Monthly Archives: July 2020

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adding the almighty pocket

05/07/2020 8:53 pm \ 2 Comments \ Carolyn

So, recently I’ve been on a bit of a pocket binge. You see, one has a phone which has rapidly become the ruler of one’s Life, and one has decided that this little autocrat needs to be on one’s person at all times. So if something doesn’t have a pocket? BAM! it’s getting one, like it or not! Take that you pocketless fiends you! Picture, if you will; pockets raining down upon Le Wardrobe, with lightning bolts and attendant thunderous cracks and booms as they attach themselves fiercely and fearlessly to the offending garments cowering on their hangers… ahem, my apologies. Maybe I’ve been isolating too long.

Anyway, meet the victims:

please note; The Eye…

Firstly, my plaid Delice dress

I’d already promised to myself that I would add pockets once I got around to it… it’s a loose-fitting little thing, and while the attempted side-seam pockets did not work I knew welt pockets would be fine. I just needed to get onto it! and finally, voila. I still had the pocket bags, and I cut welts on grain from the very tiny amount of fabric I had leftover. Both welts and the opening area of the pocket were interfaced with iron-on interfacing for stability – this fabric is basically a brushed cotton flannelette and so it has pretty poor stability actually, A pocket bag on a welt sans interfacing stood a good chance of becoming a gaping, saggy mess, so I used nice firm stiff stuff, and the pockets turned out a charm. No I didn’t take any progress pictures. Bad me.

Secondly, my rusty coloured Sabrina skirt…

this has always been a little on the baggy side for a pencil skirt, I think I might have selected the incorrect size in the first place because I’m slightly terrified of making a thing too small or too tight; a problem which is practically unfixable, and the fabric was kinda precious to me. I mean, if you make something slightly too big, that is a problem that is eminently fixable down the track. Except that “down the track” never seems to come… anyway, flash forward to a few days ago when I realised that same slight bagginess could easily accommodate some inseam pockets. So I went for it! I did remember to take some pictures of this one for posterity…

Firstly cut out the pockets lining at the size of pocket you want. Stitch to the skirt front seam allowance at the place where you want your pocket to be in a skinny seam allowance, and press towards the skirt front.

Cut the pocket itself from the self-fabric, with an opening extension that covers the width of your side seam allowance once it’s laid over the pocket lining. My side seam allowances for this skirt are actually quite huge, showing that I really truly overestimated how much wriggle room I needed; but since that mistake resulted in such a good prognosis for future pocket insertion, I forgive past-me. Trim to fit, and finish the raw edge. Stitch to the back seam allowance, right sides together in a skinny seam allowance, and leave it laying towards the front. Check the pocket piece and pocket lining piece are aligned perfectly.

Now open the two pocket pieces apart and gently rip open the skirt side seam. Leave at least 1cm closed at both top and bottom edge of the pocket pieces, and then reinforce the side-seam stitching at these points both top and bottom with some quick forward/backward stitching so the seam doesn’t open any further.

Now; open out the back skirt side seam allowance and as far as possible, stitch the skirt back and the pocket piece together, using the previous pressed seamline on the skirt back as a stitching guide. Be sure to keep the skirt front free from this stitching!!

Lay the pocket pieces over each other again, and stitch them together around the curved edge, commencing and finished the seam at the skirt side seam, taking care to not go over it and into the skirt itself. Finish the raw edges as far as possible on the overlocker.

Now open out the side seam allowances away from the skirt front and back, and at the top and bottom edges of the pocket, perpendicular to the side seam: stitch the pocket to the front skirt seam allowance up to the side seam line, and the pocket piece ONLY to the back skirt seam allowance up to the same seam line. These short seams are indicated in white on the previous picture.

Ta da!

And, while I still had the machine threaded with chocolate brown thread… victim number three. This is a great little corduroy skirt, very simple and plain and useful. Except that it had no pockets! Problem solved! For this one, simple patch pockets were the go; but slanted at what I find to a optimal angle for my hands. I used some of the leftover corduroy from which I made my wide-leg Sashas, and even though it doesn’t look like it I spent ages and aaaaaages aligning them to be perfectly symmetrical. Yes they probably look a bit weird but I have pockets so I care not.

