Tag Archives: Wedding

a special lace dress

hello!  Recently my lovely niece J married her long-time man and so of course I had to make a new dress for myself for the occasion…  I was vaguely toying with the idea of shopping for fabric before I remembered two things: 1. as everyone in our family knows, J’s favourite colour is famously yellow, and 2.  I have a piece of very yellow, and happily wedding worthy fabric in my stash already!

 

I bought this neon-bright yellow guipure lace from Mood Fabrics in New York City back in 2019, when I was over there with my friend Yoshimi… we met with other sewing ladies and they took us on a fabulous fabric shopping spree!  Such fun.  I wrote about it on my blog here…  Originally I had envisioned making a little mini skirt from the lace but when the fabric was rolled out on the counter it turned out there was a pretty large chunk of the border cut out, so the salesperson basically threw that part of the fabric in for free.  Meaning, I ended up with a lot longer length than I had needed.  And obviously I couldn’t waste the extra bit by making that little mini, so it sat, awaiting some other project that could make use of it.Et voila!

I used the Closet Core Ceilo pattern with a few small modifications… namely; spicing the back yoke and back pieces together to eliminate that seam, including inseam pockets in the side seams,  and I also cut it to be a bit more flared.  Oh, and I also traced a size up  – or maybe two? can’t remember now – for that fashionable oversized look.  The hemline, which is of course the natural border of the lace, was determined by how much length I could get, and I also managed to get the sleeves on a border.  It only took a little bit of pattern Tetris but I’m thrilled that I achieved what is one of my primary aims with any sewing project, which is to have minimal leftovers!

My dress is underlined completely with a pinkish/coffee coloured silk chartreuse that I bought from Fabulous Fabrics originally.  I basted the lace and silk layers together within the seam allowance all around except for the side seams below the pockets, and then overlocked the edges before continuing to treat the two layers as one.  The side seams below the pockets I stitched the layers separately and actually the lace is arranged so there’s not a “seam” in this part, but the lace motifs are arranged and hand stitched carefully so you can’t see a seam here.

I cut the pockets and neckline facings from a natural cotton linen that I’ve had in the stash for years, saved specifically for this same sort of purpose.

I chose this because the silk charmeuse wasn’t going to be stable enough in these areas – actually the lace is very heavy, far heavier than it looks!  I cut the lace front and back to have side seam extensions along the pocket area and stitched it down carefully to the pockets inside.  So, when you’re wearing the dress the lace appears to go all the way inside the pockets, no flash of offensive beige to be seen, so it looks really nice.

The seams allowances around the neckline, especially the shoulder seam area here are seriously bulky, and I trimmed, clipped and understitched aggressively to get everything to sit nice and flat!  I also went back later and stitched the facing to the silk underlining as far around and as close as I could get to the shoulder seams.

I’m including a picture of the happy couple because, although I did not make the dress, I did alter it to fit her and also did some minor repairs.  This took three separate fittings and I took precisely zero photos of the process or anything.  My only excuse is that I was also working on my own dress and stressing a little bit that I wasn’t going to get it all done on time.

Thanks to its oversized and loose nature, my dress was so comfy to wear and to dance in, and I was so happy about that!  and just saying, I only wore these high heeled sandals for the ceremony and photos.  For the reception on the same property I went to our car and switched over to my white sandshoes with little socks, brought for this very purpose.  Much warmer, and fabulously comfortable for dancing!  I also wore my new pink wool Sienna jacket for the cooler temperatures that came as evening fell too, but no pictures of that I’m afraid. Anyway, I hope I can get more use our of this dress, which actually turned out more lovely than I thought.  🙂

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Lainey’s wedding dress

Hello!  It’s been such a long time since I mentioned it no doubt everyone has forgotten; but at the beginning of this year I made a wedding dress for my daughter-in-law Lainey!

It was quite a journey!  first we went for the customary wedding-dress try-on together with Lainey’s parents; and after taking time and consideration to really narrow down the style that Lainey wanted, we all headed for the fabric store…  Interestingly we ended up with basically the same style of dress that Lainey had very first sketched down, right at the very beginning before any shopping!

We started out with V9328 as a starting point but of course there was a loooot of adjustments to the pattern.  I ended up making four or maybe five muslins of the bodice; I’ve lost count now…  Lainey wanted for the bodice to be quite closely body-hugging as well as a low-cut V both front and back, and no to a corset; I really wanted to get that as right as I possibly could.  However any dressmaker will tell you that that sort of style is quite the challenge.  I think I managed to get the front as low cut as we could within those guidelines!

