
New dress! And, how gorgeous is this cheerfully splashy fabric?!!! Ohmigosh, but I love it so much! You cannot possibly be sad whilst wearing this stuff. The very instant I saw it I was just like, YES. MUST HAVE.
SO! every year, my lovely friends give to me a Fabulous Fabric voucher for my birthday… and this year I treated myself to this truly lovely, fine, handkerchief linen, printed in a glorious array of golden mustard, tomato red, toxic-waste lime green, moody purple and a splash of tranquil turquoise thrown in too because sure why not? let’s just let alll the autumn-y colours join in the splashy fun! Not only are the colours absolutely luscious together, but the feel and weight of the fabric is quite perfectly and exquisitely summery. LOVE.

I didn’t actually use the actual voucher to buy this fabric, to be honest I used the real-life voucher to buy wedding dress lining, haha, as you do!! but I mentally made a note to myself that as soon as I saw something worthy I would spend the equivalent and that was going to be my birthday fabric. Confusing? Yes I know I know, hehe. Well I know what I mean anyway. Just very recently Fabulous Fabrics got in a fresh shipment, and I saw this, and knew it was The One.

The pattern is the Ariane dress, designed by C’est Moi Le Patron by Coralie Bijasson. The pattern is described as a gypsy style dress with shoulder princess seams, buttoned, with a gathered skirt & long sleeves with elastic in the hem. The instructions also include a note to insert piping in those princess seams, so obviously I did so like the obedient little seamster that I am. Well, I am the hugest of huge detail freaks so yeah. My piping looks black in these pictures, but actually it is a really deep navy, and the fabric is from a pair of Sam’s old work trousers. I’d previously used these same trousers to cut the lining for his and Cassie’s man D’s Christmas hats, blogged here.

Variations; the dress pattern doesn’t include pockets, so I added in some simple inseam pockets (my tutorial for adding inseam pockets here). The skirt is supposed to be gathered into the waist, and while I did initially do this it created some pouffiness that I decided I just did not need! so I unpicked that and instead pleated the extra width of the skirt into five tiny pleats on each side; just outside of the princess line of the bodice. Same for both front and back. I think that pleating/folding is a bit more age-appropriate than gathering… I can’t explain what I even mean by that! but maybe I mean it just feels a bit more “me”? Not that I even know what that means either, Anyway, I really like how this turned out!
The sleeves are long with elastic inserted in a hem. I love the sleeves, and especially pushed up to my elbow length like this.


Oh! the buttons! I almost forgot! SO, I’ve been covering buttons for Kelly’s wedding dress, 100, to be precise! Yes, 100, blinking, covered buttons. This took, HOURS.

But I absolutely adore how they look! and since I was using a particular colour fabric for the piping I thought it would be nice to have the same particular colour buttons for this project too… so I ordered some more of the 11mm buttons. I bought my buttons here. By the way; the “naked” buttons are actually silver, and for Kelly’s buttons, I’d covered a few experimentally and we thought the silver showed through the ivory fabric a little, giving the buttons a slightly grey tinge. SO I painstaking lined up all the bare silver buttons along bamboo skewer tracks and spray-painted them creamy-ivory before covering with our ivory crepe. The spray-paint I already had, leftover from when I made my Queen Rutela costume.

Spray painting the buttons is as fiddly as all get out and I’m not going to lie, actually quite a pain in the neck to do… but it does give some really good advantages. Number one, the silver doesn’t shine through a “porous” or very light coloured fabric, and secondly, and maybe even more importantly, spray paint makes the surface of the buttons a little “sticky” which is definitely a plus when you’re trying to put the buttons together. When I was covering the naked buttons, the fabric slipping and sliding about over the smooth shiny surface was driving me a little mad, and I really noticed a huge improvement with a grippier spray painted surface instead. So, while I didn’t really need to worry about silver showing through in this darker fabric, I did the spray painting gig again for these buttons too, simply for that grip factor.

So that’s it! I’m wearing the dress today.. and while I didn’t get a proper “out and about” picture of the dress, I did snap this… hehe, so silly I know, but I was randomly loving how the lovely floaty linen was rippling in the breeze. I’ll get a proper photo some other day because right now I am getting strrrrrapped for time!! to say the very least. In the meantime… it’s back to the wedding and bridesmaid’s dress for me! Panic stations!!

Details:
Dress; Ariane dress, designed by C’est Moi Le Patron by Coralie Bijasson in a floaty printed linen
Shoes; Zomp, from Zomp boutique


Remember in my 2018 end of year round-up I mentioned briefly I had made a Big Thing? Well this is it! A tailored blazer… this is 







Not only did I thoroughly enjoy making my new blazer, I’m really quite proud of how it turned out, and am very much going to enjoy wearing it too. I might even be… dare I say it? looking forward to winter?? Going too far?? maybe!!










Will I do another workshop if Lisa ever comes back to Perth? I expect so!!


So I’m knee deep in wedding-dress biz, which I LOVE, of course! but I took a little time out just to make something fripperous and frivolous and quick and easy, just for me. Think of this as like a tiny serve of sorbet in the middle of a lengthy degustation…
I agonised over what button to use! this one seemed cheerful and not twee













I’ve made this new dress #surprise! This beautiful poppy printed silk chiffon was a birthday present from my lovely thoughtful Mum… we were browsing together in Fabulous Fabrics and oohing and aahing over it, and she suddenly announced “I’d like to get that for you for your birthday!” And she even chose the pattern I was to use, which is of course Vogue 1351, anyone who has read this blog for even a short amount of time will know how much I LOVE this Donna Karan pattern since I’ve used it a few times. Actually four times before, to be exact; 

















I’ve made a new trench coat; a riotously floral-tastic, blowsy English rose of a trench coat. As soon as I spotted this print I was smitten! delightfully old-fashioned, vaguely reminiscent of Granny’s china cabinet and a wholly unabashed celebration of spring-time. Because that’s what it finally is now… SPRING!!!
Pattern; McCalls 5525 view E, the view with all the bells and whistles. The only things I left off were the flap thingies over the pockets, because I didn’t have enough buttons for them!





So that’s all super good and satisfactory. However?! I have to admit to a little frisson of disappointment at the halfway point of making this coat, at about the point when the body was together, and I slung it over Bessie and took a step back to have a first look… and, oh dear. See, I had barely enough fabric to cut out my trench, and in fact several pieces are pieced together! Which ones? oooh, I’ll never tell!!! See if you can see the seams! But that’s not the problem here, after all, piecing is something I’ve done in a lot of garments because of lack of fabric and I’m perfectly ok with doing that when I have to…. The thing is, I really had to be clever about laying out the pattern pieces to have any hope at all of getting the coat cut out, and I did some very premature self back-patting when I managed to lay out the pieces. Because the way the print has turned out on the finished coat is just not good. Specifically; the front is quite a lot “busier” than the back, and I wish I could have been switched-on enough to see that while I was juggling those pattern pieces but sadly, I did not. The front and the back are to my eye almost like two completely different coats, which is very sad-making (please excuse my little Evelyn Waugh-ism there…)
























