Tag Archives: Dress

Heather purple dress, part 1

I have been sewing like mad over the past few weeks, what with the kids on holidays and I’ve got a break from my office work as we’re in the process of switching over computer systems, and I’ve nearly finished all of my autumn sewing plan.  I finally finished my trench coat the other day; the belt buckle situation was a real hold-up, but I went op-shopping with my daughter and I picked up a nice heavy-ish brass one (attached to a ghastly PVC belt, I wouldn’t chop up a leather belt but PVC, hey, all bets are off!)  I only have one item left to do on my plan and that’s the heather purple sheath dress.  It was my husband who suggested I take some photos during the construction process and put them up here as a kind of progress report.  After all, even my mother probably doesn’t want to look at photos of me every day! so I thought, good idea…. I think I’ll do this on alternate days for a while.
For my sheath dress I’m using Burda 8511, one I’ve used before four times.  My first version I thoughtlessly put in the Good Sammy’s bin during a fit of cleaning madness, the second version is here, the third here, and the fourth is a winter dress I haven’t posted about on this blog yet.  Although the third version is a loose shapeless dress, on each of the other versions I have fine-tuned the fitting of this dress and am quite happy with the simple chic of this style.  For this one I want it to be quite formfitting.
I’m using hessian silk, from Fabulous fabrics, which has a sort of rich magenta warp with a sky blue weft, the final effect is a sort of dusky purple.  For the lining I’m using mauve bemsilk, and I’ve got a 46cm “eggplant” invisible zip.
Variations I am doing on the pattern:
1. As this is to be an autumn/winter dress I’m lining the whole thing.  (this is a bigger variation than it initially appears!)
2. The back is laid on a centre fold, eliminating the central back seam, and I’m relocating the zip to the left side seam.
3. I’m shaping my own neckline
4. The dress will be fitted to be way more form-fitting, as the original pattern is pretty shapeless. (again, a biggie)
5. The dress will sit above knee, so no need for a rear central slit.

Here are some of the pattern pieces, cut out.  The front neckline (at left) is still uncut as I haven’t decided whether to make it rounded or square at this point yet (often a last-minute decision!)  On my sewing plan I drew it as quite high necked, but then had second thoughts… I’ve also cut out full dress lining pieces.
As I am doing a whole dress lining, I’ve extended the facing pieces and made a composite facing/lining out of self fabric and bemsilk.  (This is something I worked out successfully from the last time I made this dress)

Here are the facing/lining pieces; the front (at right) has been joined and edges finished (overlocked and topstitched down) and the back facing + lining are pinned ready for seaming (the whole bit at the top above the pins will be cut off with the seam!).  The shaping and darting markings haven’t been transferred yet.

Here I have pinned the front and back pieces onto Bessie and marked my own fitting darts.  These were perfected in my previous efforts using this pattern.  Sorry, I’ve realised just now that some of the pins I used are small headed and so invisible in these photos! Doh, camera skills, please…

And here is the front piece with darts sewed in.

These same shaping darts are sewn in the lining also, although here I have sewn them approximately 5mm shallower on each longitudinal dart, for ease of movement.  Then the front lining and front are pinned together at the neckline and armhole edge and sewn, likewise the back and its facing/lining piece.  
At this point it is essential that the seams start and finish 1.5cm in from the raw edge (my unpicker is pointing to illustrate), and that the gaps at the top for your shoulder seams are exactly the same width front and back.  This is real important.  If they are not exact, there will be tears.  Just saying.

The front (at right) has been sewn, and the seams graded and clipped, you can see I’ve decided on a demure curved neckline, and the back (at left) is just pinned.  
At this point I stopped for the day, not because I wanted to, but because the family was starting to grizzle from hunger…  must be dinner time already.
More in a couple of days..

