Tag Archives: Daily Outfit

alpaca cardigan; a 100% local product

So, at the beginning of the year I mentioned that I was taking part in one year one outfit, the brain child of Nicki of this is moonlight; the challenge being that we participants have one year in which to make an outfit for ourselves that is 100% locally grown or sourced.
And this cardigan is my first thing! the first component of my outfit finally finished.  Phew!

Earlier in the year, Nicki drove Sue of fadanista and me to Toodyay, where the three of us visited the Fibre of the Gods, the alpaca farm owned and run by Hazel and Michael McKone.  The farm is also home to a tiny and thriving wool mill; processing fleece into yarn for anyone who has some and wants it done; AND very importantly for the purpose of our project, also processes and spins its own alpaca yarn, shorn from their very own animals!   The lovely Hazel took us into the girls’ paddock and introduced us … below are some of the hembras.  That’s the term for a female alpaca, fyi.  Also did you know that a male alpaca is known as a macho?!  We saw one macho, out on his lonely lonesome in a separate paddock, all manly-like and aloof, looking down on us girls.

No, they’re not checking out the macho…  they’re giving the evil eye to the farm’s cat!  Alpacas are very wary of cats; and dogs too, according to my friend J, who has a small herd of her own. They will protect your sheep from vermin like foxes, and are likely to turn on a dog and kick him out of a paddock if they don’t know him well.

Hazel kindly showed us the mill equipment and explained how the entire operation is run entirely on their farm; from the animal right through to the finished yarn.  And then we obviously shopped in their tiny store, cleaning out a, erm, sizeably large chunk of their eponymous stock, eep! They do stock some lovely coloured yarns and a few knitted and felted products for sale, however we were all of us after their own natural, un-dyed yarns for the purposes of our 100% homegrown project  ðŸ™‚

Sue and Nicki also have written about our day out on their individual blogs too.

Anyway; my cardigan!

I used natural or undyed alpaca yarn from “white” alpacas, which when viewed objectively and ex situ is actually not even vaguely white at all really! but this lovely, very pale caramel colour.  So how apt that I should choose a pattern called “Caramel”!  
The Caramel blanket-style cardigan or jacket is designed by Isabell Kraemer, and is freeeee! available to download here on Ravelry.  Basically; I put the search words “free” “cardigan” “8ply” into the Ravelry search engine and this came up… I thought it a rather nice and elegant shape.    Well, “shape”; of course “blanket style” is basically another way of saying “giant rectangle with sleeves”… anyway I love how it looks loose with the fronts gently draping upon themselves, the points hanging down longer than the back.
My Caramel is knitted pretty much to the pattern; with just a few minor variations. Obviously mine has no real stripes.  My sleeves and body are much longer.  Also, I left off the the decorative? purl side seam stitching and the ribbing off the sleeves and lower edge.  In the process of knitting I decided I really preferred the streamlined look with slight curl-up of the ends that you get with no ribbing.  I had initially finished a sleeve lower edge with ribbing, to trial it; but then I unravelled that bit and redid the edges sans ribbing. 
Plus; and herein is a huge advantage of a top-down knitted design, I just kept on knitting knitting knitting until I had used up all my wool, then cast off that lower edge.  It’s a lot easier to do that if you know you don’t have to allow for ribbing.
Result; barely no leftovers!  Win!

One thing about the Fibre of the Gods yarn that I really really LOVE! is how Hazel and Michael have labelled the balls with the name of the animal along with a little picture of them.  So I know that my alpaca yarn came from Bandit, Coral and Pearl. 
Hey, guys! Thanks so much for the shirts off your backs… figuratively speaking.  ðŸ˜‰

I did notice some slight variation in the shade of the yarn, due to the slight variations in the three alpacas’ different natural colourings.  I find these subtle “stripes” quite charming.
 subtle stripes are very subtle

I also made a little wooden “pin” to hold the cardigan closed if it’s cold; by sanding down a nice and straight, little stick, found on my morning walk.  It’s local obviously, so it too fits in with my one year one outfit challenge!

I can’t decide if I prefer my cardigan open or closed; I think I like it both ways equally!

