonnes of small modifications for fit.  Considering leather is not a fabric that eases at all, I think the sleeve cap is drafted too high and would have been too difficult to ease into the armhole.  I shaved off about 1cm in height off the top, and also took about 1cm off the edge of each shoulder seam, the latter a fit modification.  I took in all the seam allowances at the waist to bring the jacket in to hug my waist; the shaping as it was a tad boxy for what I wanted.  The faux leather fabric I used didn’t take creases at all, so I edge-stitched all around the front edges of the jacket and collar, as well as the fold of the welt, to give a nice sharp edge.
Would
you sew it again? Would you recommend it to others?
Maybe….
so many patterns, so little time! 
But yes, of course I recommend this classic yet cool pattern to others.
Conclusion:
Well
I now have a cool new (f)leather jacket. 
I’m totally happy with it.  ‘Nuff
said  🙂

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Navy bloo-p

Hello  🙂
So, it turns out that navy blue is just as difficult to photograph as black… oh well!
I have made a skirt.   This used to be a pair of extra-huge, navy blue, corduroy jeans, that I bought from the op shop yonks and yonks ago for a fancy dress party.  They’ve been sitting in my refashioning pile, awaiting a new life.  The fabric is perfectly good but they haven’t been worn ever since the aforementioned fancy dress party, because they did not fit anyone in my family.

My new skirt is based upon a firm favourite skirt pattern, Vogue 1247.  I unpicked and re-used the sturdy silver jeans zip from the old jeans in the centre back, as well I took off and re-sized the waistband with its attached belt loops, and managed to retain the silver jeans button and its corresponding buttonhole, both in situ from the original jeans.
The pockets are lined with blue-and-white stripe fabric, leftover from Sam’s Christmas shirt.

Due to the fabric limitations, I had to cut the skirt to have a centre front seam, as well as the standard centre back seam.

Now you might be thinking; if the jeans were so big to start with, how could you possibly have “fabric limitations” in making a rather small skirt out of them?  Well, when it comes to re-fashioning a new garment from an old, even if your old garment has plenty of fabric it still can be quite a trick to get even a smaller new garment out of it.  This can be due to several factors, such as awkwardly placed seams, or if your fabric has a nap.  In the case of this old jeans to new skirt refashion, there were both of these factors to contend with.  Even though I was starting with satisfactorily extra-big trousers, they were cut in an old-fashioned, late 80’s, early 90’s style, with wide hips tapering down into narrower ankles.  This is the exact opposite of what I wanted in my little skirt; which is narrowest at the waist and gets wider going down to the lower hem; plus there was the nap of the corduroy which you always want to be running down the garment, never ever up the garment.  Plus there were big slanted hip pockets in the jeans, getting in the way of cutting anything out from the top of the jeans.  Plus, a lot of the old bar-stitching was done with an incredibly strong thread, almost like fair dinkum fishing wire or something, making unpicking a sheer joy.  That was heavy sarcasm just there, by the way.  So in the end, it took quite some careful measuring and giving and taking a few centimetres here and a few centimetres there from different pieces, to get out the pieces I wanted.  This is a lengthy justification for why my skirt has a centre front seam, as well as a centre back seam.  So not ideal, I know, but it was the only way the skirt could be!

Details:
Skirt; Vogue 1247 modified, refashioned from a pair of old navy blue jeans/trousers… my review of this pattern here
Top; the hoodie from Pattern Magic 3, blue knit, details here
Thongs; Havaianas

D’ya want to hear/see something funny?  This will give everyone a laugh…. I actually made this skirt back in January of this year, specifically for my high school reunion! and wore it, and photographed it on that day for the blog, but I never put the photo up here…  I decided I just looked silly.  Now I’ve decided that it’s not toooo bad, so here it is!  I made the skirt because I got this whacky idea in my head to kinda reproduce my old school uniform for the reunion.  I found my old school tie, which is tiny! and wore it.  The other pieces are from my regular handmade wardrobe, but it was such a hot night that I left that blazer in the car…
Yes, it was silly… but it was fun!
So, this outfit below is a pretty close representation of what I used to wear to school, every day  😀

Details:
Skirt; Vogue 1247, as above
Top; the bamboo shoot top from Pattern Magic, white linen, details here
Tie; my old school tie
Blazer; Simplicity 4698, navy blue silk, seen first here, and also worn in 6 different ways here
Sandals; Vincenza, from Soletta shoes

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new toy

After tonnes of deliberation, I’ve bought a new lens; an early… something? present for myself  🙂
My old lens is a 18-55mm 1:3.5-5.6, which is a really fantastic little lens that produces great shots.  But for a while I have been really wanting to up the ante on my pictures and it has been frustrating that I have not been able to change the settings just how I would like.  So I’ve bought the 50mm f/1.4.