The body of the dress itself is a medium-weight, slightly matte white satin.  Lainey wanted white-on-white, a lacy bodice, translucent sleeves with lace, and for a bit of sparkle on the bodice as well… I got this effect by overlaying the bodice with a layer of sparkly tulle, and then hand-stitching the lace motifs free-form over the top of this.  The sleeves are just the sparkly tulle, with lace motifs artfully hand-sewn over.  Those sleeves just about drove me mad… but I’ll get to that later….

The lace that Lainey chose was absolutely exquisite… leaves sewn on quite lightweight tulle in a free-form very naturalistic style… some of them were only partially sewn on so lifted off the tulle in a sort of 3D way; and Lainey wanted this look on her dress as well.

So, multiple calico muslins later and I finally got started on the dress itself.  I carefully constructed the bodice with the sparkly tulle overlaid, and added the skirt.  Then came the long long part, hand-cutting, arranging and hand-stitching all those lace-y leaves…. I do enjoy this part, it’s artistically very satisfying while being quite technical challenging, and absolutely a hugely time-consuming activity.  I know it took well over 100 hours because I got through literally every one of the 152 BTS Run episodes on YouTube, plus a lot of other content too…

I aimed to get the leaves artistically arranged, curling around each other with just the right amount of spacing  to be sorta evenly arranged while also looking organic.  I left a few curling up and away from the bodice, as Lainey wanted, but not on the front part of the bodice where I decided it looked a little funny.

yes it has pockets!

I also had the lace motifs coming down over the waistline to disguise that seam between sparkly tulle and no sparkly tulle. I carefully arranged the leaves to cover the seam as much as possible while trying to keep it organic.

I’m extremely happy with how the lace turned out.  I do have to say that the artistic side of me sorta pined for a not-white background colour that would enable the lace to stand out a bit more visually because you have to get up really close to even see it. However, technically I do think it turned out really beautiful and I’m exceptionally proud of this.

I don’t think I took a picture of this? here’s a slightly blurry one from the professional wedding photographer… I constructed a grosgrain ribbon belt, stitched to the skirt seam allowance and hidden between the dress and lining just like I did with both Kelly and Cassie’s dress – you can just see it peeking out at the bottom right of the picture; and also a blue hand-embroidered plaque for their wedding date.

I absolutely love this picture…

Oh!  I haven’t even mentioned those sleeves yet!  Yes, they were a tiny nightmare.  btw if you don’t want to read any sewing-related whinging; stop now and just enjoy the pretty pictures!  Rest assured it all turned out alright in the end!

look at my handsome boys…!   #heartisbursting.  btw, Tim (at right) made the wedding arch for his own wedding to Kelly…

OK, sleeves… For a start, we had already made drastic adjustments to the original, extremely fluttery sleeves of the pattern, to get them down to an acceptable level of flutter.  Then I made them in the sparkle-y tulle, and stitched on the leaves.  I was pretty happy with how it was all looking.  At almost the finish line Lainey tried the dress on again, and thought the sleeves still too fluttery.  I had already added the lining by this point, and so you can just imagine…  I could have happily run away from home at that point. (jk).  But she was absolutely right, of course, and the sleeves did look better sans adjustments…   I carefully took leaves off from the top of the sleeves and then, heart in mouth, cut out a wedge of tulle.  Then hand-stitched an almost invisible seam along the top of the sleeves to close the gap, and rearranged the leaf motifs to cover it.

