Flat-felling a curved seam

Flat-felling gives such a nice finish to tailored items, but if you try it out on a seam with a bit of a concave curve happening it can end up looking messy and not much of an improvement to the looks of the garment after all!
I wondered whether running a line of gathering stitched along the seam allowance might help to solve the problem of turning under that excess fabric around the curve and help it sit nice and flat.  So I tried it out on the sleeve cap seam allowance of the next shirt to roll out of the atelier, Craig’s birthday shirt, and it worked like a charm… I did take some pictures to illustrate but unfortunately a couple seem to have been lost in a recent computer clean-up  :(( so for the missing pictures I shall attempt to explain as best I can… 😀
So.
The sleeve cap  has been attached flat to the body of the shirt, and the sleeve and side seams of the shirt are still unstitched.  I want to flat-fell the seam allowance along that top curve of the sleeve cap.  The sleeve cap seam has been pressed up towards the body of the shirt…

Lift up the top layer of the seam allowance and snip the underneath allowance to just less than half its width, just as you would with a straight flat-felled seam (tutorial for that here)…

Now run a single line of gathering stitch along the wider upper curved seam allowance, at the halfwidth line.

Now turn under the raw edge along the line of gathering stitches, treating the line of stitching as the fold line.  If the curve is not very pronounced, the gathering may only need to be pulled in just a little…  Distribute and ease out the gathering as needed to achieve a flat a finish as possible.

Press and pin in place.

(missing picture here, sorry)  I topstitched the seam allowance down from the inside of the shirt; taking great care to keep the topstitching a perfectly even distance from the seam stitching, that is using the seam stitching as the guide to gauging the width of topstitching.  If you forget this and aim to topstitch using the folded edge as your guide, it may end up looking a little uneven on the right side (because not even the most careful of us is Perfect at folding under and pressing  an exact width fold), and this you want to avoid.  After all, the appearance on the outside of the garment is what counts!
To illustrate; here is the underarm at the 4-corner point where the sleeve seam meets the side seam: Below; inside the armhole, that flat-felled edging has a few little bumps along that folded edge because of the allowance not turning under completely even-width so doesn’t appear super perfect..

but below; the outside does.  So I’m OK with that…

(another missing-in-action shot, so below is an “after” shot) Now I stitched the sleeve and side seam in one go; and flat felled this seam allowance.

Because this seam here is a convex curve the seam allowance has less fabric along the raw edge than the seam, (rather than more fabric as in for a concave curve) and so it folds under more easily.  However because there is less fabric, you need to stretch out the seam allowance a little when flat-felling it down.  In my experience this is a lot easier to achieve than dealing with the excess fabric in a concave curve, but very rigid fabric may either need a bit of a snip around very tight curves, or alternatively a HongKong finish may be more suitable.

(Hmmm, diverted a little into mathematics territory there, but I hope that helped to illustrate the point!)

 

I don’t know I would bother with flat-felling the side-and-sleeve seam of a long sleeved shirt,; sewing neatly up the inside of a long tube is probably high up the list of things that are disproportionately difficult with consideration to actually how much it really improves the look of the shirt… but I’ve found sewing up the inside of a short-sleeved shirt to be OK and not too much of a hassle.

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2011; a year in review

A favourite picture from each month of last year.  May has two, because I could not choose between them…
January; here.

February;  here

March; here.

April; here

May; pretty chuffed with my ballgown, here.  I made the accessories and the evening gloves as well, here

May; I just had to put this dress in here as well since it is my favourite garment of the year… here

June; here.  This is one of my favourite pictures I’ve ever taken for this blog…. just the colours of the morning sky and the glassiness of the river and “the twirl” (a mini-challenge within the Me-Made June Flickr group)

July; here

August; here

September; just a really lovely day out; here

October;  here

November; bathers!  here

December; here

Soooo, 2011; apart from underthings, and one scarf, a souvenir from our holiday in Japan, I did not buy any RTW clothes at all this year!  I made things… lots of which I was very happy with.  The dawning of a fresh New Year has got me freshly and newly excited about all the fresh new possibilities for making fresh new things.  Fresh!  New!
On that note; resolutions, of the handmade variety…
A more determined effort to de-stash (oh, we’ve all heard that one before!)
Continuing to work bit by bit through the challenges of the Pattern Magic books.
And Wardrobe Refashion has gone 🙁  but I’ll be keeping to my pledge to make all my own clothes.  Although the enthusiasm for making my own underwear still eludes me… but maybe 2012 is the year to change that?

