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Clarissa

Remember I mentioned I had bought something rather exciting, which I was dying to show off here??
Well, here she is!
Yesterday was Cassie’s birthday, and I knew that she has coveted a dressmaker’s dummy for a while.  Actually I have been searching in a lukewarm sort of a way for a few years; ever since her birthday two years ago actually (eek!)….  poor Cassie!  Well, this birthday is an important one so I got serious at last.  And I didn’t want to settle for something tacky; I wanted to get her really nice one; solid, well made, classy, attractive; one to last a lifetime.  In my opinion, a good dress form is just about indispensable to the serious seamster.  And even if you’re not, they can just look nice standing in the corner displaying a funky dress or scarf or necklace too!
Cassie has named her Clarissa.  She is the small Lady Valet,  from Wm. C. Jackson and Co; an Australian company.  She is height and width adjustable.  Isn’t she gorgeous?!
 It couldn’t have been easier, I put in an order, paid, and a box turned up a week later on my doorstep.  No fuss, no hassles whatsoever.
Well, no hassles if you don’t count that it took me a few years to find her, that is!
My first port of call was to check out Dummies WA, the local business that made my own beautiful, solid-as-a-rock Bessie, who has appeared here on my blog loads of times.  But her maker has retired and the business is no more  :((
I looked briefly at the ones in Spotlight, but they only had some very ugly, very flimsy models, covered in dreadful bright red nylon.  Aesthetics are important to me; and of course you can make a stretch knit cover to hide a hideous colour; in fact I will probably make a cover for Clarissa too.  But flimsiness cannot be fixed!
So I ventured online.. scary stuff.  I’m nervous about purchasing something big and expensive online.  I prefer to buy local, deal with a real person, and have the thing right there and then; but I couldn’t!
There were some really good European and British companies, which did not seem to post to Australia.  And probably would have been astronomical if they had.  I found a few really beautiful Japanese ones, but I couldn’t work out how to translate the websites.
So I was pretty relieved when I stumbled upon this one.  She seemed perfect in her picture online, and she is!
Cassie is thoroughly stoked; therefore so am I  ðŸ™‚
Incidentally, Cassie is wearing here her own version of the Burdastyle 05/2010 sundress 114.  I made another version of this same pattern for her here, and one for myself here.

Please note: this is not an endorsement; although I am a very happy customer! and I did not receive any freebies or discounts.
Later edit: below, a better picture of Cassie’s dress.  I forgot I had taken this one, from last Christmas 🙂
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the paper doll project

3rd February – 8th February
(if you’re new, I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)


A thought:
would it be helpful for me to list the garments with links to the construction posts and real life photos?

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Burda 7767; a Rogue’s Gallery

A quick head-count and I realised I’ve made enough more of these shirts to put together another Rogue’s Gallery of Burda 7767’s…
This is hands down my most used pattern evah… I have used it 27 times!!  My first Burda 7767 Rogue’s Gallery contained 14 shirts and now this new gallery features another 13 shirts.  Will there be more…? of course!
It is so easy to add little bits and bobs to this most classic of patterns to create a variety of shirts each with their own distinct character…  each shirt is linked to the original construction post, and my variations to the basic pattern are listed after the link.  My original review of this pattern is here.

version fifteen: a linen army style shirt for me.  Added epaulettes, two bellows breast pockets with flaps, sleeve tabs, folded-out button band, curved hemline.

version sixteen: linen shirt for Craig.  Curved edge breast pockets with curved edge flaps, double buttons on cuffs and pocket flaps, curved hemline
version seventeen: cotton shirt for Dad.  Short sleeves, curved edge pockets with curved edge pocket flaps, curved hemline.
version eighteen: cotton shirt for Craig.  Short sleeves, cuffed sleeves with shaped tabs, shield-shaped pockets with oversized rectangular flaps, curved hemline.
version nineteen: crinkly shirt for Sam.  Epaulettes, bias-cut pockets, bias pocket flaps, curved hemline.
version twenty: slightly stretchy, crinkly shirt for Tim.  Short sleeves, breast pockets and flaps, curved hemline, closely fitted to the body.
version twenty-one: cotton shirt for Craig.  Shorts sleeves, curved hemline, epaulettes, slanted breast pockets with slanted pocket flaps, tabs on sleeves
version twenty-two: cotton shirt for me, now belonging to Cassie and worn as a dress.  Super long length, a curved hemline, and with double, layered sleeves;  a long sleeve linen sleeve underneath a short cotton sleeve.  Square pockets with arrowhead pocket flaps and a button-down collar.
version twenty-three: a linen shirt for Dad.  Bellows breast pockets with arrowhead pocket flaps.  Curved hemline.
version twenty-four: a business shirt for Craig.  Contrasting white collar, collar stand, cuffs, sleeve placket, pocket panel and button bands.  Curved hemline.
version twenty-five: a linen shirt for Tim.  Short sleeves, curved hemline, button down collar, bellows breast pockets with curved pocket flaps, cuffed sleeves with featured buttons
version twenty-six: a crinkly shirt for Sam.  Sleeve tabs, curved hemline
version twenty-seven: a cotton shirt for Craig.  Short sleeves, club collar and split side seams.  Square breast pockets
Trivial fact; that post with the Burda 7767 review and also featuring me wearing an outfit I now consider to be rather hideous; holds the bronze medal in page views on my blog.  This is completely amazing to me.  I have no idea why people would find and randomly hit upon that post!
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Shell-pink pleats, please!

