Tag Archives: Swap

Cocoa Tao

Hello!  I’m wearing a new blouse.
It is the Tao, by Tamanegi-Kobo.  I’ve seen lots of lovely Tamanegi-Kobo designs made by Yoshimi, and then during me-made May saw even more worn by Japanese ladies, including the adorable and very talented designer Miho.  And since I loooove Japanese designs I just had to try one out!
On a crazy spontaneous whim I added a funny little swoosh-shaped welt pocket.   I had finished sewing the blouse, tried it on and just thought; hmmm, pocket…  I had some scraps left over, the bobbin still had some of the pale grey thread wound on.  I had recently pinned this dinky little welt pocket.  Snap decision.  I just decided to go for it.  I think it turned out quite cute!

The Tao really is a very lovely style, loose and artistic, comfortable and still very feminine and flattering.  I’m still getting used to pdf patterns, I don’t mind them as long as there aren’t hundreds of pages to tape together.  The Tao is 24 pages, which is do-able.  The collar is a petite little thing,  stylistically matching the boxy cropped feel of the blouse, and I think it looks equally sweet buttoned right up.   Normally I don’t button my blouses right up to the collar stand, ‘cos I’m a laid-back Aussie beach bum, but I like this one both ways.

I made the blouse out of, believe it or not, a stark, optic white linen/silk mix from Fabulous Fabris, the leftover piece from after I had cut out the collars, cuffs and button bands for the boys’ Christmas shirts.  But since I’ve made two white shirts in hot succession recently, this one was always going to get a dye-job.  I stitched it up using a pale grey/brown thread, and once I’d finished sewing it and prior to chickening out, quickly gave it a light wash in a very weak dye solution of Brown iDye.  Giving it this subtle and rather delicate shade of pale pinky/cocoa brown.  I think this is a colour quite flattering to my skin tone.  ๐Ÿ™‚

Details:
Top; Tamanegi-Kobo Tao, white linen/silk mix dyed with a teeny amount of Brown iDye
Shorts; Burda 7723, white linen, details and my review of this pattern here

My review for this blouse pattern is below….

Pattern
Description:

The Tao is a loose-fitting, button-front
blouse; with two collar variations, wrist cuffs and a continuous
sleeve vent, cut-on sleeves and a long wrist-to-wrist yoke.
Pattern
Sizing:
Size 36-42.  I made a straight size 38.
Did
it look like the photo/drawing on the pattern envelope once you had finished
sewing it?
Yes.
Were
the instructions easy to follow?
I
could not follow the Japanese written instructions, but the illustrations are quite
clear and helpful.  The seam allowances
are clearly marked.
The
notches that you need for piecing and pleating points can be seen clearly and
easily, but I did think the Japanese character markings looked a little
chaotic, repeated for each of the sizes and heaped on top of each other. There
are two collar pieces: one the under- and the other the upper collar; if youโ€™ve
made a collared shirt before and so know that the under-collar is supposed to
be a touch smaller then you should have no trouble working out which piece is
which.
What
did you particularly like or dislike about the pattern?
It
looks so pretty in the photographs on the website, and I like the loose
artistic shape.  The style is really
pretty and a very nice feminine alternative to the traditional style of
button-front shirt; and easier too, in fact, since you donโ€™t have to insert the
sleeves!  The prim little collar looks
sweet, both unbuttoned and also when buttoned up all the way to the top.
It is
a pdf pattern, which I am slooowly getting used to, old-fashioned thing that I
am  ๐Ÿ˜‰
Fabric
Used:
Silk/linen
mix
Pattern
alterations or any design changes you made:
I added
a little asymmetrical swoosh-shaped welt pocket 
๐Ÿ˜‰
Would
you sew it again? Would you recommend it to others?
Definitely!
and yes  ๐Ÿ™‚
Conclusion:
Oh, I
love it!  Iโ€™ve used Japanese pattern
books before and this is the first time Iโ€™ve made a โ€œregularโ€ Japanese
pattern.  Iโ€™ve made it in a summer-weight
linen/silk mix but I think it would be equally appropriate and just as
cute in a soft comfy flannelette for winter.
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Tear drops top

White tops, and particularly if lace or broderie anglaise or any wildly impractical snowy stitch-festival are part of the equation, have always been a weakness of mine.  Not just during summer but any season.  One of my earliest pins as a freshly minted Pinterest-er was this Isabel Marant top.  It was immediate love at first sight.  The perfect summer top; feminine and chic, cool and blowsy, romantically pretty and casually easy-breezy.  I wanted one, and began plotting…
At first I thought to re-create the style using plain white cotton and finding some sort of broderie border to attach to the lower edges.  Then during my long weekend away in Melbourne with Mum and Cassie I chanced upon this fabric in Tessuti; white cotton voile with beautifully intricate broderie anglaise borders already in situ.  One selvedge had very wide embroidered borders, and the opposite had a narrower border in the same design.  Utter perfection!  I used the deeper edge for the body of the blouse and the narrower edge for the sleeves. 