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Brown dress saved

OK.  I have to confess that I took this dress out of my reject pile yesterday with every intention of cutting it up for refashioning.  Firstly I put it on for the before photo.  I paused.  Looked at it again.  Thought it looked OK, actually.  Felt pretty damn comfy, too.  Also, in the searing heat of yesterday afternoon I felt cool; big plus!  So the dress was saved at the eleventh hour from a brutal slashing…
Previously I dubbed this dress as the Bouchee dress, (you know, Bouchee are those elephant shaped chocolates?…)  I think the last time I posted about it I was wearing a little cardi which possibly didn’t suit this style of silhouette… anyhoo, it’s back in my wardrobe for a while.  When my husband saw me in it this morning he said I looked nice in brown, and he liked this dress, what more encouragement do I need to keep wearing it?!
It’s based on McCalls 4454, a camisole pattern that I really like, which has just been elongated, some godets inserted into the skirt, a handkerchief hem created, and some huge decorative pockets added to cover up some discoloured patches (the fabric was originally discounted and in the remnant bin because of these faded patches)
So yesterday afternoon I hunted about and found a different garment to refashion for this week, I’ll post about it on Friday when I do my Wardrobe Refashion post…
Still haven’t quite finished my trench coat.  Have to locate a belt buckle today… and a zip for my refashion project…  I guess its off to Spotlight, sigh…

Details:
Dress; own design, based on McCalls 4454, brown embroidered cotton
Shoes; Micam by Joanne Mercer, Hobbs shoes
Necklace; gift from my friend K
Nail varnish; Litl Boy Blue, by Artmatix

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Golden green cocktail dress

Today I have pictures of a cocktail dress I made for my daughter.  The spring green crinkled silk was a remnant, and the beaded net was leftovers from a dress that she had made for herself.  The pattern I used as the basis for the dress is Burda 8613 that I had bought about 6 yrs ago to make a dress for her!  Obviously her shape has changed a lot since she was twelve!, so I adjusted and fitted to get a good look for her…  Luckily for her she is slender enough to carry off a sheath dress like this one.
I love these colours on her; she has green eyes and strawberry blond hair and these greens and golds just glow on her…  

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Happy New Year!

New Year’s Day is a time to reflect on your life over the past year and to dream up a few resolutions as to how to do it better next year…  Hmm, well apart from the usual suspects; get fit, keep in better contact with loved friends and family not in my immediate orbit, eat more healthily (not so much chocolate and more salad)… I’ve not got much to wish for, things are good and I feel very optimistic about the coming year.  
I suppose if I’m to hope for anything at all for 2010, it is for a calm, restful and peaceful year, and that is reflected in my dress today; calm, restful and peaceful colours, but with sparkly shoes for a tiny bit of pizazz…  I made my necklace during my beading fad a few years ago.  I’ve worn it only periodically as its kind of showy for my tastes… but I like how its mass of pearl beads are kind of like bubbles in a glass of champagne, sort of celebratory, which seems appropriate for New Year’s Day.
Today the boys of my family are going sailing together and I will walk on the beach, afterwards we are visiting friends for a BBQ.

Details:
Dress; Burda 8071, cream broderie anglaise cheesecloth
Petticoat; Metalicus
Cardi; coffee and white net, my own design
Shoes; Anna, from Marie Claire shoes
Necklace; my own design

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Heat Wave

It’s just about trying to stay cool today.  Really.  Hair in a messy bun and as light clothing as possible.
We saw Avatar with Sam Worthington in the lead role last night (cinema packed with people trying to get out of the heat).  Stupendous.  Wonderful to see a local boy up on the big screen looking good.
Off to the fabric store (20% off sale!) now to spend lots of money…

Details:
Dress, own design by me, adapted from McCalls 4453, red polyester chiffon (with sparkles!)
Thongs (flipflops); Mountain Designs

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Merry Christmas!

