I’ve knitted jumpers before but this one felt different because I didn’t feel like I was knitting an actual real entire jumper, a process that can sometimes feel a bit never-ending while you’re so engaged… this rather unusual and innovative design is essentially a patchwork comprised entirely of plain and identical triangles. So all you’re doing is knitting is a whole bunch of very quick and simple triangles, separately, one by one… you knit a triangle, toss it on the pile, knit another, whenever. The triangle itself is a super quick n’ easy pattern that you’ve memorised after the first couple. Making it a fairly mindless and terrifically painless project. Once you have enough you stitch them together into a jumper shape. So really it’s like, the jumper to knit when you don’t want to knit a jumper!jumper of triangles
I’ve knitted jumpers before but this one felt different because I didn’t feel like I was knitting an actual real entire jumper, a process that can sometimes feel a bit never-ending while you’re so engaged… this rather unusual and innovative design is essentially a patchwork comprised entirely of plain and identical triangles. So all you’re doing is knitting is a whole bunch of very quick and simple triangles, separately, one by one… you knit a triangle, toss it on the pile, knit another, whenever. The triangle itself is a super quick n’ easy pattern that you’ve memorised after the first couple. Making it a fairly mindless and terrifically painless project. Once you have enough you stitch them together into a jumper shape. So really it’s like, the jumper to knit when you don’t want to knit a jumper!dress of plastic splattered linen
I’ve made a summery little dress for myself.
This is dress F from the Japanese pattern book Stylish Dress Book, by Yoshiko Tsukiori. I’ve made this pattern up once before here, and that polka dot dress is still in my wardrobe and remains one of my perennial favourites. I don’t know if this new one is going to topple its big sister from my favourites list, but anyway, it’ll still be a goodie and bound to get worn a lot in this long, loooong, very hot summer we’re having!
I made a couple of teeny changes, adding inseam side pockets and also leaving off the sleeve ties. Instead the sleeve opening has a button sewn on to close. Still looks quite cute and meant I didn’t have to try to sew and turn out those skinny-binny sleeve ties in this lovely but rather challenging fabric.
I know… it doesn’t look particularly challenging in my pictures; it appears from a distance to be a quite ordinary duck-egg blue, handkerchief linen. Only closer inspection reveals random dots of what appears to be clear plastic, splattered all over it. This has the happy side effect that in the sunlight it appears to sparkle like diamonds, *squeals, oooh pretty!* and the less than happy side effect that it was quite difficult to actually sew the splatters and they don’t fold well at all; also it, how shall I say this? presents an Ironing Challenge, to say the very least.
See, obviously linen requires the hottest setting on your iron but the plastic splatters turn into soft and sticky, glue-y spots that stick to your iron and everything else when they’re subjected to heat. I’ve pondered it for four years; four! since I bought this lovely stuff from the Fabric Store in Melbourne! wondering what I could make with it that would do it justice, finally hit upon this. Also, reflected all over again upon how super silly it is to leave lovely fabric languishing in le stash when I bought it for the fun of making it up and wearing it, what the heck.
Happily, I think it did work out! 🙂
During construction I pressed either using my ironing cloth or on the wrong side of the fabric, and had to peel it off the cloth or the ironing board each time! and wondered if the splatter dot situation, while a cool concept and I visually I loved it! was in practice going to be a massive pain to iron.
Well I’ve washed and ironed it once now and fortunately I don’t think the dots are going to be a problem. I ironed the dress inside out and even though it does stick together it’s no biggie to just peel the layers apart while turning it right side out again. And the plastic does cool and dry hard again pretty quickly. Thank goodness.
The hem line has a tuck around the bottom. This is actually a crafty fix of a cutting booboo. You see, when I made my first dress F I had screenprinted my own fabric and I forgot to note that I had actually lengthened the pattern pieces to fit my print. Actually I find it good practice to add by default like, at least 10cm in length to any dress from a Japanese pattern book. Anyway, this time I carefreely cut out the pattern as is… result; scandalously short dress. Darnit.
