Tag Archives: Dress

Topkids? little tartan dress

Another blast from the past…
This is a picture of our niece at her first birthday party wearing a dress that I had made for her for the occasion; I hasten to mention that she is now 21 years old so she has changed quite a bit since.  Quite the sophisticated and beautiful young lady nowadays… I really enjoyed her company at our family Christmas lunch yesterday.  It’s still a bit shocking to me how quickly the years have passed, of course I don’t feel any older today than since I took this photo of her and my sister-in-law together, but obviously this is a sad self-delusion…  sigh…
Re the cute little dress; I don’t have any memory of the pattern I used to make this; but it’s highly possible it was a Topkids pattern.  Does anyone else remember these excellent magazines?  They were like Burda, but for kiddies; stuffed full of cute and very stylish designs.  It was an Australian publication and the instructions were in English, but I’m 99% certain the all the designs and all the photography inside the magazine were Dutch in origin.  I’m basing my theory on the following; apart from the fact that there was a line of rather cryptic and unenlightening very fine print, something about Amsterdam, on the title page; all the styling and clothing had a distinctly European air about them, that was very patently not Australian… this is my highly analytical summary.  Hehe…
Does anyone else have more specific information about TopKids, and can enlighten me further?
The Dutch acknowledgement I’m referring to (and here I toddle off to haul out an old copy from the dusty archives…) was:

De Geillustreerde Pers BV Amsterdam

Thanks for your thoughts!

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Pinky pink.

It took me a while to settle on this outfit today.  I had originally planned to wear my brand new top, from the pattern I was tracing out yesterday (yes, it’s finished!!) but it was lacking the right buttons to finish it off completely.  I had sewn on two complete  and different sets of buttons from my button bag, and ultimately just felt dissatisfied with each set…  so I had to trek out to the fabric shop to locate the perfect buttons today.  And I was very good and only bought one other piece of fabric whilst I was there.  And it was from the remnants table, so I am, you know, doing my bit, helping out the fabric store in getting rid of unwanted fabric.  I’m doing a good deed.  Practically a community service.  Not a self-indulgent or unnecessary purchase at all (cough cough)
Also while there I purchased two patterns I’m pretty excited about for my autumn sewing plans… lookee below.  The jacket pattern is one I’ve read about on other sewing blogs and am keen to give this a go.  Apparently it contains details on reproducing couture construction techniques, so I’ll be following these carefully.  The only problem I’ve discovered in my experience with Vogue top and jacket patterns is that they seem to be set on a default fitting for quite big-busted women.  On me, an only slightly blousy top ends up looking like a deflated balloon and kind of ridiculous.  I find Burda patterns to fit beautifully with no adjustments required.  I don’t know if this says anything at all about the relative shapes of the average American versus European woman or not.  Japanese patterns fit me well too.  But I am determined to work very properly and meticulously with this one and make it a rip-roaring success…  Promise I won’t get bored and try to whip through so I can just move on!! (a recurrent failing…)
The gloves are a no brainer.  Yah, always looking for a new challenge, hehe…  Keep you posted on how these go…!!

Details:
Dress; Simplicity 3745, significantly modified, pink lace
Camisole (under); Country Road
Skirt; “m”, from Unique Clothes Any Way You Like, by Natsuno Hiraiwa, apricot/grey linen mix
Thongs (flipflops); Mountain Designs
Necklace; a gift from my friend K

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Burda 7767; a pattern review

Yesterday I surprised myself when I tried to create a link to the review I wrote for this pattern and found out it wasn’t even here!!  I wrote this for Pattern Review; oh, months ago, and …er, forgot? to put it here on my blog too.  I’ve updated the review here only slightly, to take into account the fact I’ve used it an extra five times since writing this review, and to note some of the variations.
I decided today to wear one of the earliest versions of this pattern I made for Craig; as an overshirt, folded over at the front asymmetrically and belted like a sort of coat.  Please note my fabulous salon-styled do; this kind of glamourous hair doesn’t appear here often…

Details:
Shirt; Burda 7767, burgundy linen
Dress; Burda 8511 with fitting, neckline and zip placement variations, brown wool mix.  oh, and fully lined too…
Belt; kept from a pair of old cargos
Socks; knitted by me
Shoes; Francesco Morichetti

So without further ado, here is the review:

