Monthly Archives: January 2010

You are browsing the site archives by month.

My husband gave me flowers…

Actually he gave these to me a few days ago and they’ve been sitting on our kitchen bench looking fresh, optimistic and cheerful and brightening up my days with that particularly intense clarity of simple colour, that gerberas are so treasured for and for which we forgive them their very short lifespan.
Today they’re starting to look a little droopy, but have still inspired me to go for a sharp shot of mad colour.  Normally I wouldn’t wear these two colours together for fear of looking a bit…. well, fast-food…… there, I’ve said it now, and the impression is out there and probably lasting, more fool me for having put it there.  I’ll bet kindergarteners would love my ensemble.  I’m sticking with it.
This dress, my own variation based on a halter neck top pattern, is light and floaty enough for hot days, but is perhaps a tad revealing up top if one is heading off shopping in a department store for a wedding gift, which is what we are doing today…  Don’t want to be eyed at in a pitying way by any salesladies so my cardigan covers up demurely.
Please note my lovely hair-do, sadly not of my doing.  My hairdresser is a genius and I wish I had him around to do my hair every morning, I think my husband might have objections to that, er…
Off we go to look at crystal-wear….

Details:
Dress; my own variation on McCalls 4453, red sparkly polyester chiffon
Cardigan; Country Road, secondhand and over-dyed
Belt; Country Road, had since I was a teenager
Sandals; akiel, from an op shop

pinterestmail

Wardrobe Refashion, project 3

Not a terribly exciting re-fashion this week, but I’m still pretty happy with the result.  Before; an old work shirt of my husband’s that he was tossing out.  Pro’s; it’s made of sturdy thick cotton knit with a lovely blue-marle denim-y colour that has a lived-in comfortable feel about it, and it has a nice button up front with attractive metallic-look buttons.  Problem areas, it was HUGE, it had a kind of daggy “sporty” collar and two too many logos.  I hate logos.  I don’t really want to walk around looking like a billboard for somebody else’s business, thankyou very much.
It may not look like a dramatic difference, but this shirt has been re-constructed completely, apart from the button up front which I kept untouched and the bottom hemline is also the original.  The collar was removed.  As the logos were embroidered onto the fabric they couldn’t be unpicked without leaving an unholy mess behind (or should I say, a very hole-y mess!), so the sleeves were shortened, removing one logo, and I added a small self fabric pocket, covering up the other logo.  The shirt pieces were rejoined to become a much slimmer, more feminine shape.
I think the new streamlined look of the T-shirt is now quite attractive and will be a useful new resident in my wardrobe.
I made my skirt also, about four or five years ago and I posted about it previously here.

Details:
Shirt; refashioned from my husband’s old work shirt
Skirt; my own design, various cottons and cheesecloths
Sandals; Vicenza, from Soletta shoes

pinterestmail

Olive green corduroy skirt, 6 different ways

My olive green corduroy skirt out of Vogue 7303 has been incredibly useful in my wardrobe and is something I grab without thinking on a regular basis, secure in knowing it will go with just about anything else I own.  With one small exception, it can go anywhere and do anything.  The exception, natch, is for dressy wear.  It’s a corduroy skirt.  Corduroy spells casual, no getting away from that.
Could you make a ball-gown out of corduroy, I wonder, and carry it off?  Perhaps it could give the same look as velvet, in the right design, maybe? That’s food for thought…
Anyhoo, getting off track, as per usual…
This skirt is a fantastic skirt in that it has worked for me in all seasons; hot weather all the way through to cold weather, and the olive green colour is so handy in that it goes with every other colour (yes, Virginia, olive green is a fabulous neutral).  I mean obviously it goes with the usual creams, white, black and brown.  But for today I have tried to style it with all the colours of the rainbow to show just how great a colour it is.

Being a mini(-ish) it can be worn in hot weather; here it is casual, and then a little more smart, say for shopping…

Then, the corduroy texture still looks appropriate if the weather is a little cooler…

Finally in the winter it scrubs up pretty good with tights and looks kind of mod (OK, the sun is blazing brightly in these photos, you just have to use your imagination and conjure up a bit of rain and cold wind to get the winter vibe in these pictures…)