The top photo was taken with the new f/1.4, and the lower picture with my older lens, both adjusted to shady conditions.
I’ve still got quite a way to go with learning how to best appreciate it, but I’m pretty excited at the prospect of experimenting…  what do you think?
Details:
Top; the bamboo shoot top from Pattern Magic, white linen, details here
Skirt; based upon Vogue 1247, coffee coloured lace with silk lining, details here
Sandals; Misano, from MarieClaire boutique 
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Aries

Aries; the ram.
But… where is the
ram??  Well I am wearing him!  In the form of my pure wool felt cardigan/jacket.  Baa-aa!
And I did take a picture
of this inquisitive flock of girls while I was driving up the driveway to my parents’ place this morning.  We are here for a big family Easter
shin-dig 🙂
My cardigan was until very recently, a voluminous
drape-y wrap, which I bought in New Zealand a few years ago.  The fabric is so soft and snuggly,
making it beautifully warm and cosy, and I’ve always loved this deep olive
colour.  But the shape, while very fashionable
at the time that I bought it, eventually became very not.  I’m not going to
show you any pictures of me wearing it, as it was.  Especially with my hair… so just picture Samwise Gamgee in
LOTR and you’re getting a pretty good idea!  So unfortunately I have not worn it for aaaages and knew I
never would again either looking like that; but I still loved that soft wool and thought it definitely
deserved a second wind.
I like it all over again now.  I think it turned out sorta like an unstructured
tweed jacket; a casual, playful, loose and floppy version of the landed
gentry’s countrywear, like a cheeky, irreverent, younger brother of the same, if you
like.  And I still have my souvenir from New Zealand, in a newly wearable style  🙂
Details:
Jacket; based loosely on Simplicity 4698,
deep olive felted wool, refashioned from an old wrap
Skirt; my own design
based upon Vogue 7303, white stretch lace, details here
Tshirt; self drafted,
white cotton jersey, details here
Socks; handknitted by me,
to a 1960’s sock pattern, details here
Shoes; Francesco
Morichetti, from Zomp shoes

Warning; technical sewing blahdy-blah from here on  🙂

There were a few little holes, which I darned before doing anything else.

The new design is
partially based on the pattern Simplicity 4698 with major alterations.  Needed partly because of a severe lack of
fabric, and partly because the felt is so thick and spongy it just would not
suit a properly lined and tailored suit jacket anyway.  I have made this pattern up previously four times I
think, only one of which I still have

The pieces were all
reduced in size a lot, basically to match
the regular cardigan size that I wear, and the back princess seams and outer sleeve seams were eliminated.
I made it as a completely
unlined cardigan, with welt pockets.  The sewing lines of the welt are stabilised with a strip of corduroy.
To reduce bulk, because
the fabric really is very very thick! the pockets themselves are just a single
layer inside, sewn directly to the jacket front invisibly by hand.  I used lots of tightly spaced, tiny
stitches around the pockets but hid them inside the felt so they only show up as the faintest shadow on
the  right side of the
garment.  I edged the entire front,
collar, hemline and sleeve hems by turning under a tiny roll of fabric under
the edge and slip-stitching by hand. 
At the roll-point of the collar I switched the turn under to the other
side, to allow the front turnback of the collar to lie flat and true.  Those overlocked seams are remnants of original seams.

On the inside, I hand
slip-stitched all the new seam allowances down to “disappear” as invisibly as possible
against the cardigan, for a neat and tidy inner finish.  Maybe neater than the original overlocked finish, I think  😉
The buttonholes are all
embroidered by hand using 2 strands of embroidery floss, and the buttons are
nacre; sewed on upside down because the rough hewn wrong side of the buttons
was stylistically perfect for the rustic style I was going for.

