Tag Archives: Own Design

Tea Cosy, specimen 14

This is the fourteenth and final tea cosy I have to show you.  This one was for J, and she keeps chooks, thus the three on top.  The colouring is also slightly different from the previous chook one I made for our mutual friend C.  J has the most divine garden and house filled with antique bits and pieces and every corner is a picture to gladden the heart of a photography freak.  She has things like old farming boots, filled with plants and sitting on an old rusty iron table in a leafy corner of the garden; a discarded bike leans casually under a tree; an ornate gate leans against another tree, forming the backrest to a bench; the verandah is hung with quaint birdcages, paint a-peeling, some with bird ornaments perched inside.  There is even a rusty jalopy parked in one corner, getting overgrown…  She has pet alpacas!  I regret deeply I didn’t have my camera when I visited…
She took this picture for me of the cosy with one of her antique finds, a tea caddy.  She sent me about six pictures of the cosy, each with cuter and cuter accessories alongside and it was tough for me to narrow the picture choice down to just one! but here it is.
The base is again the base for RolyPoly, from Wild Tea Cosies by Loani Prior, but the chooks are my own design.

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Riverside situation

Little adventure this morning.  Lately I’m in the habit of combining my two early morning tasks of dog-walking with taking my photo, if I’m planning to take one that day, that is.  I have my camera, tripod and the shoes I’m planning to wear the remainder of that day in a backpack, I take Sienna with me and stop somewhere picturesque and set up for a few minutes.  Well today, I’m out on this tiny jetty and it’s quite windy, I’ve got the tripod shored up between a pillar and the backpack to prevent it from blowing over (yeah, it was windy enough that that was a real risk!) and next thing I know, whoosh! my tripod bag is now floating in the river about five metres away.  Bob bob bob, it goes, taunting me,  out of reach.  I look at it with despair.  Should I abandon modesty and wade out to it?  No, the river is over thigh deep at that point…  Sienna is no bloomin’ good at all, she may look pretty but that’s as far as her usefulness goes.  Fetch, she does not do…  I look about for a handy young man jogging in his shorts who may gallantly help me out, but I’ve chosen my time well and there is absolutely no-bloomin’-one in sight AT ALL.  No canoe-ers.  I’ve got the foreshore to myself.  Usually this is a plus as I’m shy about taking my own photo if anyone’s about, but this time I could really do with a helpful man… (couldn’t we all…?!, joking, I’ve got my own man, but he’s gone to work early, dammit)
So I hightail it home, dragging Sienna, not allowing her to sniff or socialise, and luckily my eldest two are still around, and my daughter, never shy of an adventurous stunt, immediately dons bathers and we drive back down, she swims out, it’s about twenty metres out by now, and rescues the tripod bag…
As the song goes, thank goodness for little girls…
As a anticlimactic afterthought, my hat.  It’s newish, well on its maiden voyage anyhow (like my tripod bag).  I bought a single ball of this yummy wool at anny blat at their shop in Paris when we were there six years ago.  I finally made this beanie last year from my own design, just cast onto four double-ended needles and made it up as I went along.  I’m going to make myself wear hats more often.  I wish they were more in fashion.

Details:
Skirt; Vogue 7303, fabric handwoven by my Mum
Top; refashioned from husband’s old workshirt, my own design
Scarf; Country Road
Shoes; Timberland, bought in Rome
Cloche; annyblat yarn, my own design

 

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Chocolate, gold and turquoise

Above, the sky is a rich intense shade of turquoise with not a single wisp of cloud to mar its relentless plane of colour; it’s not surprising I was drawn to this vivid and gorgeous shade of nail varnish… (if only I’d had it in time for Saturday’s photo, no?!)   The name of this shade is Fool’s Paradise, a message, perhaps?  Need to shake this lethargy and get onto the officework, I think…
The air is still and heavy and this heat is seriously sapping my will to live, but I’m doggedly pursuing my plan to branch into autumnal fashion and leave the hues of summer behind.
Luckily the Bouchee dress is of a shade to pass any autumn colour test even though autumn here isn’t of nearly the richness of colours that it brings to colder climates, our version is more of a season of relief and recovery from the harsh ravages of the summer months.  And today being another 36C scorcher this dress is tolerably cool and a joy to wear.  I’m glad I rescued it from my Salvo’s pile….
Today I’m wearing it with a necklace I bought as a souvenir from Santorini, the island my imagination wanders to on so many occasions, and my golden jewelled sandals, which were bought, er here, sadly no romance or memories associated with their purchase, driven just by a prosaic need for summer footwear.  Nonetheless I have my necklace and my turquoise toe-nails to transport me mentally back to the happy casual handholding days of Greece….

