Tag Archives: Sienna

Bathers, 2010

I’m feeling veeeeery brave, putting a picture of myself up here, in my bathers!  Last year I was way too shy to do this.  Please note I’ve modestly veiled my face,  so no one can recognise me… (lol)
So I’ve made this year’s bathers for myself, the first project from the fabrics I bought in Melbourne from the Fabric store, on Brunswick Street.  If you can you read the printing in the selvedge of the fabric, below, you can see it reads “Zimmerman”.  Well, this is quite a classy Australian swimwear brand and I was pretty chuffed to see end-of-roll bolts of their fabrics stacked up at the back of The Fabric Store.  I haven’t seen the Zimmerman range for this season yet, but I am curious to see what they’ve made out of this very fabric!  I made a tankini, altering the one swimwear pattern I have to do this.  I just drafted the body skirt part and added it on to the bottom of the bikini top at front, and redrafted the back piece accordingly.     I had initially cut these body pieces quite long because they are self-drafted and I always allow myself plenty of extra fabric in case of problems; and at first I was planning for the ivory waistband of the bottoms to be on view when I was wearing them.  But then decided I like the look of the top long and pulled down over the bottoms; so this feature is now hidden.  I cut up an old bra to use for cups inside the bodice.
I didn’t set out to make the bathers “retro” in appearance (a word I’m getting a bit bored with in the sewing world, but not as bad as “vintage”) but they have turned out quite… old-fashioned.  There.  “Old-fashioned” is a less overused and therefore much more preferable term.  I’m going with old-fashioned…
And, just because everybody loves a photo blooper I’ve included one below for your amusement, taken accidentally while I was setting up.

Details:
Bathers; McCalls 2772, with some modifications, navy blue with ivory polka-dot swimwear fabric
Hat; Country Road

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Red halter-neck sundress; 6 different ways

Ha!
The last time I wore this for my blog and I was writing a description, I was about to segue into rhapsodies about how useful a garment it was when it occurred to me I hadn’t done a 6-way post in a while and this would be a good candidate…
I actually love doing these; shopping in my own closet is fun when I have the time, and it certainly brings to light some garments and combinations that hadn’t occurred to me before and breathes a new lease of life into some “lurkers” that haven’t been worn in a while.
When I first made this dress it was intended to be a light beach dress to cover up the bathers, and it spent the first few months of its life just tossed randomly into my beach bag… then one evening I put some white linen pants on underneath (those particular ones were old ones, also permanently tossed in my beach bag for a coverup on colder days) and I realised it could be quite a chic combination, if said linen pants hadn’t been so creased from being stuffed casually in the bottom of a bag, hehe…  The dress migrated to a hanger in my wardrobe and has been worn for occasions of various formality since, so it is quite useful and demonstrates why everybody should have a little sundress with a pretty hemline and of a cheerful colour in their wardrobe…
For the bodice part with the halter neck I used McCalls 4453, and the skirt part I drafted myself, inspired by the hemline on some dress I had seen somewhere, in a perfume commercial? ( I think?) …  It is made from sparkly red/pink polyester chiffon, and lined with pale pink lining fabric.  I altered the bodice to close at the left side seam with an invisible zip.
For its original purpose; at left, it is worn as a very casual beach dress; then at right, with white linen pants on underneath it becomes quite chic enough for a semi-formal summer evening function.  I wore it like this to the theatre in Melbourne, and when we met friends at a swish-o riverside restaurant in the evening also…

On slightly fresher days; at left, it is funky and fun with a fluffy cardigan and lace-up boots for casual wear; then at right worn as a tunic with jeans on underneath and high heels, it looks not-too-casual for a barbecue with friends

Even in more wintry temperatures, it can work as a top over a skirt with tights, flat boots, cardigan and scarf for everyday wear (boy, I wish I’d thought of this combination during last winter, because I love this outfit now I’ve thought of it!).  And even though it’s a summery dress, with a top, tights and high heeled boots all in a solid one-colour worn underneath, at right, it’s warm enough for cooler days and looks a bit edgy and kinda mod.  I could start wearing it from early spring like this, and stretch it out to cooler autumn days also, out to town or to meet friends or the husband.