Merry Christmas to all!
Got up at the crack of dawn to pop a 6kg turkey in the oven, followed by prezzie exchange, off to the beach, then the family descended on us for lunch!  Phew!
Was given a new camera for Christmas, and I’ll be spending this evening studying the instruction manual… should be producing high quality photos pretty soon, haha…
For now, here are some of the images of my Christmas (please excuse funny unfocused photo of me at right.  Methinks the cameraman had had a few too many…)

Other details;
Dress; Simplicity 3745, white spotted cotton voile with lace trim
Sandals; Anna, bought at Marie Claire shoes
Nail polish; Santorini Sunset, Napoleon
Earrings; self-made

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Dress, 6 different ways

I was thinking it was about time I did another 6-way remix of one of my garments; I had fun doing the previous one on my favourite skirt here and it helps me to appreciate the versatility of what I have in my own wardrobe myself.  Shopping in my own wardrobe!!  I mentioned recently that I would do one on my olive corduroy skirt, but that would just be another skirt same as the last 6-way so decided to do a dress instead.  Olive skirt next time.  Maybe I’ll try to do one of these each month…
I made this Burda 8071, view A sundress last summer out of cream broderie anglaise cheesecloth and don’t wear it enough.  I think it deserves more outings.  So here I’ve styled it 6 ways; as a plain dress, as a tunic over jeans, as a pinafore, over tights, as a dress over a petticoat and over a longer skirt.  As in the last 6-way, 3 ways are for summer; casual, semi-casual and a little more formal, and likewise for winter.  Although seriously when I was photographing these winter looks I thought I might die from heat exhaustion, 34C+ and only the slightest breeze!  Man!  Suffering for my blog…
So here is the dress styled for casual wear, both summer and winter;

Styled a little smarter for shopping or running errands, summer or winter;

And a tad more formal, for lunches, functions or going into the city with friends (yeah, summer and winter);

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This summer’s cocktail dress

Finally decided to post a picture of my new cocktail dress made quite recently.
I love this pattern from Anna Sui for Vogue; I think the ruffles at the back are gorgeous and so feminine.  Sometimes the back of an outfit can be a letdown from the excitement of the front, but this dress is not of that category, in my humble opinion (IMHO, finally worked out this previously baffling acronym the other day!)
I chose this pattern partly because I loved it, also because I wanted the challenge that the pattern cover promised.  I used silk crepe de chine; why oh why do I continue to torture myself with this crazy, slippery, flighty fabric with its willful, wayward mind all of its own?!  Don’t answer that.  Of course I know that it is the challenge that draws me; also silk is truly the king of evening fabrics for both looks and the luxurious feel of it, peerless IMHO (ok, I’ll stop that now).  And actually I’m overdramatising the difficulty factor as usual, I had only a few torturous moments; all to do with the set-in godet in the skirt front.  This whimsical designer touch had to be unpicked and redone once because the fabric kept developing strange inexplicable bumps, probably due to the bias seaming.  Eventually I went with carefully hand basting the seams, and topstitching at a snail’s pace to achieve a smooth enough finish for my satisfaction… Very challenging but not hair-pullingly so.  I am pretty darn proud of the final look.
I also included a photo of my usual method of cutting silk fabric pieces… I cut out the paper pieces, then use my rotary cutter on the fabric.  I hold down the fabric flat with the big see-through ruler seen in the picture (it probably has some proper name).  I use this method because it avoids pins in the fabric, the fabric is held down flat and undisturbed by pin/scissor pulling and tugging which may cause shifting and bunching, and the rotary cutter gives a nice clean cut edge.  I carefully add pattern markings after cutting.  I’d be interested in how other seamstresses handle the slipperiness of silk.
For the shoulder straps I used a chocolate brown sequinned ribbon, and all the edgestitching and topstitching was done in a deep chocolate brown.  I love this contrast, and how it goes with my Icelandic shoes!

Other details:
Dress; Vogue 1105, cream silk crepe de chine
Shoes; KronKron of Iceland, bought online
Stole; d/lux, from Calico and Ivy
Bag; Accessorize, gift from my children
Necklace; gift from my husband

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