Tag Archives: Sienna

a blocky sundress

I screen-printed this random murky-coloured block fabric last year, and have finally got around to making it into something.  At last!  The 5-colour print is my own  design; and in fact the dress is my own design too  πŸ™‚   

Originally I had cut the ivory cotton into vaguely sheath-dress-shaped pieces to help me size and place the print.  

Inevitable then, that I would go off the idea of a sheath dress … and eventually I dreamed up, well; this!  It’s a blocky sort of a print, and a blocky sort of a dress in design too, with all straight lines and edges throughout and not a single curve to be found!  The style lines have been marinating in my head for a few months now and so I’m happy it now has corporeal form.
Maybe I should make a pattern for this.  Be a designer.

Bwahaha, kidding! 
The side panels are two piece, with the lower one overlapping the upper one so as to create a simple pocket that extends into the side seams.  The design is fairly unstructured and unfitted, boxy enough that I can just pull it over my head without the need for closure.  Then to give it some shape I made two little arrowhead tabs that can button at the sides to pull in the boxiness and create a bit of shape at the waist.   The domed textured buttons were inherited from my grandmother’s stash.

I think it will make quite a good casual knockabout dress.  The fabric is not soft, but quite stiff and thick and crisp and densely woven, so I think it suits this loose but structured boxy style quite well.  In retrospect I think I was quite ambitious with my print.  But y’know? I’m glad I did have a good go at something a bit tricky, and I like it despite the problems and imperfections.  Now I’m thinking I really should get out my screen printing stuff again.  Give it another go!

o hai there, watcha doing?

Details:
Dress; my own design, screen-printed by me as described here, on ivory cotton, stiff, thick, crisp

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raspberry Alabama Chanin tank dress

I’ve finished a handmade dress.  It’s dyed, printed and stitched together entirely by me.  
This is a fitted tank dress, the pattern is from the book Alabama Studio Sewing + Design, by Natalie Chanin.  I dyed shocking pink linen jersey knit to fortuitously achieve this rather nice, motley, deep raspberry pink, which I love, and the print is the Abbie’s Flower design from the same book, enlarged by hand and screen-printed in deep burgundy textile paint, all described here.
So.  I should be pleased with it, but actually I’m teetering on not.  I’m pleased it’s finished, let’s put it that way!  
Actually I’m borderline depressed with it.  See, I did have grand plans for further handwork and embroidery.  Those plans came to nought.  
I trialled several different embroidery and even beading ideas but everything I tried just looked awfully heavy-handed   The size of my print is quite petite, and it’s also detailed and well defined and more than a bit busy, and so doesn’t really lend itself well to the embellished Alabama Chanin look, I think.  Eventually, frustrated, I ceased diddling about, picked everything off, and just sewed it together.  
Defeated.  
So I was pretty over it even before the poor thing got sewn together.  Probably why I shoved it into the cupboard and all but forgot about it until my recent wardrobe spring clean.  Hey, new dress! Guess I should wear this thing, hmmm.

The seams are all stitched and felled by hand, and the simple armhole and neckline binding applied with herringbone stitch by hand.

Also, I’m undecided that the tank dress silhouette is very flattering to me.  It’s a funny thing really because I totally adore my long AC skirt and matching tank top worn together, a combination which one might argue could pass at a short distance for a tank dress just exactly like this.  Somehow having the break between top and skirt is a huge improvement to my eye.  As a dress, with a continuous unbroken fall of fabric from shoulder to hem; I dunno, I just don’t like it as much.  It’s irrational and I can’t explain it.
This is why I’m probably always going to wear it with a little cardigan, as above.
It’s not out of the question that I’ll refashion this into a separate skirt and top one day.  In the meantime I don’t mind it worn over my Metalicus petticoat like this.  I’ll see how it goes for a while.
Maybe it’ll grow on me.

Details:
Dress; fitted tank dress from the book Alabama Studio Sewing + Design by Natalie Chanin, in linen jersey, hand- dyed, printed and stitched by me
Petticoat; Metalicus
Cardigan; Country Road
Thongs; Havaianas

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a “Norwegian” jacket

I’ve made up my Norwegian
souvenir fabric.