Really, creating based purely on whim and passion is my joy and has served me well so far; so I shall continue wandering aimlessly but happily through the process of making, seizing the inspiration wherever it hits, perfecting techniques as much as I am able, and just seeing what pops up…

Best wishes to all for a wonderful New Year, and I hope it brings all you have been hoping for!

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Craig’s shirt

The penultimate shirt, for now…  (and I am definitely thinking of something different to make for my boys next year!)
This particular shirt, another Burda 7767, was made using shot cotton in True Cobalt, and is a Christmas present for my husband.  I had just made for him a special (imo) new shirt for his birthday recently, but I ran up this other new one as well since I didn’t want him to feel left out when the others were all opening their gifts of handmade clothing on Christmas morning.  However.  This is the sixth mens shirt I’ve made in the past six weeks, and you might imagine I was becoming just a tad shirted-out by the time I came around to this one…?  (if so, you imagined correctly) It was a struggle for me to get enthusiastic about finishing this last one to the standards (ahem) I’ve set myself and that my menfolk have become accustomed to…  🙂
In fact it only had the very last little touches put to it just last night  😀
The warp of this fabric is a deep periwinkle and the weft is only a barely lighter blue, leading to an extremely subtle “shot” effect unfortunately.  Almost too indistinct…  in fact to be blunt I was quite disappointed with this fabric when it arrived.  I’m used to the Rowan shot cottons really wowing me with their iridescence, but the colour of this one seemed pretty flat to me when I received it.  The perils of internet shopping.

So, the fabric being very plain, the shirt really needed some interesting bits and bobs to lift it above the overly mundane.  Even though Craig does like his shirts plain-ish I still thought it needed a little bit of something…

There are added arrowhead shoulder tabs and cute little miniature arrowhead sleeve tabs.  
It also has weirdly funky diagonal pockets.  Hmmm.  They seemed like a good idea at the time.  I don’t think he ever uses them much, anyway.

So! …as mentioned above; this is my 6th shirt in as many weeks… but I have only posted five! Has all this crazy shirt-making made me see a double shirt somewhere, where there is but one?   Well, no.  I can still count….  so here’s the story; I had practically finished another shirt originally intended for one of the boys’ Christmas presents before I decided the fabric was just not right for any of them and put it aside, uncertain what to do with it.  And then inspiration struck and now that shirt is in the process of being adapted into something, just a little bit different, and for me… results to appear here sometime soon.
Watch this space…
Later dudes!!  (signing off feeling pretty lighthearted since I have finally finished with The Shirts)

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Tim’s shirt

I made a shirt for Tim; again Burda 7767 (blush).  And I’m embarrassed to confess that there are still a couple more versions of this in the wings too… sorry!  I hope lots of mens’ shirts will not get too repetitive… in my own defence they are all just a leettle bit different from each other in some way.  I hope that is noticeable.
But back to this particular one…
I’ve noticed that Tim, and lots of young men now, are all wearing their shirts a lot more shrunken in appearance to the classic “men’s shirt” silhouette.  More fitted to the body, and with shorter and smaller sleeves.  So I tailored this shirt accordingly; and in case you’re wondering, Sam didn’t want for his shirt to be “trendy” like this although I actually did make his a little more narrow in the body than previously too.  
I made the sleeves shortish and when he opened his present asked him if he would like them hemmed fashionably even shorter but he said he liked them this length.
I went with snaps for closure, and left off any tabs – there is a good reason for this; below.  The arrowhead pockets and their square-cut flaps are cut with the grain and are matched against the shirt background but with no attempt at fancy bias stuff; again, a perfectly good reason for this is coming right up.
The reason for leaving off my “regular” young mens shirt details? well, to use a technical term… this fabric was a blinkin-nightmare to work with, and almost killed my enthusiasm for men’s shirts entirely.  I seem to make a habit of choosing very sewing-unfriendly fabrics (like here) for Tim’s shirts but he always professes love for them and wears them a tonne, so in the long run I’m just happy that he is happy!
The problem with the fabric? crinkly and stretchy.  A totally hideous combination for tailoring.  You’d think I’d have learned by now, right?  I always tell myself it will be easier; this time, and then it never is.  My best attempts at making two identical shoulder tabs were so dissimilar I just couldn’t put them on the shirt, and just the pockets and pocket flaps were enormously difficult… getting that irregular stretchy check to match up.  I know, sounds ludicrous to say that the humble pocket flap almost defeated me, but there it is.  I even made up a set of pocket flaps and tabs in a different fabric, but decided in the end they just looked wrong.  Honestly Sam’s shirt was a walk in the park compared to this one.  I fair dinkum revelled in that non-stretchy fabric!
But this fabric was the stuff I just knew Tim would love in his new shirt, I could just picture him in it, and knew that it would sew up into the kind of cool shirt that he would probably pluck out himself if he spied it in a trendy, young mens’ boutique.  So I just had to go carefully and get there in the end, through sheer determination. 
Needless to say there is no flat-felled seaming on this thing.  Raw edges all overlocked, and simply top-stitched down just like that.  And applying the hammer to the shirt when putting in those snaps felt goooood…
And you know what? Got those darn checks to match up, eventually!

