Tag Archives: Daily Outfit

Pants as leggings

These rusty corduroy jeans seem to have shrunk gradually over time, and if there is one thing I cannot bear that is too-short jeans.  Ankle-freezers, we used to call them.  Unpicking the hemline and letting them down a touch is on my list of things to do… but in the meantime I have been mostly wearing them with boots like I am here, thus craftily disguising the lack of leg length.  Brilliant, no?  I’m a master at sartorial deviousness, hehe.  To make matters worse, my “top” here is actually a dress. 
Pants-as-leggings?  But what is this?  Aren’t there rules against this sort of thing?  Is this a situation anywhere near as heinous as its evil twin situation; leggings-as-pants?  Well, let us consider…
Leggings-as-pants… no, too awful to even think about it actually.  A case of Too Much Information, for sure.  I can’t see someone wearing their leggings as outerwear without feeling like I have to avert my eyes, don’t you?
But pants-as-leggings, well I have tried this once or twice before and responses have been mixed, but I think that slimline pants can actually be OK underneath a shirt dress like this, which is pretty much the equivalent of a super-loose, super-long shirt.  It’s a rumpled casual look that hints that I have ransacked through the husband’s wardrobe again, but y’know what?  I’m as toasty warm as!

Details:
Dress; Burdastyle magazine 05/2010, dress 111 with alterations, details and my review of this pattern here, plaid brushed cotton
Jeans; Burda 7863 slightly modified, rusty corduroy, details here
Boots; Andrea and Joen, from Uggies in Dunsborough

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Thoughts on washing…

(Trying to get back into the swing of taking my own photos?  Mebbe…)
Something that is amazing about where I live is the ferocity, combined with the brevity, of storms.  It’s funny, my dog is quite protective of me when we are walking during a storm.  She sticks close by, is constantly checking over her shoulder to make sure I am still there, and comes running back to sit with me or even try to round me up if I pause to take a photo.  Well she is a sheep dog and rounding up is in her nature…
You will be pleased to know we walked back through our front door dry, if a tad windswept.  It’s a good thing I don’t have a hairstyle to speak of.
One the plus side, the kite-surfers are having a great day, and washing does dry very quickly around here, yes even during the winter time…
On the subject of washing… how often do you wash your clothes?  You might see that the little olive top I am wearing underneath the black one here is the same one I was wearing yesterday over the blue Metalicus one.  I reason that a top worn against my skin is dirty after a day of wear and needs washing, but that one worn over another top is OK to go for another day.  Obviously underwear, socks and tights are washed after one day of wear.  Dresses and skirts I judge by whether I am wearing tights or a top underneath (probably OK to last another day) or if it has been a hot sweaty day then I will wash.  Jeans I wear for two or even (gasp) three days if I haven’t been engaging in particularly strenuous activities or if it hasn’t been a sweaty hot day.  Not that jeans are ever worn on a hot sweaty day actually… The same goes for cardigans; I will do a wool wash for everybody’s jumpers and cardigan every few weeks.  I’m over the preciousness of my cotton trench coat and it now is tossed in the machine on a gentle cycle, probably a few times a year.  My woollen coat I plan to send to the dry-cleaner…  There is a very small population of one in my wardrobe, (er, my Chanel style jacket actually) which I am too frightened to wash, nor even to trust it to the dry-cleaner!  I don’t know what I am going to do about that thing!
What about you?  Do you have a rigid plan of attack to your washing, or a more laissez-faire approach?

Details:
Jeans; Burda 7863 modified, black stretch corduroy, details here
Olive top; Cue
Black top; Sexy Woman, found secondhand
Scarf; knitted by me, merino wool, details and my pattern here
Boots; Andrea and Joen, from Uggies in Dunsborough