Fortunately I had enough fabric to cut extra lengthening bits and sewed them on to the bottom, hiding the joining seam up inside this tuck. You can’t see the join on the inside because I turned up the hem long enough to enclose everything. The hem is hand-stitched using invisible fell-stitching, and I caught the upper fold of the tuck in the same stitching to secure all the layers together.
Problem solved!
In fact, I have to say that this is a very simple dress which belies its unexpected difficulty-factors! but I am so pleased that it all came together quite happily and satisfactorily in the end. 🙂
Details:
Dress; dress F from the Stylish Dress book, by Yoshiko Tsukiori, plastic splattered linen
Hat; Vogue 8844, ivory corduroy, details and my review of this pattern here
red gingham
… new dress!
I feel like I’ve been wearing the same little summer dresses over and over and over. Not that there’s anything wrong with that! because I like them all 🙂 but a few of my standbys are getting on their last legs and the wardrobe needed new blood. And there’s still a lot of summer to go.
I’ve been eyeing off dress E from the Stylish Dress book by Yoshiko Tsukiori ever since I got the book, in fact it was my Sew Bossy dress of choice for Reana Louise! I loved hers and alway wanted to make one for myself too… one day. The book is chokka with patterns for cute and practical little summer dresses that are absolutely perfect for our hot Australian summers, and this pattern is yet another goodie although I ended up making quite a few little changes. Some due to my fabric; a red/cream cotton gingham with a very slightly crinkly, seersucker-y texture, from Spotlight.
The front of dress F has five box pleats in the bodice and I was determined for the gingham pattern to match perfectly on the front.
Please excuse and/or feel free to skip the following; where I boast obnoxiously about my perfect pattern matching. Yes, there are five box pleats up there *insert smug self back-patting*
There’s only one way to pattern match to that degree, and that’s to pin the flippin’ heck out of it. I pinned at each and every check intersection, basted each pleat and inspected for flaws obsessively before the final sew. I’m pretty pleased, even to my eyes I can’t see the joins at all. And I’m pretty fussy 😛
Matching the pleats into the gingham weave like that necessitated cutting the front piece to a different width from the pattern piece.
It’s not hard to work out how to do this, the only criteria is that the front fits onto the front facing piece once pleated. A little quality time with the tape measure and some mental calculations to exercise the ol’ brain cells a bit. Each box pleat is 6 checks wide, with 4 checks in between each one and it turned out that the overall width of my front piece is slightly narrower than the pattern piece.
Other changes: gathering looked terrible in this bouncily textured fabric, so I cut the back skirt straight, eliminating gathering into the bodice. The sides were slimmed down considerably, tapering out to 10cm off each side at the hem, I added in-seam side pockets instead of patch pockets. I did put the little cap sleeves in to start with but they just felt a bit too “busy” in gingham, so I unpicked them off and finished the armholes with a bias-cut strip inside instead. The pattern is quite short so I lengthened my dress by 10cm, with a little tuck at the original hemline, just for fun 🙂
So yeah, I have nothing much more to say!
I’ve made a cool and breezy, simple and uncomplicated little summer dress. I love it already 🙂
Oh, and Gabrielle and I are twinsies today! I had nearly finished this dress and was amazed when Gabrielle posted a picture of her red gingham dress on instagram! great minds thinking alike, of course 🙂 check out Gabrielle’s gorgeous gingham dress here
Dress; dress E from the Stylish Dress book by Yoshiki Tsukiori, red cotton gingham
Thongs; Havaianas
#hoodie
I love hoodies. And I love dark browns, crinkly linen and loose relaxed-fit comfy loungewear. Despite all those loves, it’s taken me a ridiculously long time to finish this hoodie. I started it before I left for Melbourne last year! woops!
