Category Archives: Uncategorized

my Milanese Panther dress

Not the real Milanese panther of course which I understand is a very rare animal…
I bought this fabric in Milan during our trip there two years ago.  I realised after making up my caramel suede from Denmark that, well *blush* all of the fabric I bought on our Paris/Italy trip was still sitting in my stash virtually untouched.  It’s a bad habit of mine, buying precious fabrics and then finding myself completely unable to cut into them.  Fear of destroying them, you know.  Fortunately this beautiful fabric has been successfully not-destroyed ….I don’t know whether to call it velvet or fur, it’s not really like one or the other but a kind of hybrid of both.  Thicker and more directionally “brushed” than velvet, and lighter than most furs.  The pile is deep midnight black over a brilliant, almost neon, rusty-orange backing that reveals itself in the folds of the dress and in motion as sort of inner fiery glow, like the embers of a dying fire.

please excuse that a vampire appears to be wearing the dress here but instead note the interesting inner glow and the luxurious velvet-y furry pile of the fabric, as mentioned above..

The pattern is Vogue 1220; and the design is, in short, lovely.  In not-short; it achieves the trifecta of interesting and feminine and figure flattering; the neckline is pleated into a softly draped shawl collar with a slightly retro feel in its volume, the wide belt cinches the softly blowsy cocoon shape into a tiny waist, and a pegged hemline accentuates the hourglass effect further.  I wasn’t keen on that tie belt at first, especially the way it’s been tied like a big juvenile birthday-bow in the middle of the model’s tummy on the pattern envelope; but the dress does look nicer with the extra waist definition that a wide belt gives and I like it wrapped around twice and with the ties hanging down at the back like this.  

The tie belt is supposed to be unlined and simply finished with a narrow hem, meaning the wrong side of the fabric is exposed.  And the bright rusty-orange reverse of my fabric would have shown in a very distracting and very not-good way!  So I underlined the belt using a very thin, slippery black poly-crepe from Fabulous Fabrics.  

Also I like my winter-y skirts to be lined, so I improvised a lining for the skirt portion of the dress, using the same poly-crepe.  It is cut the same as the skirt parts of the pattern pieces, the pleats and darts simply folded in position and the top edge sewed right sides together to the back skirt/ back seam.  The skirt lining fronts have the raw edges turned under and are hand stitched invisibly to the dress front, and the raw edges of the lining at the side edges and lower edge are encased within the folded back front facings and the hem facing pieces.  I hemmed the skirt facings by hand, to the skirt lining.
The pocket linings are cut from the same poly-crepe; and due to my improvised lining the pockets are nicely hidden away between the layers of the skirt and lining, as seen above.  Or not seen, I guess…

The sleeve cuffs are supposed to be folded out so the wrong side of the fabric shows on the outside too; instead I sewed them in a deep inside hem, which I turned back outside on itself and hand-stitched invisibly in position to the sleeve about 0.5cm inside the edge of the cuff.

How is it to wear? Well… first outing, I wore it out to dinner and found that when seated a little more inner/upper thigh is revealed than I am comfortable with!  And also that attractive pegged hemline does make the skirt rather tight around the thighs, which, if you want, can be easily and quickly remedied by some discreet bottom-button undoing.  Leading however, to even more revealing.  Thank goodness for tablecloths and the ginormous linenware that restaurants drape across your lap!  
Anyhoo, I rapidly formed the opinion that a separate petticoat or slip is pretty much an essential accessory for this design.
So: upon getting home I dug out of my wardrobe an old black satin and lace petticoat that I made about seven? eight? even more? years ago using NewLook 6035; I’ve re-hemmed it to the requisite length and will wear this underneath.  

I’m actually super happy about this, to be honest it’s actually an absolutely brilliant turn of events … why? because I pretty much haven’t worn this black petticoat for years.  Years!  But I’ve hung onto it, thinking surely! it’ll come in handy again, someday!  And now it has!  Finally!  Woooooot!

Just to give some perspective to the issue: seated, with petticoat… see wot I mean? Essential!!