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Cassie’s dress

I made a dress for Cassie.
Soooo, in clothing my boys I have played about as much as I dared, adding fun little details and extra bits and bobs here and there to their handmade garments, perfecting the tailoring…  but the fact remains that  the most glorious and drool-worthy fabrics, the ones I get really excited about when I enter the fabric store, are usually best suited to girls.  It is so much harder to find really exhilarating fabrics for boys.  A daughter is such fun to dress up, and I have dressed Cassie up her entire life.  And I am still indulging in lovely fabrics and designs just for her as often as I can!
This fabric always called to both of us whenever we entered Fabulous Fabrics.  If it looks anywhere near half-divine in these pictures then let me assure you it is ten times more divine in the flesh.  So to speak.  (In the “fabric”??)  It is a fluid silk printed with an other-wordly underwater design of strange and disharmonious hues; impressionist seahorses suggested in blotches of emerald, lime and crimson, floating in a deep khaki tracery of seaweed, itself stark against a watermarked sea of unlikely cloudy pink, mauve and royal purple.
Quite beautiful, no?
To make the most of the print, I started out with a real oldie pattern that I have had for a few years, originally a gift from my friend P from her mother’s stash.  Vogue 7610 is a very simple shift dress with straight side seams (the reason I chose it) and adapted it as follows; 
(Warning: dressmaking details following, boring to anyone not interested in dressmaking)
The design had wide front shoulders gathered into the back shoulders; I redrafted these to be the same width so as to eliminate the gathering.  I decided that gathering would detract from the print and only the plainest of designs would allow it to shine as much as possible…

I laid the front and back down together, overlapping at the right side seam, and cut out the dress as one whole piece, eliminating the right side seam.  Again, to preserve the print intact as much as I could…

Instead of four separate little neckline and armhole facing pieces (unnecessarily narrow and awkward little things if I ever saw them), I cut a whole bodice facing, again all in one (pictured above) and eliminating the right side seam. I left the natural fabric selvedge in place to act as the finish to the lower edge of the bodice facing.
There was just enough fabric to make a kind of narrow obi belt with long skinny ties, but she can substitute one of her long skinny leather ones that wrap around several times about her waist if she wants to dress it down.

I left off the pocket.  I had not enough fabric.  I was left with literally tiny scraps totalling up to about 15cm square when I had finished.  Fabric efficient, or what?!
After a spot of secretive measuring of her existing dresses, plus a few surreptitious try-ons on myself, I determined that the left side seam could also be sewn up and no zip would be necessary for closure.  So simple!  So basically this is a two piece dress, with no closure.  The facings were under-stitched (in pale pink) as much as possible, the raw edges overlocked to finish, and the lower hem hand slip-stitched in emerald green.  I agonised somewhat over the thread colour here, but I think the stitches are happily near-invisible, yes?  Along with the horizontal placement of the pattern piece onto the print, achieving the perfect hem depth was the next most agonising detail; it is deep enough to make the dress short enough for her tastes, but not so deep as to cut into and unbalance the overall print placement on the dress.