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Doing what I want…

So I did give it a bit of thought (but not much) before I decided to leap back in and sign up again for Zoe’s new challenge, Self Stitched September 2011!
I know at the end of Me-Made June 11 I was feeling burnt out with taking my own photos like everybody else who participated, but then again if there was no difficulty involved then it wouldn’t be a challenge right?  I like challenges, and I like doing this one.
In the days leading up to the last one (or during, I can’t remember now) I read someone’s blog post that was a scathing criticism of the challenge, and also of the blogs who joined in, which did make me question myself and my own reasons for participating.  Do I lose my status as a “sewing blog” (inverted commas are intentionally ironic, there)  if I joined in a personal self-styling process?  Does taking photos of the clothes I have spent time and effort in making with my own two hands, constitute a shallow or egotistical attitude?  I have decided that it does not.  I’m proud that I make my own clothes, and I enjoy styling and mixing up my own creations in new and interesting ways.  Sure, some of my self-stylings work better than others, and I would be lying if I said that I didn’t occasionally look at some of my own outfit photos and cringe, but the truth is the bad outfits and photos have been very helpful to me.  Like everybody, I have got my favourite garments, which I sometimes hang on to for far longer than I should… well the camera doesn’t lie, and has been the impetus for the tossing of several of my less wonderful garments.
So yah… long and short of it; I’m going there again!

I, Carolyn of Handmade by Carolyn, sign up as a participant of Self-Stitched-Sept ’11. I endeavour to wear all handmade, barring undies and tights each day for the duration of September 2011. That is, I will be wearing undies and tights of course, but not of the handmade variety!!’


so, I’m allowing myself RTW undies and tights… neither of which are well represented in my me-made wardrobe.  I have huge admiration for people who make their own underwear but it is not something I have had time to have a go at, nor much interest in yet.  Too many other garments that I can wear for public display are on my sewing agenda for now!

Details:
Jeans; Burda 7863 slightly modified, rusty corduroy, details here
Top; Metalicus
Olive top; Cue (I’ve had this top literally for decades…)
Scarf; knitted by me, originally a wool kit from Calico and Ivy, details here
Shoes; Francesco Morichetti, from Zomp shoes

(below; random photos I took on our walk today…)

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Dip-dyed wrap “f”

While I had the dye-pot filled with blue dye, I took the opportunity to do another little dyeing experiment I’ve been dying to try out  (hehe, little play on words there, see, see?)
I made this wrap top “f” from the Japanese pattern book Unique Clothes Any Way You Like, by Natsuno Hiraiwa, using the piece of creamy coloured knit stuff leftover from after I had made this top.  This is a very very easy pattern btw, simply a flat asymmetrical half ellipse, with two armholes cut out in the middle.  I edged the armholes with bias strips of the same fabric as recommended, for strength and some extra stability in the armholes, but didn’t hem as this fabric doesn’t fray.  Also it is quite thick and substantial, and I thought a hem would have been too bulky and spoilt the smooth ripply effect of the fall of cloth.
Couldn’t be easier!

Now for the dyeing bit of it….
Now the most significant part of the dyeing phase is the first few seconds, when you first immerse your fabric.  That is why whenever I’ve read about people’s dyeing experiments on the internet and they pause to take a few photos of their fabric partway dunked into the dye bath, you just know they are going to end up with a blotchy dye job…  The best way to get an nice evenly distributed colour is to have your fabric thoroughly soaked through, and then dunk it in the dye bath firmly and decisively in one quick movement, then to swirl and whoosh it (technical terms there) around as thoroughly as possible for the first minute or so.  This is when the majority of the dye will take.  So, since I had dyed my skirt in this for the requisite thirty minutes already, I knew the dye wouldn’t have much oomph left in it (another highly technical term there).  But I was OK with a lighter blue outcome.  For a bit of a smudgy colour (yet more techno-jargon) I decided to add a bit of coffee to the colour mix.  No, not coffee-coloured dye, but some actual genuine coffee.  Although my husband doesn’t view this as real coffee at all, but let’s not get into that debate!… I added half a jar of this instant coffee to the dye bath, and away we went.

Fully soaked fabric,

into the dye bath.

I stood holding it half dunked in like this, slowly moving it further down into the pot over a few minutes time, and trying to separate and move the folds about, both as thoroughly as I dared and as gently as I could to get the fabric reasonably evenly immersed and not to allow any folded bits to stay stuck together.  Then I moved the whole shebang (‘nother technical term, hehe, I’m going all out today!) over to the table where I had set up this arrangement.  I took this photo later after everything was washed and cleaned up; I had other stuff to do and forgot to take a photo during, but this is just how it looked…)

