Tag Archives: Dyeing

Browning a couple of things

Remember my Sew Bossy dress, below?  It was very… sweet, wasn’t it?
 I mean, I wish I could wear really pretty things like that, but I think I cannot!  But
I thought it had promise, it just needed de-twee-ing.

before
I lopped off
the sleeves, so now they are plain little cap sleeves; and then dyed the whole thing
brown, using iDye, colour Brown. 
So, I didn’t do very much, but it’s definitely made a ginormous
difference to my resolve to actually wear it!  I kinda love its new look, still with an old-fashioned charm, but in a less cute and more prosaic way, reminiscent of peeling sepia-d wallpaper in a decaying old farmhouse, or something.
Since I had used ivory
coloured polyester thread to sew the entire dress, after dyeing the hem
stitching really stood out and looked awful.  I unpicked all the visible ivory top-stitching and re-stitched
using coffee coloured thread.
The little quirk of
dyeing is that you cannot always predict exactly what your results are going to
be.  I found it interesting that
the ivory based print has come out a slightly purple-y shade of brown, while the
white cotton I used for the neckband and hemline piping has come out more of a
yellow-y, coffee colour.  Aaah, the lucky
dip that is dyeing!
And while I had the dye pot and
dye out I also re-ombred the top of my red velveteen skirt, which had lost a bit of its intensity
since I first dyed it a year ago. 
 I’m a big believer in the transformative powers of brown dye.  Such wonderful stuff.

Details:
Dress; dress “T’ from the
Stylish dress book by Yoshiko Tsukiori, original post here; with short sleeves, blue sprigged cotton dyed brown.  My tutorial for basic one colour dyeing is here.
Tights; self-drafted, of
denim look jersey knit, details and my tutorial for making your own custom fit tights here
Shoes; Francesco
Morichetti, from Zomp shoes

Skirt; Vogue 1247, red
cotton velveteen dip-dyed with iDye in Brown, details here.  My tutorial for dip-dyeing is here.
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Blood Orange

Is it a given that all my Vogue
1247 tops will have citrus-y nomenclature enforced on them? 
First clementine, and then blood orange……. aaaaand theeeeeeen?
We shall see, we shall see about that….   ;D
Anyhoo, it was always a given that there will be more of these tops in my life.  Now the weather is warming up beeeayoutifully I dug the pattern out again…. there really should be some sort of award for best pattern of the year or something.  Oh, that’s right! there is and this pattern is!
Fancy that!
So, what you may not realise straight away, but
which I shall hasten to enlighten you asap, is that this is not just the same
pattern as my first clementine version, but actually the very same fabric too.  Yup, the very same!  Except that it has been dyed with iDye in Brown, … to imbue the original pinky-orange with the deep, rich, sophisticated mahogany that awaits one inside a blood orange.  The warp and the weft; originally a light pumpkin and a bright neon orange, picked up the brown dye to become nutmeg brown and burgundy respectively…
This same fabric also played a supporting role in
this post too, providing an appropriately, complex-ly colourful backdrop to some also dyed underthingies.
Now it has shed its one
dimensional role as just a prettily colourful piece of fabric folded in the stash,
and join instead the brave new 3D world of Things One Actually Puts On.
So, fronties; backies.  Because of a lack of fabric I cut the back pieces on a centre fold.
The pointies meet up just exactly as they should…
all French seams-ies…
Lingerie strappy thingies…. These were a gift from
the gorgeous Yoshimi.  Thank you
Yoshimi!
I didn’t realise at first, until I was filling in
the details bit I always put at the end of every post; that the skirt I am wearing
it with here is in with the same pattern as the top, and is also dyed with iDye in
Brown too.  Hmmm, predictable,
repetitive, stuck in a rut; or what?
Maybe I need to get me some new patterns, or new
dyes, or new ideas or something…
Kidding of course,  This pattern is da bomb!  This may not even be the
last version to be seen here on the blog this year….  stay
tuned!
Details:
Skirt; Vogue 1247, red cotton velveteen, ombre dyed
with iDye in Brown, details here, and my review of this skirt pattern here
Shoes;  from Misano
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a Stellar set


Remember I mentioned I had done a little dyeing recently??   I still had scraps of leftovers of pale grey marle cotton jersey from KnitWit: leftover now from this Pattern Magic top, this set of lingerie, and this hoodie for Tim… I had enough for another set of lingerie, but to have two sets the same colour?? boring!