That’s it for now, until next time!

Posted in: sewing, tutorial \ Tagged: delice, dress, forget-me-not patterns, pocket, pockets, sabrina, skirt, super bison

a pretty outfit (cielo and sixtine)

05/07/2020 12:38 am \ 7 Comments \ Carolyn

So I made an oh-so pretty, fluttery, flower-strewn outfit of the most perfectly spring-worthy persuasion! but wait… am I not currently still on the downwards slope to the dark dank pit of winter? well yes, so we are just barely into July, and I am OVER winter already. *sigh*

Really I expect I’ll be making winter-y things soon but I just don’t feel like it right now, and I just want to think about fun summery things still. Terrible, isn’t it? Anyway, I bought this lovely rose-y rayon-linen in Spotlight, back when Perth was sort of half in isolation. I’d been feeling very down, gone shopping for some essentials and just spontaneously decided buy something pretty and non-essential at the same time, to cheer myself up. As it turned out, we had hardly any cases of the covid-19 virus in Perth, which is of course wonderful; but we were all as terribly worried at the time as if there were and buying something lovely lifted my spirits quite a lot at the time.

I cut out the ruffle-tastic new Sixtine skirt by Coralie Bijasson patterns and then had just enough left for a plain little top, which is the best counterpoint for all that ruffle anyway. I’d recently had success making the Closet Case patterns Cielo top for Cassie so traced out the next size up for me. And I really love how they go together! The Sixtine pattern is a simple, completely symmetric, true wrap skirt, with the most amazing ruffle and a half action going on. Actually when I say ruffle and a half, that is quite literally what it is; there’s a ruffle, and then another half of that same ruffle on top. Ruffle and a half! And my fabric worked out so nice! it is quite fluid and soft, which was just right for the ruffles; they have just exactly the right amount of body and zero limpness.The Cielo top is a great little basic, I can already tell I’m going to make stacks more. Simple, but perfectly so.

I don’t really have much else to add, both these patterns are unambiguously straightforward designs with no tricks to speak of. With the Sixtine skirt, I think you were supposed to place the buttonholes and buttons so the buttons popped out on the outside of the waistband when buttoned up, but I used very plain sheer flat ones from my stash, both ancient and inherited and not very pretty, so I positioned them so they button up on the inside of the skirt.

Oh, I also finished the lower hemline of both ruffles using the triple-stitched narrow hemline, explained in this post here.

I have one more sort of interesting thing I can say about sewing this; normally when you’re cutting things out from a print you carefully make sure all your pattern pieces are aligned with the “up” side in the same direction, yes? Well I would definitely do that for fabric with a nap, but for a fabric with a print I’ve often preferred the look when I do not adhere strictly to this rule, but lay pieces so as to alternate up and down placement. That way you avoid that “double-ing up” up of an identical motif that can look absolutely terrible and obvious when it occurs in a pieced garment. Obviously this really only works if the print doesn’t have an obvious “right way up” design, but while it’s only a little thing it can make a noticeable difference. As soon as I looked at my pictures here I could see a couple of instances where an upside-down motif is not too far away from a right-way-up motif, and if they’d been both oriented the same it would have looked strange. So I’m glad! I hope I explained that OK!

Anyway, I love this new ensemble and honestly can’t wait til the weather is hot again so I can actually wear it. In the meantime perhaps I should start finally turning some attention towards more wintery projects (sigh)

Details:

Top; the Cielo top by Closet Case patterns
Skirt; the Sixtine skirt by Coralie Bijasson patterns
Shoes; both super old now but still much loved

Later edit; so I added some pockets to this skirt! They’re patch pockets, with a slightly gathered top, drawn in by a little olive ribbon, which I happened to have in my stash. They’re simple but of course useful. Who doesn’t like a little bit pf practicality along with their floomph?!

Here’s a brief overview…

the pockets are cut to fit my mobile phone in, and are about 3cm wider at the top…