Tag Archives: Mum

Pink Alabama Chanin T-shirt

I’m very happy and pleased that my Mum agreed to let me photograph her wearing her very recently completed hand-dyed-embroidered-and-stitched creation, and to show the pictures here on my blog …
thank you so much Mum!
This is Mum’s third Alabama Chanin project, and the first completed one… she has very nearly finished a more wintery skirt and top but has put those aside for a little bit in order to make something with the flavour of summer.  She wanted to have something to wear now!

Mum hand-dyed white cotton jersey in three different shades of pink for her top; pale apricot pink for the under layer, a deeper apricot-rose pink for the upper layer, and a true pink- pink for the neckline binding.  The floral design is her own, and she made a stencil using dressmaking paper from Jackson’s but does NOT recommend this; it buckled and was apparently a nightmare.  The design was rollered on to the upper layer in slightly watered down, regular household paint applied with a small roller.  Mum used double thickness Gutermann’s upholstery thread to hand-stitch the floral motifs, all seams and the flat felling of all seams; and pink stranded embroidery cotton for the cretonne stitch to secure the neckline binding.  We had some debate on whether the armscye seams should be stitched down to the sleeves or the body?? a quick recce of the Tshirts in the general vicinity seemed to indicate that there is no convention here but men’s buttoned shirts are to the body so this seemed like a good example to follow.

The pattern is the Tshirt pattern from the book Alabama Studio Sewing + Design, by Natalie Chanin, with the neckline from the tank/dress pattern, and short sleeves.  Before launching into all that time-consuming embroidery Mum wisely tested the pattern and found it necessary to make small adjustments for fit… both of us loathe muslins and generally avoid them like the plague and yeah, it does seem ludicrous for a basic Tshirt in a forgiving stretch knit, but an Alabama Chanin project is kinda exceptional.   It doesn’t take long to run up a test Tshirt on the machine using a long basting stitch, and is well worth the effort.  And could save lives!!  Well; at the very least, a tantrum  ðŸ˜€
Thank you so much Mum!

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Pomegranate

Don’t worry if you don’t “get” the title of this post; that’s an in-house joke…  ðŸ˜‰
I have made another birthday shirt, this one for Mum.
The pattern is Vogue 1247.  Yup.  This is the seventh butterfly to emerge from this particular pattern and wing gracefully away from my sewing machine.  Yowzer.  This could be a record, even for Miss Repetitive (ie. me)….
Man.  I need to traverse fresh paddocks.
But in the meantime, Mum had mentioned she really like this top, so …  ðŸ™‚
Mum tried on the two versions of this top I had made for myself and decided she liked the fit so I just made the same size and lengthened it by about 2.5cm at her request.
The fabric is is Rowan’s shot cotton in Granite, with a pink warp and a periwinkle blue weft.

All the seams are French seams, and I did the lower hem differently this time… the way it is explained in the pattern is just slightly on the unnecessarily-difficult side in my opinion, when it needn’t be.  Instead of the stay-stiching and the trimming, I just folded a narrow hem under twice, pressed, pinned and stitched.  So much more simple, and yes, it was a heck of a lot easier to turn under too!
Mum made her own white trousers, and her scarf is Metalicus.

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Kitchen witch

Some kitchen couture!!
With all the gorgeous aprons popping up in the sewing blogging world at the mo’ I thought I should show why I did not take part in the big sew-along this time… you see; I have a very nice little selection of perfectly lovely handmade goodnesses to choose from when it comes to cooking-related apparel; already!
All of which are of quite high sentimental value to me since they were hand-crafted by my two favourite ladies in my life; my Mum and my daughter Cassie.
I own two aprons and one pair of oven mitts.  Actually I have one other pair of oven mitts too, cruddy old ones which I actually use.  The ones Cassie made are too good to muck up  ðŸ™‚  But I do wear the aprons.
They are both quite simple in line and style BUT the divinity is in the details.
Firstly; the striped apron above was handwoven and made by my mother, and I have been using it all my adult married life.
It is all cotton; the fabric handwoven by Mum on a big floor loom in a plain weave; and has twill tape attached for the neck bizzo and the waist ties.

I just love the colours Mum chose  ðŸ™‚

Secondly; I have an apron and oven mitts set; made by Cassie when she was in year 11 for an Art assignment.  

This was term project, culminating in this apron and oven mitt set, a framed painting, and a whole portfolio of sketches.  The name of the project is Eve’s Temptation… thus the sprinkling of cherries (innocence) and apples (temptation) over the textiles.  The fruit is all embroidered in three different reds, plus yellow and black, and is richly textured.

The embroidered bits were all created by Cassie devoting hours to madly feverish back-and-forth sewing on my daggy little sewing machine, that ahem, does not do embroidery.  It overheated and broke down during the saga, which was pretty devastating to both of us, for entirely different reasons!… but we won’t dwell on that melancholy time; my machine was repaired, Cassie finished the project with a fresh perspective on respecting other people’s property, and we remained friends ….  happily ever after etc etc!
The black designs are screen-printed and with some random areas of machine embroidery for a bit of added texture, and Eve’s red lips are embroidered too.  Also all done on my very ordinary non-embroidery machine.

So you can see I’m pretty right in the apron department.  I am so lucky to have such clever creative women in my family!