I used Burda 09/2014-115, a tunic/hoodie pattern; and this lovely deep, deep, burnt chocolate linen, that I bought from Tessuti’s in Melbourne on our previous, 2013 trip there… extra woops! Sometimes I hoard lovely fabrics for forever and feel guilty about it, but really it’s only because I can’t think of the Perfect Project which it would like to become. Some fabrics tell you straight away, whilst others sit there and taunt you with their loveliness while never giving any hint of what they want to be.
Anyway, finally I made something.
To be honest, this is version two.
The pattern is actually for a tunic a good 6″ longer than this, and that is how I made it. I had visions of those lovely chic European lagenlook-y ladies wearing long and loose flowing clothes in earthy neutral shades. I started out with high hopes, made the hoodie/tunic. Felt really good about it, all went together smoothly, happy with my decision, almost finished it; perfectly hand narrow-hemmed shirt-hem and all. It was easily long enough to be a dress.
Tried it on, and was immediately struck by the fact that I had made myself a Friar Tuck robe. Yes, in its long version I looked exactly like Friar Tuck. Do I want to look like Friar Tuck? Emphatically, no. Disastrous. Dejectedly shoved it aside for, um; a few months. Hmmm, how time flies!
Anyway, I really did want it to work, and so just recently I drastically shortened that hem and rolled the sleeves up. Massive improvement. I left off the waist tie channel and tie. I reckon that as a boxy, shorter tunic, with rolled up sleeves, it still had that relaxed, fairly oversized, comfy vibe that I was after… stylishly chic, I hope!
The dress has pockets and so I kept those, cutting and re-hemming it to just below that level. The button placket is invisibly sewn closed, because all buttons just seemed either the wrong size or colour, or just plain wrong against the fabric.
For some reason that now escapes me, I felt allergic to the idea of self-fabric bands to hold up the rolled sleeves. At the time I felt they would look unutterably boring and/or too match-y. So I made some sleeve holder-up thingies from skinny metallic belts. It felt like a good idea at the time, and luckily I’m still quite pleased with them, feel like they bring something interesting to the table, on what is otherwise a quite plain and featureless hoodie. I’ve tried wearing the hoodie with a few other of my clothes and it’s interesting that that little bit of silver-y, pewter-y metallic on the sleeves really helps the hoodie to “go” with a lot of my other clothes far better than it would without.
The neckline/hood seam is hidden underneath a band, cut from the leftovers from this dress. It felt quite fortuitous that the brown stripes were wide enough that I could do this, with barely a hint of cream pin-stripe to be seen!
Later edit: Inside the sleeve tabs, and thank you Jenna-Lynn for asking 🙂
I made the belt sleeve tabs by buckling the belts and cutting down to size keeping the buckle area intact. Using a nail, I hand-drilled four little holes for stitching, two at each end. The outside holes are hidden underneath the belt overhang. I put a little wad of folded fabric inside the sleeve between the belts to stabilise and strengthen the stitching area, and stitched through my drilled holes firmly and securely using thick upholstery cotton.
Details:
Hoodie; Burdastyle 09/2014, 115 shortened, of burnt chocolate-brown crinkly linen
Shorts; Burda 7723, grey/cream pinstripe linen, details here and my review of this pattern here
Disclaimer; this pattern was given to me by Burdastyle; however I chose it myself from the large range of patterns on offer because I liked it. All opinions are most definitely my own. There are no affiliate links on my blog and never will be… I’m in it because I love sewing 🙂
floral bathers
Bathers!
Pattern; old fave McCalls 2772, with the halter neck bikini top modified to be a tankini.
Fabric; one-way stretch from Fabulous Fabrics. I just randomly fancied floral this year.
I was immediately attracted to the clarity of the print, the realistically drawn, intricately detailed flowers and foliage. However, despite its obvious gorgeousness and I was pretty sure it would look great as a pair of bathers, I agonised somewhat over the fabric in the store for ages. Why? well, there is actually something extremely annoying about it.
See how I have oriented the floral bit so that the flowers stand upright? which to my mind is the only logical orientation for the print… well, the stretch in the fabric is actually going up and down, parallel with that print; and not across, or perpendicular to it, like you would rightly expect it to.
