Tag Archives: Dress

Valentine’s Day picnic

A hot hot hot Valentine’s Day yesterday, but by sunset a light breeze rippled through to freshen the air and the river foreshore was romantically dotted here and there with picnicking couples quietly toasting the day.  As the sun set the sky put on a blazing show of colour, signalling another day of sunshine to come….
As my grandmother used to say: Red at night, shepherd’s delight, red in the morning, shepherd’s warning.  It goes without saying that we have had no red mornings for quite some time now….
I wore my white dotted swiss voile dress from Simplicity 3745 that has been such a useful cool little dress in spite of my initial misgivings that its vaguely maternity-like shape would not suit me; and my hot pink Metalicus cardigan, by sunset the temperature had dropped to the extent I was glad I had the cardi with me.
We sipped champagne and beer respectively, and feasted on feta-and-salmon salad and mangoes;  and it was gorgeous.  A nice contrast to last year, when I booked us into a usually nice restaurant where we were “assembly-lined” through a fairly unimaginative set-course menu at a grossly inflated price… 
(Oh, and in case anyone was wondering whether my “chocolate-y” hints of the day before were noticed and acted upon, well ahem, they were not.  I think my husband needs hints of a far more direct variety in future!!!)

Details:
Dress; Simplicity 3745 with minor variations; white dotted swiss voile and lace
Cardigan; Metalicus, gift from my girlfriends
Scarf; from Italy, gift from my parents

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Chocolate, chocolate, and more chocolate…

 Dug out the Bouchee dress again and am wearing it with my big wooden-beaded necklace.  Today the necklace is bringing to my mind a display cabinet in a chocolate shop; an array of glossy Lindt truffles, strung together with Maltesers and chocolate coated macadamias; with the silver charms like the crumpled silver foil unwrapped from their bonbons and tossed carelessly aside…
In fact I’m feeling today I look like a long tall glass of Milo, laced with rich chocolate-y goodness all the way up!  
Must be having a chocolate addiction “moment” and there’s only one cure for that one…

Details:
Dress; my own design based on McCalls 4454, chocolate cotton
Necklace; self-made
Shoes; la soffitadi Gilde
Nail varnish; own mix of BYS French White and Mint Condition

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By the lake

Today the sky is grey and white; the sun is veiled behind an impenetrable smudgy mattress and there’s a cool sharp tang in the air; such a relief after a hot few days.  For those of us who like photography; we’re joyously bursting out of the shadows and into the open air with our cameras, as the lack of harsh direct sunlight means a return to our pictures of some focus, details and colour!  Yes, colour is the first victim in our strong Australian light, and as for details such as a pretty print or beautiful embroidery, well subtle contrasts just disappear into a general blob of indeterminate brightness.
Another cause for general celebration is the opportunity for me to don a cardigan; and I JUST LOVE cardigans!  They’re a wardrobe item I can’t get enough of….  Oh, yeah, apart from shoes.  And sandals…. and, er, ok then, lots of other stuff too… oh,  I’m such a fashion sucker.
I left my sunnies off for this photo, partly because I felt I was wearing them way too much in my photos and I wanted to mix it up a little, and partly because I thought I could get away without them in this more subdued light, but it’s actually still pretty bright out today.  I’m trying hard not to squint in this photo, not very successfully I can see now.  Well, it’s actually supposed to be about the fashion and not about my face, really.
I’ve worn this dress on and off over summer; this is the one with a too-short zip that entails much wriggling and tugging to actually get on and off, imagine a deranged lunatic struggling with a strait-jacket in a padded cell and you’re getting some idea.  I love the embroidery and appliqué on this fabric, and the odd subdued colours.  I think they’re set off well with this bright aqua silk scarf, and a little demure charcoal cardigan.
Details:
Dress; my own design variations on New Look 6699, using two cotton prints
Cardigan; Country Road
Scarf; aqua silk chiffon, made by me
Sandals; Micam by Joanne Mercer, bought from Hobbs
Nail varnish; my own mix of BYS French White and Mint Condition
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Birthday girl

Today is my daughter’s birthday…. Happy birthday, sweets!  So I really wanted to feature her for today’s post.  Luckily she hasn’t started uni yet and she agreed to pose for me. 
She’s wearing a dress I made about three years ago, inspired again by Vivienne Westwood; this time a cocktail dress featured in her Spring/Summer 2006 collection.  I found a 1m remnant of silk at my favourite fabric store and with a bit of design magic managed to get this dress out of it!  I remember telling a friend about my 1m dress during the making and she inquired whether it was going to be backless, or possibly even frontless! but I think it’s turned out a very demure dress!  I used every last scrap of fabric, and there wasn’t even enough to use for the backing of the belt, I had to use a bit of lining fabric for that purpose.  So I joke that this is my $10 cocktail dress, and with the amount of use that both my daughter and I have got out of it brings it down to less than a dollar per wear, so it’s been a goodie.  Another little fact that makes me laugh about this dress is that the shade card was still attached to the remnant when I bought it, which revealed it to be a colour named “swamp”  Takes away from the glamour quotient somewhat, no?!  Still brings a smile to my face now…
But I love this colour, so does my daughter and we both look good in the dress, she considerably more so being gorgeous and young…
Details:
Dress; own design, green (swamp!) silk
Shoes; from Hobbs
Photo from Vivienne Westwood Spring/Summer 2006
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To dryclean or not to dryclean, that is the question