Details:
Dress; my own design based on McCalls 4454, brown self-embroidered cotton
Necklace; souvenir from Santorini
Sandals; Anna, bought from MarieClaire shoes
Nail varnish; Fool’s Paradise, BYS

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The summer in review

Today is officially the first day of autumn.  Seems kind of hilarious given that it’s going to be 37C again, and will continue to be in the high thirties for another week or so… anyhoo, I thought I’d review my most worn items of clothing over the past summer.  Now I don’t take my photo every day, and I am making an effort to rotate through the wardrobe and wear everything once in a while, but that being said there are still the favourites that I turn to time and time again on my days “off” from posing for a photo because a. they are comfortable and b. I feel good in them.  So I guess these clothes sum up “my style” for the summer (inverted commas because I’m still a bit hazy on what the heck my style even is!)…
It’s been an extremely hot summer with comfortable days few and far in between so it’s hardly surprising that the coolest items in my wardrobe have been the most popular, which means lots of white… even so I was surprised at how consistent my colour palette has been, and strong and bright.  I seem to have gone for greens and raspberry pink quite a lot this season.  For the five or six semi-formal functions I’ve attended I’ve gone for the beige lace dress I made at the beginning of last spring (for which I’ve received many compliments from very kind friends); I made it under the influence of the “nude” colour trend that was about at the time.  Not all of these clothes were made by me, but I tried to be honest about the clothes I’ve turned to most frequently and this included a few store-bought items and one op shop item; in the evenings, or when I’ve required a light cool cardigan, my turquoise and hot pink cardigans from Metalicus have been my go-to’s, and without a doubt my most worn accessory has been my cheap little necklace I bought from the surf shop at Rottnest about four years ago… even so looking over these I’m pretty pleased that most of my daily wear falls in to the handmade category… how about your wardrobe?  Have you worn mostly your own clothes lately?

Details:
Dresses;(nude) my own design variations based on New Look 6699, two types of beige lace and purple shot  silk
               (white) Simplicity3745, spotted swiss voile with lace trim
Necklace; from the surf shop on Rottnest Island
Skirts; (lime print) Vogue 7303, cotton
             (white cotton) bought from Old Navy, Capetown South Africa
           (olive green) Vogue 7303, corduroy
           (red floral)Vogue 2894, cotton
Shorts; Burda 7723, white linen
Tops; New Look 6252, lime green linen
          New Look 6252, white seersucker
          (pink) Aztec Rose, op shop
          (apricot) Country Road
Cardigans; both from Metalicus

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Carpet of flowers

Felt like going a bit flowery and feminine today.  We have this beautiful long row of pink hibiscus near our house so for my photo I rushed over to advantage of the local colour, so to speak…  I love hibiscus for their showy and yet elegant flowers, and their soft very feminine colours.  I only wish one could cut their flowers; imagine a huge armful in an old-fashioned cut crystal vase on the sideboard.  It would be so nice, but hibiscus are notorious for their bad behaviour once cut, they close up immediately and refuse to come out to play, one imagines they are sulking from being cut off from their bush…
I made this dress at the beginning of last spring, using Vogue 7748 as a basic wrap dress pattern but adding my own design details, for more technical information see here…  
The flower pin in my hair I made myself; it is just one of those silk flowers on a stalk from Spotlight, with the stalk cut off and the flower superglued onto a bobby pin.
My husband is working all today so I’m off to morning tea with a friend, doing girly type stuff like window shopping and looking at nurseries, thus my frilly floral ensemble….  Its nice to feel like a real girl every once in a while.

Details:
Dress; my own variations on Vogue 7748, floral polyester chiffon
Shoes; Micam by Joanne Mercer, Hobbs
Hair pin; made from a silk flower
Nail varnish; own mix of BYS Mint Condition and French White

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Light summer cardigan: a tute

When the summers are long and hot like they are here, and your daily activities include getting out and about in the sun a lot you need lots of light cool clothing that still provides protection from the sun.  I could go out in camisoles and singlets every day, but like all Aussies I worry about skin cancer a lot, and although I slather on the sunscreen each morning it’s good to have some sort of light garment to pop on which covers your shoulders. 
I made one of these cardigans last summer and found it invaluable, so decided to make another. 
(I actually made this particular specimen a few weeks ago and amazingly remembered to take pictures of the construction process, but promptly forgot about them until this morning… yeah, haha)
First, draft for yourself a basic cardigan shape, either from scratch or using a favourite cardigan whose shape you love.  I have a wonderful Marilyn Seyb cardigan I bought in New Zealand which I think is very flattering to me and its style suits much of my wardrobe.  It’s now seen better days sadly but I just can’t bring myself to ever part with it because I love it so…  Make any adjustments to your pattern to fit your personal preferences, such as adding length etc. at this paper/muslin stage.
The ideal fabric for this project is a light stretchy net which doesn’t ravel or fray, as the raw edges will be on show.  I used two layers, the inner one white net, the outer a shimmery mauve/silver embroidered net.  Its not necessary that they have the same stretch ratio as each other, but they do have to have at least as much stretch as your original cardigan you drafted your pattern from…  Cut out your pieces, remembering to include seam allowances to the shoulders, side seams and all sleeve seams.