After a good thirty minutes like this I rinsed it out and hung it flat as I could out on the line to air dry.
Now, obviously this dye pot with its small surface area presentation is not the ideal way to dip-dye, or this fabric has particularly good capillary qualities, because in the two areas where the fabric was bunched and folded in front of the armholes you can just see where the blue dye crept up up and up by itself separately from the brown coffee component while it was sitting half in the dye bath.  You might not be able to see it very well it is quite subtle… BUT it is there.
That, my friends, is known as capillary action, and is the basis of chromatography.  Little science lesson for you there… I used to work with different chromatography systems every day when I was an analytical chemist.  Ancient history now, hehe.  
So there it is.  I’m happy, and love the smudgy subtle colour I got here.  I’m extremely pleased with the graduation of colour from dark to light, it is way better than I could have hoped for!  The little bit of chromatography up in front of the armholes is slightly disappointing, but I can live with it as it is pretty unobtrusive, and is covered up with the folded collar when I’m wearing it.
(Later edit: I tossed the wrap in the washing machine, and the “chromatography” effect has disappeared!  My wrap is now just as I wanted! SCORE!!)

Details:
Wrap; “f” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, cream coloured knit stuff, dip-dyed in iDye Poly in Blue and coffee
Top; Ezibuy
Skirt; skirt “d” from Unique Clothes Any Way You Like, but Natsuno Hiraiwa, details here, and to see this skirt styled in 6 different ways go here
Boots; Andrea and Joen, from Uggies in Dunsborough

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Blue-black basic

A new skirt… I’ve been casting a critical eye over some of my older skirts, and much as I still love them I can see some are sadly looking a wee bit on the shabby side.  So with the warmer weather just around the corner (thinking positively here) I’m looking to replace some of them.  I had a shortish length of charcoal fabric sitting in my fabric pile, leftover after Cassie had made herself a skirt.  Only about 65cm, and when I have leftovers of this measly size the standby option is often my old trusty faithful skirt pattern Vogue 7303.  So I made it up; lined with black acetate lining fabric, and hemmed with a bias strip of black cotton.  The inner raw edges are overlocked to finish.
But the colour was deeply uninspiring.  I hung it up in my wardrobe and it actually sat there for over a week with no desire on my part to wear it even once…  and really I do have a perfectly good little charcoal skirt already, and a newish black skirt too.  The fabric is a marle, woven in a drill-like weave similar to a denim, and had a distinct white fleck amongst the predominant charcoal grey, so I thought the white fleck-y parts of it would take up a strong coloured dye OK to give it a sheen of some colour.
So two days ago the brand new skirt was plunged recklessly into the murky depths of the dye-pot…
(before)

Do you like my dyeing stick; for stirring, poking and prodding?  I found it in the garden, and it has a perfectly placed twist in it to enable it to sit stably against the edge of the pot.  Pretty good, huh?
 I used iDye Poly in Blue and am pretty happy with this new deeply intense navy-blue colour.  The fabric doesn’t look like suiting any more, but now looks in close-up a bit like a soft woollen denim.  Quite interesting, and more inspiring than the rather predictable “before” skirt.  

Oh OK; I agree it’s still not a super exciting skirt but I think it will turn out to be a very useful little basic, as seemingly boring garments often are.
And it sure does feel gooooood to get rid of those leftovers from the stash!  In the past few months I’ve managed to use up several smaller amounts of fabric and gained useful garments in the process, so I’m feeling pretty virtuous right now.  Virtuous enough to offset just a little of the guilt from three new pieces of fabric recently added to my collection, anyway… hehehe.

Details:
Skirt; Vogue 7303 with modifications, charcoal marle fabric dyed with iDye Poly in Blue
Top; Veronika Maine
Cardigan and tights; Metalicus
Scarf; made by me with a jersey offcut, details here
Shoes; Django and Juliette, from Zomp shoes

