Monthly Archives: September 2013

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Snowy-white Nougat

The clever AnaJan of Stepalica is designing patterns now!  and I was honoured when she very kindly sent to me her debut design, the Nougat dress to try out.  Thank you so much Ana!
The Nougat is a classic, waisted, sleeveless A-line dress with a pretty swirly-skirted silhouette and closure by invisible zip in the left side seam.  Where the pattern is extremely clever however, is that it includes three variations of various degrees of difficulty, meaning there is a something for all skill levels.  If you want a challenge then version A with its multiple curved seams will give you a good one; if you want a pretty, A-line dress then version C delivers this too.  I went for the trickiest version A for my first go, but the one pattern includes all pattern pieces and instructions for the two progressively more simplified versions B and C, and there are comprehensive instructions to walk you through constructing the more fiddly bits of the more advanced version A.  I was a bit late for the Nougat sewalong, but I consulted Ana’s posts when I did get around to making my own version, and I found all her sewalong instructions to be detailed, thorough and very helpful.

Ana suggested for the bodice and skirt yoke pieces to be cut from different colours of fabric, to enhance and showcase the swirl effect of the piecing.  The seaming can be seen far better on Ana’s very impressive blue version of the dress here with absolutely perfect seam joining!  However, I really just wanted a lovely fresh plain white dress to ring in summer, so used a small portion of an embarrassingly ginormous quantity of white fabric that I have stuffed in bags in the cupboard under the stairs  (mwahaha)  This fabric originally spent a few years as pictured below.  Until I decided that big white swags of fabric decoratively framing a bedhead were a haven for spiders as well as pretty passe.  I took it down many years ago, but obviously I kept all that wonderful fabric!  It is actually very nice fabric; a mixture of synthetic organza and chiffon which means of course that the dress can be just tossed in the washing machine, will drip dry, and will never ever need ironing.  Yeesssss!

before…

 The bodice and skirt yokes are made of double layered organza, with the inner/lining layer a plainer version of the pattern, relatively un-pieced apart from a few basic shaping seams and darts.  Because all my fabrics are pretty fray-tastic plus see-through, I put quite lot of thought into how I could stabilise all those raw edges.  There are so many of them in this multi-pieced design!  I didn’t want to overlock because the stitching would show through and be super obvious on the outside of the dress.  So for the organza bodice and skirt yokes I sewed the seams, pressed open, trimmed the seam allowances quite narrow with my cutting wheel, and then double top-stitched each side of each seamline.  I posted a close-up picture of the seam detail on photo maisonette last week. 
The skirt is actually three separate identical chiffon skirts, layered.  One is attached to the shell of the dress, the other two sandwich the lower edge of the lining.  Each side seam is sewn in French seams, and I finished the lower edges of each skirt using the rolled hem stitch on my overlocker.  I do really love the romantic ripply look of the layered skirts.  The design is a very lovely shape.  Very twirl-tastic, yes?  I did a twirl photo, just because.  Hehe, one of my pictures revealed that I am a fairly grim-faced twirler.  I am so impressed by people that can twirl and have a happy, carefree facial expression at the same time.  Me, I need to concentrate on not falling over!

I am wearing my new ivory summer sandals too.  Aren’t they lovely? Obviously ivory is one of my favourite colours anyway, no matter what the season, and I really like the woven wedge heel too.  These will be appearing in lots more summer piccies to come!
Making my dress was not all plain sailing.  There are boo-boos.  I didn’t notice at first that the two halves of the back bodice were different to each other and so mistakenly constructed it as a mirror image of one side; therefore three of my seam lines on the right side of the dress do not join up.  One on the shoulder, one on the bodice and one on the skirt/bodice seam.  Rats.  But since I did use just one colour you can’t really tell without super up-close inspection, hehe.  My other seams all mostly join up  ðŸ˜‰

Details:
Dress; the Nougat dress by Stepalica patterns, white organza and chiffon
Sandals; c/o Misano shoes
it’s hard to know what to do with your arms when taking side view piccies… 

