Tag Archives: Vogue 1384

check out the checks!

23/08/2021 8:05 pm \ 2 Comments \ Carolyn

Hello! I’ve made a cool new outfit! At least, I think it’s pretty cool, anyway. I think it’s got a strong 80’s vibe; it reminds me vaguely of what the dancers were wearing in Spandeau Ballet’s “To Cut a Long Story Short” video. Oh boy, that takes me back, it was such a favourite of mine.

The fabric is a beautiful wool mix boucle from Minerva…it’s lovely and soft, with a nice, slightly bubbly texture to it, and I love the strong red and green check on a black background. So cool! It did fray like mad, so my first step was to finish all the raw edges on my overlocker

For the skirt; I used an old pattern from the actual 80’s, Vogue 1834, and partially lined it with black silk, from my stash. I’ve made this skirt once before … it can be seen here

The top is the In The Folds Collins top pattern, which I’ve made twice before; here and here. I cut this from the scraps from the skirt, and only just managed to squeak out the pieces! thus the complete lack of pattern matching. This does annoy me a little bit, but actually I had no choice at the time.

When styling it, I decided I like the ensemble best when the top is tucked into the skirt, because otherwise the wide flared top overwhelmed the skirt, and you can’t see any details of it. And this is such a beautiful and unique skirt design! it really demands to be seen. I mean, the top is pretty cool too, but for me this outfit is all about the skirt.

Having said that, though; the top is still pretty cool too, and I really like it worn out over a mini skirt, like here. This is a simple little mini that I made a few years ago, using a tartan wool that I bought in Tokyo during our last holiday there… you know, back when we were allowed to travel *sob*

The beautiful wool fabric is stable and pliable, and was great to sew up but it did fray like mad, so my first step was to finish all the newly cut, raw edges on my overlocker… I also finished some of the raw edges inside the garments such as the bottom edge of the waistband, and the neckline of the top; using bright red, bias cut cotton… this was leftover from my own Yallingup dress that I made for myself here… Want to see a fun video on the making process of this ensemble? If so then that’s great! because I made one! and it can be seen here on my YouTube channel. 🙂 It also includes footage of me leaping about like a loon, so there’s that too…

Posted in: sewing, Uncategorized \ Tagged: Collins top, daily outfit, in the folds, skirt, top, Vogue 1384

white Issey Miyake shirt

28/01/2017 11:54 am \ 20 Comments \ Carolyn

Self-explanatory, really. #endblogpost 😉
Pattern; Vogue 1384. It’s a vintage pattern, hailing from 1984, sorry. Yeah, it’s annoying when people make things in vintage patterns that you can’t get a hold of anymore. But I’m sure this is not particularly aspirational actually, it’s a little weird in that 80’s way. That high, slightly floppy collar combined with a billowing pirate-y blousiness is giving me serious Duran Duran vibes. That’s sort of a good thing btw HUGE Duran Duran fan, once upon a time… only you know, dating myself here #woops On a side note; watching that clip again, wow I think I’ve suddenly identified the genesis of my lifelong white shirt obsession… Also, haha, I totally dance just exactly like that, to this day still, lol.

I’d actually vaguely planned to make this shirt for quite a while, then Anna of blogless Anna proposed an IG #sewjapaneseinjanuary sewing challenge; prompting a jump to the top of my queue… sewing challenges are such fun!

I’ve previously made the skirt from this pattern too; here. That now resides in Cassie’s wardrobe. Thing is; the pretty floaty pink-ness, while lovely, I’ve decided is just not really ME. Not to mention that she put it on one day and obviously it looked only like about 999999 times better on her than it ever did me (sob) I’ve got to stop giving her my clothes to try on!! Just kidding; I wore it a few times but tired of it quite quickly and I don’t miss it, not one little bit. Though I do still really like that design and am thinking of making it up again, just in a more me-friendly fabric and colour.

Fabric; a thin, sparsely-dotted swiss cotton voile with ever so faint and equally sparse paisley embroidery on it in bits. Very very subtle. I bought it in Potters Textiles a few years ago, when it was in its other location.

The top looks at its best when it’s either tucked in or belted-n-blousy, and while I have a small collection of self-made belts… like, four maybe? none of them looked very right with this sheer-ish white top, so I quickly whipped up a thin white one in the same fabric to wear with it. Kt-chaaaaaaa!! *whip-crack sound effect* Sorry, I simply cannot read “whipped something up” with regards to sewing without hearing a crack o’ the whip sound in my head. Craaa-aack that whip! * (Devo, and a warning, do not click that link unless you WANT to be subjected to some really random and classic 80’s, madness. Yep, I was a fan of that too, *blush*)

The belt is basically just a waistband really. A poor, bereft and lonely little waistband, with no skirt to call home… *sad violins* It’s exactly the same deal as the one I made for my tartan dress. Just two buttonholes, and one button, and you wear it so the button is on the inside.

Also, interesting pocket tab/flap detail. You can’t really see it on the outside, which defeats the purpose a bit really, but oh well. It’s kinda cute when you notice it!