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Crocheted granny squares

I know there is a phrase to describe occurrences like this but I can’t think what it is…
This morning I dug out this crochet scarf and put it on, thinking again how much I like it and its beautifully swampy, underwater-y, murky combinations of colours! but especially it got me thinking about crochet granny squares.  This scarf is simply a sewn-together row of large-scale mohair crochet granny squares, and I was thinking idly about how much I would like to make a scarf or something out of the original type of crochet granny squares; those ones that were all kinds of colourful but always black-edged.
So I took the above photo this morning  (I’ve still been taking photos occasionally but not always putting them here), and afterwards, Cassie and I were going along to meet with my mother in the Jo Sharp knit shop, which is a tiny little shop but like a wonderful Aladdin’s Cave stuffed full of divinely colourful balls of woolly goodness…  Of course you guessed it, we walked in and what should I see but straight away!, and that is this rather funky little skirt below, made entirely out of exactly the crochet granny squares I had been daydreaming about.  Bizarre coincidence; magical thinking? that I should select this vaguely granny-squarish scarf and be thinking about granny squares, and then immediately find this rather cool new-age take on granny-scarf couture??  (cue Twilight Zone music)
(image of the Hexagon skirt below from Jo Sharp)

Don’t you just love it?  Old fashioned, unusual, quaint, reminiscent of those awful old op shop blankets like you always saw flung over Rosanne’s couch on the 80’s sitcom?  Goodness, that thing was so daggy as to eventually become quite cool, yes?  No?  Am I on my own on this one?  Well, I guess to my 80’s-addled consciousness the ol’ granny square blanket did assume an aura of grungy chicness anyway….!

So Mum and Cassie did a bit of enabling, and I did not walk out of the knit shop empty handed…   I just bought a few colours to get going along with some blacks for the edging, but I can always go back for more if I need to…  I’m still undecided as to whether to just go for a scarf as per my original thoughts, or to go for the full-on skirt… what do you think?

Details:
Skirt; Vogue 7303 with modifications, green cotton velveteen, details here
Scarf; crocheted by me, details here
Tights; my own design, denim print jersey, details and a tutorial on drafting your own tights here
Top and cardi; Metalicus
Shoes; Francesco Morichetti, from Zomp shoes

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Thinking positive…

Yesterday Yoshimi who is both a beautiful lady and an accomplished seamstress, wrote a post about a negative comment, and its effect on her.  Of course I rushed to support her because she is my friend, and friends are supportive in times we are feeling low.  But it made me think not for the first time about how just a small amount of negativity really brings you disproportionately down, and even in the face of overwhelming positivity and supportiveness even those of us who appear to be quite self-assured and strong can suffer after one mean comment.
When we blog we really put ourselves out there.  We may feel we are documenting a personal journey, but of course even though we may be sitting quietly in our own homes, by ourselves, tapping away on our own keyboards; the “privacy” is an illusion.  Anything on the internet is very very public, and trolls are free to judge us and say whatever they like.
I have received negative comments.  Actually, I count myself to be extremely lucky to be part of the sewing/fashion community, which on the whole is a very supportive group, and I feel I have some real friends out there who I would get along with very well if we met in real life.  But barbed, and sometimes outright rude comments creep in every now and again, and it is a huge downer.
Even one’s real life “friends” might be having a bad day, and say something off that sticks with you… when I posted about my new little red wool skirt on Monday, I had worn it out that morning to a tea and feeling quite proud of myself; and somebody obliquely referred to me as “porky”.   There were some raised eyebrows and horrified giggles within the group because it was not said in jest, and no explanation or apology came forth.  It is ridiculous I know because it was obviously her bad day and not mine and should have stayed that way; but her remark transferred it into my bad day too.  I felt attacked, and very down for the rest of the day.
Why are we so fragile?  I feel I should be mature enough that I am above such petty things as a flippant comment here or there, and I shouldn’t need validation to be happy about myself.  But I just do.  I guess it is basic human nature to need approval.  It makes us feel like we are accepted.  The need to connect and belong is built in as part of our survival mechanism, and approval is part of that acceptance.  Disapproval puts me into panic mode.

I am still defining my own personal style, but I do know a few things about it.  I treat all drab colours as neutrals and love to wear them, but I also like to be occasionally colourful.  I like clothes that have a twist, or something unusual about them.  I like skirts to be either quite short or quite long, but not usually in-between.  I think I am vaguely sporty or outdoors-y.  I am emphatically not vintage or retro, nor am I particularly girly or dressy.  I think today sits in that comfort zone.