The other big adventure was the hem.  You know when you’re at the finish line and you’re like; oh, only the hem to go!  It’s basically finished!  WELL!  Fate had other ideas…. I had allowed a fabulously deep 10cm for the hem.  I had done the same for Cassie’s dress and it turned out absolute perfect… however this fabric was completely different.  Firstly, I bound the edge with lightweight bias cut muslin; which looked really nice of course.  Then I stitched up the hem.  And it looked absolutely terrible.  The hem just wouldn’t ease into place nicely at all and it looked bumpy and fluted on the outside.  At first I thought the muslin binding might be a little heavy or even overstretched? though I had been careful, so I painstakingly removed all the binding and just stitched an overlocked edge in place… same problem.  I realised then that it was a feature of the fabric itself… it just had too much body and would never ever ease in… fortunately I had enough leftover fabric that I thought I could make a facing.  I held my breath and again, heart in mouth, cut off the lovely deep hem allowance.  A deeply scary moment!  I made a pattern for, and cut out a hem facing from the leftover fabric, stitched it on, understitched.  Then turned up and stitched the facing up.  It looked way way better; however even though I had taken tiny stitches you could still see every single one very clearly all the way around.  There was just something about that fabric; each stitch was like a distinct dimple on the surface.  I (for like the third? fourth? time) unpicked, and finally achieved success by just hand-picking up the scantest of scant, barely even a full thread with each stitch of the hem.  Honestly, any more than a single thread and you could see it standing out like a sore thumb on the outside.  Absolutely amazing!  I am fairly happy with the final look of the hem; but it was Quite a Business.

I’ve just remembered another thing that was quite difficult… I had cut the dress lining at the same time that I cut the bodice, meaning after (as I thought) perfecting the fit from multiple muslins.  But of course there were subsequently still multiple tiny changes to the bodice itself, and by the time I got to attaching the lining I had long lost track of all such tiny little changes.  In the end much of the lining was actually hand stitched in place.

Anyway; the final result was very very satisfying, as you can imagine all such very intensive and emotional projects always are.  I think Lainey looked absolutely glorious in her dress and it gave me immense joy to see both Lainey and Sam glowing with happiness and love on the day.

 

wedding photographs: Amelia Claire photography

hair; Ree Meraki on Beaufort

make-up: Melody @ Luxury Makeup House

flowers: Kisschasey Weddings

Dress; made by ME!

venue: Brookleigh Estate

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mother of the groom

Hello!

Finally, I can share the outfit I made for myself for our son Sam’s wedding to the lovely Lainey…

I was too overwhelmed after making her dress to even think of trying out any new patterns for myself so just went with some tried-and-trues in the end…

the fabric pretty special though! It is a particularly luscious and silk velvet that I bought in Paris during a holiday many years ago; probably like about a decade ago, if I’m honest!  It’s beautiful stuff, and I’ve been saving it for a special occasion.  and what could be more special, than my child’s wedding?!

Patterns; the dress is V1351, and the little jacket is V2894, an old Oscar de la Renta for Vogue patterns that I’ve made once before.  The dress pattern is one I’ve used quite a bit; four times, to be precise!  it’s a real goodie!  I made the jacket because I often feel cold in the evening, even during summer so thought it a good idea to have one just in case.  As it turned out I wore it most of the time so thank goodness I had enough fabric!

Both jacket and dress are fully lined with a super pretty pink silk that I bought recently from Fabulous Fabrics.  I did look at green lining fabrics but nothing looked right so went with a contrasting colour.  Very happy that I did because I really love it.

I added a single welt pocket into the lining of the jacket, under the right sleeve, just big enough for my phone.  The top of the pocket is stitched to the sleeve seam inside, so it’s well supported and stable.  Even though I did take an evening bag, it was still really good having a pocket.  Makes me feel illogically good when I have a pocket in my outfit  🙂

I have very little else to say about this outfit, other than I felt really good and comfortable in it on the day, and am so happy I finally found a good use for this ultra-beautiful fabric.

 

 

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Cassie’s wedding dress

Oh hey!  I made a dress for my daughter! it’s a rather special one actually…  😉

So where to begin…well of course I’m teasing; my darling girl recently married her man D and this is her wedding dress, that I might have mentioned before once… or maybe twice, tops.

I’ve already written about making the petticoats, three of them, in fact.  Cassie loves to dance and was determined to do lots of it at her wedding, so wanted a beautifully twirly skirt.  She also decided she wanted a shorter skirt, hitting above the ground, and wanted it to stand out full and stiff in a 50s sort of a way, which meant plenty of oomph underneath was required.

I made a very full tulle petticoat, and two simple full circle cotton voile petticoats; one to go underneath the tulle petticoat, close to her skin, for comfort; and the other one to go over the tulle petticoat to smooth out any lumps and bumps that the tulle might form underneath the silk skirt.