Pining for the fjords? me? well, maybe just a little  πŸ˜‰
I
bought this divinely thick, strong, and sturdy cotton drill in Oslo during our
Scandinavian holiday, with dreams of  making a boxy, nautically flavoured little
hoodie.
And done, and dusted.   πŸ™‚
I
used pattern 108 from Burdastyle magazine 10/2009.  In the magazine it’s
made in felted wool, is lined, and has a fur-edged hood.  I fancied it made up as
a lighter, warm weather thing, and knew it would work out perfectly ok in that role too.
 Mine is unlined and I finished all the raw edges off using my
overlocker so it all looks nice and neat inside.  The fabric is beautiful quality, actually quite
thick and wind-resistant; so even sans lining it’s turned out to be a rather cosy little jacket.  Brisk spring breezes? ha!  I laugh in your general direction!
The
pocket, pocket flap edges and the interesting shape of the yoke pieces are all highlighted with navy blue piping, for which I used readymade bias binding.
 I’ve had this in my stash for decades, no kidding, and thought,
yay! I’m finally going to use this up!  Obviously, I then did not have
quite enough, which meant I had to buy a bit more.  Which meant now I still
have some in my stash.  Doh!  It’s a conspiracy!!!
I
ummed and aahed about the front and pocket closure… first thinking I would
put in big white chunky zip, rejected that; then thinking metal dog-bite clips,
but the ones I found weighed quite a lot and would’ve dragged the jacket down.  I wanted something a bit different, but it still had to be lightweight.  The magazine version called for toggles, since it was supposed to be a wintery thing, and finally I thought a summery version of a toggle would be a fun thing to
have.  
I made mine using cotton twill tape and cotton rope.   My Dad
made the lovely wooden buttons, aren’t they beautiful?  Many years ago I
asked if he could make me one for my little brown cardigan, and he generously
made several so I would have a selection from which to choose.  And I’m
thrilled I had enough to finish this little jacket.  Thanks Dad!
I
had bought enough of the cotton rope to put in the hood as a drawstring, so I
sewed miniature teeny buttonholes in the hood front and inserted the rope in the
self-facing casing.  The hood seams are flat-felled.

Doesn’t scream Norway?  Well, I can hear it quietly whispering Norway, in my shell-like ear at least  πŸ™‚ 
I
put a lot of time into getting that piping and those toggles positioned just exactly right and I’m very pleased with how it turned out.  I particularly love having Dad’s wooden buttons on it!
Details:
Jacket; Burda style magazine 10/2009, 108, cotton drill from Norway
Dress; Burda 8071, made from an old polo Tshirt, details here
also white/navy blue Tshirt underneath, details here
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a bobbly little top, and some others too

I’ve made a few new tops…
Top un; a cosy little pom-pommy top, using pattern 111 from Burdastyle magazine 04-2014 in a bobbly stretch fabric the colour of whipped cream from Fabulous Fabrics.  The design has quite an interesting and unusual shape already and I further toyed with the proportions, shortening by about 15cm at the lower hem and lengthening the sleeves by 3cm.  This was only like, the easiest thing in the world to run up and I think it’s rather cute too!  The oversized floppy neckline manages to be all of comfortable and even a little dramatically designer-y too.
The design, while a very easy project, still fits happily into the interesting category for those of us who like that sort of thing… The body is a one piece tube with one piecemeal seam down the right side.  The sleeves are have different shaped sleeve caps from each other and their positioning and individual insertion methods creates a slightly skewiff shape to the top when worn.  Cool!  Completed, it reminds me a little of my Pattern Magic twisted top, which is illogical since this one is both boxy and has the oversized cowl and is cut on-grain, and… well, technically speaking is different in just about every respect, really.   OK, forget I ever compared the two.  

And to pre-empt an inevitable concern; yes, the sleeves do feel different to each other but it is not uncomfortable.

Tops deux and trois are the Nettie pattern, by Closet Case Files, my now go-to tshirt pattern. I upsized to an 18 from my usual 12, because a slightly more relaxed fit is desirable in a summertime thing.  The fabric is a fine, off-white jersey knit from Fabulous Fabrics.  
One has short sleeves and a fun little pocket.  The pocket looks like a cute design decision but is actually covering a hole that I had accidentally snipped right in the middle of the fabric oooops!!  Thoughtless, overconfident me, snipping away wildly and with carefree abandon! It was in a REALLY awkward, unavoidable spot, so I sewed the hole shut and reinforced it underneath with a bit of scrap, but it still looked way too obvious and ugly.  Rats.   So when cutting out I cunningly managed to finagle it in breast pocket position, plonked the pocket on top, and then had to cut short sleeves for the tee.  Hmmf, but well, at least I managed to get the two tees out of my fabric piece, in spite of the snip.  No one will ever know!
The other is completely unremarkable, apart from that all the seams and hems sit on the outside and are simply overlocked with navy blue thread.   Why did I do this?  *shrug* dunno, something different from my gazillion other white tees.