So I checked out the dye supplies… previously, before I started to make all my own clothes, I owned a Tshirt that was grey over-dyed with orange in a splotchy random way.  I always loved loved LOVED that Tshirt, and wanted to aim for something like…
And was thrilled to achieve a Galaxy!  The dye settled in nebula-like swirls of purple, grey, apricot and chocolate; with surprising indigo streaks and “stars” … it was even better than I could have hoped for.  I have no clue what caused those fantastic blue bits and sure didn’t expect it from an chestnut dye but whatever chemical reaction took place, it was serendipitous  🙂
I then soaked the dyed fabric in a strong salt solution to “set” it, and then held my breath and did a machine wash, and thankfully it remained just as gloriously galactic as when it first emerged from the dye-bath.
How did I achieve this little bit of outer space in fabric form??  I threw the dyeing rule-book out the window!  😀  I used 1/4 tspn of iDye in Chestnut, and with no pre-washing or pre-soaking, plunged my dry fabric within.  (gasp)  So my nebula was born from whatever sizing was still in the fabric, along with the dryness of the medium (ie. NOT pre-soaking the fabric)
btw, I would only recommend doing this with fabric you don’t particularly care about one way or another, obviously!    My tute for how I usually dye to get an even colour, is here.

To make my lingerie set, I used again KwikSew 3300 for the bra, with my usual adaption to incorporate a moulded cup insert (my review of this pattern here); and McCalls 2772 for the two pairs of matching undies.  I chose a lingerie elastic in a shade called “skin tone” but I like to think of it as “pale moon-yellow”.  Going on with that outer-space theme there.
And just saying…   using words like “skin tone” as colour-descriptive is problematic to me.  “Nude” is another one I do not use.  I mean, whose skin tone are they referring to?
But anyhoo, I just loved the contrast of pale yellow against the swirling purples and browns, and I made little pointy bows in a matching satin ribbon for the decoration.  I think it turned out kinda punky and funky and fun.

I made a slight alteration in cutting out the bra this time; I cut the top piece and its facing on a fold.  So they are one piece, thus eliminating a seam.  Goodness knows why I didn’t think of this before, it made a much nicer and smoother finish.

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Ombre dyed velveteen skirt

So, this is the little dyeing experiment I was referring to; I finished it last night and just couldn’t wait to wear it today!
My new skirt!
I made the skirt using Vogue 1247, of bright lipstick-red cotton velveteen from Spotlight.  I lengthened the lower skirt pieces of the pattern by …er, lots…  😀  and made a separate full lining of rusty red polyacetate from Fabulous Fabrics, by splicing the upper and lower skirt pattern pieces together.  

The waistband is made less bulky, by joining a long strip of the interfaced fashion fabric, cotton velveteen, to a long strip of lightweight cotton for the waistband facing.  I used Rowan shot cotton in Ginger, a small piece of the leftovers from the shirt I made for my Dad here.  

After construction of the skirt was complete, I dip dyed it from the top in a dye bath of 1/4 tsp iDye Brown.  I did not take any pictures of the dyeing process this time, but this is what I did; I stood holding the hem of the skirt and dipped it up and down slowly and consistently in the boiling dye bath, sometimes dipping deeply, sometimes shallowly, different depths each time, constantly checking to see how the ombre was taking effect; for as long as my arms could take it.  In this case, approximately 25 mins before my muscles were screaming  “OMG; STOOOOP!” Then I took it over to the laundry trough for a thorough rinsing.  I laid the skirt flat on a towel and gently pulled it into shape to dry completely overnight.
I am completely and utterly thrilled with how it turned out!
To my mind, the colour transformation of that deep purple-y rustiness in the top section fading to a rich ruby crimson lends the skirt a classiness that it did not have as a plain lipstick-red skirt.
below; the front view of the skirt, before dyeing.  Not so interesting…?  compare this to the above photo; the back view of the skirt after dyeing.  Much more interesting, yes  🙂

I chose to dip-dye the skirt upside down because I wanted to have the darker section at the waistline fading down to the lighter shade.  I know this is the opposite to most dip-dyeing seen around about but I really like it like this.  I think it is a more slimming effect than if the waist band was bright red deepening down in colour to a darker hemline. 
If you’re interested in dip dyeing, I once did a rough kind of tutorial here, which is a good method for if you don’t think your arms have the stamina for 25 minutes of dipping.  And I wouldn’t blame you one bit, my arms are aching something awful today!  A sopping wet lined velveteen skirt is hea-e-evy!

