Tag Archives: Daily Outfit

A minimal summer wardrobe

I was reading one of my favourite fashion blogs Garance Dore and came across a list; the perfect minimalist, functional and fabulous wardrobe. 
Paraphrased, it goes something like this:

  • Black cashmere turtleneck
  • Grey v-neck cashmere sweater
  • Silk shirts
  • Three pairs of flats.
  • One pair of sublime very high heels, black
  • Grey skinny jeans. White skinny jeans.
  • One pair of boyfriend jeans.
  • Two blazers, one black, the other marine blue.
  • A straight-cut skirt
  • A light as a cloud scarf
  • A dress, Alaïa or Roland Mouret.
  • A big coat, camel or grey.
  • And a military parka – light and long.

And I’d go wild with accessories. A hat. Red socks. A pair of amazing sunglasses. A purse to die for. Bright nail-polish.

I am a die-hard list lover, so I adore this sort of thing! And immediately scratched out my own take; the minimalist summer wardrobe.  Since those of us here in the southern hemisphere will immediately notice that with that selection, we would have nothing we could actually wear at all right now…  🙂  So:
  • Shorts
  • 2-3 light loose little tops
  • 3-4 day dresses, some pretty, some plain
  • One maxi-dress, or whatever is the fashionable silhouette of the season
  • 1 little skirt
  • 1 light cardigan
  • Bathers
  • 1-2 light long-sleeved shirts
  • Pair of linen trousers
  • for footwear; glittery sandals, leather sandals, and a pair of thongs for the beach

And the accessories; sunnies, and a fun and funky pedicure.  Sunhat and a few floaty scarves.

The next time I came across my funny little list Tim had scrawled an addendum…
Summer essentials, for guys
1x board shorts
3x T-shirts
DONE!
Lol!  Hehe, aaah boys.  😀  Simply no idea.  
Oh, and finally, my facts and figures for February…  now there’s a nice bit of alliteration.  Whoever said that poetry and accounting were incompatible?

Gone a bit Batty top
Fabric; leftovers
Pattern; from PatternMagic 3, a gift (and used previously)
Dye; used and accounted for previously
Total cost: free
Some basics…
Fabric; one from leftovers, the other three from a recycled dress, original cost of all this fabric was approx $39
Dyes; brown dye accounted for previously, red dye (first time used) $7.77
Total cost for the 4 Tshirts: $46.77
White with a navy grid shirt
Fabric; leftovers
Pattern; from Unique Clothes Any Way You Like, been used before
Total cost: free
Billowy White shirt
Fabric; from an old pair of trousers
Pattern; my own design
Buttons; leftovers from a previous project
Total cost: free
A Pretty Silk blouse
Fabric; $64.35
Pattern; Vogue 1170, first time used, $7.00
Zip; $2.20
Total cost: $73.55
Woman in Red dress
Fabric; a birthday gift from friends
Pattern; Vogue 1087, used previously
Thread; had some red thread already
Total cost: free
Miscellaneous extras
Rotary cutting wheel blade; $13.45

Twin needle; $6.60
Total cost: $20.05 

outfit Details:
Top; Vogue 1248, made from a mix of blue cottons, details here and my review of this pattern here
Shorts; Burda 7723, details here, my review of this pattern here, and see these styled in 6 different ways here