Details:
Dress; Vogue 1220, black/orange brushed velvet
Petticoat; NewLook 6035, black satin and lace, first seen here
Shoes; Zomp, from Zomp shoes









no real reason for this picture other than that the sun broke through the clouds and I just liked it  🙂
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Caramel suede cardigan/jacket

o hello  🙂
I’ve made a suede cardigan for myself, or is it a jacket?  The pattern says “jacket” but I tend to think of jackets as being kinda involved, time-consuming things to make, with lining and so forth.  While cardigans are unstructured, unlined things one can whizz up in a blink of an eye.  Which actually describes this thing pretty well.
The pattern is jacket 132 from Burda style magazine 11/2012, which Philippa sent to me in a giveaway, thank you so much Philippa!  I lurve Burda magazines, the designs are usually both interesting and stylish, the cost per pattern is very very low, and still not bad even if you do only make a few things in an issue.  I reckon they deserve to be a heckuvva lot more popular than they are.  You don’t need every issue but I generally get maybe one magazine in a year and manage to make several things in each one.  This design caught my eye straight away, and was firmly in my mind when I bought my leather.  I actually made a muslin for it, which is only worth mentioning because it’s such a rare thing for me to do.  Well my leather was kinda precious and I did not want to stuff it up!  I did a minor sway back adjustment and shortened the bust darts by a few inches.
I used my two pieces of caramel brown pigskin, bought in Copenhagen on our trip.  I liked both sides; the smoother, leather-y side has some interesting brand marks, but the suede side has the most glorious, rich caramel colour.  Colour trumped brand marks.

The cardigan is quite long in the body with wide-ish front flaps so it took some layout wizardry to get the pattern pieces out!  I re-laid the pieces down over and over and over again, trying to fit them all in and cut it with the skinniest little 5mm seam allowances.  I did have to do just one little fill-in piecing on the left back back, but I managed to position this at the very top, centre back, so it’s as un-noticeable as I think it could possibly be!

The pattern has pockets; which I cut to be nice and huge, to accommodate my nice huge hands, hehe.  Burda magazine patterns have the teeniest tiniest child-sized pockets of all, I swear.  Very cute, but seriously?!  Maybe it’s just me; I like to plunge my hands right down deep into my pockets  🙂  I used chocolate brown silk charmeuse, which I fortuitously just happened to have in my stash already,  hanging around, in the perfect colour, you know, as you do  😉  Hopefully cutting those pockets out of it won’t mean I now don’t have enough for it to fulfil its original destiny.

below left; I have no idea why the colour is so off in this picture here, but… pocket! 

The pattern called for a waist tie, to be sewn in the side seams.  I preferred the idea of a separate belt that I could wear or not wear, whichever I wanted, however whim and whimsy struck, and not to have the ties dangling uselessly and annoyingly at my sides whenever I was wearing the cardigan loose.  So I put little belt loops in the side seams, seen at top left in the picture above, and made a very long skinny belt as a separate thing.  This has tonnes of mad bias-cut piecing  all along it, as I was dealing with mere scraps of leather by the time I had cut out the main pieces of the jacket.  But I don’t think that matters much, you can barely see all the joins when it’s on. This is simply folded in two lengthwise and topstitched.

I think worn loose, as at top, it looks quite modern, and with the waist tied up it looks a little bit boho 70’s, yes?

I am very happy with, and am very much going to enjoy wearing my Copenhagen souvenir!

Later edit: some technical details on sewing with leather, and thank you so much to Erica for asking  🙂
 This is the first leather thing I have made so I learned a few things… I used a denim needle and regular polyester all-purpose thread, and used paper clips to hold edges together in lieu of pins. Lots of experimenting to get the tension right, I ended up with a medium-loose tension and a long stitch. The leather didn’t move through my machine very easily, so I used strips of tissue paper while stitching the seams, which helped a lot. Fortunately, this jacket had few seams! I used tissue paper both top and bottom, and did this by folding a wide, single strip and wrapping it closely around the edges before clipping it all together with paper clips, then sewed the seam; which was easier to hold in place than I imagine two separate strips would be, and also made it easier to follow an even seam allowance while stitching too.  
For short seams, like piecing the belt pieces together; I started stitching from halfway along and ended at the edge, then turned the piece over and stitched the other half of the seam from the same halfway point to the other edge, because my machine didn’t like “starting” on an edge, and behaved badly on these. If I was to do more sewing with leather I think it would probably be very well worth getting a teflon foot for my machine, which will enable the leather to glide through more smoothly.

 Details:
Cardigan; Burdastyle magazine 11/2012-132, caramel pigskin suede
Jeans, Burda 7863, white denim, details here and my review of this pattern here
Tshirt; self-drafted, white cotton jersey, details here
Socks; hand-knitted by me, details here
Shoes; Francesco Morichetti, from Zomp shoes

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On tights and socks…

After wearing only my own self-made tights throughout 2013 during my year of all-handmade, I have worn some RTW tights a few times lately.  And made a surprising discovery.