 Oh, this old thing, tshirt quatre.  I’m taking the opportunity to finally blog this one I made about two years ago.  It’s annoying that I never blogged it, because when I’m wearing it in a daily outfit and linking to my blog posts it’s not there.  So here ’tis!  It’s beige and boring, and therefore incredibly useful.  Made using my own custom fit Tshirt pattern, which apparently I seem to have chucked out at some point.  Double rats.  Yes, I’ve been doing a lot of careless silly things lately.
So, while stuffing the new creations into my Tshirt drawer last weekend I spontaneously embarked, as you do, upon an epic wardrobe spring clean-out.  As in, I emptied every single one of my drawers and took everything out of my wardrobe.  And went through methodically trying on, sorting, assessing and sifting out only the things I really truly wanted to keep.  Discovering forgotten treasures!  New, cool, outfit combinations!  Tossing hideous things into big rubbish bags!  Purging!!!   It took a few hours but man, it was great.  Felt SO GOOD.
This house, is clean…
OK.  My first, same old conclusion; I have a LOT of clothes.  And I love most of them too. I have very few unloved things and those have been weeded out now.  A few undecided things are going to be worn on a trial basis and assessed over the next few weeks.
Second conclusion, and slightly surprising, to me at least; I do not need to make nor buy basic Tshirts for, like the rest of my life, probably.  Why is this surprising? because after my first and second me-made months four years ago, my biggest conclusion was that I severely lacked basic tops and tees.  Well, obedient little me has diligently been making basic tees ever since and has rectified that lack very adequately now.  Thank you, me!  This is good, because while I don’t mind making Tshirts, lets be real, they are bread-and-butter.  Without the butter.  Not the most inspiring things.  Obviously instantly gratifying projects can be fun and fulfilling in their own way.  But my last couple of more in-depth projects have been a hugely more satisfying to me, on every level.  So I’m pleased that a full complement of basics means that I can relax about Dutiful Wardrobe-Building, and just happily spend my time and energy on the kind of more complex, involved, longer term projects that are truly enjoyable.
So, yay!!
Now on to something more interesting…  πŸ™‚

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pink

I’ve rejigged these strawberry pink jeans into a skirt.  I made the jeans two years ago using an Au Bonheur des petites mains pattern courtesy of shams, thank you shams!  There’s lots of things I liked about the jeans; they were so comfortable and easy to wear, I loved the detailing on the pockets and seams but my little measuring stuff up re the positioning of the knee piece had always kinda bothered me whenever I happened to glance down and notice it.  So I hadn’t been wearing them, even though I lurrrve this delicious colour so much.

It’s pretty easy making a skirt from jeans, even avoiding like the plague those versions with the J-curve crotch portion of jeans top-stitched down on the front of a skirt and a big triangular insert plonked underneath.  No offence if you love that sort of thing, but I just do not.  I prefer for a skirt to look like a skirt.

I followed the same basic concept I did for my previous jeans to skirt refashion.  I cut out the offending knee patches and discarded them altogether; the 3D-ness of them made them too difficult to incorporate into a skirt, without looking uber-weird.  The front of the skirt is essentially straight from the hips down and the back has two flared sections in the centre lower part to give it a bit of a kick at the back.  And to enable me to stride in a brisk and purposeful manner, unfettered by a tight skirt.  
I like this shape, how the skirt appears very straight up and down from the front but has plenty of leg movement because of those flared bits. And I’m happy it’s got a new lease on life.  This colour!  It just screams spring, yes?  Yuuuum!

Details:
Top; from Pattern Magic 3, ivory cotton jersey, details here
Skirt; from au bonheur des petites mains jeans, strawberry cotton denim
Shoes; bensimon, from seed boutique

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olive faux suede top

I’ve made a new top  πŸ™‚
Yoshimi and I saw this very realistic faux suede while out shopping together in Tokyo last January and we both bought some to make tops.  Yoshimi made her lovely pale pink top quite quickly.  And now I’ve finally made mine too; at last!  I’m embarrassed to be so slow!
I used Burda magazine 10/2009, pattern 121, a rather plain and unassuming little pattern that caught my eye from the first; a nothing-to-it kind of a pattern really but with an understated, relaxed, almost sporty chic that is quietly modern and urban.  And sometimes very plain and basic is the best choice, especially when you just want the fabric to speak for itself.  