Details:
Cardigan; hand-knitted by me, the Caramel pattern by Isabell Kraemer, natural alpaca yarn from Fibre of the Gods mill in Toodyay.
Tshirt; own pattern, blue jersey over dyed black, details here
Skirt; own pattern, charcoal ponte, details here
Tights; own pattern, black stretch poly, details here
Socks; not seen, hand-knit by me from Noro wool yarn, details here

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not quite so baggy, blue pants

Remember these trousers below? well, they’ve had a little makeover!

before…

These are the tapered trousers from “she has a mannish style” a Japanese pattern book by Yuko Takada.  Renamed “She Wears the Pants” for the English version of the book, in spite of the fact that there are very few patterns for pants in there.  Bad re-name, imo.  Very misleading.
Anyway, this wasn’t a drastic re-vamp, but to my mind they look waaaay better now.  I removed a tonne of dropped-crotchedness from these trousers; and I realise that’s not an actual word… and now things are a lot more streamlined and far less, er, nappy-like, perish the thought.  
Pre the re-do, I was all happy and “how cool are these?”, and then the second time I reached for them… well an “o my gawwwwd” lightning bolt struck.  It was like; I’d had a fun first day, wearing something new and cool and funky and out-there, but now I just wanted some nice pants, thank you very much.  
I had to Do Something and just grabbed my unpicker… *inner screaming* JUST DO IT!!!!!!

Capricious is my middle name, don’t you know.   Anyway, I capriciously ripped open the crotch and almost the entire of each inside leg seam.  Followed by some non-capricous, actually quite careful experiments; pinning/trialling new crotch curves within the constraints of the existing curve.  Luckily the legs had enough cloth area that I could get a nice new curve that I decided was reasonably flattering to my be-hind, ahem.  I ended up cutting away a big wedge off of each inner leg edge: 5.5cm from each of the front inner leg top edges, and a whopping 8.5cm from each of the back inner leg top edges; in each case tapering all the way down to nothing at the lower hem.  And re-sewed it all up again. 

that taper goes nearly all the way down to the lower hem

Everything else is still the same, including this back belt that I really love.  It’s a nice feature to the back, and cinching in the waist to define it is a good idea in an otherwise rather loose and baggy style.

And now?  I’m satisfied  ðŸ™‚

Details:
Trousers; tapered trousers 13 from the Japanese pattern book “she has a mannish style” (also known as She wears the Pants) by Yuko Takada, modified, blue cotton corduroy
Top; Nettie bodysuit by Closet Case patterns; burnt orange stretch, details and my review of this pattern here
Scarf; a kit from Ivy and Maude (now Calico and Ivy), knitted by me, details here

Sorry for the slightly blurry side and back view photographs… only upon setting up did I discover that the battery was flat in my remote, meaning I had to set the self timer and sprint out in front of my camera!  I think it didn’t know what to focus on!  However, consequently I was far more economical in my picture taking; these three are literally the only ones I took.  Probably a good thing, and maybe it’s what I should always do!

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I’m a cow

… a Friesian cow!
And here I am, out standing in the field.
Ha! whenever I hear about someone, some highly accomplished person gaining recognition for being outstanding in the field of whatever, I cannot help it but that old joke just pops into my head; you know the one… 
How did the cow win a Nobel prize?  Because it was out standing in its field.
And I will have a little inner laugh.  With cavalier lack of regard for the importance or gravity of the accomplishment.   I know, it’s not even that funny.  Clearly, I am very easily amused.
So, yes, I am wearing a new skirt, while I’m out standing in my field, here.
*muffled giggle*.  

The fabric is a ivory/black fake fur from Spotlight, plush but with a low pile and not very thick.  I used black silk dupion for the waistband, as the plush was too thick to make a nice clean flat waistband, and I lined my skirt with ivory polyacetate lining fabric.