It is quite a simple
re-fashion, basically a wrap front cardigan has been transformed to a suit
jacket style cardigan.  Not exactly
earth-shattering stoof here.  But I
am happy, since the new style means I am in love with it all over again and
will get a few more years wear out of it!

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Blue-bell sleeves

Hello  🙂
I’ve made a new top.  Actually I made this a little while ago, and I’ve suddenly came to the glorious realisation that hey! the autumnal weather is here and it’s actually beautiful enough to wear it.  I love this time of the year!
This is made using Vogue 1115 with the body lengthened by about 2.5cm, and used a piece of thin blue woven cotton denim-y stuff.  I chose to use the fabric wrong side out, since I preferred the muted, slightly undefined, yellow-y tone of the blue of the wrong side.  The right side is a stronger blue, which I didn’t think did wonders for my complexion.
I’ve written a pattern review below for anyone interested, but there really is one important thing to know about this pattern, it is rated Advanced/Plus Difficile, and yes, that is a well deserved rating.  The undersleeve/side piece when joined together is pretty tricky to insert neatly; and sewing down the seam allowances of said sleeve gusset with a double row of topstitching? … seriously tricky.

Most of the topstitching I used a deeper blue thread which was painstakingly colour matched to the blue in the fabric weave.  Haha, kidding; actually it is just leftover thread that I already had in my stash  🙂 the fact that it matched is fortuitous!  I used a lighter shade of blue for the bar tacks.

Installing that invisible zip, another seriously tricky procedure.. since I prefer to insert the zip before sewing up the seam below it; and since the seam allowance has to be finished with a double row of top-stitching to stylistically match all the other seams on the garment; this is an area that needed a bit of nutting out.  I’m pretty pleased with the nice even finish I got in the end  🙂

Look at those blissfully deep, welted inner pockets (satisfied sigh)  I made them a smidge deeper and bigger, and the edges are finished with HongKong seaming.

The graceful curve of those pieces in the back is so elegant and stylish.  I just love the seaming lines here!  I also like how the slit at the lower back stylistically matches the slit at the upper front neckline.  imo, it’s the little details like this that set the designer patterns apart from the others.

Those wide bell sleeves… I wasn’t absolutely certain that I would adore these, but they’ve grown on me.  They are certainly comfortable and feel nice to wear, no constrictions whatsoever! and I think they look quite designer-y and interesting.  I worried that the size of them would make them annoying, that they would get in the way of my daily activities, but I’ve worn my new top all day and barely noticed the sleeves.  No worries there!


Details:
Top; Vogue 1115, blue cotton denim
Skirt; based on Vogue 1247, refashioned from another skirt, originally Vogue 8561, details here
Sandals; c/o Misano

Pattern
Description:
Loose-fitting,
hip length, pull-over top has wide funnel neckline with slit, front and back
armhole gusset seaming, bell sleeves, welt pockets, back  inset, slit, side back zip and flat
fell seams.
Pattern
Sizing:
American
sizes 6-12; I cut the size 10
Did
it look like the photo/drawing on the pattern envelope once you had finished
sewing it?
Yes.
Were
the instructions easy to follow?
In my
opinion the instructions are straightforward but this pattern is rated
Advanced/Plus Difficile for a reason!
What
did you particularly like or dislike about the pattern?
Well
I do so love a sewing challenge, and there are a few in this pattern… this is
not a top that can be whipped up in one day, no sirreee!  I dug down deep into my reserves of
patience and only allowed myself to work on the tricky bits when I was feeling
fresh and not tired!  For example:
stitching those double rows of topstitching to the undersleeve and side / front
and back seams was tricky, and also attaching
the neckline facing neatly to the top curved edges of the zip tape quite
tricky.
Fortunately,
I really love the final product!
Fabric
Used:
Lightweight cotton
denim
Pattern
alterations or any design changes you made:
I
lengthened the body pieces by 2.5cm at the hem, and cut the pockets to be 1.5cm
deeper…
Step
16, I chose to reinforce underneath the single layer of fabric with a small
bias cut square of interfaced cloth before stitching the bar-tacks.
Step
35; I prefer to insert the invisible zip before
sewing together the seam underneath, I think you can get a much neater finish
Step
49; I think it is supposed to read “with right sides together” but in any case
I didn’t stitch the welt together like this, just folded it wrong sides
together and continued with step 51 with the edges raw and unstitched, and then
in step 56, slipped them between the pocket and triangular ends, stitching them
in place in the pocket seam, a more elegant and less bulky way of finishing the
welt considering the raw edges are bound with HongKong seaming in step 57.
I didn’t do the following, but if I was
making this again I would…!
Step
3 and step 20 have you slash the underarm/sleeve between stay-stitching… I
recommend instead that you leave the actual slashing until just before step 45, when you pin
and attach the undersleeve and side. 
There’s no need to make the cuts so early, and if your fabric is subject
to fraying then I think it’s best to leave it until the last minute,
particularly since you are cutting so close to the stay-stitching and into the
armhole corner.
Would
you sew it again? Would you recommend it to others?
I do
recommend this pattern to the advanced seamster, and I think I will sew this one up again.  And,
ahem, I can get the top on and off without having to even use that
difficult-to-insert zip as long as I don’t mind my hair getting a bit
messy.  Which I don’t.  So, maybe I have a tiny head but
looking at the pattern envelope I think the model probably could do the
same.  The next time I might not
even bother with that zip. 
Conclusion:
I’m very happy with my new top, and I think it is a great
designer take on comfortable and
chic.  I was a bit worried about
those wide bell-sleeves before I started, that they would get in the way of daily activities, and/or look awkward and
stand out stiffly in a difficult-to-wear way but I needn’t have been; the sleeves feel great and look quite cool, and are very comfy in this loose floppy fabric.