And obviously, the fabric is everything in this bare-bones design!  I trialled this same pattern recently to make my flannelette PJ top, which is comfy but about as un-chic as you can get!  but hey, flannelette.  This suede is only about a thousand times classier.  When your fabric is really beautiful it’s hard to go wrong I reckon, so I was pretty sure it would turn out ok.  
And fortunately, I think it did  πŸ™‚

The pattern is designed for real suede or leather, so it’s quite roomy and easy-fitting to suit a heavier and inflexible fabric like that.  Thus why it works so beautifully as a PJ top, natch.  It has a long centre front split, so you can just slip it over your head, and splits at the bottom edge of each side seam. I sewed it up like I would fabric, not suede except; I left the cut edges of the sleeve and lower hem edges and the neckline edges clean-cut and unfinished, like suede; since my fabric is quite stable and doesn’t fray.
I’m very happy with it and think it looks quite nice with my bootleg jeans!  And I still have a little bit leftover, maybe enough for a skirt.  But what should it be like, hmmm.  I’m thinking something asymmetric and off-kilter, with a random feel to it.  Possibly with some hardware.  But too crazy, maybe?  Something to ponder for a while  πŸ™‚

Details:
Top; Burdastyle magazine 10/2009-121, olive/grey suedette
Jeans, Burda 7863, burnt brown bengaline, details here
Socks, knitted by me, details here
Shoes; Francesco Morichetti, from Zomp shoes

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a split-backed top

Once upon a time there was a shirt, a man’s shirt.  This shirt was superficially unremarkable, but was made out of a wonderful microfibre that had extraordinarily silk-like properties.  Soft, ripply, with a quietly glossy sheen, it felt wonderfully cool and smooth against the skin just like silk; but unlike silk it was as tough as guts.    It barely ever needed ironing, thus earning the everlasting approval of the laundry maid of the house. 
 After a few years of regular wear it was designated “old”, signalling the end of any special care in its laundering, from then on it just got tossed in the machine with jeans, whatever, no special cycle.  It soldiered on, looking just exactly as lusciously silky as it always had.  
The Indestructible Shirt.  Winning further admiration from the laundry maid, who alone in the household truly appreciated such a magical fabric … all the benefits of silk but without the maintenance… ! o-kaaaay!
After twenty years of use, its owner carelessly tossed it in the Salvoes bag, whereupon the laundry maid astutely retrieved it and planned a feminine new life for it, hehehehehe.

The End.
Well maybe more like a brand new beginning!

Technical bizzo…
The pattern is Vogue 8879, view B.  Funny thing; Spotlight had a $5 pattern sale last week, I bought um, 6 patterns *blush* call Patternaholics Anonymous; I need help!! anyway, I bought some of the more glamorous interesting and unusual designer Vogues that caught my eye, and then this funny unassuming little one too.  Guess which one was the one I was most excited to try out first.  Ha!
I love the split back; it’s quite elegant in my opinion, and just quietly sexy without being the least bit tarty.
The old shirt was completely cut it apart to make the new one,  and I modified the existing button band and sewn-on buttons to accommodate the split back.  The old front is now the back of the new shirt, and the old back is the new front.  The sleeves! it often astounds me how difficult it can be to cut a new thing from an old thing even if you think the old thing has masses of fabric; the sleeve pattern pieces barely fitted on the old sleeves, taking up the full length of the sleeve from the cuff to the armscye!  Amaaazing!
One new buttonhole was required at the very top, and the left breast pocket was picked off and repositioned it at a funky angle on the lower front of the top.  All the seams are flat felled to honour the original beautifully flat felled seams in the original shirt: although obviously none of the original seams remain after it was hacked apart I still felt compelled to try and reproduce those immaculate finishes in its new incarnation too.

Rather than the quirky but fabric-hungry twisted sleeve bands of the pattern, I made hidden, shaped facings for the lower edge of the sleeves instead and I finished the neck edge with a narrow bias cut strip; these were cut from a scrap of deep blue real silk, the leftovers from this top, and stitched, under-stitched then top-stitched.

One thing: the pattern stipulates two way stretch fabrics only; but I found that this view B is so loose and easy fitting that my decidedly non-stretchy microfibre version is absolutely fine to slip on over my head.  Don’t need to un-do even a single button.
So it’s got that going for it too!

