Monthly Archives: March 2016

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sheeplefeet

shearling slippers

Baa-aa-aa!

So, I was thinking of calling these Uggspadrilles.  You know… uggs? espadrilles?  Haha. YeeeeeeeeaNo.

Anyway.  I’m fulfilling a need for some slop-around-the-house winter footwear.  All winter, I usually LIVE in my sheepskin ugg boots at home.  I wanted, nay, needed something like that for my year of handmade!  I had some leftover shearling from my shearling coat, that I made for Japan, and for the soles I used an insulative foam kind of stuff.  It’s black foam, that has one side covered in a thick silver foil-y type of coating that’s both quite tough and waterproof, so I used it silver side down.  This was cut from some very small scraps given to me by my friend Megan recently. They were actually not just small scraps but awkwardly shaped ones too, and I’m pretty sure she will be rather surprised that I managed to get two soles out of it!

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The slippers are a pretty basic design.  An espadrille really must be the simplest style of shoe design, after the humble thong.  They are beautifully snuggly warm, thanks to the shearling, and the sole underneath will provide some degree of waterproofing, if I need to leave the house briefly.  Obviously they will be mostly inside the house footwear, but they’ll be ok to go outside and onto the wet paving sometimes, to hang out the washing, take out the rubbish, check the letter box, you know.  Stuff.

They’ll do  🙂shearling slippers 1

Also, I wanted to give a quick report on my latest Alabama Chanin project… the last time I wrote, I promised that I would have finished it by the end of March, which is today!  Anyway I am happy to say that I met my deadline and I have finished! the only thing is that I’m not ready to write a blog post about it yet.  I took a few pictures of my new ensemble in our boring old garage… *yawn* and then just decided it really deserved something better.  So, in the meantime, while I get my act together in the photography department, here is a little sneaky-peaky glimpse of a some details…  I can promise, it is a multi-shaded, multi-textured, multi-detailed ensemble and I am super proud and super happy with it all!

Thank you so much to my lovely friend Lisa of Lisa’s Carolina, for the gift of the lovely blue Alabama Chanin cotton  🙂

magdalena dusk

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paprika suede desert boots

paprika boots

I’ve made some boots!  or kind of like, shoe-boots, really.  Desert boots.

Ok, I have to be honest; I’m so proud of these I think I might just explode with happiness!!!  Finally, a pair of winter shoes in which I have complete satisfaction and pride and joy.  I’m so so so so SO immensely pleased with how these turned out!

Woooooooooot!

Ok, calming down a little.  The lowdown.

paprika bootsMaterials; my friend Megan had given me a few small bits and bobs of sturdy fabrics, including some thick and stiff, paprika coloured suedette upholstery fabric.  I immediately envisioned boots of course, hehehe; my mind nowadays almost totally taken up with thoughts of shoes and how I can bend whatever materials I catch sight of into making them.  I used the paprika suedette for the outer, and the boots are lined completely with faux chocolate suedette, a far more flowy and lightweight fabric, the leftovers from this little cropped top.  The outer and lining lightly glued together; plus I covered a pair of insoles with the chocolate suedette too.  This fabric originally from the Fabric Store in Melbourne.  Laces and insoles from Coles, all glues and the black rubber from which I cut the soles and heels from Bunnings.  I cut an interior layer and one layer of the stacked heels from some thin cork placemats.  Do you like the one layer of brown in the heels, from the cork? I did this on a whim, and while my husband and family thought it looked a bit weird, like a mistake; I absolutely LOVE this little feature.  Kinda gives my own little touch  :)Topstitching; I used upholstery thread, in a shade of burnt caramel.  I like the contrast and that it doesn’t match the paprika.

paprika boots5Eyelets; rather than add metal eyelets, I left the holes raw. Most of the desert boots I’ve seen are like this and I prefer that look.