 Pattern Description:
Men’s dress shirt, one version with front pintucking option, the other plain fronted and with four collar variations
Pattern Sizing:
European 44 (US 34) to European 60 (US 50)
Did it look like the photo/drawing on the pattern envelope once you were done sewing with it?
I’ve only sewed version B without pintucking, but yes
Were the instructions easy to follow?
very easy
What did you particularly like or dislike about the pattern?
I liked everything about this pattern, nothing to dislike. It’s a basic men’s shirt!
Fabric Used:
Linen
Pattern alterations or any design changes you made:
The first time I made this pattern up it was for a birthday present for my husband and I had to make it in secrecy with no fittings! Luckily it fitted fine, however the subsequent times I’ve used it I fine-tuned the fitting to accommodate my husband’s measurements perfectly. Namely by deepening the armholes and correspondingly widening the sleeve at the underarm point. Obviously this wasn’t the pattern’s fault, that I couldn’t perform progress fittings, however!
Would you sew it again? Would you recommend it to others?
Yes, I’ve sewn this up eight times now; for my husband, our two sons and even for me, and plan to use it many times over again in the future. Would highly recommend to others as a simple basic shirt pattern.
Conclusion:
What’s not to like about this pattern? Men’s shirting needs are often simple and uncomplicated and this pattern serves the purpose exceptionally well. Being such a basic pattern means you can add your own variations such as pocket flaps, welt pockets and fancy topstitching variations as much as you wish. You could also shorten the sleeves to make a summer button-up shirt too. The times I’ve used this pattern I’ve varied the pocket slightly each time, and played around with contrasting topstitching details. It’s a simple matter to lengthen the body pieces to create a curved lower hemline if this is desired also. An advanced seamstress could also play around with varying the yoke.
For the versions for my teenage sons I added tabs inside the sleeves that button back on themselves on the outside of the sleeves to hold up the sleeves when rolled up; I also used press studs in lieu of buttons; sewed on two breast pockets with flaps and angled the pocket flaps and cuffs to give a funkier look to suit a teenager’s tastes. This is only one variation of many one could try out with this great pattern. 
Later edit; looking at the other reviews of this pattern I was reminded that the yoke pattern piece had “cut 1” printed on it by mistake instead of “cut 2”. I think this is a simple typo, and not really a problem as the pattern instructions clearly require for there to be two yoke pieces cut, and the pattern cutting layout also illustrates two yoke pieces laid out.

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Floral floaty dress

Finished!
In sequinned and embroidered silk chiffon from the Alannah Hill outlet in Melbourne, and using Vogue 1152 again.  This second time in making up this pattern I followed the pattern faithfully.  Except to add about 5cm in length because I felt like my previous version is on the short side.  And I hemmed with a handrolled, handstitched hem, so the dress is technically just a leettle bit longer than intended because of this too.  I went with the original styling because I figured that the floppy sheer fabric would droop quite satisfactorily and thus work better for this “loose-fitting” pattern.  And it does, too.
Note to self; when the pattern envelope says “loose-fitting”, pay attention.
For the piping I used the tiniest scrap of some leftover fabric that my daughter dyed in a shibori method, as part of a school project.  And because I didn’t have any piping cord handy, I substituted boot shoelace; just as effective, imo.
Because the fabric is er, like, completely sheer and I don’t wish to make a spectacle of myself, I am wearing it over the champagne silk petticoat, made here using Burda 8071; and it couldn’t be a more perfect fit, cut or colour to work with this dress also.  A very useful petticoat, indeed!!
To read my review of this pattern and the previous alterations to the denim version, go here.

Details:
Dress; Vogue 1152, sequinned and embroidered silk chiffon
petticoat; Burda 8071, champagne silk satin
Socks; knitted by me, white cotton
Shoes; Francesco Morichetti

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An unappreciated skirt

Rummaging around in my wardrobe I came out with this skirt which has only been worn a mere handful of times; poor thing.  I was so pleased with it when I had finished it, so I’m not sure why I haven’t been reaching for it more often.  I think, even though I’ve been trying to work my way through the wardrobe evenly, I still stubbornly and faithfully go for the same old favourites.  I think we fall in a habit of wearing certain items.  You know, you reach for the “safe” clothes time and time again, even though they may be looking a little shabby and past their best, and you fail to notice some of the new-ish clothes that you haven’t quite worked out how to work into your ensembles yet… exhibit A; this skirt.  I’m going to ease it into circulation more.
Also these shoes, which I bought probably seven or eight years ago.  They are really cute, but I haven’t worn them in about three years.  I’d been looking for a new pair of flattish black shoes to fit my very strict shoe criteria.  This is an annoyingly vague rule; shoes absolutely must excite me with some sort of “it” factor that I can only recognise when I see it.  Also, preferably, to be manufactured in a country with ethical employment practices…  but my search was failing dismally.  Then I came across these tucked away at the back of the wardrobe.
Jackpot!!

Details:
Dress, worn under as petticoat; Burda 8071in embroidered cheesecloth, to see this styled in 6 different ways, go here
Skirt; drafted by me, made from leftover linen scraps from my husband’s shirts, here
Cardigan; Country Road
Scarf; made out of an old tanktop, here
Shoes; Jocomomola