Details:
Skirt; Vogue 1247, red cotton velveteen dip-dyed in 1/2 tsp iDye in Brown  (my review of this skirt pattern here)
Tshirt; self-drafted, white cotton dyed with iDye in both Red and Brown, details here
Scarf; basically a very long piece of raspberry knit jersey, seen first here
Cardigan; knitted by me, Jo Sharp’s Knitted Cardigan with the addition of knitted lace edging on the sleeve hems, using Jo Sharp Soho Summer DK Cotton in Sapote (col 216), details here
Shoes; Betts & Betts Brazilian Collection (seriously; these are older than my children!)

Pockets, in action.  Gotta love that…

Picture taken around 12.30pm;  Temperature at the time 21C.
Overnight low: 14C; Today’s high: 21C 
Had a rainy storm overnight, but has been fine all day

Today is another me-made bonus day! my husband is again wearing a shirt that I made for him!  and btw, I promise that I am not putting in any requests that my family wears my stuff this month.  They probably wouldn’t pay attention even if I did  🙂  The “bonus days” I am showing here are actually normal for my family; and their clothes are, as they always are, being spontaneously chosen by them to wear.  I am just including them here for fun

Craig’s shirt; Burda 7767 modified, blue linen, details here

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Mum’s silk kimono

With thoughts of self-stitched sleepwear ricochetting about my recent consciousness like a pingpong ball being batted about by a playful pussycat… as well as unique and beautifully artistic garments that delight and inspire us creative types….
This is a silk kimono made by my mother.  Anyone who has been reading my blog for a while might remember that my mother is highly accomplished at all forms of textile art and has made many many beautiful works of wearable art.  Her creations are truly something to aspire to!

This kimono has been hand-dyed! hand-woven! AND hand-stitched!  All by my talented Mum. 

Mum hand-dyed the skeins of ivory silk for the warp of the cloth in the ikat technique, in a divinely subtle rainbow of shades.  She then wove the silk on her loom, and then made the kimono from the resulting fabric.
Isn’t it utterly beautiful?
The kimono was made in 1984.  I do have nebulous memories of its creation in our laundry, even now I can remember it as a labour of love, a project in which Mum aimed high and effortlessly achieved a remarkable outcome that still inspires my awe and admiration  🙂

Mum does still wear it, but since it is not so much a throw-on thing so much as it is a unique work of art it has been well looked after and is of course in immaculate condition.  However, she did not wish to model it for my blog, so Cassie has stepped in.  But I can assure you that she looks just as beautiful wearing it as Cassie does here!

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Basic dyeing; a tutorial

A while ago, Caroline asked if I could go into more detail the next time I did a batch of dyeing, and yesterday morning I felt the urge to haul out the ol’ dye-pot again… so here ’tis!  A short tute on basic, one colour, flat dyeing.

Firstly, if you are being scientific about this process, weigh your fabric and check the instructions on your dye packet to see how much is the recommended amount for this weight of fabric.  This is the quantity that will give you the maximum intensity of colour the dye is capable of achieving in your fabric.  If you are after a lesser intensity or a lighter shade then use less dye.  The colour you will achieve is dependent on several factors: the quantity of fabric compared to the quantity of dye, the fibre content of your fabric and whether it is a mix of different fibres (different fibres react to and soak up dyes quite differently) and the existing colour of the fabric.  All these factors play a part and it is impossible to pin down a definitive result without extensive tests of the sort that the average home-dyer is neither capable nor willing, so without said testing the final colour you will end up with will be a little surprise.  Hopefully a beautiful and happy one!  though naturally if your fabric is pricey or precious then DO do some testing!

I’m using the leftover piece of cotton from this Clementine top since a girl only needs one piece in this distinctive shade in her wardrobe, and dyeing with iDye in Brown.  I also used about half the recommended amount of dye, to maintain the orange-ness.

Now wash the fabric.  This is particularly important if your fabric is new; and is to remove any sizings, starches or other finishes it may have from the manufacturing process.  Even if you have already washed it and even if it is old textiles, set it to soak in a bucket of water.  Woosh it around some to ensure all the fabric is thoroughly wet all the way through.  Leave it in there for at least ten minutes, preferable more, with several bouts of swooshing (wooshing and swooshing; technical terms there).