Which one do you like the best?
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How to make your own tights

Before I went to Melbourne I had bought from Fabulous Fabrics some wonderful stretch jersey, printed to look like distressed denim, and I knew it just had to be tights…
When I made my last tights I had a few requests for a pattern on Burda style, so this time I put together a little tutorial on how to draft for yourself a leggings or tights pattern that is customised to fit you perfectly.
This project is suitable for two way stretch knits only, that is fabric that stretches BOTH crosswise and lengthwise.
Firstly you must take your measurement around the top of your leg at crotch level.  This will be the widest point of your leg piece.  Whatever this measurement is, double it.  This is how much fabric you will need to buy.   (once you have worked out your pattern you may be able to buy less for future tights projects; by flipping your pattern lengthwise on the fabric if the print allows you this flexibility)

If you’re not very experienced at fitting and/or pinning to yourself it’s a good idea to get someone you trust to help.  Put on some leggings before you start, or some other skintight garment.

Lay your fabric down and cut it in half, cutting from selvedge to selvedge.
(Note that for this example the grainline will be running around my body, as opposed to up and down my body.  If you want your pattern print to go the other way, then you will have to layout and cut your fabric pieces accordingly)

 

Take one of these and fold over one selvedge to allow for a generous amount of excess and pin this fold loosely in place.  I folded over about 9cm  (3.5inches)  Wrap this fabric around one side of your hip, pinning the folded over edge at about waist level.  Don’t aim for tight-fitting at this point, you just want the fabric to be hanging evenly down from your waist level, with the excess fold of fabric over your waist level at the top for your waist casing later.  Pin the fabric to your leggings in a vertical line down the centre front (use your leggings seam as a guide).  Do the same at the back.  The back bit is kind of tricky, but don’t panic about super accuracy.  You are aiming for as close to middle line as possible and vertical.  Use a mirror to check the your pins both front and back are in as straight as vertical line as possible.  Do not be super tight at this stage either, a bit loose is desirable for reasons I’ll explain later.  I’ll call this part the “abdomen pinning”

Now pull in the fabric firmly around your upper leg and in at the crotch, and pin.  I recommend you use a safety pin at this point for obvious reasons…

Start pulling the edges of the fabric together around your leg, and working from the top down pin together down the inner leg seam.  From this point on make the fabric quite tight and check constantly in a mirror that the fabric is sitting smoothly all the way around the leg.  From now on down you are aiming for close-fitting and smooth.

The heel and ankle are the trickiest bits to accomodate.  I’ve got smoothest results when the fabric is pinned with a right angle turn at the inner ankle level.  See in the picture, the inner leg seam is pinned down vertically to just below (about 2.5cm, or 1inch) the ankle bone, then I’ve made a right turn to start pinning down the inner side of my foot.  Pin securely and tightly at these points, again aiming for tight and smooth above all else.  Pin down the inner side of the foot to your big toe, then turn again and pin across the top of your toes, finishing your pinning at the fold on the outer edge of your foot.

Now unpin the “abdomen pinning” from your leggings at the top, and replace each pin carefully back in the same spot in the fabric as you separate it from the leggings you are wearing.  Now carefully slide the whole thing off.  Try not to lose any pins in the process.  (this is why loose-fitting around the abdomen works best…)

Open up the leg, marking each pinning point with pins on both sides as accurately and as exactly as possible.  Leaving about 1cm (3/8″) seam allowance cut around your pinned lines, cutting a smooth curve down and around to each crotch point.  And voila, you have a leg!  Take a deep breath and try not to panic as you look at your leg pattern.  I know it looks shocking if you’ve never seen it flat like this!  Have a cup of tea to congratulate yourself for having got this far…

If you have any reason to believe your legs are different to each other, then you should do this whole process for the other leg too.  Otherwise, just lay this leg piece right sides together on the other half of fabric and cut out another leg.  It’s a good idea to make a paper pattern for your customised tights at this stage too, you know, so you don’t have to go through this whole rigmarole a second time…

Pin, and sew up the inner leg seam of each leg.  Either serge as I did, or use the stretch stitch specifications for your particular machine.  Do from the big toe to the outer foot edge as a separate little seam.

Try each leg on; just to check.  The tightest part for most is getting the heel through the ankle section of the tights… and you will probably have to adjust that inner leg seam to sit straight and true.

With right sides together, and fronts and backs together, sew the two legs together around the crotch seam.  Reinforce with an extra row of machine stretch stitching.

