Tag Archives: Costumes

the Zora Queen Rutela

OK, I’ve done some pretty involved and intensive projects in my time, in fact more often than not, lately! and this one definitely ticks that box too.

Quite a few months ago, Cassie mentioned that she wanted us to go to ComicCon together this year, and furthermore, she had already chosen a good costume for me to make…

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This is Queen Rutela, the queen and elder of the Zora; proud, elegant and graceful aquatic-people who reside in the Zora’s Domain in the Zelda universe.  If you’ve never heard of Zora, it’s ok, that’s perfectly normal because this stuff is the very height of geekiness and so far from the mainstream it’s a little embarrassing …  However! you have now!  She is a rather tragic character;  the story is as follows: Queen Rutela was the wife of the late King Zora and mother to Prince Ralis.  During the events of Twilight Princess, Shadow Beasts invade the Zora village, so Queen immediately sent her son to Hyrule Castle for his own safety and to inform Princess Zelda of what was going on, prompting the invaders to make an example of Queen Rutela by executing her in front of her people.

I liked the idea of going as Queen Rutela for several reasons, partly because she’s a mother so I felt she was age appropriate for me, also her story moved me because it is so sad, she’s so protective of her son and so motherly, it tugged at my heartstrings a bit.  But mostly, well, let’s be honest, because her attire and bearing is just so beautiful and I relished the challenge of giving a good go to making it!  Also, the Zora have always been my favourite species in the Zelda universe  🙂

ANYWAY!  here we go…

Firstly, the dress.  More accurately it’s a 3-piece ensemble, I made an ankle length petticoat/underdress, a skirt, and a long tunic top; all using white polyester stretch stuff (some leftovers, some new, variously from Spotlight, Fabulous Fabrics).  The plain, strapless, ankle-length petticoat is one I made many years ago, so long ago I’ve completely forgotten the pattern I used.  I never thought I’d say that, because I tend to remember patterns FOREVER, but not this time!  The skirt has the other “skirt-y” layers on an elastic waistband, and the tunic top is a drastically modified Nettie bodysuit, basically my go-to Tshirt pattern.  The sleeves are in two parts, a close-fitting “under” sleeve that is wrist length, and the “over”sleeve has a very high sleeve cap and a bell-shaped bottom edge that is gathered and “pouffed” into the under sleeve, then point-stitched in place to get artistic-y folding.  At the shoulder edge, the extra fabric in the sleeve caps is pulled in with three sharp darts; making a jutty-out sort of shoulder cap… that’s a technical term there, btw.

I stitched frilly “gills” to the side underbust area.

Oh! I’m getting ahead of myself… those frills were formed in the following way; I clean-cut the eyes using my rotary cutter, then holding the edge just slightly and evenly stretched out, passed it over a candle flame; which melted the edges just a little and set them in a naturally curly frill.  I took a little bit of practise to get this just right, with the right degree of frill and with minimal scorching!  Fortunately, those bits that looked a bit charred black just crumbled off when I rubbed them between my fingers.

Once I’d made the three parts of the dress, I shrouded Bessie in plastic and newspaper, dressed her, masked off the bits that I wanted to remain white, and sprayed the skirt, then the top utra-carefully and judiciously with poppy red enamel spray paint (Bunnings)

The colour is a little brighter than ideal, I really really wanted a warm, dusky coral pink, but with spray paint you’re unfortunately stuck with whatever is in the VERY limited pre-mixed range…  🙁 /

Spraying was pretty scary, my application isn’t perfect, and there is a blotch on the R shoulder that is a bit heavy and which was pretty devastating for a while, but I had no choice really but to accept what I’d done.   As it turned out I shouldn’t have worried too much because you couldn’t even see the blob once my headpiece was on!

Next, the fin/wings… I cut four-layers in light grey polyester organza, and simply stitched all layers together by skinny zig-zagging around all edges, and slip-stitched it in places to the top of the sleeves.


Next, the jewellery; and this bit was lots of fun!  It’s a long time since I’ve played about with jewellry-making and I really enjoyed it  🙂 I used Super Sculpey modelling clay, jewellery wire and gold metallic acrylic paint (Spotlight) and some really lovely turquoise glass jewels (Fabulous Fabrics), and baked my pendants in the oven before painting them, and stringing them together.  It’s hard to see the exact details of the Queen’s jewels in the short footage of her that there is, and what’s more, the details seem to vary from picture to picture, so I took a little creative license and designed my own, closely inspired by what I knew of the Zora style, and the arrangement that I could see from the footage.