On the weekend I wore this to a wedding reception…
(sorry, didn’t get a picture with my hair up and my make-up all done, this is the old photo from when I blogged about it previously and I did look more glamourous on the night!)
and my husband and I danced up a storm on the dance-floor afterwards.  When I got home I laid the dress aside in the laundry, thinking without thinking (if that makes any sense at all) I would drop it in at the dry-cleaners the next day.
But then I recalled a conversation I had a few months ago with a friend who, along with her husband, used to run a dry-cleaning business.  She was telling me how dry-cleaners charged a fortune for evening dresses because of the difficulty involved and the high risk of ruining them, how the chemical process was actually damaging to delicates such as silk and actually shortened their life, and how you are far better off washing them yourselves at home.   Hmmm.  Food for thought.
After all, garments have survived for centuries without dry-cleaning, the magnificent silken and bejewelled gowns of Elizabethan times were, yes, tended and handwashed without the use of chemicals, just good old-fashioned soap, water, air-drying and a hot iron…  That’s when they were washed at all, possibly once or twice in their lifetime! or so I’ve read!  Even so… centuries later why have we complicated our laundering process, and is it really necessary?
The cleaning instructions provided with most clothing, and how manufacturers often put “Dry Clean Only” on their care labels, are (I think) a kind of fall-back, fail-safe, laundry-guide-for-dummies, kind of attitude.  Some labels are quite mystifying.  I have a skirt, bought in quite an expensive boutique many years ago, which has on its label, hilariously, “Do Not Wash” and “Not Suitable for Dry Cleaning”!  What the…..?!  (For interest, I have always just tossed it in the washing machine on a cold cycle, with no dire outcomes)
So, I looked at my evening dress, and decided to wash it myself.  This was easy; light swirling in a laundry bucket, thorough rinsing, blah blah, hung out to dry on its hanger with pegs on the straps so I wouldn’t come out later and see it adorning a neighbour’s tree… The difficult part, obviously, was going to be in the ironing of it.  I didn’t include a picture of it before ironing, you’re just going to have to take my work for it that it was veeeeery crinkled….  I consider myself a reasonable iron-ess (whatever), but this dress has a multitude of  swirly bits, and an awkward gathered/folded bodice on a formfitting underlining…tricky stuff in the ironing department.  However, I recently bought a ham from Spotlight for the purpose of making my life much easier in shirtmaking for my husband.  And should come in handy pressing my own jackets and my trenchcoat (if it ever cools down enough for me to wear it); the pressing of the sleeves once set in is always a hideous challenge when you’re working with a standard garden variety ironing board…  On a side note I just love its cheery tartan cover!

Although it took some time I was pretty happy at how easy it was to iron the bodice of this dress using my new ham, I simply couldn’t have done it without it.
And after, good as new, and ready for that next glamourous soiree…

Would I hesitate to wash garments myself next time?  No!!
What do others do with their evening wear?

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My husband gave me flowers…

Actually he gave these to me a few days ago and they’ve been sitting on our kitchen bench looking fresh, optimistic and cheerful and brightening up my days with that particularly intense clarity of simple colour, that gerberas are so treasured for and for which we forgive them their very short lifespan.
Today they’re starting to look a little droopy, but have still inspired me to go for a sharp shot of mad colour.  Normally I wouldn’t wear these two colours together for fear of looking a bit…. well, fast-food…… there, I’ve said it now, and the impression is out there and probably lasting, more fool me for having put it there.  I’ll bet kindergarteners would love my ensemble.  I’m sticking with it.
This dress, my own variation based on a halter neck top pattern, is light and floaty enough for hot days, but is perhaps a tad revealing up top if one is heading off shopping in a department store for a wedding gift, which is what we are doing today…  Don’t want to be eyed at in a pitying way by any salesladies so my cardigan covers up demurely.
Please note my lovely hair-do, sadly not of my doing.  My hairdresser is a genius and I wish I had him around to do my hair every morning, I think my husband might have objections to that, er…
Off we go to look at crystal-wear….

Details:
Dress; my own variation on McCalls 4453, red sparkly polyester chiffon
Cardigan; Country Road, secondhand and over-dyed
Belt; Country Road, had since I was a teenager
Sandals; akiel, from an op shop

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Heather purple dress, part 3

So, now for the final installment of the making of this dress.
At this point it’s just a bit of finishing off to go; sewing the lining to the zip tape, and doing the hem.  It doesn’t sound like much, but hems are not to be rushed into, especially on a plain-ish dress like this one in which a wonky hem would stand out like a sore thumb.  The very simplicity of the dress’s style means that the hem has to be perfect, as there are no design details to draw the eye away from imperfections, not even a print on the fabric.
So I sew the lining on to the zip tape by hand.  A comment kindly directed me to a site where I could learn how to do this feature by machine… (haven’t checked it out yet) but I had already finished it by this stage!  