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Sam’s shirt

I made a shirt for Sam…
Hmmm, sounds extremely deja vu-y given that this is what I nearly always make for them, for seemingly every occasion requiring gift-giving.   But you see, all my boys are sweet enough to appear genuinely pleased to receive my shirts as gifts, and what is more, actually request them.
To have my shirts in demand is such a nice ego-stoking state of affairs, ahem.  Plus I do so much enjoy the tailoring process.  Yes, really… 
So how could I not comply with their wishes??
Using Burda 7767 (shock!) with modifications, and he came with me to Fabulous Fabrics himself (genuine shock!) and chose the checked fabric and the wooden buttons to go with it.  This fabric is a polycotton, non-stretchy but with a permanent crinkle in it.
Fair warning; excessive chit-chat about pattern matching coming up…
Below; the back yoke… when one is working with checked fabric like this, it is imperative to a rabid obsessive like me that that slight concave curve of the upper back edge be spaced evenly across as well as for the straight lower yoke edge be exactly even across the seam-line, and for the stripe to not disappear very slowly down into one side of the seam, which especially in a crinkly fabric like this can happen almost without you noticing… and require unpicking and re-doing, ahem.   Anyone who has sewed with stripes and checks has visited that one before, I’m sure.
Probably why I have this lazyman’s preference for solids when tailoring…

Also, just an aside, when I am using less stable fabrics, such as this crinkly fabric, to make tailored shirts; I cut the two yokes one with the grain and the other cross-grain as pictured below.  I find this gives a bit of extra stability in an area of high strain.

Purely decorative buttons, one on each sleeve hem.

I went to enormous pains to match up the check pattern on the bias-cut arrowhead pockets as it relates to their corresponding bias-cut arrowhead flaps.  They are perfect, if I say so myself.  I’m not even going to mention how much minute twiddling, precision-pressing  and adjusting this took…  oh wait, I just did  🙂  LOTS!  Also please note that the two pockets and their flaps are exact mirror images of each other.  Over Christmas Day lunch I started what I thought was a very interesting conversation with some female relatives about this sort of dressmaking minutae…   until I noticed them glazing over fairly early in the piece and stopped.  Incidentally, do other seamsters find that variations in the structure of clothing is a compelling and perfectly good topic for conversation, and that it is inexplicably hard to incite any passion at all in “ordinary” people who take their clothing totally for granted and don’t notice nor even care about the All-Important Details?!    sigh, I guess this is why we blog…

So, back to the shirt at hand… oh, and by the way, please note the collar has purr-fectly symmetrical pattern placement.  Thank you.
And tabs, matching mirror images of each other.

Okaaay then, that’s it.

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Introducing Fabio

After our Christmas lucky-dip yesterday I have become the custodian of a funny little fellow

He has been christened Fabio.
After an eventful Christmas day, Fabio is having a quiet one today, as is the rest of his new family.

On the other hand, guess who plucked out the silk scarf that I made?
I promise there was no collusion; it was the last pressie left in the bag and she was the last to “dip”!

I reckon my husband (once again) thought of the best Christmas gift idea.  We each opened something like one of these.

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A small silk surprise

I think it is safe to put this here since no one in my family is going to be reading my blog at this late stage in the game…
And if you are a family member reading this, then quickly; avert your eyes!  Now!  😀



There is to be one of those Christmas lucky-dips-with-a-strict-budget at the family gathering this year and I racked my brains to come up with a wearable something, both lovely and of high quality as well as handmade.  My gift had to be for a girl, and had to suit any one of a range of hair and skin colours; from beautifully grey, to a pale ash blond, to rich chocolate-y black, and to a true strawberry blond.  All divine hair colours on their individual heads, and for each of which I would rejoice in choosing just exactly the right colours, if only I knew which fair hand would be the one to pluck out my own little offering…
I spied this absolutely delicious silk chiffon at Fabulous Fabrics, and could buy just enough for a little scarf.  With its shades of warm pale pink, blue-y murky green, bronze and with just a little bit of black I reckon it is perfect.  It spoke to me a sense of dusky, pastel, subtle and yet warm and rich, all at the same time.  What a find!
Simply edged with a rolled hem in black.

And just because this picture below made me smile (seeing Sienna’s furry face always does) and just because “finding the dog” is fun…!  can you spot her this time?

Details:
Scarf; silk chiffon (and don’t worry, it was only worn for just these few pictures before being safely tucked away)
Dress; modified Simplicity 3745, pink lace and pink border lace, details here
Petticoat; Burda 8071, pink satin, details here
Sandals/thongs (new! a present to myself!); Misano from Marie Claire shoes

(impatiently) What?  Not more photos… let’s go, already!
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