Pattern, I drafted my own, using my new (old) vintage lasts.  It looks like this:

desert boots pattern

For my own future benefit, since this procedure actually worked very well with these particular materials: a rough run-through of the construction…

Glue uppers and lining pieces together leaving the front of the vamp free so as to create the toe puff later, and back part separate so as to sew the back seam together later and then create the heel counters… topstitch edges, punch eyelets, sew pieces together.

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Sew quarters to vamps with some sturdy reinforcing at the point where the eyelet closure joins on.  By the way; this style of shoe in which the eyelet closure sits OVER the vamp is known as the Derby style, as opposed to the Oxford style in which the eyelet closure sits underneath the vamp.  My previous lace-up shoes have all been in the Oxford style, except for the yellow ones which were also Derbys.  Learn something new every day, no?  🙂

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Sew the back seam of lining and upper separately, sew the lining to a fabric underfoot piece, glue the upper and lining together behind the heel and topstitch the upper edge, back of the heel.

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Create the toe puffs and heel counters.  I used stretch cotton denim and several layers of PVA glue.  My heel counters (not seen) stretch around to “just” join onto the toe puffs here.

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Glue uppers to the lining, stretch and shape the fabric over the toe puffs and heel counters as much as possible.  I spent an evening in front of the TV just stretching by hand.  Then stitch the uppers to an underfoot layer of self-fabric (if sturdy) or leather.  When stitching leathers and leather-like fabrics in any project, be it shoes or bags or anything; a double up-and-down stitch with two threads is employed.  So, stitch a running stitch one way all around, then return and stitch back over the same stitching, in the same holes, completely the double row of stitching.  This can also be done with the stitching going in one direction and employing two needles, doing each stitch twice, one at a time.

first row of stitching, sorry for the blurry picture, I swear it didn’t look blurry when I took it!

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aaand, the second row of stitching, complete.

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Then I trimmed away the excess, cut a cork inner sole and glued it to the under-foot layers with contact adhesive, then made a bias binding strip of black quilting cotton and glued this all round the edge (PVA glue).  You can leave the stitching and edge visible and raw and unbound, which is a more authentic desert boot look; but I wished for a neater finish plus visually to have a stronger black line here to tie the touches of black in the shoelaces and (future) soles and heels together more visibly.

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Up until now, most my glueing has been using PVA glue, but for the stacked heels and to glue the soles to the underneath of the shoe I used contact adhesive.

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Last step was to cut foam inner soles to fit, cover with the lining fabric and insert into the shoes…

paprika boots4The height of the heel was determined by the fact that I will wish to wear them with my favourite flared jeans…  my lasts are not reeeeally designed for a high heel so I went as high as I dared while not destroying the line of the shoe.  I’m very happy with this height as it looks with my jeans!  🙂

paprika boots with jeans

They are a little loose-ish on my bare and stockinged/tight-ed feet but fit nice and snugly with my hand-knitted socks.  I will want to wear it with both tights and with socks, so this is perfect for me  🙂

Yes, I knit all my own socks too.  Well, been making my own clothes for years so I’ve built up a supply of literally everything.

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I’ve kept a few old shoeboxes from old rtw pairs for my self-made shoes, so they stay nice and unsquished by other pairs of shoes in the bottom of my wardrobe.  Here they are, all snuggled up and ready and waiting for winter.  I can hardly wait to wear them!

paprika boots in box

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the year of handmade, 1

year of handmadeSo, since I’ve already been quietly getting on with it for the last month and it’s actually been successful so far! I think I can finally officially announce that I am doing this thing; my Year of Handmade.

For a period of one year; I will wear ONLY clothing and shoes that I personally have made with my own two hands.

Long term readers may remember how I’ve dreamed of emulating Natalie Purschwitz’s Makeshift Project, a yearlong project in which she wore only clothing and shoes made by herself…  I’ve been a long term admirer of her project and idea, periodically I even go back and browse through her blog and admire the clothing and shoes all over again! and for aaaages I’ve really wanted to have a go and see if I could do the same myself.   During 2013 I did wear only clothing made by myself, but allowed myself ready-to-wear shoes, since at that stage I hadn’t made any.  Well, now I have made a nice little supply of self-made shoes and am in the process of building up more, and so I’m starting to feel cautiously confident that I can do it!