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A pretty silk blouse

I’ve made a blouse!  And it turned out raaather lovely, if I say so myself…  I used Vogue 1170, one of the patterns given to me by my children for a Christmas present.  I am super pleased with it! 
It is of very luxurious and quite expensive ivory silk charmeuse, with the exact same colour and the same classy, softly subtle sheen of a beautiful and perfect pearl.  It feels so luxe, and like the story of the magic cloak I immediately feel extra ladylike and elegant simply by the act of slipping it on!  
I felt uncharacteristically hesitant and nervous about cutting this out.  Mostly because, although I was excited about the idea of this blouse, and out of this completely divine fabric, I was still a weeny bit unsure that it would work out, and/or even suit me!  It is just such a very very feminine, pretty and super-sweet style, and I was worried that I could not carry this look off.  Trying it on during the making of it didn’t even assuage my fears.  I continued to be doubtful right up until the time I tried the finished thing on, finally.  And was relieved that I did actually still love it, even on me!  It is quite formal, I think; so I will be keeping it for smart and dressy occasions.  Although it does feel sooo nice against the skin, perhaps I should allow myself to wear it just whenever??  Hmmmm.   We shall just have to see about that one  😉  anyway, tonight I wore it out for a special dinner at a swisho restaurant; and I felt perfectly chic.
This pattern stipulates a button band in the centre back, which I didn’t think is a particularly classy finish, especially for the quite formal blouse I envisioned.  So I sewed up most of the centre back seam, and inserted a short invisible zip at the top for closure, instead.  This does look quite good, but now I wish I had made a little faced slit instead and sewed on a few pearl buttons with skinny loops for closure.  I think now that would have looked much nicer!

Details:
Blouse; Vogue 1170, ivory silk charmeuse
Skirt; Vogue 8363 with modifications, of burnt orange raw silk, details here, my review of this pattern here, and see this skirt styled in 6 different ways here
Shoes; Sandler, I’ve had these for donkey’s years and they match the blouse perfectly….

Pattern Description:
Very loose-fitting top has front keyhole opening with knot, back yoke, back band extended sleeves tied into knots and back button opening.
Pattern Sizing:
4-10; I made the size 10
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
Yes
Were the instructions easy to follow?
Yes
What did you particularly like or dislike about the pattern?
I thought it looked fantastic on the pattern cover, and I love the little knot and how the fabric falls in these beautifully draped folds across the front.  The little ties on the sleeves are really lovely.  The blouse is just so elegant and feminine.  A tad on the formal side for my everyday tastes, but a girl needs a few pretty dressed up tops too!
What don’t I like about this pattern… The instruction to hand gather the underarm seam seems like an uninspired finish, especially considering one has gone to the trouble to apply French seams throughout otherwise.  After hand-gathering mine I thought it looked shoddy.  I tried going over it with the machine but my fabric is very densely woven as well as slippery and the gathers are quite tight and I was terrified of ruining the (almost finished) top.  So I let it be, as partly a hand-gathered seam and partly machine-finished.  But I’m not completely happy with this bit.
I thought the back button band too casual a feature on what is quite a dressy little number, so I did something different on my version.
Fabric Used:
Silk charmeuse
Pattern alterations or any design changes you made:
Instead of the button band down the centre back I substituted an invisible zip and sewed up the back seam.  But I wish now though I had left a short opening and used a couple of pearly buttons and skinny button loops for closure, I think that would have looked a lot nicer and neater.
I considered doing those narrow hems on the neckline and the sleeve ties as per the instructions.  Briefly.  But my fabric is exceedingly slippery dippery stuff; and so decided instead to use the rolled hem attachment on my overlocker for these edges.  This gives a much neater and more consistent finish for this fabric.  Trust me, I’m speaking from experience here…!
I finished the lower hem by hand.
Would you sew it again? Would you recommend it to others?
Probably not, but one should never say never!  Maybe I will want another one of these one day, but will first have to think of some better way to finish off that underarm seam! 
I highly recommend this pattern for a very pretty and very feminine evening top.  It gets muchos compliments!
 Conclusion:

I’m very happy with my blouse now, but my fabric was very difficult to sew.  It didn’t want to be French seamed, and even less did it want to be narrow hemmed and then gathered and oversewn, as in the underarm bit.  Silk charmeuse is tricky at the best of times and in the simplest garments, and forcing it into curved French seams is not an easy ask.  But I am glad I persevered with this fabric, since I absolutely adore the pearlescent sheen of this luscious and luxurious fabric and it feels simply divine against the skin!!  And the end result is a very pretty and chic blouse, one that I will be very pleased to pluck out of the wardrobe for semi-formal events.