Pattern
Description:
The Nougat is a classic, waisted, sleeveless A-line dress with a pretty swirly-skirted silhouette and closure by invisible zip in the left side seam.  The pattern includes three variations of various degrees of difficulty, the most advanced option has a complex swirled twisted diamond motif in the front bodice, with sunburst seamlines radiating out and then back in again to join together at the left hip. 
Pattern
Sizing:
European size
32-44. I cut a size 34 in the bodice, grading out from the waist to a size 38 at the hip level.  Because of these personal sizing changes I also cut the skirt pieces to be a bit more flared going down to the hemline than the pattern to give a better look proportionally.
Did
it look like the photo/drawing on the pattern envelope once you had finished
sewing it?
Yes.
Were
the instructions easy to follow?
The instructions are very clear and well written, and very helpful.  I definitely needed them for that complex diamond motif! but I did use some of my own preferred sewing construction techniques for some of the basics.
What
did you particularly like or dislike about the pattern?
The silhouette is not one I would normally go for, and I quite thrilled with how much I like it.  I really love the line of the skirt.
I really enjoyed the challenge of sewing the diamond motif and in spite of a few boo-boos I am pleased with how it all came together.
Fabric
Used:
Synthetic organza for the bodice and skirt yoke and chiffon for the skirt 
Pattern
alterations or any design changes you made:
I stuck pretty closely with the original design, and just cut the skirt a bit more flared for my version.  I sewed double rows of topstitching flanking each seamline on the bodice and skirt yokes, both to visually define them better and to anchor and stabilise the seam allowances and guard against fraying.
Would
you sew it again? Would you recommend it to others?

I think I only need one of version A in my wardrobe since it is quite a distinctive design, but I would definitely sew either of versions B or C again.  I recommend version A to the advanced seamster looking for a challenge.
Conclusion:
I am very pleased with it!  I really wanted a white dress for summer which is why I went for a solid colour version of the pattern, and now it reminds me of an old-fashioned tennis dress.  There is something quaint and ladylike and yet still sporty about the silhouette that I really like.  The seaming is really interesting, and I am in love with the swishiness of the skirt.
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Libra

… the sign of the scales.
So at first sight there may appear to be absolutely nothing scales-y or balanced or anything at all even vaguely Libran about my ensemble.  So what on earth is the Libran element here… ?  Well ME!  Yes, it is my birthday today.  And I have made for myself a birthday dress, especially for socialising like the flirty sociable little butterfly that Librans are supposed to be.  Hehe, I can’t help but laugh at that description since I am the complete opposite of a social butterfly, seriously!  It’s a miracle that I’m not still tucked in the corner of the laboratory hunched over the HPLC, but actually do have friends, and a husband!  Although maybe I just swapped the HPLC for the sewing machine?  Yeah.  I think I totally did.  You just can’t escape your true nature…
However, socialising has been had.  Monday I had a delightful morning tea with friends, who gave me a Fabulous Fabrics voucher…. aah they know me so well!  And I intend to make a nice dinner and cake to have with my fambly tonight.
But, enough blahdy-blah… my new dress.  Florals, for spring.  I know right?  soooo innovative!  ðŸ˜€  But everyone loves to have a pretty new dress for the new season, yes?
This is Vogue 1194, a pattern I bought not long after it first came out and have just never got around to it.  I made it pretty much to the pattern except with just a few minor variations… I folded the excess fabric at both shoulders and also at the centre of the skirt back into pleats, pictured below, rather than have gathers as per the pattern.  I’m afraid I just do not like gathers very much, poor things.  And I have shortened the sleeves to elbow length, more suitable for our warm weather.
The fabric is a gorgeous watercolour-y printed stretch knit from Fabulous Fabrics.  So, actually I originally wanted to make this fabric into a lingerie set, and the day I bought it I was meeting my friend J for lunch and showed it to her.  She seemed slightly horrified that its loveliness was never going to see the light of day and urged me to make a dress instead.  I went away a little thoughtful, a little dampened, but still fairly determined to make lingerie.  I showed the fabric to my mother, and to Cassie next, both of whom vehemently agreed with J that to make it into lingerie was the silliest idea they had every heard.  Well, they put it more tactfully than that but that was the gist of it.
I felt even less certain about my lingerie plan.
The final kicker though was when I laid down my fabric and pattern pieces and discovered that the Vogue 1194 skirt pieces plus a few others pretty much fitted perfectly and I only needed to buy a bit more to get out the remainder of the pieces.
The universe was telling me something and I was finally getting it.
So I cut out the dress instead natch… and ended up making my lingerie set from my poppies print instead, so all’s well that ends well, no?
After all my talk about slips and linings the other day, maybe I should mention that the dress is unlined, but that I am wearing my beige satin petticoat underneath.  Hope that’s not tmi.  Or course the petticoat cannot be seen, which is just the way things should be, yes?