Just for interest, I am wearing the purple version for today…

pinterestmail

Lacy “tablecloth” skirt

For quite some time I’ve wanted to make myself a skirt out of an old crocheted or lace tablecloth, and with this in mind I’ve searched op-shops for some suitable candidate to chop up.  Not only didn’t I find any old tablecloths with any sort of beauty at all (plastic daisy print, anyone?) but it started to occur to me that if I was lucky enough to find a genuine old crocheted cloth I couldn’t cut it up anyway, the sacrilege would be too great.  I would fold it carefully and store it away and just bring out to dress the table for special occasions.  They are pretty precious.
So when I went to the end-of-year sale at my favourite fabric store I found this knit lace that was patterned with vaguely doily-type embroidery and got a metre.
First I made a lining skirt of 70cm length, because that is how much lining fabric I bought.  Then I started arranging and cutting the lace straight onto the lining on Bessie, aiming for a layered effect with an uneven “tablecloth-y” hemline.  It looks and sounds kind of random, but it was thought out and I did a fair bit of measuring, planning and pinning before I took the scissors to the lace.  I wanted to make best use of the lace, part of my ongoing obsession with minimal wastage.  And I’m pleased to say that I used every last square centimetre of fabric with not a single scrap left!
Cost of this skirt: 1m lace, $30 + 70cm lining, $4.90 -15% sale discount + zip, $2.30 = approx $32. And no scraps.  Not bad.  I’m happy.
I love this final look.  Just call me obsessed with lace, if there was a White Lace Anonymous help group I would need to sign up.  In honour of the whole “tablecloth” inspiration I set up our outdoor table with some of my antique china for morning tea.  
Do you like my “fork” bracelet?  It’s my son’s really, and he got the idea from the movie “Elephant”.  It’s just one of those cheapie single forks you can buy, bent into a loop.

Details:
Skirt; own design, white stretch lace
Top; Butterick 4985, sleeves from another pattern, pink nobbly cotton, overdyed using an old red T-shirt
Sandals; Vicenza, from Soletta shoes
Bracelet; bent fork

pinterestmail

Bleached crinkly cotton

I was on the verge of throwing this skirt out, or re-fashioning it (I am getting so into this re-fashioning it’s not funny, I think it’s becoming an obsession with me) because I ripped it the last time I wore it.  But something about its soft sage green loveliness just kept me back from doing something extreme that I may later regret… a common whimsy of mine that can be a problem.  And with the current hot spell I’m finding myself drawn more and more to my fall-back creams and whites, particularly my collection of crumpled off-white embroidered cotton garments that look a little bit slept in (they’re not), bleached and faded and a little bit shabby, the embroidered flowers are subtle but add a puckered texture to the clothes that I love.  I feel the rumply look is as though one had just arisen from a hammock stretched out under a tree leaving a childhood favourite book open on its spine…  Dreamy summer days of languid heat…
I mended the tear in the hem of this skirt (see below, I don’t think it really shows), and gave it a second chance.  I’m wearing it today with my new scarf; “new”, but it’s actually re-fashioned from the lining of my daughter’s old puff skirt which is why it looks old, thin and washed.  The scarf picks up the black rolled hem edging on the skirt.  I like a tiny hint of black in an summer outfit, I think it adds a bit of an edge and some definition, particularly when all else is pale.  My jade and mother-of-pearl bracelet with its alienesque matte silver prongs was a birthday gift from my parents.

Details:
Skirt; Vogue 7880, sage green embroidered cotton
Top; Morrison
Scarf; own design, refashioned from net skirt lining
Sandals; Micam by Joanne Mercer, from Hobbs shoes
Bracelet; gift from my parents

pinterestmail

Heather purple dress, part 3

So, now for the final installment of the making of this dress.
At this point it’s just a bit of finishing off to go; sewing the lining to the zip tape, and doing the hem.  It doesn’t sound like much, but hems are not to be rushed into, especially on a plain-ish dress like this one in which a wonky hem would stand out like a sore thumb.  The very simplicity of the dress’s style means that the hem has to be perfect, as there are no design details to draw the eye away from imperfections, not even a print on the fabric.
So I sew the lining on to the zip tape by hand.  A comment kindly directed me to a site where I could learn how to do this feature by machine… (haven’t checked it out yet) but I had already finished it by this stage!  

And the hem…  When I want it to be perfect there is no other way than this…  Remember when your mother got you to stand on a chair and slowly rotate while she measured and pinned your hems…?  I still do this for my daughter’s dresses but a person can’t help but shift weight a tiny bit from foot to foot, and move their hips, even the smallest amount and it really throws off your hem measurements, the beauty of Bessie is that she’s rock steady.

After I’ve trimmed the hem allowance to 5cm (I pull the dress onto the ironing board to do this), overlock the edge, pin up and press, I trim the lining to be the same length as the pinned-up hem of the dress proper.  Then I fold the lining up on the inside 1cm, press, fold up another 1cm, press, then sew it by machine.  This results in a lining hemmed exactly 2cm  shorter than my dress length, which is perfect…

I make some bias binding out of voile…

And attach this by machine to the edge to cover the overlocking stitches, press the bias edges under, then finally slip stitch the hem invisibly into place…

Voila!