Details:
Top; Vogue 8879 view B, blue microfibre, a refashioned mens’ shirt
Skirt; my own design based on Vogue 7303, white stretch lace, details here
Thongs; Havaianas

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Caramel suede cardigan/jacket

o hello  πŸ™‚
I’ve made a suede cardigan for myself, or is it a jacket?  The pattern says “jacket” but I tend to think of jackets as being kinda involved, time-consuming things to make, with lining and so forth.  While cardigans are unstructured, unlined things one can whizz up in a blink of an eye.  Which actually describes this thing pretty well.
The pattern is jacket 132 from Burda style magazine 11/2012, which Philippa sent to me in a giveaway, thank you so much Philippa!  I lurve Burda magazines, the designs are usually both interesting and stylish, the cost per pattern is very very low, and still not bad even if you do only make a few things in an issue.  I reckon they deserve to be a heckuvva lot more popular than they are.  You don’t need every issue but I generally get maybe one magazine in a year and manage to make several things in each one.  This design caught my eye straight away, and was firmly in my mind when I bought my leather.  I actually made a muslin for it, which is only worth mentioning because it’s such a rare thing for me to do.  Well my leather was kinda precious and I did not want to stuff it up!  I did a minor sway back adjustment and shortened the bust darts by a few inches.
I used my two pieces of caramel brown pigskin, bought in Copenhagen on our trip.  I liked both sides; the smoother, leather-y side has some interesting brand marks, but the suede side has the most glorious, rich caramel colour.  Colour trumped brand marks.

The cardigan is quite long in the body with wide-ish front flaps so it took some layout wizardry to get the pattern pieces out!  I re-laid the pieces down over and over and over again, trying to fit them all in and cut it with the skinniest little 5mm seam allowances.  I did have to do just one little fill-in piecing on the left back back, but I managed to position this at the very top, centre back, so it’s as un-noticeable as I think it could possibly be!

The pattern has pockets; which I cut to be nice and huge, to accommodate my nice huge hands, hehe.  Burda magazine patterns have the teeniest tiniest child-sized pockets of all, I swear.  Very cute, but seriously?!  Maybe it’s just me; I like to plunge my hands right down deep into my pockets  πŸ™‚  I used chocolate brown silk charmeuse, which I fortuitously just happened to have in my stash already,  hanging around, in the perfect colour, you know, as you do  πŸ˜‰  Hopefully cutting those pockets out of it won’t mean I now don’t have enough for it to fulfil its original destiny.

below left; I have no idea why the colour is so off in this picture here, but… pocket! 

The pattern called for a waist tie, to be sewn in the side seams.  I preferred the idea of a separate belt that I could wear or not wear, whichever I wanted, however whim and whimsy struck, and not to have the ties dangling uselessly and annoyingly at my sides whenever I was wearing the cardigan loose.  So I put little belt loops in the side seams, seen at top left in the picture above, and made a very long skinny belt as a separate thing.  This has tonnes of mad bias-cut piecing  all along it, as I was dealing with mere scraps of leather by the time I had cut out the main pieces of the jacket.  But I don’t think that matters much, you can barely see all the joins when it’s on. This is simply folded in two lengthwise and topstitched.

I think worn loose, as at top, it looks quite modern, and with the waist tied up it looks a little bit boho 70’s, yes?

I am very happy with, and am very much going to enjoy wearing my Copenhagen souvenir!

Later edit: some technical details on sewing with leather, and thank you so much to Erica for asking  πŸ™‚
 This is the first leather thing I have made so I learned a few things… I used a denim needle and regular polyester all-purpose thread, and used paper clips to hold edges together in lieu of pins. Lots of experimenting to get the tension right, I ended up with a medium-loose tension and a long stitch. The leather didn’t move through my machine very easily, so I used strips of tissue paper while stitching the seams, which helped a lot. Fortunately, this jacket had few seams! I used tissue paper both top and bottom, and did this by folding a wide, single strip and wrapping it closely around the edges before clipping it all together with paper clips, then sewed the seam; which was easier to hold in place than I imagine two separate strips would be, and also made it easier to follow an even seam allowance while stitching too.  
For short seams, like piecing the belt pieces together; I started stitching from halfway along and ended at the edge, then turned the piece over and stitched the other half of the seam from the same halfway point to the other edge, because my machine didn’t like “starting” on an edge, and behaved badly on these. If I was to do more sewing with leather I think it would probably be very well worth getting a teflon foot for my machine, which will enable the leather to glide through more smoothly.

 Details:
Cardigan; Burdastyle magazine 11/2012-132, caramel pigskin suede
Jeans, Burda 7863, white denim, details here and my review of this pattern here
Tshirt; self-drafted, white cotton jersey, details here
Socks; hand-knitted by me, details here
Shoes; Francesco Morichetti, from Zomp shoes

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