I have made a little top for Cassie to wear to work.  Or wherever she pleases, of course  ðŸ™‚
This is Vogue 1142, which I made in yellow silk for myself last month.  Cassie admired it so I offered to make one for her.  She enthusiastically accepted.  A daughter loving the clothes I make?? gets me fired up with the zest to sew unselfishly straightaway.
I didn’t have anything suitable in my stash so I visited Fabulous Fabrics and bought a piece of lovely shell-pink viscose crepe.  I think the soft delicate colour is a beautiful compliment to her pale peaches-and-cream complexion.  Plus: viscose = wash-and-wear of course, so another ideal addition to her professional working wardrobe!
As in for my first version; I edge-stitched each pleat in place.  The 100% viscose crepe is quite crisp and stiff compared to the thin silk I used previously; and it presses and pleats like a dream.  I think those sharp regular pleats look absolutely wonderful in this more crisp fabric.  I’ve taken lots of photos of those pleats and that artfully and prettily crinkled neckline because whilst I do love the slight floppiness of my own top I really really love how crisp, sharp and sculptural the pleats look in this fabric.  It looks quite formal and business appropriate.

A little tip for working with this pattern: this time, as soon as I had edge-stitched the outer sets of pleats on each of the front and back I immediately pinned the pleats in place and stay-stitched along the shoulder stitching line.  This makes it much easier to handle the big pieces, and having that stay-stitching makes sewing the shoulders together a bit easier too.

Also; this must be like the easiest pattern in the world to grade for size.  Seriously!

Oh, you might be wondering if Cassie has barely had a single thing to wear since she got her job and I’ve contributed only one measly skirt to her working wardrobe?? well of course she has not gone without all this time!  She does have one very nice pencil skirt that she has made for herself (un-blogged), and I have made a little woollen pencil skirt for her previously.  Both suitable for the office and she has been rotating between the three skirts.  And since I pledged to wear only my own handmade clothes this year, there is a nice little selection of shop-bought cardigans and random Metalicus items that she has joyfully transferred to her own wardrobe.  At least my RTW clothes are not going to waste  ðŸ™‚

Details:
Top; Vogue 1142, shell-pink viscose, my review of this pattern here
Skirt; Vogue 8363, black wool mix, details here and my review of this pattern here

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Stuff

28th January-2nd February
(if you’re new, I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)

Thank you for those nice compliments on my Aquarius dress  ðŸ™‚
It was pretty hot that day, but my photos can attest to how insanely windy it was at the same time…. ideal bushfire conditions.  Today is even more hot, but not a breathe of wind.  At least that wind keeps the temps down a tad… but I don’t know which is preferable; hot heavy stillness, or hot air blasting around?? tough call.
Whatevs; the paper dolls are trying to stay stylish but keeping cool is their biggest priority.
Summarising January’s stash-busting efforts…
Straight-up I have to confess to buying one new piece of fabric this month… but I’m not counting it since it is not for me and I have already made it up.  It did not even get to nod to its buddies in the stash before it was flung in the washing machine, on the floor, and chopped and stitched up.  Results will appear here soon.. when its recipient can spare me a minute for a photo.
I used the teensiest wee corner of a veritable king-sheet-sized piece of blue jersey to make 3 tester bras and my newest lingerie set, so no discernible dent was made in that, really (not a win).   However, I did use a piece of lace that has been languishing in my lace box for goodness knows how long (win!)  and I refashioned one garment, which is not reducing the stash, but still a good feeling (win!)  I came to the aid of another in reducing her stash; when I made Cassie’s sundress (a Good Samaritan win!)  
Overall; four garment sized pieces of fabric have disappeared from my stash this month… so I’m counting myself fruitfully engaged in the Year of Diminishing the Stash.
Now: OK, I can barely contain myself any longer…. I’ve bought something rather exciting, and I’m simply bursting with how much I want to show it to you here; have been chuckling with glee ever since I took delivery!  but it will have to wait for a bit; for one big, very important reason.  Give it a week or so  ðŸ˜‰
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Aquarius