I used Vogue 1247 with the pieces spliced together so as to make a plain little skirt with no pockets.  I know, Vogue 1247 again! sorry to be boring! it’s just that the silhouette of Vogue 1247 suits my current winter wardrobe right down to the ground so it’s very much the golden child of my pattern family.  It may or may not fall out of my favour at some point but y’know, when you’re enamoured of a pattern and it seems perfect for every occasion so you keep reaching for it over and over and over again.  To the exclusion of all the other, perfectly good, skirt patterns.
Probably all my other patterns hate it, and when the cupboard door is shut and the light goes out and I leave the room, they studiously ignore it and exclude it from their whispered conversations with a disdainful curl to their lips.
She’s so full of herself.
Oh, like totally.
(I’m telling you, it’s like high school in there…)
Hey guys!  I just got made up; again!  In cow fabric!!
Did she just say what I thought she did?
Mmmm.  Just pretend you didn’t hear…
Guys, look!
Omigod, seriously. 
And she lined me!  I’m not even supposed to be lined!
Oh please.  Like half of us don’t have lining already.  You don’t hear us bragging.
I know right?  Just keep walking.

Vogue 1247 sadly walks away, to eat her lunch.  Alone.
Trying to bravely rise above it.  
Their turn will come.  Oh, their turn will come.

Hmmm, goodness knows how that happened, but somehow I seem to have segued right into the screenplay for a new high school soapie, starring a cast of dressmaking patterns.
Stay tuned for the next exciting episode!  Will Vogue 1247 be forgiven her teacher’s pet status?  Or will a new pattern topple her from her pedestal?  Will there be hair-pulling?  Or will someone steal someone else’s boyfriend?!

Hehe, thought about deleting all that nonsense, but nah; left it.

Adios! or should I say; MOOOOOO!

Details:
Skirt; Vogue 1247 modified and lined; plush faux fur, my review of this pattern here
Top; the twist top from Pattern Magic, ivory stretch, details here
Tights; black poly stretch, from my own custom-fit pattern, details here
Boots; Roberto del Carlo, from Zomp shoes

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origami blouse

Hello!  I’ve made a new blouse  ðŸ™‚
Yes, it is currently winter here in Perth.  I am braving the freezing depths of winter to take these photos.  
Haha, not really!  Actually I am wearing my new blouse responsibly and weather-appropriately here, in warm and sunny Italy!  I made the blouse before we left on our recent hiking holiday and took it away with us so I could enjoy it in the warm weather  ðŸ™‚
This is the Origami Blouse from the book Twinkle Sews, by Wenlan Chia.  My lovely sewing neighbour Megan kindly lent her book to me.  Thank you so much, Megan!

The fabric is a lovely creamy coloured silk/linen; bought as a remnant from Fabulous Fabrics.  I only had about 80cm and with some experimenting to find the most economical pattern arrangement just managed to squeak out the pieces with barely any scraps left at all.  And added 2cm in length to the blouse …  I cut it that little bit longer just because I had enough length and thought I would get a nice deep hem.  However when trying it on I detected a certain, um shall we say, lamb-ness? to the style, at odds with the general muttonness of my person…   Anyway, I decided any and all extra length that could be got definitely should be got at all costs; and stitched the skinniest of skinny hems that I could!
For that same reason I did not gather up the lower edge of the sleeves with elastic, but just left them straight and ungathered.  The resulting lack of sleeve puffiness raises the maturity level just a touch, I reckon  ðŸ™‚
The origami thingies on the front are rather interesting, and although they look complex are simpler than they look.  Having said that, I still found them quite fiddly to make and mine are not particularly neat, although I tried!  Fabric is not like paper at all, it’s springy and thick, especially when seams come into the equation, and true origami perfection is a pretty tall order.  I ended up abandoning all aspirations to razor sharp points and perfectly angled edges and just tried to accept the imperfection.  I think I wrangled them to look passable.  I can almost imagine they are like a flutter of little creamy butterflies, alighting onto my shirt for a little butterfly gathering.

I’m not too terribly distressed at their imperfection, as when I’m wearing the top they are sneakily tucked away behind that black velvet tie anyway, mwahaha…

Verdict: I think it turned out, not too cutesy cute, but nice and just mildly cute, and rather fresh and romantic and just slightly poetic.