So, it’s on!  I’ve made a little button in my sidebar that links to my project outfit pictures in my dedicated Flickr album; Year of Handmade.  Actually I think I’ve held off announcing it on my blog all this last month not just because I was scared of failing at winter shoes yet, but also because I hadn’t thought of nor made a button yet!  ha!

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I started on 22nd February, and so I will keep it up until at least 21st February 2017.

I’m going to keep the project mainly in the Flickr album, although periodically I may write an update here on how I’m feeling about it as it goes along.  Consequently, my thoughts for the first month;

It’s not surprising to me that I have plenty of clothes to see me through this thing, plenty; and that shoes are my biggest restriction.  I am a beginner shoemaker, and while I am pretty happy with most of my handmade shoes, I still have to turn out a winter shoe that I am 100% satisfied with.  SO far, the project has sailed along pretty smoothly because I’ve been able to wear my summer shoes, and I’m really happy with ALL of those.  My 2-tone caramel/ivory sandals and my denim shoes are very satisfactory to me; I LOVE wearing them and am super happy with how both pairs turned out.  It helped that they are both pretty simple style of shoe to make, and so I hadn’t encountered any of the challenges associated with making a closed-in shoe yet… though I have now!!

I’ve found that colour-wise and style-wise, both these pairs of shoes go with practically every item of summer/trans-seasonal clothing that I have.  Cannot stress enough how useful this is!

On a morale point of view, it feels so SO great to be able to go forth wearing a 100% self-made outfit in which I still feel halfway stylish.  In fact, that feeling is one of the most rewarding things ever, from a maker’s point of view.  Every now and again, as I’m out and about, it occurs to me; how many other people out and about would be wearing a head-to-toe outfit 100% made by themselves?  Not many, that’s what.  It’s a hugely satisfying feeling, HUGE; and one that so far keeps me motivated to keep going for the year.

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better black shoes

black oxfords So, black Oxford shoes, mark 2.  This version was made with the help of my beautiful new lasts!  Or I guess I should say, old lasts?  ha.

lastsDesign, my own, based upon a classic Oxford shoe style.  My tutorial on how I made my shoe pattern is here.

Materials:  black pleather from Spotlight, leftover from my moto jacket.  I would describe this as butter-y soft, but of course since it’s not real leather that just sounds a little pretentious, non?   Lining in faux chocolate suede, leftover from my chocolate suede top. Rubber for soles and heels, contact adhesive, PVA glue from Bunnings, , insole and shoelaces from Coles.  Toe puffs and heel counters created from stiff, non-fusible interfacing and stiff cotton denim, and lots of PVA glue!

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Method:  I’ve been watching lots of online shoe-making videos.  I’ve particularly enjoyed Andrew Wrigleys’ youtube series on How to make a Shoe by Hand, absolutely brilliant.  I enjoyed this more than any blockbuster movie I’ve seen in a long while!  Even though I don’t think I would ever go to that level of internal engineering when it comes to my own shoe-making effort, it was just fantastic to see a a traditional process broken down, step by step.  Honestly, mind blowing.  If you’re at all interested in making shoes then it’s a must-see.  Many times I was just speechlessly shaking my head in awe and admiration, reflexively muttering “oh my god” and will never ever EVER complain about the high cost of a shoe, EVER AGAIN!!

I also found Marcell Mrsan’s video Basic Shoemaking Method – the Cemented Construction to be particularly useful for my own project, as my own efforts run more to the cemented/glued approach as opposed to the traditional method of completely sewing a pair of shoes.  I was going to say the lazy way, but naturally making one’s own shoes could never be described as a “lazy” thing to do!