Full details of making these can be found here

I’ll just quickly slot some shoe talk in here; when she decided upon a shorter skirt, the shoes became an important consideration… we searched and searched, trying on multiple pairs of lovely wedding shoes but then Cassie decided she wanted green shoes; and not just any green.  She had the exact shade of green she wanted in mind, and anything else was just not going to cut it.  What do you do in this circumstance? well you dye your own shoes, of course!  We found a pair of pale bone/beige coloured suede sandals at Hobbs, with a nice low heel and straps to make them perfect for dancing, Cassie bought some Kelly green Rit dye from Spotlight, and over several painting sessions and rinsing in between, finally achieved the perfect shade of minty green.  Aren’t they gorgeous?!

Now back to the dress … maybe I should start with the fabrics?  All were purchased at Fabulous Fabrics, and shortly after her engagement Cassie and I spent a highly enjoyable morning there playing with lots of beautiful laces and silks.  And she chose the most beautiful of them all!! which we proceeded to cut up, overlay each other and generally re-arrange to become something totally and completely and utterly different from how they started.  Sigh.  That seems to be the story my wedding dress-making life, so far!

The bodice itself underneath all that lace is made of beige silk charmeuse, and the skirt itself is heavy duchess silk satin, just about the most divinely heavy and lustrous fabric I could imagine.  So beautiful!!!

For a pattern, we started with Vogue 8470, and almost totally altered it of course.  Just as I did with Kelly’s dress, Cassie had a firm vision about how she wanted her dress to be, and so we hunted for a pattern that had the right bones and started hacking.  The bodice fronts of the pattern come down in a gentle V and are gathered underneath the bust into the middle bodice, and we gently re-shaped this into the shape Cassie wanted – she wanted more low-cut, for a start; and tailored to fit her which entailed a small bust adjustment, and made the gathers into a smooth dart instead.  The middle part of the bodice is different too, a little shallower and with a flatter curve, to fit with the lace placement that she had designed.  The bodice back of the pattern is a quite low-cut scoop, which we transformed to a full coverage back with a much higher neckline, right up to the nape of her neck.

I love the slight bustle effect of the lace peplum at the back! My favourite part of the back view  🙂

The skirt of this pattern is simple enough; a full circle, and I added large pockets.  Pockets! in a wedding dress! just about every girl’s dream, right?!  I’m not sure if she actually put anything into them, maybe just her hands I think! but at least they were there.

With the placement of lace on the bodice; this is 100% Cassie’s artistic vision and mostly her work too!  Cassie wanted heavy coverage of well-defined “structural”-looking large scale lace over a gridded background; and I think she did an absolutely magnificent job!  I had very little to do with this bit, just some technical advice and I did occasionally pick up the dress and do a little bit of hand stitching of lace when she wasn’t around; but the artistic placement and nearly all the stitching is totally her effort.  My clever daughter!!

I did do that “grid” bit in the middle of the bodice… we had some pre-beaded grid from one of our purchased laces, which we used here and there as a background in other parts of the bodice, but it was in small bits and pieces and the size of the remaining pieces weren’t enough to cover this part of the bodice.  So I re-created the same look with hand-embroidery and -beading over beige netting for this bit.  Those bias strips of duchess satin were pinned down before attaching the lace, then hand-stitched on afterwards.

I had a tiny headache with the zip; Cassie wanted the bodice to be quite tight-fitting so I’d stupidly made the bodice quite tight-fitting; and didn’t take into account that fully hand-appliqueing something has a tendency to shrink it in a little bit.  Halfway through all that hand-work one day, she tried it on and we could barely get the zip up … it was awful, I was terrified it was going to split!  Fortunately, even though I’d been too dumb to think about the shrinkage thing, I had been smart enough at least to leave a nice wide seam allowance for the zip… so I could unpick the zip and re-insert it, letting it out a bit.  Disaster averted! and when you’re hand appliquéing a random lace design like this it’s a simple matter to take off, re-arrange and add more lace motifs to cover up an alteration in an invisible way!

pre-appliqué…

Just like I did for Kelly’s dress, I added a grosgrain belt to the bodice/skirt seam allowance inside, with a sturdy skirt hook/eye to carry the weight of that skirt.  It’s hidden underneath the bodice lining for the most part, and emerges just either side of the zip in two little buttonholes in the lining, so the girls could hook it up at the back before doing up the zip of the dress.  I didn’t take any pictures of this bit unfortunately, but you can see what I mean in the post on Kelly’s dress here.