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Billowy white shirt

I’ve made a shirt… and the twist is that this was until recently a pair of trousers.  Yes really!
Before; as wide-legged trousers.  They were very low-rise in the style of about five years ago.   I could literally pull these trousers on and off without undoing the zip.  The last time I wore them was about two years ago (in this top right outfit) and even then I had the zip un-zipped and the sides lapped over and hoinked together with a big safety pin so they wouldn’t fall down.

However the linen was such beautiful quality! and I did not want to let it go to waste…
so I did not.  🙂
I have been toying with a particular concept for a shirt-from-pants for a while in my head.  I’ve had a very firm picture of how it was going to go together.  Naturally my nebulous “idea” didn’t work out quite the way I had planned and I realised at some point that I needed more fabric, and in very different shapes, to what I actually had.  I had to pin, stitch, unpick, re-pin, re-stitch, re-unpick over several times before I dared to actually cut into any of the leg pieces… and there was a lot of this before I ended up with a design I was happy with.  No, I don’t do muslins very often.  I consider them a waste of fabric.
The construction… well, don’t ask me to go into great detail…  it was quite complex.  The long extended front bands, starting at the shoulders and extending down the fronts, and continuing around to meet at the centre lower back are from my original shirt plan, the one I had to abandon.  I liked how they looked, hanging in space like that, so I left them there.  To cover the join at the back, which by necessity in the design finished inside out with the seam showing, I made a little decorative button tab.

The shirt has two fronts, and the back has a two pieced yoke extending into the sleeve backs, and two lower backs joined centrally.
The back of the shirt has four corners of fabric joining together at a centre point.  I pressed the vertical seam allowances of the upper and lower backs to either side to reduce bulk in the long horizontal back seam joining them.  This is double top-stitched down.  Actually this shirt contains an eclectic mix of sometimes double top-stitching, sometimes single top-stitching and sometimes no top-stitching.  I applied these at whim.  It seems to work well with the casual and slightly avant-garde Japanese style of the shirt.
My favourite design detail is the sleeves and their closure.  The front sleeve is shorter, and almost a square.  The back yoke/sleeve piece has a distinct curve-and-flare in it, tapering off to one side, this was part of the original shape of the leg back pieces, and after lots of pinning the sleeve seams and trying-on multiple times I situated part of the existing curve to fall at the natural outer elbow. It looks very strange when the sleeve is laid flat, but the flare and curve actually accommodates the curve of the elbow very well.  It took a bit of experimenting, but I’m so happy with how this bit turned out!  It was a very serendipitous discovery!

Both points of the longer back yoke/sleeve piece have a buttonhole, and they both button down over a single button on the centre of the sleeve front hem.  To enable the button to cope with this amount of fabric, I sewed it to have quite a high and a very well reinforced shank.

So I’m super happy with how my shirt turned out!  There was almost zero leftovers, just a few shavings, the zip and the facings, and a few other miscellaneous small bits.  The 6 buttons were leftovers from this shirt.  Beautiful buttons, their only downside is that they are not for individual purchase, but only available on cards of nine.  Luckily I have a lot of use for little white buttons  🙂
And I still have my original shirt idea in my head for another time…

Details:
Shirt; my own design, re-fashioned from a pair of wide-legged trousers, fine white linen
Shorts; Burda 7723, hot pink linen, details here, and to see these in 6 different ways go here.  My review of this pattern here

Later edit: the shirt has had a mini-revamp and it now looks like this:


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White, with a navy grid

I’ve made a new little top….   well, just a summer version of a T-shirt really, from scraps, the leftovers from this shirt.  Constructively finishing off another small wad of fabric from my stash.  Smug self back-patting ensues.
This stuff is pretty good top/blouse/shirt fabric.  It is uncrushable and beautifully light.  Sam has been wearing his shirt stacks.  And luckily has no neuroses about his mother having a garment in the same fabric, although for both our sakes I have undertaken to only wear it if he’s not wearing his.
We do have some pride.  🙂
I had dreamed that this top would be cut on the bias, with those gridlines laying diagonally across the design, and to have little kimono/cap sleeves, like my preliminary sketch below.  I thought it would look pretty cool like that, and had been thinking about it long enough that my heart was virtually set on it.  But cutting on the bias is such a fabric hog, demanding way more than I actually had and so my plans were sadly not to be….  Visiting the fabric store to purchase just a leeettle bit more to indulge myself was pretty tempting as the fabric was not price-y, and still plentifully stocked.  But I had to admit that doing so would utterly defeat any aspirations to green-dom.  sigh
So …
I used the pattern for top “a” from Unique Clothes Any Way You Like, by Natsuno Hiraiwa, a very simple design that really does use a very tiny amount of fabric.  In its simplest pared-back form this is a fab basic little top pattern.  I grudgingly economically cut the pieces out on the straight…. which might not look as cool as my original idea, but is very effective for stash busting  🙂  And it is a good useful and casz little summer top.
The seams are all French seams.  It doesn’t have any closure but can just be pulled on over my head.  I left off the stipulated bias finish to the armholes and neckline, and instead made three sort of tubes or funnels to finish the apertures off.  The sleeve tubes are just single fabric width, and sewn into the armholes and finished with a little hem, and the neckline tube is doubled over, and slipstitched invisibly down on the inside. 

Details:
Top; modified top “a” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, in navy and white check stuff.  I have made this pattern up twice before, here and here….
Skirt; Vogue 1248, white cotton voile, details and my review of this pattern here
Thongs; Mountain Design

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Top; Gone a bit Batty

My latest project.  Do you like the name?  I know, right?  I could get a job at Anthropologie, thinking up delightfully poetic tag-lines for the clothing, for sure.  I am sometimes capable of romanticism, and dreaming up evocative monikers, conjuring up a magical wonderland way of thinking and engaging the senses in a positive way.  I could have gone with something along the lines of Black Magic, or Chocolate Swirl or Liquorice Twist.  Nicer, yes?  But a twisted sense of humour prevents me from behaving all “delightful” all the time.
Besides, have a look at it, spread out on the lawn, recovering from its dye-job.  Decidedly bat-like, I think.

So, this is one variant of the design from p47 of Pattern Magic 3, by Tomoko Nakamichi.  Like much of Pattern Magic 3 so far, I thought this a very easy project.  My thoughts with this one, a very drape-y knit is essential to allow the pointy bits to flop down into each other attractively; and when you put it on you have to pull and fold the layers to sit just so or it can look a bit weird.
Side views:

It started out its life this colour below, and then subjected to 1/4 tsp iDye, in Brown.  I initially bought 2m of this brilliant blue fabric which as well as being very cheap had the added advantages of being very light, very drape-y and 100% cotton.  However I only have room in my life for one bright blue top and so dyeing was always on the cards for anything made out of the leftovers. 

And yes, I have been doing a lot of dyeing lately.  Actually, to say I have run a dyeing marathon would be no exaggeration.  I’ve been on a fair dinkum dyeing bender!!
But results of the exciting dye-fest will have to wait until pictorial evidence has been collected.  You have been warned…
I finished the neckline and armholes by simple turning under the raw edge and topstitching with a twin needle.  This is a great and very easy finish for knits, not as polished a finish as the banded edge, but the perfect choice for something like this top where bands would have visually been too much detail on a top that is already chocka with textural detail.  Those little shark fins at the hips are as much detail as the eye can take in my opinion, and the plainer the rest of the garment the better.

Details:
Top; from Pattern Magic 3 by Tomoko Nakamichi, bright cobalt blue cotton jersey dyed with iDye in Brown
Shorts; modified Burda 7723, of yellow embroidered cotton, details here
Sandals; Misano, from MarieClaire shoes

Over-exposed and super highlight-ed to show up the folds better… and doesn’t this make the sky look amaaazing??

