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Blue/green stripe man’s jumper with round neck

Thankyou all for your comments yesterday!  It does make me feel so much better that other people feel the same way I do and I’m not the only one!
A trip down memory lane for today; this picture is of my husband holding our then brand new baby son; our eldest.  If you would like to see what this tiny baby looks like nowadays, go here.  Lol!
I knitted the jumper my husband is wearing here quite early in our marriage.  It is out of the Patons Handknits pamphlet number 893.  This is a pattern booklet for Patons Alpaca Classique 8 ply (don’t you love how in the 80’s/90’s using spellings such as “classique” automatically conferred classiness where none before existed? a certain je ne sais quoi, no? a leetle bit Francaise eez good for ze chic factor, oui?
I might have used this yarn, or if not probably the Patons 8 ply, the ordinary Merino sort.  The wool certainly feels soft enough to be Merino and not Alpaca, so I think it probably is…
I can remember that rather than my usual habit of buying the yarn through a wool store, I ordered it through a mail order service, in a joint order with my friend V from work; we did it because of a special offer she had received.  I was so thrilled when my wool actually arrived as I had never ordered anything in this way before and had only ever purchased things from a shop, over the counter, that I could carry away immediately… the latter still my preferred way of buying goods, (shrug) I guess I’m old-fashioned.
The jumper has held up quite well, imo, below is how it looks now, and at bottom, the inside view.  The rib on the sleeves has stretched out a bit, and is the worst area of wear.  He has worn it such a lot, well at least it’s been appreciated, no?  The design is fair isle, three colours overall, front and back of the jumper pretty much identical with the same design, and with two colours in every row, and I didn’t weave the colours in and out at the back but just carried them over the back of the knitting as instructed in the pattern.  This is quite acceptable in fair isle as the yarn is being carried no further than five stitches at any point, but looking at it now I kind of wish I had gone to the effort of weaving the unused yarn in with each stitch, as my conscience was screaming at me to do.
Meh.

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A burdensome expectation…

Since I stopped buying any new readymade clothes I am finding it easier and easier to dress completely self-stitched on a regular basis, as some of my older store-bought clothes are starting to bite the dust.  I’ve always found it difficult to throw out store-bought clothes.  Ironically, a garment I’ve made myself is far easier for me to toss out, because I can see all its faults and my inner perfectionist will judge it harshly for not exactly fitting my vision at the time of making it.  I look at some old thing I made years ago and see how tacky and “homemade” it looks (all seamstresses know the vast vast difference between the “handmade” and “homemade” look, I don’t need to go into that now, do I?) whereas a garment I’ve bought readymade I just accept happily for what it is.
Now on a similar train-of-thought, and I’d like to know if any other self-seamstresses ever get this too… since I’m known for making my own clothes I’m often queried by people as to whether or not I’ve made what I am wearing that day… and if on occasion I have to respond, “oh, not this, I actually bought this”; I’m not kidding, people will go, “oh”, all disappointed, and change the subject, moving right along, and seriously, I feel like I’m letting people down.  I feel like a failure, because I’m wearing something I didn’t make… oh dear, just not up to scratch today, hmmm? …  Is this ridiculous or what?!
Now tell me whether I’m alone here, or am I being too sensitive?  Does anyone else get this reaction from others when they wear store-bought clothes?

Details:
Shirt; Burda 7767, first seen here (borrowed from my son, he’s OK with it) turquoise striped cotton
Skirt; Vogue 7303, ivory wool blend
Coat; my own adaption of Burda 7786, beige cotton
Belt; had since teenager years
Booties; Django and Juliette, from Zomp shoes

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Bobby socks

G’day, and here’s wishing everyone a totally maaaarvellous Wednesday!
Hey, new pair of bobby socks (yay).  These look identical to the previous white cotton socks I put up here, but they are very slightly different.  I appreciate not different to the casual observer, probably not even the astute observer, so I will explain.  The rib section is about 50% longer and there is no stocking stitch spacer before starting to shape the heel.  Yah, teensy variation, I did give warning.  I think I like the other one better, only because I find rib a bit of a drag.  In fact all-round with regard to these socks, my verdict is that knitting with cotton is a drag, full stop.  I prefer wool a hundred times over.  Knitting up cotton is tiring, one’s hand muscles soon ache due to the lack of stretch in the yarn.  Hmmm.  Committed as I am to producing as much of my wardrobe as possible including sockies, knitting these white cotton numbers feels…  dutiful, as opposed to vaguely luxurious, which is how I feel when I’m working through a particularly yummy coloured ball of wool.  Yowzer, do I even have time for this craziness?  Sadly it seems I do…
In summary: quick to produce, bread-and-butter basics, no fun factor.