I actually prefer my self-made tights.
Funny, hmm?  One of the things I had been most looking forward to was getting back to wearing RTW tights again.  For some reason I think I had convinced myself that factory made, seamless tights would be sooooo superior; comfier, warmer, better fitting.  And NO inside leg seam, hurrah!  Life was going to be so great once I ditched those!
Well, nice, smooth, perfectly seam-free legs is a plus in the looks department, I grant them that; but otherwise I’ve found myself strangely disappointed with my RTW tights, almost immediately.  The fit is horrible.  I buy my designated size Talls, but find they still sink at the crotch over the course of a day, which is hyper annoying.  Meaning I have to find a discreet moment to hoink up each leg and redistribute them every now and then.  Annoying!
I have never had that problem with my own self-drafted tights.  I guess I had forgotten that a sinking crotch was ever a thing, at all!
Perhaps I shouldn’t have been surprised.  After all, my self-made tights are drafted to fit my legs perfectly, so um, they do.  Most RTW tights have two unshaped tubes for legs, the same circumference from thigh to ankle.  Obviously most women’s legs do not have the same circumference all the way down.  My own tights are bigger around the thigh, going in to smaller around the knee, going out to a bit bigger at the calf and shrinking in to skinnier around the ankle again.  What this means is that the tendency for an elasticated thing to migrate to an area of lesser girth, like from the thigh and down to the knee, which is what happens inevitably in an unshaped RTW tight; is not an issue.
The inside leg seam that is an unavoidable feature of my own tights; well undoubtably it is a less perfect look.  But it is also a helpful aid to putting on the tights correctly.  When you have a featureless tube it can sometimes be difficult to keep the legs straight and also to tell where you put your heel the last time you wore the tights, and they can easily get twisted up.  You never ever have this confusion with an inside leg seam there.
So I’m eating my own words, and as my current crop of rtw tights start to hole-up and die I might just go back to making my own again.  Ha!

In related news, I’ve been checking out the old sock drawer and found ew HOLES! the horror!  A whole bunch of poor sad hole-y socks were shoved hastily and lazily back into the drawer undarned at the end of winter last year and forgotten about.  Out of sight out of mind.  Bad me.
Fortunately I like darning; it’s old-fashioned but I find it quietly contemplative and a small meditation on slow “fashion”.  Not simply tossing out but pausing and thinking and doing; taking a few minutes to mend and prolong the life of a thing.

This one was particularly bad… yikes!!

However, when it came to the holes in my merino tights my approach was a little less holistic and a whole lot more expeditious!

Ugly yes, but well, hopefully it will keep them keeping on for just a little bit longer!

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Jim jams

Mundane, but oh so welcome and necessary.  I’ve been absolutely freezing!!! at night lately and my old winter jammies were as thin as! so this was highest of high on my list of priorities.  But it had to still sit waiting patiently in the wings for the all important Magicka robe to get made first, ahem.
Both top and bottom are made from nice and warm fluffy cotton flannel from Spotlight; the top is a modified version of pattern 121/122 from Burdastyle magazine 10/2009 and the bottoms are kinda self-drafted.

The top: actually I’ve been eyeing off this Burda magazine pattern for yonks and dreaming of making it up in a suedette and this new jammie top is sort of my “muslin”, if you like.   I loathe wasting fabric on muslins and nearly always prefer to make something hopefully wearable, even when testing out a new pattern for the first time.  So; this PJ top.  It was a little bit hideous in its first, unmodified state; I ended up shortening it by about 12cm; slanted off the front neckline to be a V-neck and sewed the slit together at three spots which were covered up with three little buttons.
All the seams are sort of a faux version of flat felled seams.  By this I mean I sewed all the seams normally, overlocked the raw edges cutting close to the seam stitching and then laid the seam allowances to one side and top-stitched them down 5mm (1/4″) away from the seam stitching.

at left, “looks” like a properly flat felled seam, but on the inside, o noes! it’s plain to see now that this is the cheat’s version…

I also added an interesting breast pocket; this was also a rough try-out for this pocket that I pinned a while ago.