Assemble your dyeing stuff.  You need:

  • Dye-pot.  A big big cooking pot, lid not essential but handy, and after you have used it for dyeing, particularly with commercial dyes, then never ever using it again for cooking.  I have a big old pot bought cheaply yonks ago, and it has always been The Dye-pot…  I store it with a big unavoidable note stuck in the bottom so no one in the household can ever mistake it for a cooking pot.
  • Stirrer, I use a handily shaped and sturdy stick from the garden.  It is a good one, since it has a twist that enables it to sit on the edge of the pot quite stably.  However you can use a dedicated pair of tongs or wooden spoon if you have not located the perfectly shaped stick… and if so I recommend labelling it very clearly that it is not to be ever used for cooking, like your pot.
  • Salt.  Read your dye packet to see how much is recommended to go with your amount of fabric, but I reckon it never hurts to add a little extra….  
  • Rubber gloves and apron
  • Oh, and the dye, natch!  Once I’ve opened the little packet and used some I seal it as well as possible with tape and store it in a clear screw-lid plastic jar, with the instructions.
  • keep a bucket of water and a wet rag handy to deal immediately with any splatters and spills.

Pour off some of the water from your bucket of soaking fabric into the dye-pot.  Doesn’t have to be a massive amount just say 10cm in the bottom of the pot, add the salt and dissolve over a low heat.
Once the salt has dissolved, add the dye and stir it in well.  Turn up the heat to get to boiling point.

Ventilation is important… one may not mind poisoning oneself in the pursuit of gorgeous fabric but we love our families and don’t want them to suffer for the sake of our colour-fun, do we?   Do we??!  If you have access to an outdoor cooker, then yay! lucky you, use it!  If not, then make sure your exhaust fan is on high, and the windows in your room are all wide open.

Now, pour in your fabric, all at once, and still in its soaking water, and woosh and stir it around as much as humanly possible, immediately.  This is the most crucial step in the dyeing process.  It is reckoned that the fabric picks up the most of the dye it is ever going to in the first thirty seconds of contact.  This is why you want your fabric to be soaked through when you add it, and also why whenever I have seen photos on the internet of garments partially dunked into the dye bath (people unable to resist the action shot, “Now, here I am adding my dress to the dye-pot…”) you invariably see in later shots that the dye job turned out blotchy. Of course a blotchy dye-job may well be one’s desirable outcome.  Hey, no judging here.

Lower the heat and let it simmer and bubble away for thirty minutes, or whatever is the recommended time on your dye packet.
Once that time is up, remove the fabric, squeezing and wringing out hard, and transfer to a bucket of water.  Rinse, wooshing  and squeezing out thoroughly a few times.  Do this several more times, until it washes clear.  I find you can use far less water by very thorough wringing out, several times while washing out in the same rinse.

Et voila!

If you want to, you can re-use the dye-water to do more fabric or another garment; just keep in mind that the guts of the dye has been used and the colour will be paler with each subsequent use.
I did use my leftover iBrown dye… for something else, hehe.

Remember this cardigan?  Definitely prefer this fab new colour.  Not so much leprechaun-on-St-Patrick’s-Day any more, but beautifully fudge-y and sludge-y.  Actually almost purple.  I call that a win!

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Some basics…

Nothing in this post is write-home-about exciting, but I have been laying down some handy layering basics for the cooler days that will be coming up …. sometime? …  🙂  I’m thinking ahead, to autumn.  Planning, you know.  Being organised   hehehe 🙂

Remember this dress?  I put it on recently and my husband announced kindly but firmly that he thought it was weird.  His words sounded its death knell.  I have put this on once or twice since I made it and each time felt sorta… well yes, now you mention it, weird is exactly the right word.  I finally acknowledged that the fabric was wrong for the design, too thick and heavy and with too much body to drape gracefully enough.
My bad.  I now know that with a lot of the Pattern Magic 3 designs you do need reeeeally drape-y fabric (hmmm, I think I’ve said that before; once or twice, or ten times…) On the plus side I still like the bodice part of the dress and I had also used the leftovers of the same fabric to make a successful little T-shirt sooooo;
bit of butchery re-fashioning later…

and now we have…
I added waist bands and armbands.