DSC_2649Detailing:  I sewed the outer and lining layers right sides together, and turned them right sides out.  Then, using black embroidery floss, I topstitched by hand around all edges in a long running stitch, in a way that a very narrow ridge of the faux suedette shows all the way around the edge, as a kind of faux piping.  I absolutely love how this looks, peeping  out  🙂

My shoe puffs and counters; in both videos they are using leather and some form of starch; I researched this a little bit more and learnt that PVA glue is also often used as a fabric stiffener too; I had plenty of this on hand so went this route.  I made mine using stiff, thin, non-fusible interfacing, and some stiff cotton stretch denim, leftover from my Ginger jeans.  And lots of PVA glue!  The first layer of interfacing was glued over the lining, then coated itself with PVA glue, then I stretched a denim layer smoothly over this.  I allowed this all to dry, then snipped and glued down the underneath, allowed this to dry a little and then trimmed and shaved the folds underneath down nice and as smooth and flat as I could.  Similar to what they call “skiving” in leatherwork, but I don’t know if I can rightfully use that word for fabric?  More like I was just trimming away bulk and bumps.  Last step was to coat the topside  of the denim with a smooth layer of PVA glue, and allowed this to dry overnight, with the outer flipped back out of the way.  This has done the trick beautifully, and my toe puffs feel just perfect, hard and stiff and very unlikely to cave in.  I made the counters in the same way.  It was very helpful that my denim has just a little stretch, which enabled me to pull and stretch it nice and smoothly around my lasts.

Note; these are the toe puffs for my NEXT pair of shoes… but they look pretty much the same as the ones in these shoes  🙂

toe puffs

I didn’t glue the outer and lining together, so the middle bit, what they call the “waistline” is quite soft and not very stiff.  This feels very comfortable and I think it does give the shoes that “feminine” look.  I like it as a nice change although maybe the shoe overall could have used that little extra bit of stiffness that the glue gives.

As usual, I covered some insoles with the chocolate suede lining fabric.  This is so soft and tough, and just perfect for lining!  I’m using it for my next pair too  🙂

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Thoughts ;  I’m actually fairly pleased, I think they turned out quite elegant, especially when compared to my previous Oxfords!  These feel more stepping-out-worthy, and even like I wouldn’t be horrified to wear them in public, dare I say it.   Ideally I would like the heels a little higher, but this height is fine really, and will be very practical.  To get a higher heel I’m starting to realise I would need a different set of lasts … o man, the need for and accumulation of more new equipment continues… *sigh*

I’m extremely happy with my hand-stitched detailing, I just love the handmade look of this.  I’m preeeeeetty happy with the finishing although, obviously, it’s still not to the level where I would like it to be.  But I’m starting to realise this could be a lifelong lament.  😉

Note, I still have not cut into any of my actual leather!!  What a wuss, eh?  It feels too scary.  I’m still not ready.  I feel like I’m working towards that… like training for Mt Everest or something, ha.

Anyway.  Ever onwards and upwards!

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yellow shoes

yellow shoes1Some crazy yellow-tape shoes!

I was inspired by Melanie, and I always find that lady inspiring!… she commented how she thought the taped mummy shoes in my shoe pattern making post could be called finished, and I just kinda though “aha!” And  “why not?”  Thanks for the fab idea, Melanie!

I have an actual proper pair of shoe lasts now, but I’m so fired up with enthusiasm I just couldn’t wait and made these yellow shoes before they arrived.  MAKE SHOES!!  I’m SO into this right now  🙂    I sort-of did use sort-of lasts, if you can call a pair of shoes, lasts.  I used some favourite shoes for the toe region, the same pair I used to for my tutorial on how to make your own shoe pattern here, and for the rest of the shoe used my own foot in a thickish sock, for some “ease”.  I’m not sure if “ease is the right word though, if applied to shoes?  is shoemaking like dressmaking…?  Anyway.