I feel like a bit of a fraud modelling it as I’m not wearing it today and I don’t intend to wear it until autumn.  I am wearing the scarf (which I also made over the weekend) and shoes today, but with a different dress!
Truth be told, I finished this dress two days ago; I did say I’d been sewing like a demon, I’ve also finished my next two re-fashion projects which are lined up for those Wardrobe Refashion posts, man I’ve got to slow down…  Good news (?!) is that our office computer is up and running so I can get onto a mountain of office work as of this week…  yay (in a small, depressed voice)…

Details:
Dress; Burda 8511, modified, purple hessian silk
Scarf; turquoise silk chiffon, self-made
Shoes; lasoffitadi Gjilde, from Zomp

pinterestmail

Tea Cosy, specimen 8

I think this is my favourite of the tea cosies I’ve made for my friends; it’s got a “Roly Poly” base, (pattern from Wild Tea Cosies, by Loani Prior), but the three chickens in a nest on the top are my own variation.  I did this one for my friend C because she keeps chooks.

pinterestmail

Heather purple dress, part 2

I last left off this exciting saga (ha ha) with the front and back sewn to their facing/linings at the armhole edges and neckline, and the seam allowances clipped and graded.

I then turned the front and back pieces right side out, eased the seams open and pressed, then understitched the facings on the curved part of the seams.  I hope everyone understitches their facings, I think it makes a huge difference to keeping those facings on the inside where they should be, and not rolling out to the outside.  It’s difficult to see in the photo, (I’ve made it a big photo to help) but my unpicker and the pencil are pointing to the understitching seams.  You can’t really sew all the way up to the edge of the seams, because you are trying to sew up a tube and that’s impossible, at least on my machine, but just understitching around the curves results in a much cleaner, nicer edge that sits flat.

Now for the shoulder seams.  I sew the front and backs together, at this point I either congratulate myself on careful measuring getting those gaps exactly the same width, or I’m kicking myself I didn’t measure precisely and check properly (see part 1); nowadays I am super accurate with this part as I’ve come to grief here before…. don’t want to talk about it, but it means redoing those arm and/or neck seams again….

Then I carefully clip the corners a bit (not too closely if the fabric is a real fray-er, like this silk is) in the photo above the left side is clipped but not the right, press open with my fingers (not an iron), turn the facing shoulder seams in and pin closed, then handstitch the facing shoulder seams closed…  in the photo below I’ve stitched the right seam and just pinned the left side.  In the photo you can also see one of my sewing assistants who often helps out by plonking herself down right in the thick of things at some crucial step..

Now for the zip…  I overlock the edges of the left side seam (if you’re a left-hander you might prefer to have your zip on the right side seam, probably one of the reasons you’re a dressmaker is so you can have this feature where you want it rather than where commercial clothing manufacturers have decided for you)  Then I physically try on the dress and pin it closed down the side seams to check just where I want them and mark front and back with pins…

Then insert the zip along these markings.  I perhaps should have taken more photos during the zip insertion process, but I always get in a bit of a zip-insertion zone at this stage and didn’t think to pick up the camera.  Anyhoo, I put the zip in, sewing from top to bottom both sides… then after this sew the seam below the zip, again from top to bottom.  Do others do it this way also?  I find if I do one side of the zip top to bottom, the the other side bottom to top, and/or the dress seam bottom to top, it’s very difficult to avoid little lumps or bumps in the seam. I think it’s because the upper and under fabric pieces shift due to tiny variations in the rate of the feed dogs on the under side compared to the rate you control the fabric feeding into the machine…  Any thoughts anyone?  It’s taken me a few imperfect zips that require unpicking and re-doing to settle on this rigid “top to bottom” rule that I never break now…  Here is the zip inserted, and the pins you can see are the lining pinned to the zip tape on the inside (photo of this further below)

Then I sew the right side seam following my markings, both the dress and the facing/lining top to bottom, and overlock/finish this seam…  (I know this looks a little tight on Bessie but the truth is that she’s a tad bigger than me and although I’m struggling to close the zip on her I have plenty of breathing space when the dress is on me… another trial and error thing I’ve learnt to adapt to)

Here is the photo of the inside of the dress so far, with the lining pinned to the zip tape ready for handsewing…. Does anyone know how to do this by machine successfully… that’s a holy grail for me, as it always ends up looking like a lumpy mess when I’ve tried and needs re-doing.  Until I can learn how to do this I’m handstitching for a perfect finish..

Finishing stages of the dress in a few days…

pinterestmail
Switch to mobile version
↓