Try the tights on.  Now is the time to adjust and tighten the abdomen area; the waist will probably be too big and loose to work as tights.  Pull it in nice and as tight as you prefer at the centre front and centre back seam; pin and stitch.  Using the offcuts, similarly adjust the waistline of your paper pattern, taking away this amount at the front and back of the top of the pattern.

Now it is the time to sew a waist casing for your elastic, do this in the normal way as you would for any elastic waistband.  To keep the elastic straight in its casing, I always sew a line of vertical stitching over the casing with the elastic inside along the centre front seam and also at the back.  Furthermore, I sew a cross at the back of the waistband, or some similar marking, so I can tell at a glance which is the back of the tights when I am pulling them on to wear.

 

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To sleep, perchance to dream

With the change in the season, comes a need for change in all areas of apparel, including the mundane and practical such as sleepwear…
I did have a few highblown and fancy ideas for my summer jammies this year, but got real and decided to be practical… for over a year, this purple fabric has languished in my stash.  It wasn’t always this gare-ish colour.  In fact I bought it as a subtly beautiful white-on-white floral-embossed fabric.  About two years ago, hehe.  Was uninspired for a year or so.  Then had a brainwave, hopped over to the dye section of Spotlight one visit and purchased some vivid purple dye.  Had visions of a vivid deep deep purple blouse, with, I dunno, raspberry buttons, or something equally exciting.  Can you imagine?  This is when I was trying to colour up my wardrobe, my only excuse.  Plunged the fabric enthusiastically into the dye bath.  Even took a photo, of my “work of art in progress”, hehe.  As you can see, the differences the embossing made to the nature of the fabric surfaces made for a less than beautiful end result.  At the time I likened it to a sort of Willy Wonka-ish nightmare after a too-rich evening meal.  With a slight shudder, I stuffed the fabric quietly into the back of my fabric cupboard, and moved on, got on with life.  An important dye-ing lesson learned; TEST A SCRAP FIRST.

But a year later, I’m coming round, getting realistic about using up the stash.  The fabric is nice quality; fine and thin, not terribly crushable, is breathable.  I’m not as horrified by the print any more.  I figured this could work as pyjama bottoms.  I also had an old Tshirt that I was no longer wearing (I know, old Tshirts are so passe as sleepwear, but this was still in very good nick and still looks pretty good, just I’m not into it any more)
So voila.  The pyjama bottoms are drafted from an old nicely fitting pair that I had from years ago and have kept rolled up with my pattern collection for this very reason.  I added pockets, because I had some leftover after cutting out the main pieces, and so why not…  and some ribbon ties at knee level in case I want to bunch the pants up to knee level when the temperatures ramp up.  The waistband is enclosed elastic and the lime green ribbon tie at the front is purely decorative, I also sewed on a false fly and three non-functional lime green buttons on the fly.

Details:
Pyjama bottoms; drafted from old pair, purple dyed cotton mix
Pyjama top; Aztec Rose

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Me and the best friend

Nice to be back here with my big furry best friend again …
On our last lovely balmy evening in Melbourne we met friends for dinner down by the Yarra River and chinwagged into the late late hours.  Our friends had been reading the latest Stephen Hawking book The Grand Design, explaining further the theory of relativity and quantum mechanics, and posing discussions such as “why is there something rather than nothing?” and “why do we exist?” and other esoteric fare…
I decided to keep quiet about the fact that my current reading material is the Sookie Stackhouse Chronicles, a decidedly more lowbrow offering…  This is a sometimes camp series about a Louisiana waitress who is a psychic and is also dating a vampire; lol!  Yeah, I do read worthy books (really!), but also I like to escape now and then into black humour and small-town soapie-style fun too…  life is too short to stick exclusively with serious.
Y’all agreed?  Darn tootin’…

Details:
Skirt; partly my own design, based upon Vogue 7303, layered white stretch lace, see full length here
Tshirt; Country Road
Cardigan; my husband’s old jumper, refashioned, see here
Necklace; made by me, tutorial here
Sandals; Vicenza, from Soletta shoes
Nail varnish; Santorini Sunset, NP

 