I know, right? Annoying!
You want the direction of most stretch to be going around your body, obviously! and well, who would want the flowers positioned that way?? There is a leeetle bit of stretch the other way, but not very much, so to my mind the way the print was done is just all kinds of wrong.
So I umm-ed and aah-ed for like forever over whether or not to take a chance on it.
Well, clearly I did in the end. And put the flowers in going up and down, exactly the way I wanted them. Sheer pig-headed stubbornness determination told me I could make it work.
And I did, by putting an invisible zip in the left side seam. Problem solved! Swimsuit purists will no doubt be horrified at the zip but look at me, not caring like a boss. At least it can be put on and taken off with the greatest of ease, which it would absolutely NOT do without that zip. Don’t ask me how I know that. I may or may not have sewn up that seam first, just to see, and may or may not have then spent a good five minutes struggling to get it on and then another five struggling to get it off again. Picture Houdini furiously battling with a straitjacket. Not exactly the epitome of effortless chic, haha.
Some quality time with my seam ripper, whack in a zip, done! Effortless chic is once again within my grasp, mwahaha.
And I’m now totally ready for summer! Bring it!
Details:
Bathers; McCalls 2772 bikini modified to be a tankini
Hat; Country Road
Location; Bunkers Bay
nani IRO blouse
a month ago I was meeting with some friends, and one friend was a little late. When she arrived, she explained that on the
way she had spotted a cute top in the window of a shop, and just had to screech to a stop and check it
out. She tried it on and then bought it,
totally on the spur of the moment. We
all duly admired the top and chatted about the pros and cons of spontaneous vs
carefully planned purchases. Important, life
altering stuff, I know!
after our get-together, which happened to be in Glyde Street where Calico and
Ivy is situated, I popped in to check out the offerings. Saw the range of nani IRO double gauze, fell hopelessly
in love all over again, as I always do when I go in and see it there. It occurred to me that maybe I could buy
myself a little top too. Except of
course that my version of buying a little top is buying a piece of fabric. Inspired by my friend I just decided to
spontaneously go for it.
print is called Painting Check. My very favourite
thing of all about it is the way the print fades away towards the selvedge and
I wanted to use this feature as a sort of “border print”,
although obviously it isn’t actually a border print but the complete opposite. It’s a reverse border print!
I like ideas that are turned on their head so it’s definitely my kind of border
print. To keep this feature firmly in
focus I left the selvedges unhemmed. It’s an uncommon choice but I think it works really well for this particular fabric, and I really like how it looks!
two body pieces are cut from one selvedge edge and the two sleeves were cut
from the other. The sleeves still have
the fabric ID on them, which I find quite charming.
sleeve and shoulder seams are flat-felled, the armscye seam is overlocked and
the neckline is finished with a narrow strip of bias cut cotton voile,
stitched, understitched and then topstitched.
New Look 6483, nani IRO double gauze “painting check”
Burda 7723, white linen, details and my review of this pattern here
Havaianas
patchwork Sandpoint top
I’ve made a new top. Well, kinda new from old actually, since it’s made from 4 old Tshirts cut up and patched together. My refashioning bag yielded; a light purply-brown from Craig, two pinks from Tim, and a chocolate-y one which is one of my old self-made Tshirts. They were all old and a tad tatty here and there but still had some good bits left in them. And I liked these yummy Cherry Ripe colours together. mm-mmmmm 🙂
The pattern is the Sandpoint top designed by Helena of GreyDay patterns. Mel of the curious kiwi contacted me to ask me to make up the pattern and review it and well, I love trying out new patterns; so ta da!