The bottoms; standard regular baggy trouser bottoms with an elasticated waist.  I made them the same way I’ve been making my PJ bottoms for yonks now: namely years ago I saved an OK-fitting RTW pair that had had it, and cut it up for a pattern.  I’m saying “self-drafted” because I’ve made multiple minor modifications, in this case an added a faux fly front, narrowed the waist and raised the waist rise, made them wider in the leg and longer in the leg and added in-seam side pockets.  My advice, PJ bottoms are like the easiest thing in the entire world, so when you are looking for a good pattern, just cut up an old pair for a pattern and make your own little modifications, do whatever you like, it’s almost impossible to stuff up PJ bottoms.  Easy peasy, and you can spend that money saved on the fabric for your new pair instead!

Details:
Top, modified version of Burdastyle magazine 10/2009, 121-122, cotton flannelette,
Bottoms; self cobbled together, cotton flannelette
Socks; hand-knitted by me to a 60’s pattern, details here

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the spoils from Scandinavia…

I totally should have posted this before, sorry!… some fellow fabric enthusiasts expressed interest in seeing my Scandinavian purchases; the spoils sought and acquired, packed and repacked, schlepped through cities, one cobble-stoned street after another; and once safely home to be borne triumphantly aloft with pomp and circumstance and deposited with due ceremony unto the bottomless black pit that is The Fabric Stash.  Haha, only joking, hopefully I will get around to making some things up without too much delay!  I have already muslined up a highly possible “maybe” for the caramel leather.
Anyhoo, without further ado here are the goods:
leather from Copenhagen…
two pieces of the caramel and one small piece of the yellow

from Stockholm;
an enormously expensive upholstery fabric which may prove too scary to actually cut into… eeeek! and below; a linen mix that is a modern Swedish design.  I fell in love with this straight away and bought the rest of the roll, which wasn’t very much!  I’m really hoping I can get out of it the summer frock that I have firmly in mind.

from Norway;
it might not look traditionally Norwegian but somehow this fresh navy and white gingham print does seem both nautical and Norwegian to me.  I’m thinking of a little summer-weight, boxy, zip-up hoodie of some kind.

from Iceland:
fish leather, from left green wolffish (catfish), black cod, salmon.. well, salmon! and aqua blue perch leather.

and a knitting book;

Also in Iceland;  on our last day I just couldn’t resist a visit to the brick and mortar store whose online site is one of my favourite to visit and merely drool over the eye candy within, KronKron.  Long ago I succumbed to an online purchase from these cooler than cool Icelandic shoe designers.  Well, I would have hated myself forever if I had left Iceland without popping into the real deal.

Take a look at these details.  Obviously I was helpless to resist, of course.

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Fashionary tape; and a giveaway

I was thrilled to receive recently Fashionary’s newest and latest invention; the Fashionary tape.  This is a dressmakers’ tape measure, but it’s not not just any old ordinary tape measure.  The measuring tape has all the body measurements a person could possibly need, and more; already thoughtfully marked on the tape and ready for you to go.
Pretty useful, huh?!
The tape measure has both metric and imperial measurements on it, which is terrific if, like me, you have trouble mentally and accurately converting one to the other sometimes.  Womens’ measurements are on the white, or metric side; and mens’ measurements are on the black, or imperial side; but obviously it is pretty easy to see the measurement in either side since you can just flip the tape over if your preference is for the other.
The tape measure has all the regular body measurements we use all the time, like bust, waist and hip, and then some other useful ones like bust-to-bust point, shoulder, neck, bicep, wrist and crotch height, and then even more that you might not have even thought of !  In all there are thirty measurements for women and twenty-seven for men.  

And even if you don’t think you’ll need all those extra measurements, the tape measure is of superb quality, made of that really nice and thick, solid and sturdy, indestructible but still pliable, fibreglass fabric that’s going to last forever and a day.  Just with that nice heavy old-fashioned feel to it, y’know, like your grandmother’s tape measure.
The Fashionary tape can be seen in action, along with bonus close-ups of a rather divine manicure that is just perfect for summer! on the Fashionary site here.

Also, Fashionary were generous and thoughtful enough to send me two tapes and so I thought I would offer the second one up in a giveaway!  If you would like to own one of these beautifully sturdy tools of the dressmaker’s trade then please leave a comment on this post saying so by next Thursday 26th June.  On this date I will randomly choose a winner.

Thank you so much to Fashionary for your generosity  🙂

Later edit: Thanks everyone for joining in!  The winner has been notified  🙂
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Magicka robe

Have you heard of Magicka?
That’s OK, I hadn’t either until less than a week ago.  Now I consider myself an expert, at least on the attire. 
This weekend is Supanova weekend in Perth and Sam wanted a Magicka robe.  Fortunately he had done some research and found a very helpful little pattern so you can make one for yourself.  And it’s free! available here.

