I was idly sorting out my phone the other day, and came across some pictures I snapped at the Linda Jackson Bush Couture exhibition, held in the National Gallery of Victoria. I visited the gallery last September, and viewed the exhibition then. These pieces are designed and created by the Australian artist and designer Linda Jackson, most of the examples made in the 1970’s-1980’s.
I’m afraid I no longer have the notes I took on the day, that I scribbled on a scrap of paper while I was studying the pieces, I must have stupidly thrown it out. But I can still show these pictures to readers who may not be familiar with Linda Jackson and her exuberant aesthetic.
Linda Jackson took her inspiration from nature, and interpreted the Australian landscape into art and fashion by variously exploring screen-printing, applique, quilting, embroidery, patchwork and hand-painted fabrics as well as innovative piecing and regular sewing methods.
I took these photos with my phone, so please excuse any less than stellar image quality. I did not use a flash but relied on the lighting in the gallery. And incidentally, I looked for but found no signs forbidding photography, it was an open and free exhibition, and a guard saw me with my phone out in an obviously photo-taking attitude and simply smiled cheerfully at me, so I assumed photos were allowed. However if they were not, and I am transgressing some copyright then someone please let me know and I will remove them immediately.
However I hope not, since I think some of my readers may not have come across her before, and will be as enthralled as I at her marvellous attention to detail, her eye for fabulous colour and intricate artistic design, and the superb execution in bringing her fantastical visions to life…
You can read a short bio of Linda Jackson here, see a selection of her artworks and clothing here, and other better photographs and examples of her work here
Linda Jackson; at the NGV
the paper doll project
(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary. I’m calling this the paper doll project)
from left:
My maxi dress was pressed into service again. It was a veeery hot day, but this really is the best thing to wear to a summer evening picnic… you can scramble about on the grass setting up and distributing nibblies with absolutely no danger of flashing anyone!
Pisces II
… the other fish! Because we all know Pisces has two fish, right? 🙂 although I’m afraid the best I could eke out was one and a half fish from the length I had!
fabric of a colour and/or texture that you don’t really feel suits you: then having it in the form of a skirt, thus away from your face, is a terrific solution!
pieced, double darted front, with deep, front slanted pockets, and a two piece,
double darted back with a central invisible zip closure. It is fully lined. Basically the same as the little black skirt I made for Cassie, except that I made the silhouette a tad more A-line,
rather than pencil.
pockets, pocket lining and waistband was a scrap from the bundle of fabrics,
given to me by my friend C from her late mother’s stash, and the grey polyacetate
lining fabric was a small leftover piece from this maxi skirt; made years ago
and long since passed to charity. btw, I switched back to my good dressmaking shears again for the “proper” fabric 🙂
in my stash too. So this is a
terrific little stash buster skirt, using up a three smallish, different but
nicely co-ordinating pieces of fabric which were individually awkward but whose
joining together created a harmonious whole arguably more useful than if they
had remained a pile of nicely co-ordinating scraps.
fabric is leftover.
stretch fabric, with pewter silk dupion pockets, pocket lining and waistband,
my review of this pattern here.
the paper doll project, and a thermal
(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary. I’m calling this the paper doll project)
from left:
This is a prototype. There will be one or two more before winter arrives. The lower hemline when pulled right down sits over my bottom 🙂 I know, oolala, tres uber sex-ay, non? Non! but these things are a necessary part of any seasonally well-stocked wardrobe!
Pisces
Christmas sale, I was moved by some mad irrational impulse to purchase 2m of silver sequined
stretchy fabric. Exactly why is mystery to me now… since silver sequins are completely unsuited to my colouring and just about everything in my wardrobe. Must have had a brief
“ooh, pretty shiny!!” moment,
compounding the alluring thrill of 50% off euphoria. But anywho I succumbed, and it has since been sitting in my
stash taking up shelf space for too too long. February’s stashbusting theme is to make something for
someone you love. So I made
something for my daughter.
Cassie lately, and not much for any of the boys in my life… well, I tried. I offered the sparkly silver fabric to
each of my boys, really I did.
Inexplicably they did not respond to its sparkly gorgeousness with much enthusiasm. I only
wish I could capture and show here the expression on Sam’s face, when I showed
him the fabric and straight-faced said I was planning to make him a silver sequinned hoodie …
priceless!!! You’ll just have to
imagine it for yourselves…. still giggling about it….
it with cries of joy was Cassie.
So (shrug) it couldn’t be helped. I’ll have to make it up to the boys somehow 🙂
to make good use of a sparkly silver cocktail dress. She has masses of 21st’s on the horizon. Word; she goes out a lot anyway, lucky little social butterfly that she is.
Burda 8511. This is a plain and
simple sheath dress pattern, with two bust darts in the front and two long
shaped vertical darts in the back.
