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Knots

I’ve made a dress, utilising the design on p52 of Pattern Magic, by Tomoko Nakamichi.
This appears to be a fairly plain dress on a casual glance.  But it is not.  It has a “feature”:  a feature that like many Pattern Magic features, seems to the casual, non-sewing observer to be a superficially simple thing, like “so? what could possibly be difficult about that??” but in actuality, getting to the nitty gritty of it, is a fair dinkum epic saga to put together seamlessly and successfully.  In this case, the feature is that the bodice explodes out into an incorporated posy of entwined knots that looks sorta like a statement neckpiece, or maybe a 3D sculptural bib.  Prof Nakamichi describes it as “By bringing together several knots that resemble tiny bells I have created a unique garment that evokes the sounds of bells ringing”
This is achieved by the front being six pieces… four of these end in a long strip; which is later tied into knots which you weave together as artistically as you can.  Counting from a shoulder; sections 1 and 6; and sections 3 and 8; are each one piece; comprising two sections joined by a bridge, so these joining bridges have to be knotted before you can sew the top sections to the rest of the front. 

I made my dress using a light stone coloured, linen/silk mix, bought from Fabulous Fabrics about four years ago.  Yes! a long time ago!  This was another length of fabric previously Too Good To Actually Use.
Due to the nature of the design; some of the strips are cut on the bias and some on the half bias.  To save fabric and add stability I cut all the facing strips on the grain.  I faced and turned out each strip separately, and then later sewed on the bodice facings.  When it came to facing that front neckline, I sewed each section at a time and checked each obsessively for a smooth finish before proceeding to the next one; shoulders first and finishing at the centre front.

front bodice facing

The back is four pieces; interestingly in a princess seamed arrangement.  The dress closure is by invisible zip in the centre back seam, and the back neckline is a modest V-line.  I added deep, inseam side pockets, and attached a self skinny belt in the side seams to tie at the back.  This adds a bit of shape to it, and provides some visual interest at the back, which is otherwise rather plain.  The ends of the belt are tied in little knots, a tiny design echo of those knots at the neckline at the front.

This is probably one of the top ten most difficult makes I’ve ever attempted.  Vogue Advanced/Plus Difficile?? pfff, Pattern Magic farts in your general direction!*
However I am, in inverse proportion to the degree of difficulty involved; stupidly pleased with it.  I think maybe I am a sewing room masochist, deriving a perverse enjoyment from the torture of difficult dressmaking challenges.  What a weirdo, huh?  But I’m thinking of something easy next.

Monty Python of course!

Details:
Dress; adapted from the design on p53 of Pattern Magic 2 by Tomoko Nakamichi, light brown silk/linen
Shoes; new! for autumn!!  c/o Misano

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hello

4th – 9th March
(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)

from left:
blue denim/chambray dress + ecru jersey scarf
white cotton top with self necktie + red floral skirt
powder blue dress + white embroidered cut-out top
blue dress
white drape-y jersey top + lime print skirt
aqua dress with wave-y welted pockets

The last few days have been up and down.    More down than up, I’m afraid.  We are mourning the loss of my grandmother; in a not unexpected, but still very sad conclusion to a long illness.
My grandmother right up until quite an advanced age was just like all or any one of us who love to sew for ourselves and take pride in wearing our own creations.  She was a very accomplished self-seamstress and frequently made a lot of her own clothes.  I inherited a lot of my enthusiasm for sewing from her excellent example.  She favoured an early Jackie O silhouette, and tended to wear simple, solid colour sheath dresses with matching tailored cropped jackets and blazers when the weather permitted.   In winter she lived in straight pencil skirts with solid coloured sweaters and jackets, or plain twinsets.  Her tastes leant towards the unadorned.  My own style is moulded on this look to some extent too… she was a big influence.
She lived a wonderful, fulfiling and very long life, so I’m not writing this here to be sad, but just to give acknowledgement.  It didn’t feel right to not mention it at all, like nothing had happened.

On an up note; we’ve just attended Cassie’s graduation ceremony, and proudly watched as she received her Bachelor’s degree.  She has kept her job part time and is concurrently continuing with her Master’s degree this year, just as planned.

It’s funny/strange how life’s lows can be juxtaposed against life’s highs, side by side like that.  I’m just feeling … odd.