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A sludgy little skirt

Hooo boy.  We are having an insane heatwave right now… been 37C or above for over a week now.  Australia Day was 42C, phew…  We all spent the entire day in bathers, in and out of the pool.  The fireworks teetered on being cancelled because of the fire risk, but luckily at the last minute some clouds rolled in, the temps dropped and we even got a few fat raindrops!  And then the fireworks competed with an amazing lightning display (pictured below)  Today is supposed to be another 42C-er, so I am in my bathers … again!
But unable to resist a smidge of sewing, as can be seen.  And dyeing.
I’ve made a skirt.  Now, it probably doesn’t look very exciting, but I know this will be a wardrobe staple that I will wear into the ground….  You see, part of building up a wardrobe that is well-suited to each individual woman, that you enjoy wearing and is versatile and comfortable, is recognising items of clothing that are indispensable for you and your own particular style.  For a while now I’ve been wanting to replace an item that I determined long ago is one of my own indispensables; a short straight sludgy coloured skirt.  I was pretty sad when my old khaki corduroy one finally died, it got all stretched out around the waist in an ill-fitting and ugly way, and for the last six months of its life I could only wear it with long shirts hanging out over the top, which was an utterly ridiculous state of affairs, so I finally said goodbye to it.  I tried to move on, do without it, but eventually conceded I really wanted another skirt just about exactly like that old one, and soon!
That skirt was thisclose to perfect, but of course a skirt does not qualify as actually perfect in my opinion unless it has pockets.  When I checked out the line drawing of the skirt in Vogue 1247; I was pretty excited … Little skirt; check!  Plain and basic; check!  Pockets; check AND check!!!!  These are all the features adding up to the perfect little skirt in my book…  and it also has a waistband, something I am currently into in my skirts…. WIN!
I made the skirt from purple stretchy denim, the leftovers from my plum jeans here.  The waistband is black corduroy, with its wrong non-fluffy side out, leftovers from these jeans, and instead of folding the waistband in half so it is self-faced as suggested in the pattern, I pieced the waistband in half horizontally with a lightweight cotton (shot cotton in Ice, also a leftover) to reduce bulk around the waist…  just a personal preference.  The pockets are lined with the same lightweight cotton.

The waistband is a contrasting black; for the following reason….  usually I add a bit of length to my pattern pieces, but I was working with scraps here and could only cut all my purple skirt pieces to their pattern-stipulated length… and this skirt is short!  Now, I like my skirts short it is true, but this one was going to be really short… even by my standards.   So I didn’t hem, but instead enclosed the lower raw edge of the skirt in the same black bias binding used for the HongKong finishes on all the other raw edges inside the skirt.   And cut a new black waistband, so as to have the colour of that black edge picked up somewhere else in the garment.
The HongKong seaming does constitute part of the pattern instructions and there is a pattern piece to aid you in constructing your binding.  I dutifully cut this out and make up the continuous bias binding as instructed.  However it was too skinny to work effectively on my thick denim fabric, so I ended up cutting a whole new new lot of 50% wider bias binding in black quilting cotton.  Which means I have 6.5m of skinny off-white bias binding now, to use in some other project  🙂

I dyed the finished skirt using 1/4 tsp of iDye in Brown.  I’m very happy with this final colour.  It is very satisfyingly muddy and richly sludge-y, wouldn’t you say?  I would describe it as eggplant, rather than either brown or purple.  A sort of deep n’ dirty purple, that reads as a strong chocolate brown on first sight, but still recognisably has that warm purple-y base underneath when you look at it more closely.
(at left: front, before dyeing, at right; the back after dyeing)

Inside the skirt: at left; the front, before dyeing, and see the pale blue waistband facing? and at right, the back view after dyeing the skirt… that 100% cotton waistband really picked up the brown dye beautifully compared to the denim, which having some synthetic elastane in it didn’t pick up the colour quite as vividly….