My thoughts on Twinkle Sews, the book…
This is a nice book; it contains patterns for 25 garments; 7 skirts, 13 tops and 5 dresses.  The designs include some that are easy and plain, others that are both interesting and unique, with some very innovative ideas in many of the pieces.  If you’re interested in something a bit different, basics with a twist, then this book contains some promising projects.
The fabrics chosen for the sample garments and the styling of them is sometimes a little questionable and I didn’t always find them visually appealing.  But disregarding fabrics and prints and just paying careful attention to the lines and shapes of the pieces, I reckon there are some real gems in there.  Check out Megan’s lovely shibori dress from the book.
The patterns come in sizes 0-16 (US) and are all on a CD included with the book.  The pattern pieces are all whole pieces, meaning, no half pieces to be placed on the fold.  This has advantages; it’s easier to lay the full-size pieces on a flat unfolded piece of fabric to obtain the most economical layout: also disadvantages; the most obvious being that you have to do a heckuvva lot more taping!
The early chapters are aimed at a beginner seamster, with some nice and encouraging chat about the joys of fabric and making clothes for yourself; and extensive, clear and helpful explanations of basic sewing terms as well as for all the techniques used in the projects.

Details:
Blouse; the origami blouse from Twinkle Sews, by Wenlan Chia, creamy linen-silk with black velvet ribbon
Shorts; Burda 7723, green cotton gingham, details here and my review of this pattern here
Thongs (above); Havaiana
Hat (Craig’s); Billabong
Socks (below); hand-knitted by me, details here
Hiking boots (below); Mountain Designs

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me-made May 2015; an overview

So, this year I took part in Zoe‘s me-made May yet again.  This is my eighth time joining in!
Obviously it’s practically an institution now, and even though I’m pretty sure it’s not aimed towards people like me; who comfortably wear an entire outfit made by myself every single day and have done for years, well, I still like to join in.  It’s fun and maybe I’d feel out-of-it and maybe a bit bereft if I did not!  FOMO!  
ha, did I just successfully employ un buzz-acronym of our time? wow.  Before I know it I might even have got to grips with something else non-dinosaury, like my phone even.  
Or not.

Anyway.  My outfit pictures with the links to everything I am wearing are all in my MMM15 Flickr album here, should anyone wish to have a proper lookie.  I have no idea why some of the pictures are huge, sorry about that.  I think it’s the way Flickr organises them or something.

So, the obligatory postmortem…
Did I learn anything?
Nope!  Not really!  That’s ok though, I’m fine with just joining in for the sake of it!
Any holes?  Any workhorses?
No holes in my wardrobe, massive surprise, that! haha.  I had a few repeats, but mixed it up some and discovered a few nice new combinations that I liked and will repeat over winter. Most importantly, have reluctantly wrenched some old but tired things, kicking and screaming from my wardrobe and transferred them to the potential Salvoes bag.  *sigh*  The camera is a harsh and wretchedly truthful beast!
Workhorses: in this season; white tops, black tights, little knitted cardigans and brightly coloured little skirts.  For warmth; my moto jacket, and my peppercorn cardigan for lounging around in the evening.
Thoughts on the photos?
I’ve kind of got my tripod-and-remote routine down pat now and so it’s pretty painless and easy.  I kept to one very convenient-to-me location, and allowed myself no more than 1 minute to take a few photos, and just selected one for the Flickr group.
I’ve thought of doing “interesting” daily photos again like I’ve done in the past for previous me-made months, but for this year and my current life, just doing boring ones was a good choice for me.

And that’s it! I think?  Until next year.  I’m sure I’ll probably continue to join in and do this as long as Zoe chooses to host it.

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pale pink Issey Miyake skirt

Why a pale pink skirt,
I hear you cry?
why not a pale pink skirt,
is my reply.

Poetry.  Nailed it.
Sorry.  I’m in a silly mood and obviously having trouble thinking of intelligent-sounding stuff to write…
Ok.  So, at the beginning of the year I pledged to sew five items from my vintage patterns… this latest effort is my first; woot!
The pattern is Vogue 1384, a 1984 Issey Miyake design.  30 years old is pretty “vintage” yeah?  yup I reckon so.
I’m slightly amused at myself that I signed up actually since a few years ago I was so allergic to the very word “vintage” and could not hear it without an involuntary eye roll.  I was like, o gawd, so done-to-death!!  I should say I wasn’t against any thing vintage, in itself, in fact I love antiques, and old things.  It was just the word “vintage”.  Hehehe.  I must be mellowing somewhat.