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Cut-out things

I made this little lace jacket/cardi/top thing many years ago, probably ten years ago! way before I started my blog, but even though it has appeared here a coupla times I’ve just realised it’s never been shown, as it were.  So here it is, up close and personal.
The design is my own, perhaps copied from something I saw in a magazine, I think.  It only took up a very small piece, about 50cm of embroidered cut-out linen from Fabulous Fabrics.  The sleeves are just little caps, extensions of the armholes.  All the raw edges are simply encased in self-made bias binding of white cotton, and at the waist is a drawstring in an inner casing, both also made from bias cut white cotton strips.  The neckline closes with a button and a little ribbon loop.  I used a tiny length of pale lavender satin ribbon for the loop because I didn’t have any white at the time, and it’s always bugged me that it’s not white.  Not so much that I’ve ever changed it, though!! so I guess it’s not that much of an annoyance to me, reeeally.  You can’t even see the ribbon when it’s buttoned up anyway  ðŸ™‚
It’s still going strong, probably because it doesn’t get worn a whole bunch!  but I’ll never toss it out.  It’s nice to have as a hot weather “cardi”, for when I want to look smart.  And I’ve discovered it goes really nicely with these cut-out ballet flats… (woot)

Details:
Top; my own design, embroidered cut-out linen
Dress; Burda 8071, of pale blue silk, details here
Shoes; c/o Misano

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Raspberry cropped jacket; 6 different ways

I first made this raspberry red, bracelet sleeved, silk hessian jacket a couple of years ago, using Vogue 2894 and the squeensiest length of raspberry red silk hessian.  It felt like a miracle I was able to cut out the pattern pieces! but the fabric was obviously meant to become this jacket since it has become a staple piece in my wardrobe.  The jacket was originally posted here as part of another outfit, along with my review of the pattern.
Now in past 6 different ways posts I’ve delved into my wardrobe to come up with a whole bunch of outfits featuring the item … but this time I’ve gone for a retrospective look at some old outfits.  Five of these photos are from various me-made or self-stitched months… and it was quite interesting to look back seeking out old pictures again…
At left, on a freeeezing summer’s day in Paris, with black jeans and a soft grey hoodie, in a sorta Full Metal Alchemist get-up.  Yes, of course I watched the entire series, with my children, hehe.  Didn’t you?!!  Worth it, my friends.  Worth.  It.  And at right; worn with a white wrap-front blouse and my blue and white patchwork skirt, to a birthday do for my Mum…
raspberry1
At left; brightening up a plain but smart oatmeal dress, and chocolate gloves, tights and boots.  I later took Sam out to lunch for his birthday.  Incidentally, one of the really great things about documenting your outfits each in those me-made months is that you do have an instant mental snapshot of that day, which sure helps my sad old mind in recalling the day and just what I was doing.  Probably I would not remember a single second of this day, if I did not have the photo here….
At right; I never put this photo in my blog for some reason.  Probably decided I did not like the outfit after all or something, too much red and purple together but actually it’s not so bad!  I am wearing the jacket with my purple jeans, a burgundy scarf, and an orange rtw cardigan.
raspberry2
At left; on a rainy but not too cold day in Paris; I wore the jacket with a navy/white striped Tshirt and a little ivory skirt.  btw, I didn’t intentionally put together a French “uniform” that day.  I only realised later on how super-cliched I looked.  Tourists, huh?  So embarrassing….!  At right; the jacket adds a touch of colour to an all–white outfit… here worn with my bamboo shoot top and a long layered lace-y skirt.
raspberry3
As the cooler weather starts to roll around again, I will be glad to pull this one out of the wardrobe and wear it again.  I’ve always loved the three quarter length sleeves.  Plus, it’s kinda chirpy and cheerful, and instantly adds a zing to any old thing it gets slung over.
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Linda Jackson; at the NGV

above: at left; silk chiffon gown; at right, screen printed kimono jacket

I was idly sorting out my phone the other day, and came across some pictures I snapped at the Linda Jackson Bush Couture exhibition, held in the National Gallery of Victoria.  I visited the gallery last September, and viewed the exhibition then.  These pieces are designed and created by the Australian artist and designer Linda Jackson, most of the examples made in the 1970’s-1980’s.
I’m afraid I no longer have the notes I took on the day, that I scribbled on a scrap of paper while I was studying the pieces, I must have stupidly thrown it out.  But I can still show these pictures to readers who may not be familiar with Linda Jackson and her exuberant aesthetic.
Linda Jackson took her inspiration from nature, and interpreted the Australian landscape into art and fashion by variously exploring screen-printing, applique, quilting, embroidery, patchwork and hand-painted fabrics as well as innovative piecing and regular sewing methods.
I took these photos with my phone, so please excuse any less than stellar image quality.  I did not use a flash but relied on the lighting in the gallery.  And incidentally, I looked for but found no signs forbidding photography, it was an open and free exhibition, and a guard saw me with my phone out in an obviously photo-taking attitude and simply smiled cheerfully at me, so I assumed photos were allowed.  However if they were not, and I am transgressing some copyright then someone please let me know and I will remove them immediately.
However I hope not, since I think some of my readers may not have come across her before, and will be as enthralled as I at her marvellous attention to detail, her eye for fabulous colour and intricate artistic design, and the superb execution in bringing her fantastical visions to life…
You can read a short bio of Linda Jackson here, see a selection of her artworks and clothing here, and other better photographs and examples of her work here