I was smart this time, and didn’t stitch on the hook and eye until AFTER I’d pushed the grosgrain ends through the button holes.  I don’t think I mentioned this for Kelly’s, but when I made hers I stitched on the hook and eye very firmly and ultra-securely before trying to push them through those buttonholes in the lining.  It took aaaaaages to carefully tease the metal hook and eye through those slightly-too-small holes! but I was determined and eventually got them through.  It was like giving birth though; a tight squeeze!  This time I did it right, though!

I don’t know what else to say… oh maybe only hemming the dress?  This took a surprisingly loooooong time… like I think it was a whole full weekend, from memory; and by that I mean two full seven-eight hour days.  I made a long cotton voile bias strip and stitched this to the raw skirt edge first, bound the edge, and then handstitched a lovely deep hem.  The skirt is just the teensiest bit shorter than the tulle skirt, because we both love the look of just a hint of tulle peeping out underneath.  Of course, on the day I realised that when you’re standing up and looking down at the skirt from a normal head-height like every single person at a wedding, you can’t even see that tiny hint of tulle! it’s visible only when you’re lying down with your head on the floor dressmaker-style carefully measuring a hem!  Haha!!

But I’m not even the slightest bit unhappy about that of course, my only thought when looking at these pictures of Cassie is that she is the most beautiful thing I’ve ever seen, and that making her dress was both a lifelong dream come true and the greatest and happiest sewing creation of my life.  Oh dear, and now I’m NOT going to cry!  Here, have a massive overdose of pictures instead!

this completely spontaneous snap is my favourite picture of Cassie and her cousins… yes I made their dresses too! all details of their dresses here

These earrings; this was her something old and something borrowed… Mum had some pearl earrings, and she also had some pearl earrings she had inherited from her own Mum; my grandmother and of course Cassie’s great-grandmother.  Mum had great-Granny’s earring re-made from a clip-on to a pierced backing, so Cassie could wear one earring from her grandmother and one from her great-grandmother at her wedding.  This is so so special, it makes me well up a bit just to even think about this…

I actually made this polka-dot blouse for Cassie quite recently, I just haven’t blogged about it yet.  Also; that Stormtrooper toiletries bag?  I actually made that for Daniel a few years ago! the pattern is part of the Portside set by Grainline patterns

Wearing the earrings… also; Cassie’s hair…

Something blue; I embroidered a commemmorative patch to go inside Cassie’s dress, just like I did with Kelly’s… want to hear something crazy?  I stitched, unpicked, and re-stitched this SIX times…

the three pieces of my heart…

I can’t wait to see all these precious peeps again…

Sam and his lady L… L kindly acted as one of our models for the Perth dress

I regret that Mum isn’t in this picture mostly because that would have been so lovely, and also because I made her dress too…

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bridesmaids

Cassie wanted her three cousins, my brother’s three daughters, to be her bridesmaids; and look how beautiful they are!  It was so much fun and a totally lovely and enjoyable experience for me to make these dresses for my gorgeous nieces.  I’d occasionally made little things for them when they were tiny, but truthfully it’s been a while.  It made me very happy to create lovely things for them, and for Cassie’s special day too  🙂

We had lots of discussions about the dresses; initially we were thinking of the traditional identical dresses, but thinking on it further, the idea of different dresses seemed a lot more practical.  Three sisters, who can and often do! borrow each other’s clothes, would find a lot more use for three different dresses, than three identical dresses.  And everyone wants for the bridesmaids to get further use from the dresses!

We did however, make the dresses the “same” in the sense that I used the same pattern for each dress.  Namely; view B of Simplicity 1195.  This is actually just the “slip” designed to be worn underneath the “proper” lace overdresses of the pattern, but it gave us the perfect, spaghetti-strapped, princess seamed bodice with a nice twirl-irific A-line skirt that we were hunting for.  Side note; it’s amazing how a lovely simple basic pattern like this is actually quite rare; we searched ALL the pattern books and this was basically the only one that fit the bill!  Amazing!!

Even then, it still needed a few tweaks… the pattern is actually a little drop-waisted and the girls wanted a true waist seam.  Luckily, a very easy adjustment.  Also I made each dress to be fully lined, obviously.  And the pattern runs quite large; I traced out the correct size for each girl and it was really quite baggy; I had pin in all the seams quite aggressively to get the bodice to fit.