Anyhoo, back to The Thing: my cool new skirt.  Or should I say, my skirt of a very very cool design.  As we can usually expect from Issey Miyake, it a quite unique, intriguing and interesting approach to a skirt; being a few oddly shaped rectangles cut, spliced and resewn together at seemingly random places, and boom; you end up with an asymmetric skirt.  Fabulousity!

I know, and I agree; creations made from “vintage” patterns can be a little annoying to read about on blogs, thanks to the patterns being so rare and hard to come by.  Not very helpful; and sorta inspirational rather than aspirational.  I’m sorry!
I used a heavenly soft pink poly crepe from Fabulous Fabrics, the same fabric I used for my other Sea Change top.  So the two make another matching skirt/top set, should I desire to wear them together.  But I think it will go with lots of other tops in my wardrobe too.
The pink poly crepe is on the sheer side, so I lined my skirt with ivory polyacetate fabric.  I managed to cut the lining as just one piece: I worked out how to do this after sewing the skirt pieces together and could see how the skirt “worked”, so to speak.  I spliced the skirt pieces together at the relevent joining points and marked and sewed in the waist shaping darts at the top.  It ended up looking kinda like a big quarter-doughnut shape.  Then I just included it in with the skirt when sewing on the waistband at the top.   Simple dimple.

The waistband is of matching, pale pink silk dupion, also from Fabulous Fabrics.  I chose this because it is nicely stiff, inflexible and very stable, which is really good in a waistband for a skirt like this.  While the floaty, ripply, slithery poly crepe is really lovely for the skirt part of the skirt, it is not the slightest bit stable.  And this is very much a waist-defining skirt design, for which a structurally sound waistband is imperative.
Some skirts are loose and flowy all over and are ok sitting low on the hips in a casual bohemian way; others need support, and the waistband is it.  This design is firmly in the latter category.
Summary:
What do I love: the asymmetric shape, and the random waterfall-y ruffle-y thing falling down into a handkerchief like hem at the front.  Divinely floaty fabric in the heavenliest soft pale pink.
What don’t I love; it’s nearly winter here and I’m going to have to put it away for a few months.  Boooo!
OK, I have nothing else remotely intelligent to add; so, until next time, amigos!

Details:
Top; the loose drape top, modified, from drape drape by Hisako Sato, linen cotton jersey.  I discovered a little hole while I was putting this on this morning, aaagh! Immediate emergency darning ensued!  I love this top!
Skirt; Vogue 1384, pale pink poly-crepe
Cardigan; I also wore my calico cotton cardigan today…
Sandals; Zomp, from Zomp shoe boutique

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Black moto jacket

Finally! A wintery day!
It’s pretty unusual for me to get excited about a wintery day, haha.  Believe me, winter is my very least favourite season… but I have my reason, see; I’m happy for an excuse to wear and show off my newest thing.  My moto jacket!
*sings* the leader of the pack…  brrrrm brrrrm brrmrrrrrrm!
Silke, the designer behind schnittchen patterns contacted me asking if I would like to road test one of her patterns and I chose the Tina jacket; a blouson style with an asymmetric front closure by exposed zip, and a wrap-around collar.  
Danke, Silke!
I immediately envisioned making something in a combination of leather/wool… well; making this, wot I’m wearing here, essentially.  My jacket here is made up pretty much exactly to the pattern… except I made my sleeve cuffs a little wider, because I have quite long arms apparently, and I added leather sleeve tabs, sewn into the sleeve seams and wrapped around to close with two hammer-in press studs.  I also fully lined my jacket using black polyacetate lining fabric.

Also I top-stitched the body and armscye seams, stitching the seam allowances down inside. And a little bit of narrow zig-zagging along the top of the pocket openings, to strengthen that bit.
And I also made the pockets about 2cm deeper.  So, just a few teeny alterations here and there, after all  ðŸ™‚

All of my materials are from Spotlight.  The “leather” is obviously vinyl, very thin, soft and pliable and a little stretchy.  I found I could use my regular sewing machine needle on it just fine.
The “wool” is a wool/acrylic mix tweed.  It felt quite stiff when I bought it, but a pre-wash in my machine on the gentle/wool cycle brought it up beautifully soft and fluffy, and the collar feels heavenly snuggly against my neck skin.