The pattern I used is top X, from the Stylish Dress Book by Yoshiko Tsukiori.  A big oversized loose T-shirt/peasant blouse thing, slightly gathered into a narrow neckband with a faced front split.  

A plain and simple top with very little shaping, designed to showcase to best effect a gorgeously bordered fabric.   I only very slightly altered the side edges of my pattern pieces so the motifs and the scalloped edge would match up seamlessly.

The shoulder seams are French seams but for all the seams within the embroidered borders; I just overlocked the edges, stitched the seams then pressed them open; that broderie is just too thick with stitches to attempt any fancy seam finishes!

So; a nice easy project but I still had to steel myself to take the scissors to my fabric.  That awful first snip!  Of course, ruining beautiful fabrics is terrible and the fear of that can spiral you into major second-guessing, but maybe it’s worse to hold back forever and never allow yourself take the chance on making something beautiful with it.  Give yourself permission to try… that is why you bought it, remember?  
I have to repeat that to myself, like a mantra, every time I’m faced with special fabric that I totally and utterly adore.  And I’m so relieved that I didn’t ruin this lovely fabric!  

Details:
Top; top X from the Stylish Dress Book by Yoshiko Tsukiori, broderie anglaise cotton voile
Skirt; Vogue 7303, lime print cotton
Sandals; Misano

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Alabama Chanin skirt and tank

Hello!
So! after hours (and hours… and hours…) of aeroplane and in-front-of-the-TV stitching, I have finished my first AC project(s).
This is the mid-length skirt and the fitted tank top, both from the book, Alabama Studio Sewing + Design, by Natalie Chanin.  The two are actually just one pattern, a full length dress pattern, which you cut off at the relevant places to make either a skirt or a top.  Or a tunic or a dress.
Great idea, by the way.    I love the economy of one all-inclusive pattern.  Means you only have one thing to store, but about a zillion “making” opportunities in there.  OK, to be accurate there are eight garment possibilities from the one pattern, but surely at least a zillion wearing and layering combinations to be had.

My skirt!  I’m so pleased with it!  It is totally hand-quilted and stitched in the reverse appliquรฉ technique described in the book;  using a top layer of lightweight deep olive bamboo/cotton knit, bought originally from Potters Textiles years ago, and the base layer is a thicker and more stable dirt-brown cotton jersey from KnitWit, also bought years ago.  These are my colours, yo  ๐Ÿ™‚  I also used some of that same brown cotton to make part of Tim’s hoodie, here.

The stencil pattern is Anna’s Garden from the AC book, enlarged 306%.  I applied the stencil to the olive fabric using a small foam roller and regular household paint, as described here.  The thread used throughout is a brown/grey Gutermann’s upholstery thread, although Spotlight ran out of my colour (grrr!) so a small portion was done in the same colour of Gutermann’s topstitching thread.  Top-stitching thread is kinda OK stuff but I really prefer the upholstery thread; much smoother and less prone to the strands separating from each other.
All the seams are hand stitched too, and felled by hand.  I had initially toyed with machine stitching the seams; but of course after all that hand embroidery I knew I had to finish off properly….   This took a blink of an eye compared to the embroidery side of things, so I am so pleased I opted to “do it right”, so to speak.  I like the way the felling shows upon the right side as a row of dimples; barely hinted-at stitches along the seams.

I finished the waistband with chocolate brown fold over elastic, bought from Tessuti’s in Melbourne. This stuff is extraordinarily expensive here and pretty hard to find in Perth.  Believe it or not; this colour is the closest match that I’ve found… anywhere

My top: I actually do have a matching deep-olive-and-dirt-brown fitted tank top printed, planned and ready to go, but as soon as I finished the skirt I had a Vision; only the plainest of plain white tanks would be the absolutely perfect-est accompaniment to this busy busy skirt.  I had the immediate compulsion to make such a thing.