The body-lace fastens at the small of my back; the necklace is supposed to sit out very wide on her shoulders, and I managed to get this look by stitching rings halfway along my shoulder, and the necklace clips onto these, wide on each shoulder.  I also made a “beaten gold” collar/choker from interfaced gold metallic jersey (Spotlight), hand stitched radiating lines over it, and stitched the last pendant to it, then stitched white vinyl “petals” (Clark Rubber) around the lower edge.  This closes by press studs at the back.

Headpiece: it’s simply a long tail in the same polyester stretch, stuffed with Hobby Fill (Spotlight). I inserted fins of fabric-covered cereal-box cardboard into the side seams, and I took the precaution of spray-painting the cardboard ivory first because the polyester is kinda see-through, and stitched it to the rim of a red swimming cap, also catching into the stitching a white plastic face-mask (Spotlight)

Now for the hair!  This took quite a bit of nutting out…. I’d stretched the bathing cap/head-tail/face mask contraption to Mr ‘Ed, my foam head, above.

For the hair I used skinny foam noodle (Clark Rubber) and stitched the top bit of the hair through all layers.  This stuff is pretty bouncy with a mind of its own, but I damn well forced that sucker to be what I wanted it to be with firm and masterful stitching to get the folded part/hair at the centre top. Take that, foam noodle!!  BOW TO MY WILL…

The blonde “coral” hair was easier and actually lots of fun, like being in kindergarten again… I snipped it into lengths, and painted the bits with various mixed shades of pale yellow, shaded with addition of lilac and metallic gold.  I wanted the hair to be in shades because we all know a flat colour just looks fake and, well, flat, any painted thing always looks so much more vibrant and real and rich when it has several different shades in it.  Going to this much effort sounds complicated and maybe even unnecessarily involved, but I whizzed through making the hair, loving every paint stroke.  I strung them on yellow thread and stitched them to the cap through all layers, and painted part of the top layer of hair in the same way.  There is 35m of noodle in this thing… I can hardly believe that myself but yes, really!

One “strand” came off while I was pulling the thing onto my head, aaaaagh NOOOOOO! which was a bit of a worry, obviously! but I had plenty of “hair” and luckily every other bit stayed put.

The final step was to spray-paint the top side of the head-tail with the same poppy-red spray paint.  Scary!! but I was super SUPER careful… On another note, this picture below gave me a laugh! the head looks hideous, the stuff of nightmares!!!  Zoe “looks” terrified but of course she wasn’t… she’s knows what’s real and what’s not.  Even on Saturday morning when I emerged from the bedroom in full costume plus makeup, all the cats just looked at me, maybe a bit quizzically! but they still knew it was me.

Oh, wait… doing the make-up was the final step, of course!  I painted white dots around her brow line, just like in my inspiration pic, and then trimmed away the mask.  Cassie suggested a strip of Hollywood tape on my nose, which helped keep the nose piece firmly in place throughout the day.  Also, with amazing luck, Priceline had a 40% off all makeup sale in the days beforehand so I got some white translucent face-powder and rather horrible bright red rouge-y stuff for the matching poppy-red circles under my eyes and lips.

   

The photo at the top is my first attempt to photoshop myself into a fake background!  pretty good, huh?!  this actually took me aaaaaaages… hehe, #photoshopnoob Well, I felt like Queen Rutela just HAD to appear in Zora’s Domain or it would be, well, you know, just like an unfinished and half-done effort, so I decided I just had to do it!

I didn’t get any photos of me actually at ComicCon in Perth unfortunately; we were just having way too much fun! plus my gloves made it impossible for me to operate my phone!  However about a million people asked to take my picture, which is not as weird as it sounds, it’s just the done thing at ComicCon when you dress up; everyone does it!  Also it was highly gratifying when people recognised my character, totally made my day!!!  Every now and then I would hear a call; “Queen Rutela!!!!!” which was really nice!

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Magicka robe

Have you heard of Magicka?
That’s OK, I hadn’t either until less than a week ago.  Now I consider myself an expert, at least on the attire. 
This weekend is Supanova weekend in Perth and Sam wanted a Magicka robe.  Fortunately he had done some research and found a very helpful little pattern so you can make one for yourself.  And it’s free! available here.