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Just a spot of emerald

Top o’ the mornin’ evenin’ to you!!
St Patricks day seemed an appropriate occasion to pull out this length of emerald green corduroy from the stash and make it up into something.  Anything.  I bought this fabric from Spotlight, last year.  Of course it’s kinda ludicrous for me to be wearing a corduroy skirt today since it is a warm 31C here in Perth! but here ’tis, all the same.  A corduroy skirt is not so much weather-appropriate right now as it is weather-anticipatory… but I’m sure I’ll be grateful for it when more winter-y temperatures kick in.  And hey, isn’t Emerald the Colour of the Year, or something??  Woa!  Definitely a good day to be adding a little emerald green to my wardrobe!
I wanted a skirt that was a little boxy, blocky and oversized, rather than the usual, streamlined little A-line/pencil hybrid silhouette that I usually go for… so I started with a favourite basic pattern Vogue 8363 and played with the proportions.  I cut the skirt pieces a lot wider; probably roughly equivalent to a size 18 front/20 back; and  a waistband to be my usual size 10, and folded the excess width in pleats into the waistband; two single pleats at the front and two box pleats at the back.

I put in those fabulously deep, slanted front pockets in the pattern and left off a lining, since I think the oversize factor, or looseness of the skirt will help stave off any tights/skirt static electricity problem.  I’m thinking of making a separate petticoat if the tights adhesion issue does rear its ugly head.
Perusing the zips; usually an invisible zip would be my first choice but all the available colour options looked terrible with this rich emerald green; either too dark or too bright.  Nothing looked right.  The best colour match was this bright green dress zip, and I finally decided I could live with a dress zip in a skirt; sure, it is a casual choice but so is corduroy a casual fabric.  It’s been ages since I’ve put a dress zip in a straight seam without a fly, and I had to stop for a second and think it through again!
I got creative with the insides.  Do brightly contrasting “fun” interior details bother you?  Then look away now!  I’m afraid, without going out and buying new fabric, and I am trying to shop my stash as much as possible this year; the least offensive option was this violet/mauve shot cotton, leftovers from this top that I made for Mum.  I finished all the raw edges with HongKong seaming, and the waistband facing and pocket linings are also cut from this fabric.  The ultra good news: I have barely any scraps at all leftover from these two lengths of fabric now!

I’m very very happy with my boxy new skirt: I think it looks stylish and smart and it feels very easy wearing and comfortable. I think it will look terrific in winter; with my fitted cardigans, with button-up shirts tucked in, and tights and boots underneath.

Details:
Top; top “a” from shape shape (fornerly known as Unique Clothes Any Way You Like) by Natsuno Hiraiwa, white cotton, details here
Skirt; Vogue 8363 modified, emerald green cotton corduroy, my review of this pattern here
Shoes; c/o Misano

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