I bought the white cotton jersey from KnitWit, and made up a very simple fitted tank; no frills but still constructed in the Alabama Chanin way, so stylistically it matches the skirt really well.    The seams are stitched and felled by hand, and the binding applied with herringbone stitch.  Although there a visible knots aplenty on the inside of the skirt… unavoidable!  I went out of my way to hide them on the inside of the tank top, concealing all the knots inside the layers of the felling and binding.
Neckline and armhole binding and seams: below left, right side view; at right, inner view with felled seams

Fitting-wise;  I raised the back neckline of the tank and made the shoulder straps a little wider also.  In my early experiments, I sliced a biggish sway-back wedge from the pattern which affected both the tank and the skirt pieces. 
Time-wise; the tank top took, like, one day at the most? while the skirt has taken weeks!  Although I would like to add more Alabama Chanin pieces to my wardrobe, there is no danger that I am going to get addicted to this technique.  It is basically identical to hand-quilting and I have made enough quilts to know I can only take so much of that.  My left pointer finger needs time to rest and recuperate.  The tip of that finger has skin like a rhino now.  Seriously.
Obviously I am thrilled to bits with my first Alabama Chanin project, and the second!  however there will be one little hurdle; I’m going to have to force myself to wear the skirt and not treat it like a museum piece.  I’m having visions of unwittingly sitting down on a patch of oil, or brushing against a spiky bush or someone carrying a glass of red wine tripping and falling in slow motion  in my direction…. aaagh!  The stuff of nightmares!  ๐Ÿ˜‰

Details:
Skirt; the mid-length skirt from Alabama Studio Sewing + Design, hand-embroidered and stitched cotton jersey in two solid colours
Top; the fitted tank from Alabama Studio Sewing + Design, hand-stitched, white cotton jersey
Sandals: Franco Burrone, from Marie Claire

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Wardrobe planning…

…or a more playful and therefore more apt title would be; Fun with Fashionary!  I’ve been planning for my 11 piece SWAP and doodling and colouring-in like it’s going out of, um, fashion?  ๐Ÿ™‚
Fashionary have released a new sketch panel, which I am using to map out my autumn/winter sewing for next year.  Autumn/winter seems a looooong way off, but winter stuff is generally more time-consuming, plus I reckon it’s a good idea to put in just a bit of thought.  Summer is easy; handful of little dresses, bob’s your uncle.  A winter wardrobe needs to be mix and match-able since you want to be able to layer everything without your ensemble looking like a dog’s dinner.  Thus, planning…

The new Fashionary sketching panel contains two pads; one is for garments alone, the other has the familiar croquis marked for on-the-body fashion sketching; and I used both!  A new feature is that there are some side view croquis.  Although I actually didn’t make use of it this time, I think having the option of a side view could really come in handy.

The sketch panels are a workaday version of the Fashionary sketchbook; comprising loose sheets of perforated, concertina-ed pages and are an excellent tool for the sort of informal playing-with-ideas kind of brainstorming that comes with putting together a cohesive collection… particularly if you are like me and couldn’t bear the thought of ripping pages from out of your lovely hardbound Fashionary sketchbook.  The panel comes in one of three different designs; women’s, men’s and there is now a children’s version.  I have the women’s version, natch!  Included is a card with examples of flat sketching samples, to help you in drawing realistic and well-detailed garments if, like me, you can’t really draw to save yourself, and a page on which to record an complete set of custom body measurements.  Very helpful!  Each set has 8 panels, with 9 pages per panel, and with the templates printed on both sides, so there’re plenty to play with.  A whole tonne of really inspiring fashion artwork created using the Fashionary notebooks can be viewed on the Fashionary site, here and here
Planning a wardrobe collection way ahead is very sensible! and y’know what? I enjoyed it…   I checked out my fabric stash, then sketched out each of my garment/fabric/pattern ideas,  and dealt them out on the table like playing cards to see how everything worked together and see what stood out like a sore thumb.  I had a couple of early definites that got discarded at this point when I could see quite plain and clearly that they were not going to work with anything else.  Too often, I make something that I think is going to be omg so useful, only to find that; um, it doesn’t actually go with anything else.  Mixing and matching sketches of my little collection was an educational rehearsal.  I grouped and regrouped and pulled out the ideas that didn’t fit in.  Once it was whittled down I stuck them onto the wall behind my sewing machine, to keep me motivated and on the right track to get them all done.  Well that’s the plan!