Details:
Skirt; Vogue 1247, purple stretch denim and black corduroy waistband; dyed with iDye in Brown
Top; top “a” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, of white cotton, details here
Sandals; Micam by Joanne Mercer, from Hobbs shoes, details here

Pattern Description:
Short straight skirt with deep front pockets set in a horizontal seam.
Pattern Sizing:
6-12; I cut the size 10
Did it look like the photo/drawing on the pattern envelope once you had finished  sewing it?
Yes, except that mine is 5cm longer because I did not hem, but finished the raw lower edge with black bias binding.
Were the instructions easy to follow?
Yes
What did you particularly like or dislike about the pattern?
I just love this skirt pattern; the slight A-line shape with a minimal flare, and the pockets most of all.  The smaller pattern pieces also enable you to make use of smaller leftover pieces of fabric, which is a big plus… 
I like the HongKong seaming in the skirt and the French seaming in the top; that the instructions are encouraging users to finish their garment to high standards.
The skirt is very short as it is, but that is the easiest thing to alter in a skirt pattern…
Fabric Used:
Medium-weight stretch denim, corduroy waistband, lightweight cotton for the waistband and pocket facings, quilting cotton for the bias binding.
Pattern alterations or any design changes you made:
I finished the lower raw edge with bias binding instead of hemming; this skirt is short!  In stead of the self-faced waistband, I pieced the waistband horizontally in two halves; the outer half is the fashion fabric and the facing half a thin lightweight cotton.  I thought this a better choice to face the thicker denim I chose for the skirt fabric.  Likewise the pockets are lined in lightweight cotton.
Would you sew it again? Would you recommend it to others?
I will definitely sew this again sometime!  Probably lengthened… 🙂
 Conclusion:
A short straight fitted skirt, AND with deep pockets?  it doesn’t get much better than that!

For interest: the lightning vs. fireworks over Perth on Australia Day…

photo by Matt Titmanis; source
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My darling Clementine

I have made a new top! 
A nice floaty loose top perfect for our fiercely hot summer days.  And we’ve sure had a few stiflers lately  :S so I will be wearing it immediatemente.
I used Rowan shot cotton… again.  This colour is Clementine (and please note I am wearing it with my little lime-print skirt, hehe! gettit?)
I am so addicted to this fabric!  It is gorgeously light, an almost not-even-there type of fabric.  Which is great for this particular pattern.  Why?  Well, the pattern specifies French seams throughout, and has a number of convergent seams.  Like where there are pleats on both front and back, joining together at the shoulder seam, and particularly! that centre front bit, where there are six French seams all converging to a single point in a star-shape, and themselves all being joined in a final French seam too… if your fabric was even a little bit bulky I would class this a quite a tricky area to get looking nice, and particularly situated where it is, right boom in the centre front of your top it pretty much has to be perfect!  Luckily this shot cotton is so marvellously light it wasn’t too horrible a job, and I think I got it looking quite neat and tidy.
Of course you don’t have to do the French seams here if you wanted to make life easier for yourself… which I stubbornly do not  😉
I used a newbie-to-me pattern Vogue 1247.  This was a Christmas present from Sam; but I’m still adding the cost of it to my little 2012 personal-clothing-expenditure ledger, since in reality I chose, sourced and bought it myself!! and he just “gave” it to me.  We are very practical when it comes to present-giving in our family…
This pattern is classed as Average; a rating which was a little head-scratching to me.  I guess maybe the instructions for finishing throughout with all French seams made them decide to up the difficulty rating a notch, since I can’t really think of any other feature that could make this pattern anything other than a very easy project easy imo!
The neckline is finished with a narrow self bias strip…  Noice, no? at right; that convergence of French seams from the inside view

I really like the bias-cut facings, folded out over those kimono sleeves….

Narrow hem…

Since the neckline is quite wide I slip-stitched lingerie holders to the shoulder seams to keep those straps outasight, these were a gift from the very lovely Yoshimi… thank you so  much Yoshimi!

Probably this top would be far more fabudabulous on a lady with.. er, more fabudabulous assets, but I’m still pretty happy with how it looks on me.  I am planning to make the little skirt too, and will review that separately.
Ciao, bambini!