And the hem…  When I want it to be perfect there is no other way than this…  Remember when your mother got you to stand on a chair and slowly rotate while she measured and pinned your hems…?  I still do this for my daughter’s dresses but a person can’t help but shift weight a tiny bit from foot to foot, and move their hips, even the smallest amount and it really throws off your hem measurements, the beauty of Bessie is that she’s rock steady.

After I’ve trimmed the hem allowance to 5cm (I pull the dress onto the ironing board to do this), overlock the edge, pin up and press, I trim the lining to be the same length as the pinned-up hem of the dress proper.  Then I fold the lining up on the inside 1cm, press, fold up another 1cm, press, then sew it by machine.  This results in a lining hemmed exactly 2cm  shorter than my dress length, which is perfect…

I make some bias binding out of voile…

And attach this by machine to the edge to cover the overlocking stitches, press the bias edges under, then finally slip stitch the hem invisibly into place…

Voila!

I feel like a bit of a fraud modelling it as I’m not wearing it today and I don’t intend to wear it until autumn.  I am wearing the scarf (which I also made over the weekend) and shoes today, but with a different dress!
Truth be told, I finished this dress two days ago; I did say I’d been sewing like a demon, I’ve also finished my next two re-fashion projects which are lined up for those Wardrobe Refashion posts, man I’ve got to slow down…  Good news (?!) is that our office computer is up and running so I can get onto a mountain of office work as of this week…  yay (in a small, depressed voice)…

Details:
Dress; Burda 8511, modified, purple hessian silk
Scarf; turquoise silk chiffon, self-made
Shoes; lasoffitadi Gjilde, from Zomp

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Heather purple dress, part 2

I last left off this exciting saga (ha ha) with the front and back sewn to their facing/linings at the armhole edges and neckline, and the seam allowances clipped and graded.

I then turned the front and back pieces right side out, eased the seams open and pressed, then understitched the facings on the curved part of the seams.  I hope everyone understitches their facings, I think it makes a huge difference to keeping those facings on the inside where they should be, and not rolling out to the outside.  It’s difficult to see in the photo, (I’ve made it a big photo to help) but my unpicker and the pencil are pointing to the understitching seams.  You can’t really sew all the way up to the edge of the seams, because you are trying to sew up a tube and that’s impossible, at least on my machine, but just understitching around the curves results in a much cleaner, nicer edge that sits flat.

Now for the shoulder seams.  I sew the front and backs together, at this point I either congratulate myself on careful measuring getting those gaps exactly the same width, or I’m kicking myself I didn’t measure precisely and check properly (see part 1); nowadays I am super accurate with this part as I’ve come to grief here before…. don’t want to talk about it, but it means redoing those arm and/or neck seams again….

Then I carefully clip the corners a bit (not too closely if the fabric is a real fray-er, like this silk is) in the photo above the left side is clipped but not the right, press open with my fingers (not an iron), turn the facing shoulder seams in and pin closed, then handstitch the facing shoulder seams closed…  in the photo below I’ve stitched the right seam and just pinned the left side.  In the photo you can also see one of my sewing assistants who often helps out by plonking herself down right in the thick of things at some crucial step..

Now for the zip…  I overlock the edges of the left side seam (if you’re a left-hander you might prefer to have your zip on the right side seam, probably one of the reasons you’re a dressmaker is so you can have this feature where you want it rather than where commercial clothing manufacturers have decided for you)  Then I physically try on the dress and pin it closed down the side seams to check just where I want them and mark front and back with pins…

Then insert the zip along these markings.  I perhaps should have taken more photos during the zip insertion process, but I always get in a bit of a zip-insertion zone at this stage and didn’t think to pick up the camera.  Anyhoo, I put the zip in, sewing from top to bottom both sides… then after this sew the seam below the zip, again from top to bottom.  Do others do it this way also?  I find if I do one side of the zip top to bottom, the the other side bottom to top, and/or the dress seam bottom to top, it’s very difficult to avoid little lumps or bumps in the seam. I think it’s because the upper and under fabric pieces shift due to tiny variations in the rate of the feed dogs on the under side compared to the rate you control the fabric feeding into the machine…  Any thoughts anyone?  It’s taken me a few imperfect zips that require unpicking and re-doing to settle on this rigid “top to bottom” rule that I never break now…  Here is the zip inserted, and the pins you can see are the lining pinned to the zip tape on the inside (photo of this further below)

Then I sew the right side seam following my markings, both the dress and the facing/lining top to bottom, and overlock/finish this seam…  (I know this looks a little tight on Bessie but the truth is that she’s a tad bigger than me and although I’m struggling to close the zip on her I have plenty of breathing space when the dress is on me… another trial and error thing I’ve learnt to adapt to)

Here is the photo of the inside of the dress so far, with the lining pinned to the zip tape ready for handsewing…. Does anyone know how to do this by machine successfully… that’s a holy grail for me, as it always ends up looking like a lumpy mess when I’ve tried and needs re-doing.  Until I can learn how to do this I’m handstitching for a perfect finish..

Finishing stages of the dress in a few days…

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