You might be wondering about the sausage on a stick.  Please know this is an integral motif in the game, and everyone knows about that bit.  Jeez.

I enjoyed making this!  It is actually a pretty good pattern and you end up with a rather excellent wizard’s robe I reckon.  The robe is a complete garment in itself under that hood, with an integrated chest plate piece that is joined inside the right front and snaps closed at the left shoulder seam: the hood does cover up the chest but the chest plate piece is a nice detail in that it does completely remove any slight risk that your undershirt might show.  

The hood is separate, and rather mega-bucks cool, non?!  I actually kinda love it.  When I saw the pattern piece I was like no way, but it sewed up to be perfectly draped and mysterious and magic-y looking.
It was designed and the instructions written by someone who does know what they are talking about, like the hood and sleeves are fully lined.  For some reason the sleeves are called “arms” in this pattern.  The instructions are aimed at the beginner.  I’m basing that assumption on directions like  “Hint! Fold the fabric in two, so you can cut two of each piece in one go!”
At the same time, my view is that some of the steps are not explained in full enough detail for a complete beginner, for example the instructions for inserting the contrasting edging strip in the hood opening would be a little confusing for a beginner, and some of the illustrations are in the wrong spot to go with the accompanying sewing directions.  Also, when drawing up your pattern pieces a few measurements are missing.  No biggie, you can still work it out, it’s not rocket science.  But just saying.
At first I thought it might be designed for a small person, like a kid, as a Halloween costume or something; and it might not fit my six foot two son.  So did a few quick measurements, and yes indeedy this is a wizarding robe designed to fit a full sized, and tall, adult man.  O-kaayy!
I used panne velvet, navy blue polyacetate for the hood and sleeve lining and gold satin for the edging, all fabrics from Spotlight.

Actually, the panne velvet was in absolutely shocking condition, the absolute worst I have ever seen for a brand new fabric.
After rolling out the first 2.5m we saw the fabric was sliced completely off from selvedge to selvedge, and had been joined together again with multiple little plastic joiner ties.   Yep I’m talking full price, untouched on the roll, straight from the factory, fabric here.  We’re not talking about a remnant.   I knew I could easily cut the big skirt pieces from that first bit so I told the girl I would still take that as part of my whole …. “are you sure?” she asked, clearly horrified, but I assured her it would be ok.  She continued rolling out and next thing we came across huge holes in the fabric.  Holes.  Like big holes, easily 2 inches across and boom! right in the middle.  The first one she said, oh, I’ll just give you that bit, but by the next one, she was looking doubtful again, and I was starting to think twice too. After the third hole popped up she just offered to give me the entire roll, for the price of 6m; the quantity I had asked for.  So far I’ve only just seen those three holes, spaced about a metre apart from each other.
I’m not dissing Spotlight here, after all they can’t check all their rolls of fabric and the staff at Spotlight are always very good about giving you extra and/or discounts when there are imperfections in the fabrics.  But damn! that fabric was in a bad way!
And I now have masses of ultramarine blue panne velvet.  Yay.  I have zero idea what I’m going to do with it.  Sheets?  haha.

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the paper doll project

(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)

4th-9th July
from left:
mustard dress, f-leather jacket, black tights, hand-knit socks
mossy green top, ivory curtaining skirt, paprika tights, cream hand-knitted scarf, hand-knit socks
strawberry jeans, white Tshirt, lt grey hoodie, hand-knit socks
leopard print Tshirt, little grey skirt, spiral leggings, hand-knit socks, army jacket
army jacket, grey thermal, black Tshirt, navy corduroy skirt, beige scrumpled leggings, hand-knit socks
white Tshirt, black corduroy jeans, peppercorn cardigan, hand-knit socks

10th-15th July
from left:
panelled corduroy dress, black wool tights, grey wool coat
leopard print top, Pattern Magic gathered hole dress, paprika tights, hand-knit socks, army jacket
black Tshirt, chocolate cardigan, sludgy little skirt, swirly leggings, hand-knit socks
emerald corduroy skirt, grey top, grey wool coat, black wool tights
white shirt, little lt grey skirt, peppercorn cardigan, beige scrumply leggings, hand-knit socks
sew bossy dress, chocolate cardigan, denim-look tights