Details:
Dress; the “gathered hole” dress from Pattern Magic by Tomoko Nakamichi, charcoal wool mix, details here
Top; Ezibuy
Tights; Metalicus
Scarf; d/lux, from Uggies in Dunsborough
Shoes; Francesco Morichetti, from Zomp shoes

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Rusty red wool/silk skirt

I’ve made a new skirt…
I found this yummily coloured, beautifully textured wool/silk mix fabric in a remnant bin in Tokyo, the day of our shopping trip with Yoshimi and Novita.  At the time I just picked it up instinctively, with only a quick check to see it was enough for a little skirt.  When I got home and actually laid it out however I could see there was quite a lot of fabric, too much for just one little skirt.
Oh well, maybe I could make a longer, almost-ankle-length skirt…?
I had originally intended to go for my ol’ favourite Vogue 7303, but here’s the thing; two years ago I bought another plainish skirt pattern Vogue 8363, and have rudely ignored it because of my steadfast and loyal allegiance to Vogue 7303; the poor thing has languished uncut in its packet.  I decided it was high time to try out a different skirt pattern, gave myself a strict talking to and bravely took out the new pattern.  And set to making a three-quarter length skirt (actually view C, lengthened)…. but by the time I had reached the point of hemming I knew that a longer skirt was not the right choice for this fabric.  It is such a heavily textured fabric, and is so visually impactful that the big unbroken expanse of it in a longer skirt was just too overpowering… so I ended up cutting a big chunk off to finish up with the very same little skirt that was my original vision for this fabric.  Full circle!
Because this fabric is quite special to me, a memento of our Japanese trip, I went all out to fit and finish the skirt as well as I am capable.  The skirt is lined with raspberry acetate lining fabric, the inner raw edges are finished with HongKong seaming and the lower edge is hemmed with bias tape.  I searched and searched for a suitable button and failed dismally.  So I tried out something new to me; covering a button with my own fabric, using one of those kits you see in the haberdashery section.  Super easy, and the perfect finishing touch!  I don’t know why I’ve never even had a go at this before!
I do have one teeny tiny regret… I have read somewhere about how iron-on interfacing is never used in couture construction, so I decided to go for sew-in interfacing in the waistband.  This was basted in and the waistband was finished, but I could feel the interfacing was waffling loosely about on the inside of it, so I decided to topstitch the waistband to hold everything firmly in place.  That worked, but now I kinda regret doing this, I think this style of fabric and skirt together suits a much more clean finish without any topstitching, and the loosely woven fabric is not the sort to take kindly to unpicking… I’m more afraid of damaging the fabric in the unpicking stage than I am of the look of that topstitching, so it stays.  This does not diminish my love for the skirt; buuuut… should have stuck with the iron-on interfacing!
And no need to worry about that cut-off leftover fabric, it has been put to good use already too!  Results to appear here soon…

Details:
Skirt; Vogue 8363 with modifications, rusty-red wool/silk mix bought in Tokyo
Top (not seen); Metalicus
Cardigan; Alannah Hill (bought damaged, and repaired)
Tights; Kolotex
Boots; di Sempre, from Zomp shoes

My review of this pattern…
Pattern Description:
Skirts A, B, C, F have front and back darts and back zip.  A; ruffle.  B; lace overlay and back vent.  C; side buttonhole closure.  Skirts D, E have front pockets and front and back darts.  E; purchased trim and snap closure.  F; front stitched pleats and back vent.  Skirt length is 5cm below mid-knee.
Pattern Sizing:
6-20 overall, I bought the AA (6-12) and custom-fit to myself during construction, as usual
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
Essentially yes, except that my version is a simple short skirt incorporating none of the variations pictured…!
Were the instructions easy to follow?
very easy!
What did you particularly like or dislike about the pattern?
I like everything about this pattern.  Super easy, stylish, a basic wardrobe builder.  It might even be my new favourite skirt pattern!  Without a doubt I will use it and use it over again.
Fabric Used:
Wool/silk tweed, polyacetate lining
Pattern alterations or any design changes you made:
This version pictured is a short version of view C, without the button/button band at the bottom, the only other adjustments were fitting alterations.  Also my skirt pictured is fully lined, provisions for which are not supplied in the pattern but is an easy alteration.
Would you sew it again? Would you recommend it to others?
Definitely yes, to both!
Conclusion:
Very easy, very basic, therefore a very useful pattern.  It has no standout or trendy features, so it will never go out of style.  This pattern is a winner that I will hang on to forever…!
(below; going for a fashion magazine pose…)

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