below at left, appliqued jacket and trousers and at right, patchwork ensemble
below; organza and silk dupion gown
below: jacket and trousers hand-knitted in the intarsia method
below: silk dupion gumleaf costume.  I cannot recall if this was screen-printed or applique…
below at left; handpainted coat, trousers and headscarf, at right screen-printed dress and coat
below at left; printed silk dress and headscarf, the print was designed by Linda Jackson I think as part of a collection for Oroton: and at right, a Waratah inspired gown and veil
These three dresses at the left are quite a different aesthetic to her usual bold and vivid style, featuring softer muted colours and more conventional design lines.  I probably would not have picked them as Linda Jackson’s if I hadn’t seen them here with my own eyes!
below: Sturt desert pea inspired ensemble, applique
below: handpainted silk dupion gown and ?cape?
below: quilted satin gown with veil.  Other gowns in the background that I foolishly did not photograph better.
I hope you enjoyed this look at the works of a prominent Australian designer.
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the paper doll project

26th February – 3rd March
(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)

from left:

Hello  ðŸ™‚
Tuesday night saw us back at the Quarry amphitheatre for take two of our picnic followed by the Ballet, after last week was rained out.  It was a wonderful night, easily my highlight of the week.  The performance was breath-taking.  We decided it was our favourite Ballet at the Quarry, so far.
My maxi dress was pressed into service again.  It was a veeery hot day, but this really is the best thing to wear to a summer evening picnic… you can scramble about on the grass setting up and distributing nibblies with absolutely no danger of flashing anyone!
So.  Le stash-busting, pour le February…
I’m doing OK here; since another old thing from the refashioning pile (Cassie’s jeans) was remade into something new and useful (a sunhat), PLUS four more pieces of fabric have winged their way from Le Stash to be transformed into usable and wearable garments during February.  Namely, my piece of Liberty, the silver seqinned fabric, the large leftover piece of grey jersey knit, and a small piece of pewter silk dupion.  And no new pieces of fabric have joined the flock.  Yay!  Obviously, the piece I am most thrilled to have used is the 2m of silver sequinned fabric… not only am I thrilled with the results but it was sure burning a hole in my conscience!
Actually, I’m kinda amazed that any sewing has been done at all, since I don’t feel like I’ve been very productive lately.  More like a sad, wrung out old rag. Thank goodness today is cooler.  I might actually get something done.
Talking of baking bread… oh, we weren’t?  Sorry.  But we are now, right?  ðŸ˜‰  Anyway; I discovered this little gem on youtube.  This gave the whole family a real laugh, so I hope you enjoy it.  For the record, my husband does NOT bake bread like this, more’s the pity….
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Pisces II

… the other fish!  Because we all know Pisces has two fish, right?  ðŸ™‚  although I’m afraid the best I could eke out was one and a half fish from the length I had!

I made a skirt for myself from the remains of the sparkly silver sequinned fabric.   I do think that when it comes to the problem of wearing a
fabric of a colour and/or texture that you don’t really feel suits you: then having it in the form of a skirt, thus away from your face, is a terrific solution!