Details:
Top; Vogue 1247, shot cotton in Clementine, from here
Skirt; Vogue 7303 modified, lime print cotton
Sandals; anna, from MarieClaire shoes

And that colour?  See below the happy marriage of a light pumpkin warp juxtaposed against a truly neon orange weft; giving rise to that beautifully citrus-y iridescence..

Pattern Description:
Very loose-fitting top; wide V-neckline, kimono sleeves with fold-back facings, the body of the top falling softly from shoulder pleats, interesting geometric seaming on the front creating a nice textural feature.
Pattern Sizing:
6-12, I made a straight 10 (Later edit in response to a comment: this is my usual choice, and I would say the sizing runs true to other Vogue patterns I have made up.  It is supposed to be a loose-fitting top!)
Did it look like the photo/drawing on the pattern envelope once you had finished  sewing it?
Yes
Were the instructions easy to follow?
Yes.
What did you particularly like or dislike about the pattern?
I really like the very loose and unstructured shape of this top, and the fact that it will be delightfully floaty and cool for our scorching summers.  It’s pretty easy to make up.  And one just slips it on over one’s head with no closure, making it soft and simple to wear.   The interesting reverse-situation of the bust darts and the convergent seams at the centre front are nice subtle design features, and best showcased in a plain solid-coloured fabric imo.
And since I did choose a plain solid-coloured fabric with no nap this also meant I could lay the pattern pieces down either side up, allowing a far more efficient pattern layout and leaving myself with plenty of leftovers!
Fabric Used:
Lightweight shot cotton
Pattern alterations or any design changes you made:
No alterations.  I added lingerie holders at the shoulder seams; that very wide neckline means strap exposure would be a given otherwise!
Would you sew it again? Would you recommend it to others?
I will like to sew this again  (I always say this and then it could be years before I do! however I would like a few more of these in my wardrobe, if not right this minute then certainly in another colour in another season.  
My only advice is that if you are going down the path of French seams throughout as recommended in the pattern, then a thin and lightweight fabric is essential; all those French seams converging together are quite bulky on the inside, and would be difficult to get nice and neat in anything thick.  Of course you could always leave off the French seam finish on that horizontal central seam if your fabric was not co-operating…
Would I recommend this to others? yes!
 Conclusion:
I love it!  The design of this top strikes me as very fashion-forward.  Something about the spare minimalism of the silhouette, the sharp lines of that geometric seaming, the beautifully drape-y kimono shape.  I could imagine this particular top design on a high fashion catwalk.
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Coming to my senses…

Employing that pleasing dichotomy of minimal with steam-punk in my outfit today… yeah?  
Dichotomy.  
Is good stuff.
Now, I’ve had a re-think.  And thank you all for helping me to come to my senses!  I did feel a little out of my comfort zone after posting yesterday, and after sleeping on it I felt even worse about it …
The specific cost of my personal things is, I have decided, personal.  It feels very uncomfortable for me to be publicising it.  That’s just the way I was brought up, so I’m not going to excuse that.  
Even amongst my closest friends I would not dream of announcing how much an outfit cost.  That would be like extreme bad manners… so why did I think I would be OK with doing the same on the blinking internet?? (face palm)
Besides, the numbers I put down here are meaningless to most people who might even read my blog, apart from other Australians.  And only fellow Perthies will understand about the fabric and yarn limitations here…  And I do not want to attract judgement, condemnation or pity from the inevitable comparisons, which I would certainly do if I really started publicising how much things actually cost here… so I will be keeping tabs on my clothing creations this year, in exactly the guidelines I laid down yesterday, but I will probably be keeping the figures to myself.
Unless I change my mind again  🙂  
A woman’s prerogative, you know…. 😉

Details:
Top; top “b” from Unique Clothes Any Way You Like by Natsuno Hiraiwa, white cotton, details here
Skirt; Vogue 7303, ivory wool-mix suiting
Sandals; Micam by Joanne Mercer; from Hobbs shoes

Necklace; urbandon , here
Isn’t this the coolest thing?!  My new favourite accessory…

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