and…

and…

not from the dress, but squeezed from the fabric leftovers …

T-shirt 1: I added waist bands and armbands to the bodice of the dress.
T-shirt 2: dyed with 1/4 tsp iDye in Crimson.  I’m very happy with this Tshirt, both its shape and the lovely cranberry colour.
T-shirt 3: dyed along with the “bat” Tshirt in iDye in Brown, then in the leftovers of the iDye Crimson dye-bath of T-shirt 2.  I love the tawny port colour it turned out, but there’s something “funny” about the proportions.  I wish now I had scooped the neckline a little more than I did.  Maybe this will just be an “underneath cardis and jumpers” kind of a Tshirt…
Tshirt 4: the first T-shirt made from the leftovers after the dress, using the same fabric and the same pattern as these other T-shirts, and it hasn’t been shown it here before….  It has a banded neckline and sleeve bands, and a turned up, hand-stitched hem.

I also made this using the last leftovers of bright cobalt blue fabric (same as the “bat” shirt) and it went into the iDye Crimson dye-bath simultaneously with the cranberry T-shirt 2 above.  I love the deep royal purple colour that it is now; will layer well with the jewel tones of the other T-shirts for some groovy colourful winter layering, when the time comes  🙂   The texture of that cheap n’ cheerful fabric has to be one of my favourite knits ever.  I just wish it had come in ivory, rather than that intense blue colour.  Just think of the dyeing possibilities.  They would have been infinite  😀

Apart from the first Tshirt pictured, which is the original bodice of the dress on p18 of Pattern Magic 3 by Tomoko Nakamichi, the others are made up using the pattern formerly known as Burdastyle 06/2011, 120 first written about here.  In order to get a nice fit that pattern has been shaved and sliced and diced and completely and utterly altered until each and every seam-line is different from the original.  As well, I don’t use the neckline facing pieces at all.  As for the zip?? well forgetaboutit ….So I guess it can’t lay claim to being Burdastyle 06/2011, 120 anymore.
But my carved-up version is a great fitting T-shirt pattern now…  😀  Yay for that!

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Top; Gone a bit Batty

My latest project.  Do you like the name?  I know, right?  I could get a job at Anthropologie, thinking up delightfully poetic tag-lines for the clothing, for sure.  I am sometimes capable of romanticism, and dreaming up evocative monikers, conjuring up a magical wonderland way of thinking and engaging the senses in a positive way.  I could have gone with something along the lines of Black Magic, or Chocolate Swirl or Liquorice Twist.  Nicer, yes?  But a twisted sense of humour prevents me from behaving all “delightful” all the time.
Besides, have a look at it, spread out on the lawn, recovering from its dye-job.  Decidedly bat-like, I think.

So, this is one variant of the design from p47 of Pattern Magic 3, by Tomoko Nakamichi.  Like much of Pattern Magic 3 so far, I thought this a very easy project.  My thoughts with this one, a very drape-y knit is essential to allow the pointy bits to flop down into each other attractively; and when you put it on you have to pull and fold the layers to sit just so or it can look a bit weird.
Side views:

It started out its life this colour below, and then subjected to 1/4 tsp iDye, in Brown.  I initially bought 2m of this brilliant blue fabric which as well as being very cheap had the added advantages of being very light, very drape-y and 100% cotton.  However I only have room in my life for one bright blue top and so dyeing was always on the cards for anything made out of the leftovers. 

And yes, I have been doing a lot of dyeing lately.  Actually, to say I have run a dyeing marathon would be no exaggeration.  I’ve been on a fair dinkum dyeing bender!!
But results of the exciting dye-fest will have to wait until pictorial evidence has been collected.  You have been warned…
I finished the neckline and armholes by simple turning under the raw edge and topstitching with a twin needle.  This is a great and very easy finish for knits, not as polished a finish as the banded edge, but the perfect choice for something like this top where bands would have visually been too much detail on a top that is already chocka with textural detail.  Those little shark fins at the hips are as much detail as the eye can take in my opinion, and the plainer the rest of the garment the better.

Details:
Top; from Pattern Magic 3 by Tomoko Nakamichi, bright cobalt blue cotton jersey dyed with iDye in Brown
Shorts; modified Burda 7723, of yellow embroidered cotton, details here
Sandals; Misano, from MarieClaire shoes

Over-exposed and super highlight-ed to show up the folds better… and doesn’t this make the sky look amaaazing??

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