16th-20th July
from left:
raincoat!, navy corduroy skirt, white Tshirt, red hoodie, paprika tights, hand-knit socks
crochet Granny squares skirtarmy jacketblack wool Tshirt, black wool tights, hand-knit socks
grey LS thermal, grey/black Tshirt, purple jeans, army jacket, hand-knit socks
emerald corduroy skirt, calico cardigan, green PM top, grey/black striped Tshirt, hand-knit socks
petrol corduroy skirt, paprika tights, red hoodie, raspberry scarf, black Tshirt, hand-knit socks
Servalan dress, grey wool coat

Brrr! it has been so cold lately!! and I have gleefully re-discovered my army jacket and been wearing it a whole bunch of times…  O how I love that thing!  It’s fabulous how I can slip it on over a little Tshirt or short-sleeved dress and it instantly renders any little summery thing winter-appropriate.  Big love for thick winter parkas.  And it has even been cold enough to get out that Granny squares skirt again, saving it from white elephant-dom 😉
We went to our sci fi do on Saturday night, and Servalan got out and about again and had intergalactic geeky fun… her first outing was to Supanova with future grrrl a few weeks ago.  This time Servalan let her hair down and boogied like a boss.  You know a party is running hot when the smoke detectors go off and the fire engine shows up!  Chewbacca hanging off of a fire truck is not a sight you see every day.

A few asked about Craig’s outfit… well I was all set and quite keen to make him something and then he decided to go as Neo.  Well do you know how much it costs to make a full-length leather coat, even a fake leather coat.  No? well twice as much as to hire it, that’s how much, and yup! I checked out the offerings and did the sums to find that out, and was just like, oh man, really?!?

 Neo; source

Plus it’s important to be able to admit when a sewing project is going to be masochistically difficult and have a very small fun factor, yes?  
So he hired one.   And looked tres cool…

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Supreme Commander Servalan

Put him on the fastest scout ship available and send him here. No flight plan is to be filed.
 That’s against Bureau standing orders, Commissioner.
 Who do you think wrote those orders, Borr? I did. So do as I say, and do it now.
(source)

So, what on earth, or should I say … off earth, is going on here?
Well, we are going to a Sci-fi party, and it’s been a while since I made something ridiculously glamorous so I decided to embrace my inner superbitch, and go as Supreme Commander Servalan.  This requires some mega-fabulous frocking up and I get to behave like an obnoxious vamp all evening.
DOUBLE WIN!  I can hardly wait!  😀

“I find unsophisticated clothes quite amusing.  Like unsophisticated people.  Obvious, but amusing.” (Servalan)

It’s been a while since I clapped eyes on Servalan doing her evil thang on the small screen… I checked out this video and also this one for a trip down memory lane, and to re-acquaint myself with her style.  She has the most amazing and dramatic wardrobe.  I chose this dress above from out of the plentiful fabulosity.  It’s winter here.  It’s cold.  I want to be covered up!
I bought some cheap and rather temperamental silver-foiled, slightly stretchy stuff from Spotlight and two packets of crystal beads in different sizes and got drafting.  I drafted the pattern myself and have provided more extensive details below, if anyone is interested in all that technical mumbo jumbo  🙂 but basically I used the idea behind the gathered hole design from Pattern Magic.

Speaking of Pattern Magic, I received an email from Anna-Brit, who is curating The Pattern Magic Index.  This site is aiming to bring together makers and enthusiasts of the series with images of people’s creations and link-backs.  If you have used any of the books in the Pattern Magic series to make things and would like to be included on the site, then send her an email at thepatternmagicindex(at)gmail(dot)com.

Details:
Silver sandals from Zu, from donkey’s years ago

Drafting and construction details:
I started out with my custom fit Tshirt pattern and  spliced it with my plain little skirt pattern, and lengthened; to get a front and back.  Then cut out a portion from the side front to be the flat beaded section at the waist.  The remaining portion is cut and splayed out as per the gathered hole instructions in Pattern Magic 1.