Details:
Ankle socks; adapted from the Ladies sockettes in Paton’s knitting book C11 (a circa 1960’s publication), knitted in Rowan cotton glace 100% cotton, shade 726

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Dove grey skirt, Japanese

So I’ve made a new skirt, this one is skirt “d” from the Japanese pattern book, “Unique Clothes Any Way You Like” by Natsuno Hirawai.  I’m already in love with its tendency to flutter and float about my legs as I walk in little ripply silver waves, promising to be delightfully cool to wear during summer!
The skirt is cut in one piece, which is a strange almost tear-drop shape, with only three other pieces for the waistband, and two separate button plackets.  I chose these three large nacre buttons for closure to complement the soft silver grey of the fabric.  Actually I made this using the wrong side of the fabric out.  The right side has a much more shimmery shiny metallic silver finish to it, but I chose the dull dove grey wrong side with a slightly felt-y texture over this as I’m not really a disco ball kind of a girl.  Although come to think of it I do have some silver sequinned fabric in my stash… calling to my inner disco queen, a flashy persona buried deep within the prosaic Australian exterior…  I must have bought it knowing she was down in there somewhere, hehe.
The shape of the skirt piece means that the one seam in the skirt joins a with-the-grainline edge on to a cross-grain edge, requiring absolutely straight-as-a-die cutting and sewing to avoid horrible wrinkles and bagginess around the seam.  If it wasn’t for this need for accuracy here I would rate this skirt as a laughably easy project… of course if you are working with a very stable strong fabric then this wouldn’t be a problem… but I chose this slippery crepe; wonderful draping qualities but with a tendency to shift and stretch.  I think I did an OK job with the seam, and I like how it cuts across the body diagonally providing a subtle random off-kilter focal point to what is otherwise a featureless A-line skirt.

Details:
Skirt; skirt “d”, “Unique Clothes Any Way You Like” by Natsuno Hirawai, pale mauve-grey crepe
Camisole; Country Road
Cardigan; my own design seen first here, black jersey printed with rubbery plastic snakeskin scales
Shoes; Perrini, had for so many years I’ve forgotten where they came from
Sunnies; RayBan

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Autumn rain cross-stitch

This cross-stitch design I worked as a teenager was part of a Danish calendar, there was a different design to stitch for each month and all were inspired by a natural seasonal feature of that month in some way.  Mum and Dad have it hanging in their house because it matches the other five or so that Mum worked (hehe, in my teenage self-centredness I thought I was being pretty awesome doing my one…!).  I took this picture while I was there last weekend…  This autumn one was immediately my favourite on first perusing the booklet, the warm rich earthy colours, the silvery raindrops, all spoke to me back then of the sort of colourful and misty autumn that was unknown but known to me, that I had read about in English storybooks.  The other designs were all similarly European; involving crocuses in May, thrushes, rooks, robin-redbreasts and snow at Christmas and other scenes that Australians often do feel a strange affinity for, but are actually foreign to us.  
The raindrops and the inner border are worked in a metallic silver thread that I can still remember was a nightmare to use…  Although some of the rain-drops top right look gold they really are silver, using a different type of thread from the others, which has unfortunately tarnished a little  🙁