… the water bearer!
So this dress incorporates the design from page 56 of Pattern Magic 2, by
Tomoko Nakamichi.  It is described as “a flip turn draped design tie appears from the
slit in the front bodice for a complex and beautiful effect.”
When I was playing with ideas for the Aquarius theme I had in my head; I imagined that front panel as a swimmer shooting out of the watery waves that are embroidered around the hem of the dress, up the front of the dress, and diving back into the water at the neckline.  Yeah, I do occasionally have an overactive imagination….  ðŸ™‚

To represent the Aquarian waves I embroidered a running stitch sine wave around the lower hem of the dress, and on the full-length front panel.  I originally had lazy-daisy water droplets going down the side of that front panel too… but the family veto-ed that one,  thought they were naff.  Hmf!  ðŸ˜€
I do like the visually peaceful hypnosis of sine waves.  Design-wise I’ve used them before.
And Aquarius is sometimes represented with a waves vaguely reminiscent of sine waves too.
The deep blue fabric is slightly rough and slightly crinkly cotton from Fabulous Fabrics.  I absolutely love this stuff.  It feels like it’s going to be so comfy and easy to live it.  When I found it in the store I bought some in each of the four colours!  This blue is the first piece to go under the knife scissors  ðŸ™‚

I really like this longer length too.   I’ve already got a few short dresses and I wanted to go with something different this time.  I think it’s quite elegant, and the proportion of skirt to bodice lend the dress a more graceful and refined silhouette.

Details:
Dress; partly self-drafted, based on the flip turn design from page 56 of Pattern Magic 2, by Tomoko Nakamichi, blue cotton
Sandals; la soffitada Gilde, from Zomp shoes

Construction blah blah blah…
I drafted the dress a little differently from that suggested in the book… in this case I gave the dress a long darted true A-line skirt with satisfyingly deep deep inseam pockets.  To fit the back skirt to my slight swayback, I sewed modified darts in the skirt, and folded pleats in the bodice at the same position.  This allows the bodice to blouse out nicely from out of a fitted waistline.  The front skirt and bodice have the same dart/pleat thing happening.  This is a waist-slimming trick  ðŸ˜‰

It is photographed here on Bessie who is bigger than I am, so it does blouse out more blousily on me.  The back of the dress is quite plain…

The dress is put on and taken off with a long invisible zip in the left side seam, and that long front panel is invisibly stitched down to the dress at the waistline.

The front neckline has to accommodate the flip turn tie, so I finished it with a narrow hem.  The back neckline and armscyes have interfaced facings.  The bodice slit has been finished like a letterbox opening, with a hemmed rectangle of facing fabric.  Like a welt-less and pocket-less welt pocket, if that makes any sense.  After wearing the dress for a few hours the pokey-out end ceased diving obediently into the water, and instead kept slipping sneakily back inside the dress, so I anchored it firmly in position on the inside along the sides of the letterbox opening.  It’s not going anywhere now!

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Taupe is dope

Actually, I think the colour of my new ballet flats and scarf is more ecru than taupe, but the name printed on the side of the shoe box was “taupe”.  So I’m running with it.  Seeing as not much at all rhymes with ecru.  
But whatevs … shoes!  in one of my favourite colours.  Or is that even a colour?  ðŸ™‚  I’m thinking these are almost animal print.  What I love is that what “looks” like a spotty print is actually little irregularly shaped perforations in the leather, providing natural ventilation for hot sweaty feet.  That’s a real plus on hot sticky days like we are getting.  Win!
Technically speaking, the new “scarf” is just a wide strip of soft, silk/linen jersey knit bought at the Morrison remnant sale.  I originally thought to make lingerie with it, but now I’ve decided that I could well use a soft little summer scarf in this non-colour.  Well the colour is perfection incarnate, no?  It exactly matches the ballet flats.  So, it has migrated from the stash and into the wardrobe, and is getting worn.  Yes!  Wearable stash!   I don’t think this counts as stashbusting, but…  ðŸ˜‰  I might still use it for lingerie.  Mebbe, mebbe not.  I’m still thinking about that, but in the meantime it’s doing fab as a scarf.
I do love a light airy scarf; so fantastic for protecting the decolletage from the notoriously harsh Australian sun.  If I’m driving I often rearrange it over my right arm, and it’s amazing how effective it is at keeping one cool, just keeping that direct sunlight off.