You might be wondering about the sausage on a stick.  Please know this is an integral motif in the game, and everyone knows about that bit.  Jeez.

I enjoyed making this!  It is actually a pretty good pattern and you end up with a rather excellent wizard’s robe I reckon.  The robe is a complete garment in itself under that hood, with an integrated chest plate piece that is joined inside the right front and snaps closed at the left shoulder seam: the hood does cover up the chest but the chest plate piece is a nice detail in that it does completely remove any slight risk that your undershirt might show.  

The hood is separate, and rather mega-bucks cool, non?!  I actually kinda love it.  When I saw the pattern piece I was like no way, but it sewed up to be perfectly draped and mysterious and magic-y looking.
It was designed and the instructions written by someone who does know what they are talking about, like the hood and sleeves are fully lined.  For some reason the sleeves are called “arms” in this pattern.  The instructions are aimed at the beginner.  I’m basing that assumption on directions like  “Hint! Fold the fabric in two, so you can cut two of each piece in one go!”
At the same time, my view is that some of the steps are not explained in full enough detail for a complete beginner, for example the instructions for inserting the contrasting edging strip in the hood opening would be a little confusing for a beginner, and some of the illustrations are in the wrong spot to go with the accompanying sewing directions.  Also, when drawing up your pattern pieces a few measurements are missing.  No biggie, you can still work it out, it’s not rocket science.  But just saying.
At first I thought it might be designed for a small person, like a kid, as a Halloween costume or something; and it might not fit my six foot two son.  So did a few quick measurements, and yes indeedy this is a wizarding robe designed to fit a full sized, and tall, adult man.  O-kaayy!
I used panne velvet, navy blue polyacetate for the hood and sleeve lining and gold satin for the edging, all fabrics from Spotlight.

Actually, the panne velvet was in absolutely shocking condition, the absolute worst I have ever seen for a brand new fabric.
After rolling out the first 2.5m we saw the fabric was sliced completely off from selvedge to selvedge, and had been joined together again with multiple little plastic joiner ties.   Yep I’m talking full price, untouched on the roll, straight from the factory, fabric here.  We’re not talking about a remnant.   I knew I could easily cut the big skirt pieces from that first bit so I told the girl I would still take that as part of my whole …. “are you sure?” she asked, clearly horrified, but I assured her it would be ok.  She continued rolling out and next thing we came across huge holes in the fabric.  Holes.  Like big holes, easily 2 inches across and boom! right in the middle.  The first one she said, oh, I’ll just give you that bit, but by the next one, she was looking doubtful again, and I was starting to think twice too. After the third hole popped up she just offered to give me the entire roll, for the price of 6m; the quantity I had asked for.  So far I’ve only just seen those three holes, spaced about a metre apart from each other.
I’m not dissing Spotlight here, after all they can’t check all their rolls of fabric and the staff at Spotlight are always very good about giving you extra and/or discounts when there are imperfections in the fabrics.  But damn! that fabric was in a bad way!
And I now have masses of ultramarine blue panne velvet.  Yay.  I have zero idea what I’m going to do with it.  Sheets?  haha.

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Fabric shopping in Scandinavia

When going away I like to buy at least one piece of fabric or some yarn from a place, so I can make for myself a wearable souvenir.  So how fortunate that fabric shopping in Scandinavia is fantastic!!

Our first stop; Copenhagen.  I didn’t find much by way fabric stores online, but I had read about a leather shop and paid it a visit.
Well.
It.  Was. AWESOME.

Skindhuset
Skindergade 6
1159 København K

Here can be found a lot of leathers and suedes in a variety of colours, leather needles and other working tools, and a good range of metal bits and bobs such as purse frames and handles; and buckles, snap latches and hooks used for finishing handbags and luggage.  Stunned by the fabulosity within I conservatively bought only three pieces of leather.  Later on I realised I had been way toooooo conservative and planned a return visit on our last day.  Biggest mistake ever.  My advice: buy stuff when you’re there, on the spot.  Because you may find, like I did, that your last shopping day in a place is unexpectedly a public holiday and the shop is shut.  *silent scream* a la Edvard Munch
oh well.