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A difficult dress

Oh, so much for horrific leavers rowdy stories… so far I’ve only come across small bunches of delightfully friendly, polite and sweet teenagers who immediately want to pat Sienna and make friends with her.  Having a dog takes down a lot of barriers…  and seeing happy teenagers having fun on the beach has just made me miss my own kiddywinks and I really wish they were here with me…  sigh…
My dress; first time here although it does not qualify as new.  I’ve really struggled with this dress.  This is its third incarnation, nearly two years in the making and I’m still not desperately in love with it… I bought this embroidered silk from Tessuti’s in Melbourne a few years ago, with the intention of making a full-skirted number inspired by a Burberry dress.  Full-skirted, fitted bodice, boatneck and with elbow length fitted sleeves.  I finished my version and it was a perfectly OK dress.  But it didn’t actually look very “me”.  I felt like I was dressing up in someone else’s clothes…
So I decided the full-skirt was the problem; I unpicked this and recut a more fitted skirt.  This was a little better, but by this time the allover embroidery and sameness of the fabric was just screaming at me “TOO MUCH” and I had to put it aside for a few months.  Or a year.  You remember how the von Trapp children in the Sound of Music were all dressed in the curtain fabric so all their outfits were over-the-top matchy matchy??  The dress was like that.  Eventually I removed the bodice and sleeves, recut the skirt again and bought some goldy green silk for a plain bodice.  Sleeveless.
Better.
But still not…. quite…
I look at all my sewing and judge it by this criteria; would I buy this if I saw it in a shop?  And this dress; well I’m not so sure.
The fabric is so gorgeous; soft gold, apricot and muted mossy sagey green, nothing not to love there.  I’m forcing myself to wear it, hoping I will love it more with use.  But I’m not ready to reveal it without a cardigan yet.  I still look at it and can see all the angst in its inception…

Details:
Dress; partly my own design with components of Burda 8071, green silk, embroidered gold silk
Cardigan; Nine, from Labels boutique
Hat; Country Road
Thongs (flipflops); Mountain Design

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Thoughts on the “vintage” trend

A friend passed on to me tickets to a Vintage Market on this weekend, promising “Vintage and Retro Men’s and Women’s Clothing and Accessories”, and sorry, but I can’t help but feel a bit yawn-y about the whole thing.  And hate to sound cynical, but the current fad for “vintage” is just becoming a tad too commercial for my liking.  I’ve even heard stories of ladies who have been op-shopping like mad for this event, scooping up masses of clothing and up-marking it to put in their own “vintage” stalls in the market… well count me out.  
I’ve got nothing against op-shopping, per se.  Well, I have done it myself once in a while…  Op-shopping (if done when you can afford not to, I mean) is of course partly a political statement of one’s non-dependence on commercial and new products, and how better to make that first-impression “I rebel against the system” message than in your clothing?  As well as satisfying one’s artistic desire to dress uniquely, not to mention saving a few dollars at the same time; so it’s not surprising this is a long-term favourite occupation of real bohemian souls… 
But is one being truly thrifty or merely conformist when following the “vintage” trend?  Or worse, opportunist, as in the case of the Market sharks vendors.
So I think I’ll just be occupying myself with sewing and gardening this weekend.  Plus I’ve already got my own “vintage” (hahaha) treasures; this dress is very Jackie O, don’t you think?  I picked it up when she had her White House garage sale… of course I’m joking, I made this myself about five years ago, and no pseudo-retro or “vintage” pattern was used either, just an ordinary one.  Sorry to disappoint.  I’m merely wearing it to stay cool.
Funny thing when I was putting this on this morning; I put it over my head just as usual then struggled a little to pull it down, and I couldn’t understand why it felt tighter than usual.  Then went to pull up the zip.  The zip was already up.  Lol!

Details:
Dress; Burda 8511 slightly modified to fit, printed synthetic stuff (thus the “indestructible” dress)
Sandals; Franco Burrone, from MarieClaire shoes

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Half a house

A house in our neighbourhood is being renovated, providing me with a wonderfully devastated landscape to borrow for my backdrop today.  From this door I should be stepping into to the laundry and bathroom… both of these now residing in a huge skip out front.
Paradoxically, given this scene of dust and destruction, I am cleaning my own house today.  Plus it is a waaaaarm day, so dressed for comfort and coolness whilst wielding a vacuum cleaner and mop.  Hopefully I will have a little quality time with my sewing machine later… 
Of the garb, this dress is soooo comfortable and will be great for summer.  I like this pattern, but I’m so happy I followed my instincts and modified it to suit this fabric better.  But now I’m dreaming of making it up again, this time to the pattern, maybe in a floral floaty, or possibly in a sheer gelato chiffon to wear over a petticoat.  Hmmm, since I don’t have either of these fabrics in my stash this would mean a trip to the fabric store, which I have sworn off until I have reduced the volume in my fabric cupboard by at least a few more lengths… sigh.
The shoeless photo is purely a gratuitous shot to show off of my handknit socks, and to show how meticulously I have co-ordinated my whole blue and grey ensemble today; thankyou for noticing.  Actually, come to think of it not so gratuitous, as the boots do not participate when I am doing housework.  Like most people (I think?!) I kick off my footwear at home and swan around either barefoot or in socks.
So, do you wear shoes when at home or, like me, do your feet go nekked?

Details:
Dress; Vogue 1152 with modifications listed here, cotton chambray
Socks; handknit by me
Boots; Francesco Morichetti, from Zomp shoes

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