The Sandpoint is described as “a loose fitting T-shirt
with a surprise cowl in the back”. It is a nice little top pattern suitable for a beginner, having separate front pattern pieces for the two neckline options, V-neck and round neck. I think it’s biggest point of difference from other similar designs is a “shoulder band”, essentially a strip which is supposed to be worn behind the neck. I think its purpose is probably to keep the top actually up on your shoulders and not fall off, which is pretty much a given with these necklines. However I wasn’t keen on the shoulder band and decided to leave it off, and sewed lingerie holders inside on the shoulder seams. I have previously used lingerie holders to keep up the shoulders of my other oversized cowl, drape-y tops, here and here, and have found them to work just fine for the job. Fortunately they do for this one too 🙂
Because I wanted my rather bold patchworked fabric to speak for itself I decided that arm and neckline bands would be a visually distraction, fighting for attention. So I left these off also and finished these edges by simply overlocking, turning under once and hand slip-stitching a hem in place. My lower hem is likewise, invisibly hand stitched, and actually my top is 6.5cm longer than the pattern… for no real reason other than my patched-together fabric had the extra length, and who was I to ruthlessly cut it off? after all that careful cutting and patching it together!? Plus, I just happen to like tops to be a little bit long.
Because I was leaving off the shoulder band, I put my top together quite differently from the instructions… namely: the instructions say to fold the back cowl allowance inside and then stitch the front and back together at the shoulders. However this would result in a visible end-of-seam at the neck, which in the design is to be covered up by that shoulder band. So, instead I pinned the front and the back together at the shoulders right sides together, then folded the back cowl facing allowance out to wrap around the front; then stitched the shoulder seam. This way, when the shoulder seam is turned right side out the shoulder seam is nicely encased and hidden away within the facing, which gives a neat, more polished finish.
Details:
Top; Sandpoint by GreyDay patterns, made using 4 old cotton jersey Tshirts
Skirt; an adaption of Vogue 1247 and Vogue 8561, blue, slightly stretch denim, details here
Shoes; c/o Misano
a creamy little double-fronted top
My new top will come as a very un-surprise to anyone who has been following me in the Sewvember instagram challenge, haha!…
This pattern is Burdastyle 04/2014-115, with modified sleeves and my fabric is a silk hessian from Spotlight. It has a very loose weave, a rather pleasing slightly rough and rustic texture. The rich, almost buttery cream colour apparently suits me.
Now, I have received a handful of patterns of my choice from Burda… however this is NOT one of them. I had bought this magazine myself already! and I’ve already made the asymmetrical turtleneck top from the same collection in the mag. Ok, honesty here; I actually totally love just about this entire collection. It’s embarrassing to admit how easily I am swayed by colour choices. Those peacefully harmonious shades of soothing cool non-colours; *sigh* heavenly!
So style-wise, this is a plain design. And my choice of fabric; quite plain. But that’s ok, a bit of plain is a good thing to have in the wardrobe to set off the more eye-catching elements within. But as I was doing the sleeves, which are likewise as plain a style as could be, I worried that they were going to tip my blouse over into the territory of Irretrievably Bland. So I added a little feature; a faced split that has a little button closure on the corners. I’m very pleased with how this looks; quite primitive, like a vague sort of a nod towards a tailored shirtsleeve button placket.
Construction-wise, this is a nice, quick and simple little pattern and utterly foolproof… . oh, I put the wrong front lapping over. Haha. We’ll just pretend that I did that on purpose, ok? Ahem.
Insider biz; the side and shoulder seams are flat-felled, the sleeve seams overlocked. The neckline is faced with a bias-cut strip of pale yellow/cream cotton voile.
Finally, my usual criteria; if I saw this in a shop would I be tempted to buy? Heck, yeah! Plain is my middle name. Along with all the other middle names I adopt when the mood strikes. This is going to be worn a tonne 🙂
Details:
Top; Burdastyle 04/2014-115 with modified sleeves, cream silk hessian
Skirt; adaption of Vogue 1247, coffee lace with silk charmeuse lining, details here
Thongs; Mountain Designs
Sienna wears her own custom-fit coat








































