Details:
Dress; Vogue 1194, floral stretch fabric
Petticoat (not seen): Burda 8071, beige satin, details here
Tights; self-drafted, of black merino wool, details here
Shoes; Django and Juliette, from Zomp shoes

Pattern Description:
Pullover, mid-knee length dress has loose-fitting front pleated and gathered bodice, bands (twisted front), raised waist, A-line, front pleated and back gathered skirt, side pockets, stitched hems and long sleeves.
Pattern Sizing:
Size 8-14. Other reviewers noted that the pattern runs a little big so I went down a size from my usual and cut a size 8.  This was a good decision.
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
In essence, although I wanted a springy dress so cut my sleeves to three quarter length.
Were the instructions easy to follow?
Very! and also it is rated an Easy pattern by Vogue
What did you particularly like or dislike about the pattern?
I have always liked the simple softly draping pleats on this one, and the flattering V-neckline.  The skirt is full enough to allow deep side pockets and yet still appears slimline and not pouffy or bulky.
The look of the gathering on the skirt back on the pattern envelope caught my eye in a not-good way, fortunately it is easy to instead fold the excess fabric into a sleeker-looking box pleat.
For my size the pattern stipulates that 1.9m of fabric is needed.  Cutting the sleeves to elbow length, I found 1.3m of fabric to be sufficient.
Fabric Used:
Printed stretchy fabric 
Pattern alterations or any design changes you made:
I pleated the excess fabric in the front shoulders, and also I folded a symmetrical box pleat centred on the skirt back joining seam, thus eliminating all gathering in my version of this pattern.
I hand-stitched the sleeve and lower hems.
Would you sew it again? Would you recommend it to others?
OK, so I always say yes I will sew it again and then only occasionally do I follow through, but this is such a basic and classic silhouette and so easy to run up very quickly, so I am absolutely certain that I will, soon  ðŸ™‚ 
And yes, highly  ðŸ™‚
Conclusion:
Easy, stylish and flattering, this basic yet prettily feminine design is very lovely in my opinion.   I’m very happy with my new dress!
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the paper doll project

(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this; the paper doll project)
6th-11th September



12-17th September



18th-23rd September

G’day  ðŸ™‚
So, you may have noticed that I haven’t put in any links to the individual items in this post… see, I kind of figured that that probably that wasn’t very interesting to anyone by now, which is ok of course   🙂  However if anyone is interested in seeing a particular sketched garment for real in a real photo then please ask and I will provide a link to that post in the comments.
Cool?
In new-season wardrobe news, I have been making and have things to show.  The photography-me is typically lagging, like the proverbial tortoise, way behind the making-me.  Which is a hare.  Racing ahead.  Um, bit nonsensical there, but hopefully my drift is getting got!
The weather has been awful lately.  We’ve had staaacks of rain; officially it’s been the wettest winter in a decade.  The thing is, rain is actually very good news here because we have had a terrible drought for the past decade.  So rain is technically a good thing, but everyone is a bit depressed and not coping simply because we have forgotten what it is like to live with rain!
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In which Sienna models some spring-y attire…

The Perth fashion festival may be over but some are still dressing to impress.
Sorry, I just could not resist, these pictures put such a smile on my face, she looks so funny.

I hope she puts a smile on your face too  ðŸ™‚
She is also appearing today on photo maisonette

oo helloo there!
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Thoughts on hem lengths; linings and slips

One of my wardrobe renovations performed lately was to shorten this skirt by a good several inches; a super quickie reno, but one that nevertheless completely transformed this skirt for me from something that almost caused me to shudder whenever I happened to catch sight of myself in a shop window reflection, to something that I have been wearing with a lot more pleasure and more confidence in how it fits nicely in with my style now.  Although I made it to wear this winter, it didn’t really “go” stylistically with any of the tops and cardigans, heck not even any of the shoes and boots that are the mainstays of my current winter wardrobe.  When I trialled pinning it up a few inches; hey presto, problem instantly solved.
I do have this theory that when it comes to skirts we all have a personal Ideal Hem Length; that is good for YOU, and it could be a bad idea to mess around with it too much.  For me, I think I prefer winter skirts to be EITHER about 10cm (4″) above the knee, OR quite long at midi-length, like roughly 20cm (8″) above the ankle.  These are lengths that just look better with all my tops, all my shoes and that suit my personal style.  Obviously I reserve the right to change my mind about that one, at any moment, according to any and all fleeting fashion whims.
Good thing I can sew for myself, hmmm?  ðŸ˜‰

I had already finished the lower raw edge with violet bias binding, so to unpick and re-stitch it up a coupla inches higher was an ultra quick renovation…  and the extra length is still there, should my wardrobe tastes migrate to embrace the aesthetics of different hem length.

now that’s a nice deep hem!