I chose to fully line my jacket.  The pattern doesn’t stipulate lining but that’s no biggie.  I used the pattern pieces, and to save myself the trouble of tonnes of piecing the multiple body pieces, I spliced the side front/side pieces together to cut them as one piece in the lining fabric, and also the centre back/side back pieces I spliced together in the same way.  When laying down the centre back piece; I laid it down with the centre fold line 2cm away from the fabric fold, giving myself an extra 4cm in width at the centre back. 

Note: re-enactment shots, when I realised I hadn’t taken any pictures, doh!

This extra width at the CB I folded into a box pleat and basted it in place for the first 5cm in from each edge.  Doing this gives me a nice bit of wearing ease in the lining, which is always a good idea in a jacket.  I learnt this little tip from my standby McCalls 5525 coat pattern.

When cutting the pocket pouches, I cut them of half lining fabric with a leather facing at the opening edge, so there’s no danger of any lining fabric peeking out unattractively.
Also, when cutting the sleeve linings; I tapered out by about 1cm down each long edge, again to give the lining a bit of elbow-bending ease inside the sleeves.

Thoughts?  Well, the pattern is a lovely classic style and the pattern works beautifully, all going together and fitting in place like a dream.  I really love the style, and how my jacket worked out.
However this might be a challenging project for the non-German speaking, beginner seamster.  This is a German pattern with German instructions and an English translation, with no illustrations or pictures.   Occasionally there were some innovative words and phrasing, reminding me of that time I typed a set of Patrones instructions into Google translate.  Memories.
The schnittchen website does however have an excellent step by step photo tutorial which clearly illustrates all steps and is very helpful.  I think if you had made a jacket before you would be absolutely fine with the English instructions.  They gave a good construction order and they worked perfectly well. 
Finally and most importantly, I’m super stoked and excited with my new jacket.  According to the fashion report on the news the other night, leather and leather details are IN this winter.  How fortunate!
Whatevs the fashion, I’m going to LOVE wearing it.  It’s very cosy, comfy and super warm.   Its edgy vibe is a nice bonus  ðŸ™‚

Details:
Jacket; the Tina jacket by schnittchen patterns, faux leather and wool mix
Tshirt (under); white cotton, using my own custom fit pattern, details here
Skirt; Vogue 1247, overdyed purple cotton denim, details and my review of this pattern here
Tights; black polyester stretch, using my own custom-fit pattern, details here
Boots; Roberto del Carlo, from Zomp shoe boutique

In other making news, I ran up two new pairs of black tights for myself, in stretchy polyester knit.  I know I had this whole thing about how I wasn’t going to make my own tights any more, just buy them… but I’m taking part in me-made May again and going ALL me-made, as is my “thing”.  And I just decided that to cop out on the tights when it’s so laughably easy to make the darn things, well it was just that; a cop out.  I bit the bullet.  2m of fabric, half an hour of cutting/sewing, whack in an elastic waistband; BOOM yah.
Two pairs of new, super warm tights.

Also I *cough cough* um, “made” a scarf….  as in five minutes of zig-zagging the cut edges of a nice piece of fluffy brushed cotton plaid and fraying with a fine-toothed comb.  I found this plaid in Homecraft Textiles.
Like most of the world, probably, I fell in love with the Zara blanket scarf that was all the rage last Northern winter.  And though we do actually have a brand new Zara store here in Perth now, I don’t think we’re going to get the scarves here.  However I still kind of fancied one for myself.  So I have my diy version now.  Yay!  And if I get tired of it I can always cut it up and make a top or something with it still!  Double yay!
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baggy blue trousers

My new trousers are kinda weird.  They are seriously baggy and they have a seriously dropped crotch.  But they feel sooo luvverly on! I think I’m going to like them, in their weirdness, even though I know I look a bit kooky in them.   *shrug*
See, every now and again I’m seduced by an unusual but super-cool Japanese pattern, the kind of cool thing that looks awesomely cool on cool people.  And then am brought back to earth with a bit of a bump when I look at myself in the mirror and am reminded: I am not very cool.
Ah, well I can but try, haha.  The thing is, these are the comfiest trousers evah, as in incredibly awesomely comfortable, as in like wearing an old pair of trackydacks or pj bottoms, kind of comfortable.  Cool people know a thing or two about comfort, it seems.  Well, apart from the ones that wear skinny jeans, obviously.
My trousers are pattern No. 13, the Tapered Trousers from “she has a mannish style” a Japanese pattern book by Yuko Takada, and  I could see from the picture that they had a seriously dropped crotch,  which is just what you would expect in a “woman wearing a man’s pants” style.  So I did something very unusual for me and made a rough muslin.  My husband was a little bemused but Cassie gave them a big thumbs up, assuring me that lots of cool arty kids wear this kind of thing at uni.  This was both encouraging and, um, at my age; also a bit not, ahem!