Now, carefully remove a 2cm strip from the front neck, back neck, end of sleeve and bottom hem edges of your top layer.  I find it easiest to use a rolling cutter for this.
Lay your outer layer front and back together matching shoulder seams, then your inner layer on the outside of this, matching the edges at the sleeve side of the fabric.  There should be the 2cm extra length of your inner layer extending into the neckline edge of your cardigan (see photo)  Overlock the shoulder seams.

Layer the inner and outer sleeve pieces together, matching armhole edges, and with outer layers together, pin to the armhole edge of your cardigan body, matching all edges.   Overlock armhole seams.  In the photo below, one armhole seam has been finished at right, the other at left has been pinned ready for overlocking. 

Now with right sides of the outer layers together, pin and overlock the sleeve seams and side seams in one seam.  Turn your cardi right side out.

Now choose some sort of band and closure material.  For my first effort (in this photo below) I used some grosgrain ribbon and a single cute brass and enamel button and sewed a button hole in the grosgrain ribbon for it.  For my new cardigan I used a scrap of leftover crotchet border lace.  Pin this around the neckhole edge of your cardigan and stitch into place.  I didn’t have enough to go all the way around my cardigan, but it doesn’t really matter if the lower edges are loose…  I then sewed on some charcoal grey velvet ribbon for a closure.

Weave in all the loose overlocking threads into the seams, et voila!  Your cardigan is finished, and wasn’t that the easiest thing ever!  (My apologies to advanced seamstress’ who find these instructions laughably easy…)
 I’ve found these light cardigans perfect for hot days as they are so light and airy you barely notice they’re there but they still provide protection from the sun and are nice if you don’t want to expose too much skin to the whole world.

Details:
Cardigan; white and mauve net, own design
Skirt; Old Khaki, from Capetown, South Africa
Camisole; Country Road
Necklace; souvenir from Egypt
Sandals; Vicenza, from Soletta shoes

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Chocolate, chocolate, and more chocolate…

 Dug out the Bouchee dress again and am wearing it with my big wooden-beaded necklace.  Today the necklace is bringing to my mind a display cabinet in a chocolate shop; an array of glossy Lindt truffles, strung together with Maltesers and chocolate coated macadamias; with the silver charms like the crumpled silver foil unwrapped from their bonbons and tossed carelessly aside…
In fact I’m feeling today I look like a long tall glass of Milo, laced with rich chocolate-y goodness all the way up!  
Must be having a chocolate addiction “moment” and there’s only one cure for that one…

Details:
Dress; my own design based on McCalls 4454, chocolate cotton
Necklace; self-made
Shoes; la soffitadi Gilde
Nail varnish; own mix of BYS French White and Mint Condition

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Design manifesto

I came across this on outsapop, and yeah, says it all really.
However, I’d just like to expound on my personal philosophy on the subtle differences between inspiration and copying, and a further explanation on my label “own design” that I use from time to time.
I am inspired all the time by so much around me, including the work of great and talented designers and am often moved to create something for myself based on someone else’s idea.  However, the end result is often, if not always, very different from my original source of inspiration, perhaps because of some design whim of my own, or a personal colour/length preference, or to fit a quirky design detail within the practical considerations of my life.  In this case I consider myself to be “inspired” by another’s work, rather than for me to be “copying” another’s work.  It’s very rare that I set out to reproduce a piece exactly, and I’ll always reference my inspirations! some small consideration to intellectual property!
I do use commercial patterns, for basic shaping and sizing, but a lot of the time will add my own twist to a pattern.  Altering a hemline, neckline or incorporating fitting features are just part and parcel of basic dressmaking variations; but anything more complicated than this and I will start to consider added features as my own design, and I’ll label it as such, even though I always display my original starter pattern for reference.
As for the self-imposed fear that the home seamstress often has of “ripping off” designer items….
Take a basic blazer.  Who invented the blazer?  Let’s even take it a step further and narrow it down to a military blazer.  It’s been around since Civil war era and I’m pretty sure no-one knows who actually invented the thing, but it definitely wasn’t Balmain and yet I see fashion editorials devoted to the horror of “Balmain copies”…. please, it’s a trend, not owned by anyone, and free for the home seamstress to play with as much as she/he fancies.
I say if you want to take a piece of cloth, make your own sharp shouldered jacket and put a few brass buttons and epaullettes on, then yay for you!  You made yourself a blazer!  You win!
On a related note, true story: a few years ago I made myself a ball dress that I spattered all over with fabric paint and told a friend that I got the idea from a Dolce and Gabbana gown.  He asked if I was worried about getting sued.  Seriously.
What are other’s opinions on this point?

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