I’ve found this an excellent style to adapt to individual shapes, just
by subtle alteration of the darts and side seams.
left off any zip closure… the fabric is stretchy and doesn’t really need a
closure. The dress pulls over her
head quite easily, like a fitted Tshirt dress. It looks tight but it’s actually not at all, she really is quite tiny!
figure closely, and fully lined it with a sewn-in lining. I redrafted the pattern pieces to eliminate all darts in the lining, and used a soft, stretchy, grey marled
jersey knit, leftover from this drape drape dress that I made for myself. Note how the lining looks completely
skewiff??? That marle/stripe in the
fabric really is printed on that random slant.
The lining is cut perfectly on grain, I assure you!
under and hemmed by hand.
the paper doll project
14th – 19th February
(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary. I’m calling this the paper doll project)
from left:
pink lace dress over pink satin petticoat
border print dress
Bamboo shoot top, embroidered yellow shorts, ivory hat
navy/white check top, green gingham shorts, green knitted hoodie
blue top (worn as pictured in the last look here), white shorts, ivory hat
dress made from an old polo Tshirt
You can see we had a brief but refreshing and energising cool spell. Sunday felt positively wintery after the last few sweltering weeks we’ve had, so I actually had a woolly cardigan on hand for early morning and late evening. Today it’s back to 38C. Craziness.
eta: Thursday was Valentine’s Day 🙂 so I wore my most romantic dress. I made a picnic of pate and bikkies, prawn and avocado salad, and strawberries, and we took it along with a bottle of champagne down to the river, to sit on the grass and watch the sunset. Just lovely.
Have you joined “Map the Sewintists”? A fun and informative initiative by Vicki, of Another Sewing Scientist. If not then get thee to Google maps posthaste and pin yourself onto your spot!
View Map the Sewintists in a larger map
You can leave your hat on…
I used Vogue 8844, and the fabric is a soft ivorycorduroy, harvested from a pair of Cassie’s old worn-out jeans that has been
living in my good sammies pile for the past four or five years. As evidenced by that half gone
leg there, these jeans were also the source of the White parliament, pictured here…
The hat is lined with blue and ivory striped stuff
leftover from Sam’s stripe-y shirt, and the inner seam finished with white grosgrain
ribbon.
You know that very stiff, heavyweight,
iron-on interfacing? that is useful about once in a blue moon? I’ve had a huge length sitting
untouched in my stash for many many years. Well, I guess we must have had a blue moon since I managed
to use a bit in this project. The
hat pieces are all interfaced with this stuff.
pieces cut out from the jeans.
Most of the pattern pieces were too big to cut out in one piece, on the
grain and with the nap of the corduroy (they all are, btw… self pat on the
back) So I had to do a bit of
piecing. You can see some of the
seams in this picture, but I’m OK with those seams. I feel too smugly virtuous about re-using old textiles to
feel bad about a few extra seams in a thing! Eco-smugness; don’t you just hate that biz 😉
wondered about the sizes, which is partially
why I decided to use a re-cycled textile for my first time making this pattern…
not the main reason, I am firmly
committed to mindfully re-using old textiles when I can. But anyway, about the sizing;
head measurement almost exactly corresponded to the S, so I made this
size. And I couldn’t be more
thrilled with the fit, it cups my scone snugly and is neither tight nor
loose. There was a brisk-ish breeze
on the beach the day I wore my hat for the first time and photographed it here,
and it stayed firmly and comfortably in place. I never felt it was in danger of flying away!
in this pattern works, y’all!!!
long skinny jeans leg pieces into a new sewing project requiring wider pieces? I recommend doing all the piecing for
each component, using your pattern piece as a rough guide as to where and how
much to add on, and leaving at least
a few centimetres leeway around all the edges. Stick religiously to cutting the joining edges and sewing
seams along the grainline of the fabric AND ensure fabric nap is consistent. After sewing pieces together, lay the patchworked piece down flat
and only then accurately cut out the
pattern piece. This way is much
easier than accurately cutting out little part-pieces and then trying to join
them together to fit the pattern piece.
J
Nakamichi, white linen, details here
yellow cotton, details here
Description:
lined hats, each offered in XS, S, M and L. A; contrast lining, D; contrast band and bow.
Sizing:
(20.5 in), S 55cm (21.5 in); M 57cm (22.5 in); L 60cm (23.5 in) I made the S.
it look like the photo/drawing on the pattern envelope once you had finished
sewing it?
made view C, leaving off the chin straps.
the instructions easy to follow?
did you particularly like or dislike about the pattern?
a nice stylish hat, easy to make. The
slightly shaped top and crown lend a chic, vaguely Indiana Jones-ish air to the
hat.
there is absolutely nothing to dislike about this pattern; it’s a hat, and it
works!
Used:
corduroy
alterations or any design changes you made:
it would be a cinch to just add a few centimeters on to the outer edge of the
brim curve to achieve this.
you sew it again? Would you recommend it to others?
expect so, and yes 🙂
is a great basic pattern which I think will be very useful. I made mine in
ivory corduroy for a summery-looking, wide-brimmed sunhat, but as illustrated
on the pattern envelope it would work equally well made up in tweed or a richly coloured
velvet or some other winter appropriate fabric to make a smart version for
winter.
































