Whatever, I ploughed ahead regardless; and ta da!
Technical blah-dy blah:
I made them in a deep navy-blue cotton corduroy from Spotlight, and cut the pocket linings and waistband facing from a pair of Sam’s old pj’s from the refashioning bag; nice soft and well-washed, navy-and-white plaid cotton flannelette.  I used a navy jeans zip, and a jeans-style, hammer-in stud for the button.  The pattern had patch pockets on the back, but since precisely zero of my husband’s trousers, not jeans, have patch pockets, I put in double welt pockets instead.  This gives a far more authentic “menswear” look, imo.

My measurements put me at size ML to L, however I found the waist/waistband in this size to be seriously oversized, by 10cm at the very least!! even taking into account that you make a tie with D-rings to cinch in the back of the waist, paper-bag style.  So I removed a tonne of extra width in the waist, while still trying to retain the boofy, oversized pants vibe of them.
I drastically enlarged the front pockets, by about double.  Seriously, the originals were so tiny you would not be able to fit barely anything in them, let alone hands.  I’m used to having to enlarge my pockets on patterns but these were teeny.  I very much liked the way they were constructed, with self-fabric facings and with a French seam to finish.  I think the finished pockets look really nice, both inside and out.

I’m not keen on the way the fly front was constructed, with the fly pieces cut separately only to be sewn back on immediately, leaving you with an unnecessary and bulky seam in the centre front.  I really cannot see any advantage in this, and prefer for the fly pieces to be cut-on.  And will do it in that way in the future.
btw, I have read reviews for this book saying that not all the instructions are given for a pattern; well they actually are but not always on the same page as your pattern.  The book only gives the instructions for doing a thing, like a fly front, once and once only in the book.  For example, the instructions for doing a fly front are given on p71, with the Semi-flare Culotte instructions.  It does mention this in the Tapered Trousers instructions, but since they are in rather small print in amongst the Japanese characters then it’s understandable why people might have missed that.  All the actual sewing instructions are illustrations, very clear and quite easy to follow.
So; in conclusion? I like my new trousers although, well to be honest I am a wee bit nervous of them, being so cool and all.   But I think my street cred will survive wearing them.  Actually, they remind me a bit of pants we used to wear in the early 80’s… omigod, did I just admit to that?!  Eeeeeek!  Street cred in tatters!

I think when you read a lot of sewing blogs and online forums and what-have-you, like I do, you can get swayed by the very popular notion that Fit and Figure-Flattery are the King and Queen of Sewing.  As in, everything has to skim your body just to the perfect degree, not too tight, not too loose, and be perfectly right for your figure type.  Hey, there’s absolutely nothing wrong with that at all; I buy into those rules all the time myself too.  Just that, sometimes it is fun and nice to stretch yourself beyond those rules, to make and wear something that is not particularly fitted, is not particularly figure flattering, and is just stylistically interesting and cool and fun and kinda weird.  And comfy.  Fashion should be fun, after all.  I think it’s ok to try out new and unusual stuff once in a while.

And they are so warm and comfy, I’m going to love every minute that I have them on.  Well, every minute that I’m not worried what people might be thinking.  
Did I mention they are comfortable?

Details:
Trousers; the tapered trousers 13 from “she has a mannish style” by Yuko Takada, navy blue cotton corduroy
Tshirt; Closet Case patterns Nettie, with short sleeves and a breast pocket, in thin white jersey, details here
Cardigan; Miette, hand-knitted by me in Debbie Bliss Donegal Luxury Tweed Aran, in Gold, details here
Shoes; Enrico Antinori, from Zomp shoes

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