So, the Chosen Ones are…

Two of the things in my plan are a patchworked tweed wool skirt and a mustard cropped jacket, represented as such in the top picture but drawn back to front in the above picture because I’m dithering on those and may swap those two around.  Undecided on that one…  but optimistic about everything else.  The olive ensemble at lower left is a proposed Alabama Chanin project.  Also, there are two plain lightweight white shirts in the eleven things.  That might sound generic and boring, but I reach for a plain little white top a heckuva lot and so I need lots of them!

As per the swap rules I’m aiming for the eleven garments to be sewn between Christmas and the end of April.  This may or may not actually happen  ๐Ÿ™‚  It’s an experiment.  I may be all like, ooh this is easy!; breezing through the list happily and without disaster… or I may be like, what the heck was I thinking, everything’s totally hideous!! *bale*   I don’t do that much, but I don’t wanna jinx myself here.  Disasters do happen.  Eleven sounds ambitious, but then it is probably no more than I would make in that time anyway.  It’s doable.  
Between now and then I will make a few more summery dresses and things for myself to supplement my summer wardrobe, plus there’s Christmas sewing to think about!

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A horse, and other news

The lovely Yoshimi the Flying Squirrel will be literally flying! and over here!  She has revealed her travel plans, so now I may say something too…  I am thrilled to say that she is coming to visit me on her way to the bloggers meet-up in Melbourne.  I will be so happy to see her again, and am super excited to show her around Perth!  I’m planning for, and hoping that she will have a really wonderful time here, and I know she will have an absolutely brilliant and fun weekend at the Melbourne meetup with TJ and Maria and all the other Melbourne gals too.  Exciting stuff!  ๐Ÿ˜€

In current doings, I’ve been mucking about with fabric paint again today…

I bought this lightweight mustardy-chartreuse silk in ?Tessuti’s? I think? during my girly trip to Melbourne with Mum and Cassie last year and it’s been burning a hole in my conscience.  I’ve reeeeally wanted to make something interesting with it but couldn’t think what and it was fast becoming too precious to cut up.  Finally I’ve thought of something… hopefully this will turn out cool in the end.
My initial grand plan was of a more realistically shaded horse, with sharply defined edges outlining rippling equine muscles and tendrils of mane billowing gorgeously in the slipstream…  those pie-in-the-sky ideas had to be abandoned when experiments revealed that the paint bled like the blazes on this silk.  Oh well.  Embrace the limitations, and all that!  And a serendipitous one; since the splodgily abstract nature of my print brings to my mind the markings of an Appaloosa horse.  Ok, I’m happy!
The technical blahdy-blah…
I drew my design, gave it a grid so I could enlarge it to a good size to fit my piece, and then traced it onto the fabric using water soluble pen, although tracing probably wasn’t necessary in the end.  I mixed a hefty blob of black fabric paint into about 2 cups of water, in a plastic spray bottle… just one of those cheapies you see in the gardening section of the supermarket for your seedlings.    Some experimenting was necessary to determine a good ratio, giving a solution that was thin enough to spray without clogging up the nozzle, and yet had enough paint to leave a mark on the fabric.  
Cut out my stencil and sprayed away.  I also sprayed the other pieces; and as lightly and as thinly as I could, painted in some mane and body contouring streaks with a paintbrush, separately.
 This will be appearing in wearable form, tout de suite… 

In other sewing news, I have decided that I might quietly do a stitchers guild SWAP this year.  I’ve bought a few Australian Stitches magazines over the years and, like lots of people, Lynn Cook’s wardrobe planning was always my favourite bit.  I discovered that following her example was an established sewing blog thing-to-do last year, with rules and a time frame and a competition as well!  man, I’m so behind the times  ๐Ÿ™‚   
Anyway, I’ve really admired everyone’s SWAP wardrobes, and thought that maybe my own rather random sewing efforts could do with a bit more planning…  so sensible! a new concept for me  ๐Ÿ™‚  I might not actually enter my SWAP into the official competition… I mean, you are only allowed to make one thing before 26th December, whaaa???  don’t know if I can wait that long!  But I do like the whole idea of following the rules and making a co-ordinating mini-wardrobe.  So I’ll see how I go.  The stash has been raided for some likely looking candidates and I’ve sketched out a plan of attack…
The horse-y fabric may or may not become the first “thing”  ๐Ÿ™‚

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