I flat-felled all seams throughout, as usual. Btw, you CAN flat-fell all sleeve and armscye seams too… my tutorial for flat felling the armscye seam is here… and the sleeve seam itself can be flat felled by starting from the middle of the seam and stitching OUT. Be sure to have the sleeve RIGHT SIDE OUT, so that you are sewing inside the sleeve… this will ensure that you are in no danger of stitching down the other side of the sleeve underneath…

In the case of this shirt; I stitched the sleeves to the shirt, and flat-felled that armscye seam before stitching up the sleeve and side seams…
First, stitch the sleeve and side seams in one fell swoop. Press seam open and trim one side. If you are flat-felling the seam towards the back of the garment, trim the back edge of the seam.

Press the front edge back over the back edge, turn under the raw edge, and press in a neat even width.

Turn sleeve RIGHT SIDE OUT (v. important) and from the wrist end of the sleeve; bundle the tube of the sleeve up to locate a point roughly midway up the sleeve. Position the bundled up sleeve tube behind your machine and pull the wrist end of the tube through until this midway point is under the needle. Take it nice and slow, and stitch the flat-felled seam from here out to the wrist.

To complete the seam; just repeat the same process as above only bundling up the sleeve from the armscye side… locate that same midway point of the sleeve, and stitch the seam from there, to the underarm, and keep going in one long continuous seam down the side seams to the bottom hem of the shirt.

Done!

Details:

Blouse; Vogue 1384, white swiss voile
Skirt; Vogue 1247, striped stuff, details here and my original review of this pattern here
Sandals (above): my own design, made by me, all details here

Denim shoes (below); my own design, made by me, all details here
location at top: Preston St overpass, Como, Western Australia

Replicating the 80’s pattern envelope pose, just because…. the 80’s.

Posted in: sewing, Uncategorized \ Tagged: blouse, daily outfit, issey miyake, seams, shirt, top, tutorial, Vogue 1384

pale pink Issey Miyake skirt

23/05/2015 4:22 am \ 58 Comments \ Carolyn

Why a pale pink skirt,
I hear you cry?
why not a pale pink skirt,
is my reply.

Poetry. Nailed it.
Sorry. I’m in a silly mood and obviously having trouble thinking of intelligent-sounding stuff to write…
Ok. So, at the beginning of the year I pledged to sew five items from my vintage patterns… this latest effort is my first; woot!
The pattern is Vogue 1384, a 1984 Issey Miyake design. 30 years old is pretty “vintage” yeah? yup I reckon so.
I’m slightly amused at myself that I signed up actually since a few years ago I was so allergic to the very word “vintage” and could not hear it without an involuntary eye roll. I was like, o gawd, so done-to-death!! I should say I wasn’t against any thing vintage, in itself, in fact I love antiques, and old things. It was just the word “vintage”. Hehehe. I must be mellowing somewhat.

Anyhoo, back to The Thing: my cool new skirt. Or should I say, my skirt of a very very cool design. As we can usually expect from Issey Miyake, it a quite unique, intriguing and interesting approach to a skirt; being a few oddly shaped rectangles cut, spliced and resewn together at seemingly random places, and boom; you end up with an asymmetric skirt. Fabulousity!

I know, and I agree; creations made from “vintage” patterns can be a little annoying to read about on blogs, thanks to the patterns being so rare and hard to come by. Not very helpful; and sorta inspirational rather than aspirational. I’m sorry!
I used a heavenly soft pink poly crepe from Fabulous Fabrics, the same fabric I used for my other Sea Change top. So the two make another matching skirt/top set, should I desire to wear them together. But I think it will go with lots of other tops in my wardrobe too.
The pink poly crepe is on the sheer side, so I lined my skirt with ivory polyacetate fabric. I managed to cut the lining as just one piece: I worked out how to do this after sewing the skirt pieces together and could see how the skirt “worked”, so to speak. I spliced the skirt pieces together at the relevent joining points and marked and sewed in the waist shaping darts at the top. It ended up looking kinda like a big quarter-doughnut shape. Then I just included it in with the skirt when sewing on the waistband at the top. Simple dimple.

The waistband is of matching, pale pink silk dupion, also from Fabulous Fabrics. I chose this because it is nicely stiff, inflexible and very stable, which is really good in a waistband for a skirt like this. While the floaty, ripply, slithery poly crepe is really lovely for the skirt part of the skirt, it is not the slightest bit stable. And this is very much a waist-defining skirt design, for which a structurally sound waistband is imperative.
Some skirts are loose and flowy all over and are ok sitting low on the hips in a casual bohemian way; others need support, and the waistband is it. This design is firmly in the latter category.
Summary:
What do I love: the asymmetric shape, and the random waterfall-y ruffle-y thing falling down into a handkerchief like hem at the front. Divinely floaty fabric in the heavenliest soft pale pink.
What don’t I love; it’s nearly winter here and I’m going to have to put it away for a few months. Boooo!
OK, I have nothing else remotely intelligent to add; so, until next time, amigos!

Details:
Top; the loose drape top, modified, from drape drape by Hisako Sato, linen cotton jersey. I discovered a little hole while I was putting this on this morning, aaagh! Immediate emergency darning ensued! I love this top!
Skirt; Vogue 1384, pale pink poly-crepe
Cardigan; I also wore my calico cotton cardigan today…
Sandals; Zomp, from Zomp shoe boutique