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Apropos of nothing…

Confession: the following has nothing whatsoever to do with sewing, knitting or fashion, but it is just too good not to share…
Go to Google Maps.  Get directions.  Put in Japan as a start point and China as an end point.  Go to step 43. Lol!
Now this one is even better.  Enter Perth, Western Australia (my home town) as your start point, and USA as your end point.  Check out step 32.  Totally priceless!!!!
And now back to business, this is my Dad’s shed… built entirely with his own two hands from scrap mostly found at the tip.. isn’t he a clever man?  The front door was from a house in Peppermint Grove, this being Perth’s swish-est suburb… this fact gives my parents endless amusement…!  Can I just say, if there was a house-building and household goods Refashion site Dad would be member numero uno…

Details:
Jeans: Burda 7863 with modifications, rust corduroy
Camisole; Country Road
Cardigan; Metalicus (secondhand)
Thongs (flipflops); Mountain Design

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Out bush

Have had a lovely morning out bush-walking with Mum and Dad and also, nice surprise, some of Dad’s old cronies from university.  Heard a lot of anecdotes, some hilarious, about some of the goings on from their old student days… such as a few of the blokes driving possibly the first private car across the Narrows Bridge just before it was opened to the public.  One of the guys had a tiny car, that they managed to squeeze past the tractors that had been set up to keep everyone out, and they travelled across the new bridge in the dark hours of night… !
Also how same tiny car fitted between the undercroft pillars of Winthrop Hall, in the space that is now the University Library, so they could drive down and about underneath and weave in and out of the pillars… !
Also about the time they bundled a particularly obnoxious and thieving fellow student into someone’s car, drove him to the river and heave-ho-ed him in to teach him a lesson… he had to face his next patient looking a complete wreck and dripping wet … !
Also about the time they managed to get the car into one of the lifts, up to the fifth floor, and carry it over to and leave it on the fifth floor landing to astonish and perplex staff and other students… !
Such naughty mischievous students they were, and all now such venerable and dignified members of the community, each and every one of them!
Oh, and also have been told that (apparently) I look a lot like an evil character from the “Luther” TV series, absolutely must check this out…  Am secretly glad she’s not a sappy character, I much prefer to have a dastardly and wicked alter-ego…
So this has been my garb,  my surroundings, and my activity for today.  And while taking the above picture I managed to rush over and grab the camera in time to catch the little fellow below…

Details:
Jeans; Burda 7863 modified slightly, greige corduroy
Hoodie; KwikSew 3667, pale grey marle fleece
Mum’s old hiking boots (because I forgot to bring my own); Diana Ferrari of Australia

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A post-modern bustle

So today I’m trialling a new way of wearing this skirt, and I have to say I think this one is my favourite… I did like it how I wore it previously with the flappy bit over the hip and wore it that way first since that is how it was modelled in the book Unique Clothes Any Way You Like, by Natsuno Hirawai and I also thought this way was interesting.  But when the zip closure is swivelled around to the back, the front of the skirt takes on an appearance of monastic simplicity, a smooth sheath uninterrupted by darts, gathers or any other fabric manipulations to mar the smooth fall of cloth…  and from the back is this sort of droopy bustle which I think makes quite an interesting rear view, no?
Today am leaving the beach house 🙁 and heading into the bush to spend a few days with my parents 🙂  Depending on whether Mum and Dad’s internet service is behaving itself I may or may not be doing any internetting at all…
Oh, and I’m happy to report this morning I got my confirmation email, accepting me as a Lifetime pledger for Wardrobe refashion!!  You may have spotted my upgraded button already in the side-bar…  I have already been living my sartorial life in this way for most of my adult years now anyway, with just the odd new purchases slipping in here and there, and just thought it was a good time to make a definite commitment to reducing consumerism and doing my bit to promote the rewards of creating one’s own wardrobe.
For good measure:

I pledge that I shall abstain from the purchase of “new” manufactured items of clothing. I pledge that I shall refashion, renovate, recycle preloved items for myself with my own hands in fabric, yarn or other medium for the term of my contract. I pledge that I will share the love and post a photo of my refashioned, renovoted, recycled, crafted or created item of clothing on the Wardrobe Refashion blog, so that others may share the joy that thy thriftiness brings! 

Details:
Skirt; skirt “m” from Unique Clothes Any Way You Like, by Natsuno Hirawai, grey/apricot cotton linen mix
Camisole and cardigan; Country Road
Sandals; Marco Santini

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