And now to another topic, slightly related…

Kathleen wrote a comment bringing up the topic of skirts; specifically, to line or not to line? That is the question! which I thought worthy of further exposition.

In the photo above I am actually wearing a full slip underneath my outfit, not that you can see it, which is the point really!

I line the majority of my skirts but not all of them, and it is always something to consider, how do you choose which gets lined and which does not?
I’m sure we’re all familiar with the horrible experience of your unlined skirt slowly and inexorably riding up your stockinged legs, as if driven by some strange evil impulse of its own… which is why a lining is a good idea.  But for many of us in hot climates a lining can be a pesky thing that clings hideously to your sweaty legs for most of the year.  So what do you do if you want a bit more versatility, for your skirts to see more active duty, to be an all-seasons item as it were?

The answer is of course, a separate slip or petticoat.

I chose to make this skirt without a lining because I wanted it to be transitional thing, to wear on both winter-y days and warmer bare-legged days too.  And on cold days when tights are on, as above, I have a few slips, or petticoats that I can wear underneath, that do the same duty as a lining.  In the outfit above, I am wearing a pale blue silk petticoat, chosen because the colour went with the rest of my outfit, not that you are supposed to see it! but still, just in case  ðŸ™‚ I like my colours to “go”.  So when re-hemming the skirt I was careful to hem it to a length that I could still wear my petticoats underneath it.

It’s always really good to have several petticoats or slips on hand from which to choose.  I have eight full slips or petticoats in total, half of which could pass as little summer dresses if worn with extras: this pale blue one, a pale pink one, a beige one (easily my most useful one), a cream broderie anglaise one and a black one, shown long here but I have since re-hemmed it quite a bit shorter, and also three long and full-skirted ones, in yellow, pink and a white Metalicus one.  I don’t have any half-slips… but then until I started listing them for this post I didn’t realise just how many petticoats I actually had and maybe I have an abundance already!
So, in summary: To Line, or to Slip? that is the (paraphrased) question…

Later edit: for those looking for a pattern; the lovely and clever Sherry of pattern scissors cloth (I miss her!) designed and uploaded the Ruby slip, a pattern for a simple bias cut slip with the option for a lace bodice, and also generously provided extensive and super helpful instructions.  Available for free download here  

Details:
Top; Vogue 1115, blue denim details and my review of this pattern here
Skirt; Vogue 8363 heavily modified, green cotton corduroy, more details here and my review of this pattern here
Petticoat; Burda 8071, pale blue silk, details here
Tights; self-drafted, blue denim-look jersey, details here
Shoes, Francesco Morichetti, from Zomp shoes
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Beachy polka dots dress


So, we had some purr-fectly dee-lightful weather last Monday, allowing me to wear, and take some piccies of, my dress. The product of my giant beachy polka dots fabric, screen-printed by moi.  Um, I’m completely satisfied with how it turned out.  And I can think of nothing further to add.  Not like me, I know  ðŸ˜‰

OK, just a few things.  
I used the pattern for dress F from the Stylish Dress Book by Yushiko Tsukiori, chosen because I wanted an almost featureless tunic dress, with no darts and minimal shaping to interfere with my print, but still had a certain je ne sais quoi.  This design, with a short neckline split and two piece open sleeves with a discreet but pretty little ribbon to tie them closed, was exactly what I wanted.  I cut out all the pieces before printing and sized my print to fit the pieces.

A stylistically simple design, like my stylistically simple print.  I added the obligatory-to-me pockets, ahem; deep inseam ones.  These are cut from the same sand-coloured cotton/linen fabric as the dress, but unprinted obviously.  The same goes for the bias-cut sleeve ties, and bias neckline finish and the neck facing.  There are advantages to printing your own; you can leave it off all the “invisible” bits of your dress, and that is a vast improvement… nothing to show through!