The latest addition to the Navel-Gazing Fashion Blogger’s Society photo collection.

Details:
Top; Vogue 1247, details here, made of cotton dyed by me, my review of this pattern here, and see this top styled in 6 different ways here
Skirt; Vogue 1247, made of stretch denim then dyed,  details and my review of this pattern here, and see this skirt styled in 6 different ways here
Scarf; remnant
Shoes; c/o Misano

(if you’re new, I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)

Some more navel-gazing; this time about the outfit fourth along… (seen first here) this was one of my earlier refashions from Wardrobe Re-fashion days.    This is one that I sometimes forget to wear, because it is “old”, isn’t conventionally pretty and is even a little strange…  and sometimes I have to wear a thing for a day to decide whether I still love it or not.   But whenever I do wear this skirt and top ensemble I’m reminded how much I do love slightly weird clothes.  I think I want to get back to making interesting things again.  
Anyhoo, I decided again that the men’s shirt ensemble is definitely a keeper.  The same cannot be said for something from the previous week, which I am taking the scissors too… pretty soon  ðŸ˜‰

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Blue marle jersey and creamy lace set


I’m very happy with this latest set, I just feel like I am getting happier with each one!
The bra is made using KwikSew 3300 (my review of this pattern here), the undies with lace across the top are my old faithful McCalls 2772, and the other pair with the two diagonal strips of lace are from a pattern copied from a rtw pair.
The latter is very cute, it fits somewhere between a bikini and a boy-leg style, a hybrid of the two.  The construction was a bit more involved than the McCalls bikini but it’s nice to have some variety.  I really liked how the back leg edge is on the fold, a bit different and a really interesting feature.
The set is made from a blue marle cotton-mix jersey (leftovers from this hoodie) and a lovely creamy lace, with creamy yellow lingerie elastic throughout and cream satin ribbon bows for decoration.  The lower bra cup is lined with a thick-ish, stable, non-stretchy knit (leftovers from this skirt), and the bra centre piece and underwire casings were made with lightweight beige cotton voile (leftovers from this top)
The bra sewalong organised by Amy has been absolutely brilliant! If you are new to sewing lingerie I highly recommend checking out her detailed posts on construction.  Her passion for lingerie is sincere and very inspiring!  I’ve been keeping up with everyone’s fitting stories on the Flickr group, and the advice and tips given have been invaluable.

The nitty gritty about my bra; this will be of interest to my fellow lingerie nerds only….

This is the sixth time I have made up the KwikSew pattern, and the first time as a 32A and without a moulded cup insert.
I lined the lower cups with a thick-ish, stable, non-stretchy knit; overlapped with and then sewn to the seam allowances..  This gives a bit more needed oomph to that flimsy blue jersey fabric..
The straps: usually I go with a plain, non-adjustable bra strap relying on the stretch inherent in the fabric to provide the ease factor….  (did someone just say “slacker!“?)  this time I followed the instructions and interfaced the straps, then satin-stitched a piece of elastic to the lower back ends to allow for the stretch.  Here’s where things get creative…. my elastic options (and well, everything else too) are kind of limited here in Perth but I do still want to stubbornly but loyally support my local shops.  My lace is a lovely ivory creamy colour so I chose the “skin tone” lingerie elastic to go with it.  But the lingerie elastic is not very heavy duty on its own and I worried it would not stand up to strains of bra strap duty.  So I zig-zagged a strip of more heavy-duty, braided 8mm white elastic to the back.  This provides hidden strength, and the colour from the right side still matches everything else in the set.

The straps are adjustable… and if there is one thing I’m super disappointed about it is that the only sliders I could get are pure white… not happy, Jan!  To my eye they stand out like a sore thumb.
For the same reason (limited colour choices) I had to choose a one-hooked, hook and eye closure; this being the only size available in cream.  I’m actually fine with that, not being of a figure type that needs heavy-duty support in the chestal region, ahem.  At least the colour matches!  I just trimmed the back pieces to fit.
I cut the centre piece backing and the underwire casings from small scraps of beige voile, and yes, I did obsessively switch between blue, beige and white thread so that the stitching matches the fabric.

I used cream-coloured satin ribbon to stabilise the lace upper cups, the same ribbon that I used for the decorative bows on all three items.

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