(I am also wearing here my Bamboo shoot top from Pattern Magic; and my curtaining skirt from Vogue 1247)

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Mum’s knitted Noro vest

Anyone familiar with my blog might remember that occasionally I feature my Mum here, and some of the meticulously crafted and beautiful pieces that she makes.
She knitted this vest a few years ago and has up until now resisted pleas to feature it on my blog, typically protesting “oh, no one wants to see this old thing!”
(speechless)
Thankfully she has been persuaded so we can now all enjoy a really good squizz at a really lovely handmade garment …
Mum knitted this vest using Noro yarn and the pattern “Sakiori 1” from the book “Folk Vests” by Cheryl Oberle.
The Noro sections of the vest are stocking stitch, with contrasting moss stitch bands in charcoal yarn.  The long front bands and side bands are made by picking up long rows of stitches along the edges and knitted in vertical rows of moss stitch.  The two underarm side sections are knitted separately.  
Mum also made the trousers she is wearing, using a custom-fit pattern.
Thank you Mum!

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Mum’s silk kimono

With thoughts of self-stitched sleepwear ricochetting about my recent consciousness like a pingpong ball being batted about by a playful pussycat… as well as unique and beautifully artistic garments that delight and inspire us creative types….
This is a silk kimono made by my mother.  Anyone who has been reading my blog for a while might remember that my mother is highly accomplished at all forms of textile art and has made many many beautiful works of wearable art.  Her creations are truly something to aspire to!

This kimono has been hand-dyed! hand-woven! AND hand-stitched!  All by my talented Mum. 

Mum hand-dyed the skeins of ivory silk for the warp of the cloth in the ikat technique, in a divinely subtle rainbow of shades.  She then wove the silk on her loom, and then made the kimono from the resulting fabric.
Isn’t it utterly beautiful?
The kimono was made in 1984.  I do have nebulous memories of its creation in our laundry, even now I can remember it as a labour of love, a project in which Mum aimed high and effortlessly achieved a remarkable outcome that still inspires my awe and admiration  ðŸ™‚

Mum does still wear it, but since it is not so much a throw-on thing so much as it is a unique work of art it has been well looked after and is of course in immaculate condition.  However, she did not wish to model it for my blog, so Cassie has stepped in.  But I can assure you that she looks just as beautiful wearing it as Cassie does here!

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Some foot fabulousness; hand-knit by Mum

My mother gave me a special gift for my birthday recently, two works of art designed to adorn the foot-al region of my person: a pair of her famous Turkish socks.  Well, famous in our own family, anyway… traditionally she has only made these for the males in the family so I feel pretty honoured and privileged to be the first female recipient of a pair; cough cough, did I hear gender privilege anyone?  Ahem… 
Putting my Mum’s creations here on the ol’ blog is always a humbling experience, as it just highlights to the max the vast superiority of her handiwork and creativity to my own.  I usually turn out socks of the very basic kind, true I choose yummy colours that I love but there is no difficulty level in that, and my socks themselves are pretty utilitarian in style.  When I lay eyes on Mum’s work I feel dead boring in my own output.  sigh
The pattern, as in decoratively, of these socks is created in the fair isle knitting method, that is carrying the unused colour loosely at the back of the work and bringing it forward when it is needed, and the pattern, as in construction-wise, of these socks is the Turkish method of knitting socks.  That is, starting from the toe and knitting up the foot to end at the top “hole” that you stick your foot in.  This method is the opposite from my usual preferred way of sock knitting, the English method, starting at the top and finishing at the toe.   Knitting socks in the Turkish method of course has the huge advantage which is that you can knit contentedly away, making each sock exactly the same length until you have used up your available wool… and not run the risk of running out of wool halfway down the foot section, a terrifying possibility with the English method.
But I digress; I know from experience that knitting one’s own socks is a passion reserved for just the initiated few; so instead of me dwelling on the finer points of sock manufacture, please instead admire Mum’s work above…
On a side note; modelling socks, definitely my favourite.  You may not be surprised that I am kinda low on my modelling mojo.  However socks… well!  No need to worry about a bad hair day, weird facial expressions and who knows (or cares) what hideousness I am actually wearing elsewhere on my person?  My feet are looking beautiful, so yay!

Socks; handknit by my mother using 8 ply yarns

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Fabulous stuff made by Mum and Dad…

My Mum and Dad are enormously creative and talented.  They have made heaps and heaps of beautiful things…a visit to their house reveals one lovely work after another.  I took some pictures of just a few during our last visit…
a sofa table made by Dad, using wood he milled himself from a fallen tree on their property

a pile of colourful socks, knitted by Mum

A banksia seed-pod vase, drilled by Dad

A pair of colourful “leftover” socks, knitted by Mum

Candlesticks, made by Dad from materials scavenged from the tip…

A pair of intricately patterned socks, knitted by Mum

I am so lucky to have such amazing parents.  Thank you Mum and Dad for your never-ending inspiration!

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Mum’s dragonfly vest

I hasten to point out, not my work at all but another clever example of Mum’s creativity…  A vest made of Japanese linen; resist dyed, with a lovely dragonfly motif in the natural linen, and the background in traditional indigo.  The vest is unstructured and quite loose-fitting; the interesting and creative part here is the unique collar and front band.  Instead of going the pedestrian option of cutting the band in a single length of cloth with no features and letting the dragonfly fabric of the vest do the talking alone, Mum has made the band a feature in itself by sewing together a random arrangement of patches and strips, including pintucks and exposed selvedge edges, a coupla patches of the dragonfly fabric, and sudden and unexpected crazy zig-zaggy machine-stitching (hard to see here, but they are there!)   The vest has a single HUGE coconut shell button…
Thank you Mum for letting me share this inspirational sewing moment!
(Later edit: the pattern Mum used is Vogue 8454)

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