It’s been a thoroughly satisfying project in that the result truly matches my vision.  I’m going to really enjoy wearing it.  
The creativity demon inside has been sated… for now  ðŸ™‚
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Army jacket; 6 different ways

My khaki army-style jacket has been my go-to coat/jacket this winter.  I made it two years ago, completely inspired by all the fabulously cool examples I had seen out and about in Tokyo.  I got home and pretty much immediately set about gathering all the bits and pieces to make one for myself, adapting a jacket pattern from Burdastyle magazine so the features matched the ones I had seen in Tokyo.
Australia often marches to the beat of its own drum, fashion-wise; and looks that are IN! overseas may or may not take off over here.  You can never tell…. but anyhow, this winter army jackets were IN! here and I remembered that I had made one (o serendipitous moment!) pulled it out and have been wearing it pretty solidly since.  It is sooo warm!
Now, you might think it could only been worn as a casual thing, but being such an on-trend item I’ve found it incredibly useful and the deep olive colour goes with everything I have in the wardrobe.  I also made an attachable fur-lined hood to go with it but obviously such a thing is pretty irrelevent to our climate and so I’ve never attached it.  Maybe one day I will visit a snowy climate soon and can happily button on the hood without looking ridiculous?  A girl can but dream…. but in the meantime these are some of my favourite combos with it from this winter.

Below: at left; casual to the max, worn with my purple flared jeans.  Funny thing, I’ve kind of gone off jeans completely lately and don’t want to wear them at all.  I’ve semi-tossed these ones out now… they’re on probation….  At right; the jacket kept me toastily, snug-as-a-bug warm on our coldest day (15C) along with my crocheted Granny squares skirt, a black Tshirt, black woollen tights and biker boots.  I had my knitted gloves on for part of that day too, but not for the picture… brrrr!

army1a

At left; I’ve seen sequins combined with utilitarian khaki in a gazillion gorgeous street-style photos, and loved the craziness of the look, so I wore the jacket over my own silver sequinned skirt, a drapey white top, and with black suede pumps to a dinner with friends, and felt like an ultra trend-ite, for once!  At right; sporting a symphony of satisfyingly subtle sludgy goodness, worn with my khaki linen shirt, my sludgy little skirt (incidentally, the same fabric as my purple jeans in the photo above, dyed brown), my olive leggings, and olive knitted socks (not really showing here)   A bit drab maybe? but then again drab is my middle name.  Seriously, you should see the looks I get when I fill in forms.
(10pts to anyone who can pinpoint that quote….)

army2a
At left; worn into the city, with my rusty-red wool/silk skirt, black woollen tights and high-heeled booties, and at right, worn with my gunmetal blue silk dress, red hoodie and paprika tights.  Incidentally, this is today’s outfit, and I had a lovely lunch out with Dad.  He was wearing this shirt, actually nearly every time I see him he seems to be wearing it!  Which is super nice of him  🙂
army3a

So, the weather is warming up gradually, in fits and starts, and soon I’ll stop reaching for this jacket but I’ve sure appreciated and enjoyed its cosy comforting warmth and its easy-going style.  Hopefully the trend will stick around for a few more winters to come!

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Screen-printing: golden curls

 We had our last screen-printing class (sad face)   I’m going to miss heading out to class!  Anyhow, since I feel up to doing regular screen-printing on my own at home I had decided to try out a couple of the less usual techniques; so, foiling…

I put a lot of thought into marking the placement of my design … and came up with the following idea; those straight cut-out lines on either side of my stencil were masked with clear, see-through sticky tape, and are intended to be a sort of “window” through which I was hoping to see the lines of red tacking stitches, in order to put the screen down as accurately as possible.  Of course, you could just put the screen down on a large piece, print with a wide margin all around, and then cut out your pieces afterwards, but I had only exactly just enough of this pale grey silk/linen for my pieces and needed to be as fabric economical as possible.  This approach worked beautifully! and I would definitely do this again if I wanted to print a border design like this.

 Ta da!  the foiling glue actually looked pretty cool all by itself on the fabric, subtle and rustic in a tone-on-tone way like ancient stone carvings or something, and I was tempted to leave it like this!  But nothing ventured, nothing gained, or let’s hope so anyway…

…and Eureka!

I tried in places to achieve a very subtle mix of shades, but mostly went for gold.  I only wear gold.  She says, all la-di-da like.

I quite liked my design, and how it turned out, but the foiling glue is trickier and even messier than regular fabric paint, if you can imagine! so I’m not sure if I would do this technique again.  The glue is like a close relative of epoxy, and if you make the mistake of getting any on your fingers it rapidly turns into a tenacious tacky stain and nothing short of Gumption will get it off.  No kidding!
Below should give an idea of how I’m going to use these pieces, when I get around to it.  Sometime, soon.
I’m really going to have to get cracking on the sewing machine  ðŸ™‚ 
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