I wanted the three dresses to look the same on each girl, so I made muslins for each one to perfect the fit.  My Mum early on said; it’s going to be so easy to make their dresses because they’re all the same size!!  And I was immediately like; No Mum, they are NOT the same size!  Mum; But they wear each other’s clothes all the time!  Yes, they can wear each clothes reasonably easily; which is great! because I love the thought that they are going to be able to swap and wear each other’s dresses in the future.  But that does not mean they have the same bodies, because they are actually very different, sharing none of the same measurements.

So I made three muslins too.  I hardly ever make muslins, only for the most important of important-est of items.  So this is a stupendous honour, just so you know  😉

Fabrics!  All the dress fabrics were bought at Fabulous Fabrics.  We had a great fun morning searching for the perfect colours … well; I actually left the four girls to play with fabrics and make their choices while I happily browsed fabrics and pattern books by myself.  And just handed over the credit card at the appropriate time. And successfully managed to not buy anything for myself at the same time! A very good day!  Cassie had made a mood board for her wedding, and chose the three colours from those on her board.

Also, it’s funny; but finding the matching lining fabric for each colour was almost as as much of a hunt as anything else!  We found the perfect yellow lining fabric at Fabulous Fabrics at the same time as we bought the dress fabrics, but not any of the other colours … I eventually found a good sage green match at Spotlight, and the pink dress is actually lined with ivory lining fabric, that I had already in my stash.  All three matching invisible zips I found at Spotlight.

T’s dress, in sage green; and J’s dress, in golden yellow are made in the same crepe-back satin as each other, and the pink fabric for C’s dress is a much lighter weight, slightly crinkly crepe.  Cassie was quite worried that the pink was a different fabric but it was exactly the right colour so I assured her we could make it work.  And it worked out absolutely fine, of course!  Because it is a much more lightweight fabric with a tiny amount of crinkle-based stretch to it, I did need to make a few changes to the construction technique of this one… for example; to stabilise the bodice of the pink dress, I constructed it so the lining plays a far more structural role with the dress/lining sewn firmly together at the waist seam as well as at the top edge.

Also, the pink spaghetti straps had a slightly elastic quality, and I did NOT want for them to stretch out over wear obviously!, so I threaded a length of cotton crewel thread through the straps, and stitched it to the straps themselves very firmly at the bodice junction; so this behaves like an ersatz “backbone” that provides hidden support and stops the straps from stretching.  Just a little secret tip/trick that no one would ever know!

I also took the step of hand-basting the seam allowances of the pink bodice down after grading.  I can’t explain exactly why I chose to take this extra step, just call it a hunch about a difficult fabric.

The green and yellow satin-backed crepe is a far more stable fabric, so these dresses have the more traditional lined dress construction, with dress and lining free from each other from top edge down.

I attached ribbon hanging loops to the waistband of each dress; this was leftover ribbon from my stash.

It was a lot of work making the three dresses, but I thoroughly enjoyed it! the fact that they were three different colours made it so much more enjoyable than if they had been the same, I think.    I machine-stitched the lining hems, and I want to give a big shout-out to Cassie who then hand-hemmed the dresses themselves for me.  This is always a much huge-er job than you originally anticipate, so I’m so grateful that she stepped in and took over this important, and arguably rather fiddly part of the process.  Thanks, darling!

These are the bouquets for the wedding, constructed by Daisy Hill Flowers… aren’t they the most stunning?!!  I was blown away when they were delivered!  And I love how the colours of the girls are selected in the bouquets too.

Daisy Hill Flowers also decorated the wedding cake. The wedding cake was a doughnut cake! made by Krispy Kreme!  this was what D, Cassie’s new husband wanted.  His one request, as it were…  😉  I think it turned out absolutely gorgeous, and the doughnuts were delicious too!

Cassie made the cake stand herself … she searched and searched for a nice stand online and in stores but nothing was just right.  So, she made it herself, as you do.  Or should I say, as we do?!  She’s such a product of her family…!!  Sam took her to the Men’s Shed one day; he does a lot of woodworking projects there, and she cut out the rounds.  She brought them around to our place, where she painted them all white, and then got the perspex rod cut into the appropriate length, and drilled and screwed them together.  Bam!  I’m so proud of my resourceful and clever daughter…

BTW; if you haven’t read it already, my previous post addresses the covid-19 situation with regards to this event…

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