Next stop; Stockholm…
and Craig’s reflection in the window, wearing a shirt that I made for him too, hehe…

Svenskt Tenn AB

Strandvägen 5
114 51 Stockholm
Stocks a very beautiful, albeit extraordinarily expensive range of Swedish designs and prints in the form of upholstery fabric, lots of curtains and cushions made up.  I was prepared to buy curtains as a last resort but fortunately found that you could also buy some of the fabrics off the bolt… and I did buy a lovely bucolic print that is still deciding whether it wants to be an Elisalex or a spring coat.  Ahhh, decisions decisions!
And now I am so very grateful to Liz, who emailed me to point me in the direction of some bonafide garment fabric stores too; thank you so much Liz!  Enabling successfully achieved.  🙂

Tygverket – Tyger i Stockholm

Sankt Paulsgatan 19
118 46 Stockholm
As soon as I walked in this place I knew I had come to the place where Swedish ladies shop for their fabrics.  A cheerful jumble of all sorts of fabrics of every description piled up all over the place, not unlike our Spotlight, but more intimate and classier.  I found some very lovely designs, both cute kiddies’ and lovely adults’ prints from Swedish designers and also other European countries.  The staff were super helpful and kindly took my name and email so as to keep me notified about a sold-out button.
er, I promise that is not as lame as it sounds!  They have a dala horse button, and I HAVE TO HAVE SOME!!  They would be perfection personified; per-button-ified? to finish the little white summer blouse I have planned, and for which I have the fabric already  🙂

Ohlssons Tyger & Stuvar AB

Sveavägen 34
111 34 Stockholm
Another regular fabric store, with some lovely reasonably priced Swedish designs on linen and linen blends.  A smaller range than Tygverket but of a more select quality, so still worth a visit.  I bought one piece.
Next stop… Oslo!
Thank you so much to Sølvi for this recommendation 🙂

Rainbow Tekstil AS

Storgata 28
0184 Oslo
It doesn’t look like much on the outside but it’s an Aladdin’s cave of a shop; two stories with floor to ceiling shelves all stuffed to bursting point with fabrics.  I didn’t find any traditional Norwegian designs here or anything, it’s more like a regular fabric store, but it does have a very large and a nicely diverse range.   After much hemming and hawing I managed to choose one piece.
A word of advice to the fabric tourist; the address says Storgata 28, and the shop is in this building but the store entrance and the shop itself is situated quite a way away from Storgata, around the corner on Lybekkergata.  I had come thisclose to giving upon my search, but Sølvi had confirmed the address and so I was sure that it must be there somewhere and so kept on looking.  I was glad that I spotted it at last!
Next stop; Reykjavik!
I hadn’t found any fabric stores in my online searches, so had thought I would most likely be buying yarn here.
However!
First day we wandered in here…

Nordic Store ehf.

Lækjargata
101 Reykjavík
And sure enough, found some lovely yarns and knitting patterns immediately.  Browsed these for a bit, but then my amazed eye was caught and held by something else, far far cooler and all thoughts of yarn were abandoned.  Not that yarn is not cool, you understand.  It is.  Really, yarn-lover from way back, here, honest.   But wait.  This store also sold leather made from fish skins.  Fish leather.  I kid you not.  Cooooool!  Obviously I bought some.  I bought cod, salmon, perch and catfish leather.  What on earth am I going to do with that, you might ask.  Ahh, we shall see, we shall see  😉  I have some ideas, but everything’s still bubbling and geminating.  One thing’s for sure, it has to be something to do the materials justice so I’m not rushing in.

So I didn’t buy any yarns, but do have to say something about Icelandic yarns though.  Knitted items are part and parcel of Iceland.  Icelandics are serious about their wool, maybe even more so than Aussies.  Once you get out of the city sheep are everywhere you look and traditional Icelandic knitted items are sold and worn everywhere.  It seems like everyone has and wears an Icelandic jumper, and I can’t tell you how much I loved seeing this.  Even regular guys pumping petrol into their monster trucks,  kiddies riding their bikes, women shopping in the supermarket.  Everyone rocking their Icelandic jumpers.  I just loved the regional cohesiveness, and it seemed to me a really nice thing, and sorta quietly patriotic.

Speaking of supermarkets, even the supermarkets sell wool and knitting patterns.  That’s pretty impressive.  How much do I wish we still had that here in Australia?? so much!  Browsing through a knitting pattern book in one little supermarket I even found patterns for knitted wedding dresses.  Consider my jaw officially dropped.  Seriously, how lovely!  Seeing this just made me love Iceland even more  🙂

So no, I didn’t buy any yarn, sadly not enough space in the suitcase… but yes! I did buy an Icelandic knitting book!   Expect some Icelandic-style cosiness to pop up here, at some stage  😉
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