Although I am not sure as yet as to the wisdom of drawing attention to my hips, the widest part of my body by dressing them to closely resemble a disco ball, but we shall see…
I used Vogue 8363, and made the skirt to be a single
pieced, double darted front, with deep, front slanted pockets, and a two piece,
double darted back with a central invisible zip closure.  It is fully lined.  Basically the same as the little black skirt I made for Cassie, except that I made the silhouette a tad more A-line,
rather than pencil.
I have another piece of … er, dressmaking advice? a thought? for this sequinned fabric: I didn’t want to blunt my good dressmaking shears on those sequins so I tried using my ordinary, cheap household scissors, that I use for paper, sticky tape, cutting open plastic food packaging and just about anything and everything household-y.  They worked like a charm! And I saved my good scissors 🙂
The pewter/silver silk dupion I used for the
pockets, pocket lining and waistband was a scrap from the bundle of fabrics,
given to me by my friend C from her late mother’s stash, and the grey polyacetate
lining fabric was a small leftover piece from this maxi skirt; made years ago
and long since passed to charity.  btw, I switched back to my good dressmaking shears again for the “proper” fabric  ðŸ™‚
The darts in the lining are not stitched but simply folded at the top, and the fold sewed down in the waistband stitching line.  This is a good idea when sewing skirt linings, it reduces wearing strain on the thin lining fabric.
I even had the right shade and length grey zip and hook and eye closure
in my stash too.  So this is a
terrific little stash buster skirt, using up a three smallish, different but
nicely co-ordinating pieces of fabric which were individually awkward but whose
joining together created a harmonious whole arguably more useful than if they
had remained a pile of nicely co-ordinating scraps. 
And barely a skerrick of
fabric is leftover.
Well, maybe just a skerrick…. 😉

Details:
Shirt; Burda 8497, white cotton, details here
Skirt Vogue 8363 fully lined, silver sequined
stretch fabric, with pewter silk dupion pockets, pocket lining and waistband,
my review of this pattern here.
Sandals; Misano

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the paper doll project, and a thermal

20th – 25th February
(I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)

from left:

Hello!
It’s been an up and down week, weather wise.  We had tickets to Ballet at the Quarry for Friday night which we look forward to so much every year! because it is outdoors under the stars, very casual sitting on the grass, and you always take a picnic to enjoy before it starts.  The performances tend to the contemporary; raw and athletic, and set against the backdrop of gum trees and stars it is always a mesmerising evening.  And just before starting time the heavens opened, we had a sudden, crazy rainstorm; and the performance had to be postponed!  (gobsmacked)  We simply could not believe it!!!   Of course rain, is always very very welcome here … since Perth has been as dry as a bone for about four months.  But it had to be right then?
Looking on the bright side, the garden had a good drink and we still have the ballet to look forward to now.  I’ll be making another picnic.  ðŸ™‚
I’ve made a top.  This will be a thermal.  Ha! anyone in Perth reading this will be laughing hysterically that anyone here is even thinking about thermals right now!!  but while the temperatures make it feel like we’ll never be cold again, of course we will!  If I am going to get through winter in only my own handmade clothing I am going to need at least a few long underthingies.  Plus the fabric was already sitting out after I had cut out the lining for Cassie’s dress so (shrug)
This is a prototype.  There will be one or two more before winter arrives.   The lower hemline when pulled right down sits over my bottom  ðŸ™‚ I know, oolala, tres uber sex-ay, non?  Non! but these things are a necessary part of any seasonally well-stocked wardrobe!
The fabric is a thin, clingy, soft, and slightly fluffy jersey knit, the last of the leftovers from this drape drape dress, and the lining from Cassie’s Pisces dress.  I used my self-drafted Tshirt pattern.  btw, just a reminder, this pattern started out as Burdastyle 06/2011, pattern 120, but has been fiddled and diddled with it so much there is literally not a single cutting or stitching line remaining that is original.  Which is why I’ve taken the liberty of giving it self-drafted status.
Anyway, it is now a perfectly custom fitted-to-me Tshirt pattern.
The neckline, sleeve and lower hems are all finished with self-fabric bands, attached as per this tutorial.
In general blog housekeeping, I have made the decision to disable Anonymous commenting.  I feel a bit sad about this, since I do get lots of kind comments from real and genuine people who seem to prefer the anonymous option.  But I’m sorry; the spam was driving me crazy! and I just had to.  Saturday night was the last straw, in just 24 hrs so many new spam comments got through the filter that it wasn’t funny.  I had to go through my published comments, and individually “spammed” about 60 NEW comments… I wish I was exaggerating or kidding, but I am not.  It was crazy.  And that is not even counting the comments that had been caught by the spam filter… then I went into the spam box and there were ALSO over 650 new spam comments there.  And I had cleaned it all out only 24 hrs previously!  I usually flick briefly through, to check that no “real” comments have been erroneously marked as spam, and occasionally I get a laugh out of some of the whackier spam comments.  Sadly spammers are getting boringly repetitive and unimaginative in their spam nowadays, and I’m over it.  So, I’m really sorry to my lovely genuine Anonymous’s.  Like every other blogger I love genuine comments and feedback, so maybe you could create a google or an open ID, or something?  ðŸ™‚
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