The back is quite plain and featureless, basically a fitted Tshirt dress. Like Servalan’s dress, the skirt has a long slit in one side, for walking ease.  Unlike Servalan’s, which has a centre back zip, mine has enough stretch for it to be a pull-over the head affair. 
The sleeves are based on my plain Tshirt sleeve, with the side seams tapered out in a gentle arc to a wide wrist, in a bell shape.  
The neckband is a plain rectangle, cut to fit the neckline measurement, and sewn on using this method.  It is interlined with a piece of old cotton towelling, cut from a (clean) old towel.  Sounds deeply unglamorous, right?! but I didn’t have any batting on hand which, yes, would have been ideal, and didn’t want to spend money on invisible things like that in a costume and the towelling was the perfect thickness and stiffness for the job.  It is securely stitched to the neckband facing around all its edges on the inside.
The beaded section is done on two layers of the fabric for stability, and then with a layer of plain woven white cotton sewn underneath, to contain all the threads and for extra strength.
Being so shiny it’s hard to tell, but the fabric is actually almost sheer! so I made a little attached slip/liner dress as well, using the same pattern pieces, shortened and the front without the gathered feature, obviously.  This is attached to  the shell of the dress at the armscyes and the neckline, and conceals those gathering edges and that white bead-backing fabric inside.

I didn’t hem the sleeves or the hemline.  The fabric is blessedly not frayable, and anyway, it’s a costume!!  I will be lucky if I get to wear it more than a handful of times, really.

I have a little anecdote about this fabric too… we have a History.  About twelve years ago I put up my hand to make half of about fifty costumes for little girls, including Cassie, performing an Abba number in a dance recital, and this was the exact same fabric I was given to work with along with the breezy advice to “just run them up on the overlocker”.  I didn’t have an overlocker back then, so borrowed my sister-in-law’s brand new overlocker.
Man!
That experience nearly put me off overlockers for life!  There is just something about this fabric … I destroyed almost one whole costume’s worth of fabric, just trying to get the settings for this fabric right on the overlocker.  Nothing seemed to work.  Either the seam was too loose and looked wobbly, bobbly and like a messy nest of loose and tangled threads; or too tight and threads were snapping left, right and centre.  I re-threaded that machine countless times.  Luckily it was not my own machine, if it had been mine I might even have heaved it into the bin in a rage….  When I finally hit on a setting that gave me a nice neat looking seam with no bobbly bits anywhere; the seam would just pull quite wide apart when any pressure was put on it.  I was tearing my hair out.  Finally, I hit upon a plan of attack; I overlocked using the setting that “looked” real nice but pulled apart under pressure, which was for “looks” only, then went back over every seam with my regular sewing machine using a straight stitch, which was actually holding the seam together. 
Finally, success!  
Just before the dance recital, I surreptitiously checked out the costumes made by the other lady … and they all had the pulling-wide-apart seams!  I was new and didn’t want to rock any boats so just kept quiet and hoped for the best.  Luckily no little girls’ costumes fell apart on stage!
Obviously, I sewed this dress using the described double-sewing method  😉

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Slender Man

Have you ever played Slender?
Hands down.  Scariest.  Game.  Ever!
Our family has been playing this free-downloadable a bit…  and if you can first-time play this in a darkened room without emitting even one girly scream….? well actually I do not believe anyone can!
When I was a kiddie growing up Halloween was completely unknown in Australia.  When I had my own children we’d heard of it by then but it was not observed at all.  Nowadays it is creeping in! stalking up on us like Slender Man upon its prey….  😉

And Tim wanted to be the Slender Man.
Of course one is interested in what one’s children are interested in, right? and the funny thing is that my adult children and their friends have Halloween parties and love to dress up, any excuse for a party….!  So yeah.  
I even went out today and bought some mini Mars bars too, in case we got some trick-or-treaters…. hoo boy, I am mellowing out; hehe!

I made a Slender Man mask.  It is as close a copy as I could get to a morph mask.  I made it using a white poly/lycra from Fabulous Fabrics; very light and thin and stretchy stooff.  The front has a “chin” and I put in a short zip at the back to help put it on over his head.  The zip I had leftover from when I was making these little jeans purses.

The verdict: True story…
I looked up and he was suddenly there, in the room, and I admit to a small double take.  
I’m like, “ooh that’s spooky, Tim.”
Silence.
“Tim?”
More silence.  Brief moment of freaked out hesitation… 
“Tim!?”
Finally he says, “yeah, so whaddya think?”
I’m like, ” Whoar, don’t scare me like that!!”