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Father’s Day on the beach

Self Stitched September day 5:
The weather has been absolutely glorious, so after the obligatory Father’s Day breakfast in bed, packed up the dog and the husband (not necessarily in that order!) and headed to the beach for a stroll.  I’ve mentioned before how the dog morphs into a frolicsome puppy when faced with sand and surf and after this morning we had a very tired, happy and sandy dog to hose down, ahhh, a delightful morning!
Today I’m wearing my top drafted from the Pattern Magic book (by Nakamichi Tomoko, really should get onto some more designs from that book!), made out of charcoal jersey knit.  When I first assessed my wardrobe for this Self-Stitched September I was worried I wouldn’t have enough warm garments, but if the weather continues this way I may not end up even wearing some of the warmer winter options I have in there…! which will be nice!
My shorts are made from Burda 7723, these have an old-fashioned snugly wide waistband sitting high at the natural waistline and I modified the pattern by making the legs about 5cm longer and flaring them a little more to get even more of an old-fashioned forties look to them; these are made from a thick charcoal gabardine that used to be a puff-skirt my daughter bought in Paris about three years ago (to see it go here)

Details:
Top; from Pattern Magic, by Nakamichi Tomoko, charcoal jersey knit
Shorts; Burda 7723, charcoal gabardine
Thongs (flipflops); Mountain Design
Sunnies; RayBan

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First day of Spring!

 


Woke up thrilled at the first day of spring, and the first day of Self-Stitched September!  Then looked hopelessly at all my handmade clothes and felt completely uninspired… blah blah blah, all horrible.   Resisted the urge to throw on a completely store bought outfit, oh, I’m such a rebel.  I wouldn’t last one second in the armed forces.  Order me to do something and I’m very likely to do the complete opposite out of sheer obstinacy…
But I’m nothing if not self disciplined, and I have committed myself to do this and I generally do snap-to and obey my own randomly self-imposed crazy rules, so managed to get dressed after all…
This is a linen shirt I made for my husband and plucked surreptitiously from his side of the wardrobe (I know, tragic no?, stealing from one’s husband so early in the month, but it is stitched by me so I figure I can include it… and I have a dearth of self-stitched shirts)  It is made using Burda 7767; with collar stand but no collar, a double welt single pocket with loop button closure, see here for the details.  I rolled the sleeves up so I can actually use my hands while wearing it today…
My skirt is based on the basic shape of Vogue 7303, my old favourite.  The fabric is handwoven by my mother, so a precious garment in my wardrobe indeed…  for a close-up of the fabric see here.
This felt like a suitably semi-smart ensemble for my day’s activities of an appointment, some office errands and office work, and a supermarket visit…

Details:
Shirt; Burda 7767, custom fit to my husband, fine white linen
Skirt; based on Vogue 7303, fabric handwoven by my mother
Belt; Morrison
Boots; di Sempre, from Zomp shoes
Bag; Gucci

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Leopard twin-set; 6 different ways

 

I haven’t done one of these for a while and I just felt like doing another one, thanks to my enthusiasm for my new leopard print twinset!
I foresee the future usefulness and versatility of this twin-set is in the fabric and the print.  Firstly the jersey is close knit and of high quality that looks quite luxe; and here I’m just going to say I reckon it pays off in the long run to spend a little more on quality fabrics.   Your clothes will last longer, they will look better, and most importantly you will look better in them too!  Isn’t the time and effort you put into your dressmaking worth a good quality fabric?
Secondly the print is a mix of ivory, grey, charcoal and just a touch of black, a particularly useful colour combination to have in a print.  I don’t know about other ladies, but I have a lot of solid colour neutrals in my wardrobe and not many prints.  Although I love neutrals with a passion, just occasionally I feel I look a little uninspired and dull when I wear them as a set of unrelieved solids.  Every now and then a print, and particularly an exotic print like this, is what is needed to refresh and add a touch of interest to a mix of blocked neutral solids…
Of course the beauty of a twin-set is that it can be split, the top and the cardigan can work separately with other garments as well as, natch, together.  Is this cheating, doing a six way styling feature using essentially two garments?  Well I don’t think so… anyway here ‘tis…
When going casz, the top and cardigan works just as well for summer and winter…
At left, when a tiny bit more chic-ness is required, say for shopping or running errands about the neighbourhood; and at right, for the first time I’ve included an option for business attire!  I don’t have very much need for business wear in my lifestyle, but I think this combo is smart enough for this purpose…
And for a more dressy option when say, meeting friends or the husband for lunch, or going out in the evening (the ensemble at right is how I wore it last Saturday night for a soccer wind-up dinner and presentation at Sam’s school, he won fairest and best trophy for his team!! so proud… )

 

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