Later edit: don’t worry, Tim did not go door-knocking… this outfit was worn to a private party only  🙂
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Old things…

… this will be the very last of my “old things” posts.  I promise.
I’ve done a mammoth sort-through of the photos and I think this is it!  (heaves a sigh of relief…)

Firstly, since this is the only garment in this post still in our possession (apart from the Grim Reaper come burqa outfit, that is); a cardigan I knitted for Craig.  It is knitted in the fair isle method.  Above is a picture Craig took of me wearing his cardigan on a holiday last year (isn’t he sweet, giving his cold inadequately-dressed wife his nicely pre-warmed cardigan to wear, hmmm?  What a gentleman!)
And some close-ups of the cardigan I took today…
showing the right front, and at right the wrong side of the fair isle knitting… (as is correct, the yarn is carried over at the back with no weaving in, only if the distance is four stitches or less…)

Now, some costumes…
Sam as “Link”.  I thought he was so cute in this.  He loved this little outfit and often wore it just for everyday wear.  (if you would like to see what this cute little jigger looks like now, go here…)

Sam, as… guess who?  Hehe, the famous Harry Potter, natch, compete with broomstick and Hedwig the owl.  
On that note, a black cloak is such a useful thing to have in the dress-up box.  It can be the basis for so many costumes.

Here is the same robe again, worn by Cassie as Hermione, complete with Garfield Crookshanks the cat… I threw together the skirt and tie as well, but they do not bear close inspection…!)

(I’ve shown this picture before… but here it is again just to illustrate the versatility of the plain black robe as a costume), Tim and two of his mates as Grim Reapers.  I made all three of their costumes.

Tim’s same costume again, this time worn by me to an Arabian Nights party.  I didn’t want to hire an outfit and I didn’t want to make some bejewelled thing I would never wear again, and as every single female I have seen in the Arabian region is dressed something like this, so I was like, yeah this’ll do.  I naively assumed other girls would have the same idea…  As it turned out I was literally the only female dressed (I thought) anywhere near authentically!  Also the only one not heavily sequinned and baring plenty of belly-flesh…  I confess the costume was abandoned when we decided to start dancing!  Don’t worry I had a skirt and top on underneath…

So, away from costumes now, and a ball-gown of my own design that I made for balls in years gone by (Sorry for the headless shot but my face and my hair look awful in this picture…!)  It is silk organza, overlaying silk and silk jersey layers, three layers in all.  It had a beaded and embroidered neckpiece, both beaded and embroidered by me, that is…

A dress I made for Cassie for her graduation dance at the end of primary school.  It was a simple turquoise cotton halter neck dress, the fabric had metallic gold lines randomly strewn across.  I also made her jewellery, of turquoise glass fish beads and strands of gold wire.

Some rather lovely (if I say so myself) wide-legged white pants that she wore almost constantly for a summer, and a little white broderie anglaise blouse.  Both my own design.

Going way back, and this shirt is from a Vogue designer pattern that I believe my mother still has my copy…  I know I also made and am wearing here the small-waisted and very flared skirt from the same pattern too…

I made both the skirt and top and also my necklace here.  The top was an experiment, I flipped the shoulders out in a twist to get this cowl-like effect.  It used to get a lot of compliments, believe it or not! (my friends are very kind)  We are sitting on one of our sofas in its first slipcover, made by me too…  (now looks like this)

Some more dresses.  I really regret now I never got any good pictures of these two.  The white and red one was rather nice; it was a dress, but looked like a matching skirt and camisole when I was wearing it, as it had layers in several graduated lengths.  My own design.  The patchwork dress, also my own design, took lots of planning; I bought the fabrics separately and cut and pieced them together, then made the dress.  It has smaller squares at the top, graduating to larger squares around the midriff, and then down to the largest squares at the hemline.  It is all on the bias, with a handkerchief hem, and I loved it!

A drop waisted, handkerchief hemmed dress of white dotted swiss voile, pictured against a famous backdrop.  I still have this Vogue pattern too, actually…

And that should be all folks!
From now on, I will only be showing newly made stuff here….

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Three Grim Reapers

OK, we don’t really observe Halloween here in Australia.  Trick-or-treating, definitely not.  But sometimes there is the odd party happening at this time that adopts a Halloween-y theme and thus provides an excuse for people to dress up in weird outfits.  So, a few years ago my eldest son and two of his friends went to such a party and decided they wanted to be Grim Reapers.  Hehe, checked out the dates on these photos, and wow, it was four years ago.  Four years ago!  Man!
I made their costumes (don’t get the wrong idea, I don’t make a habit of this sort of largesse…) using 4m each of black cotton fabric, and they fashioned the scythes themselves from my husband’s bamboo aikido poles with cardboard blades covered with aluminium foil..
I thought they looked pretty good, no?  Tim is on the far left…! lol. How can I tell?  Well, a mother just knows, yeah.

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