Materials: Bear cloth tape, originally from Bunnings, old yellow Tshirt for lining.  Rubber matting for soles and heels, contact adhesive from Bunnings.  Eyelets from Spotlight, insole and shoelaces from Coles.

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I started out by making rough “socks” using an old Tshirt from my refashioning bag.  I put them on over the shoe and got taping!!  whimsically going on to cut a tongue, to firmly tape on some Derby style flaps with an eyelet closure, add a sole, and make them into actual shoes.   The cloth masking tape was in our garage, no doubt originally from Bunnings.  It’s an all-purpose tape, sometimes as a masking tape for painting purposes, although it can also be used in plumbing and insulative repairs, and I know from bitter experience that if not removed fairly promptly after a room-painting stint, that the adhesive on this stuff gets SUPER strong over time and is capable of tearing off parts of the thing you put it on, like varnish from your skirtings and architraves, and even sometimes little strips of actual wood from your skirtings and artchitraves too.  So I figured, it could be strong enough for an actual pair of shoes too?

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Time will tell, time will tell.  They might fall apart straight away, but if so, no biggie; they only cost me the glue for the soles.  Which would be re-used in the event anyway.  By the way, after perusing online video tutorials, I’ve switched to using contact adhesive for glueing together my stacked heels, and for glueing the shoe to the sole.  It’s super strong, permanent, waterproof, and seems like it’s the adhesive of choice for shoe-makers.

I put an insole inside, for comfort.  I covered this with some of the yellow Tshirt fabric, so it all looks nice and cohesive inside.

yellow shoesThey’re a bit dorky and in retrospect could have used a toe puff, but you know what? they actually feel great on, and I think they could be perfectly fine for walking, even in the rain.  They are waterproof, and feel very comfortable too!, the tape makes them firm bodied, yet they’re still soft, with that cotton jersey lining.  I’m just a bit nervous of the bright colour… hmmm  I think we might actually have a roll of black cloth tape in the shed somewhere, and maybe an old black Tshirt too… must go and rummage sometime.  I fancy a black pair now!!

NOW.

I’ve got to be honest, I held off on posting this and almost didn’t.  I recently received some well-intentioned words about my shoe-making which was actually a little disheartening.  So, I want to just reiterate; I am just a beginner here.  I’m trying my hand at a new thing and learning as I go along.  Obviously I am going to make some horrible shoes, make mistakes, learning is a process, and sometimes a long one; particularly when it comes to making shoes.  Shoes are difficult, and don’t let anyone tell you otherwise!

I do NOT have real-life shoe-making classes nearby, where I can just march in and sign up, and get supplied with everything I need.  There are scant supplies around these parts and I’ve had to be resourceful and hunt things down, have to make do with what I can find; learn as best as I can from online videos and tutorials, and by doing.

I know my shoes look homemade, and I think I always look at the things I make with healthy attitude of self-improvement with regard to how I approach things next time…  This is a new journey, and one I want to document here.  If I’d just lain silent for a year and then suddenly come out with a fabulous pair of expertly made shoes, well where’s the journey in that?

Anyway, *deep breathe* enough of that.  These are just silly shoes of course, albeit potentially useful too! but I’ve actually nearly finished my first, well REAL shoes, that I’m actually quite proud of!!! Just a few little finishing touches and they will appear here.. soon.  Verysoon.  Excited!

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gathered pocket; a tutorial

gathered pocketThis gathered pocket sits inside and at the side edge of a loose-fitting garment such as an unfitted dress or tunic top, and can be adapted to go in a loose, flowy skirt also.  It is best suited to lightweight fabrics.

Firstly, making the pattern pieces…  start with an A-line dress pattern.  I used dress R from the Stylish Dress Book by Yoshiko Tsukiori; which has gently A-line side seams that curve outwards towards the lower hemline, but this design would work equally well for a straight, diagonal side edge too.

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For both front and back pieces, both sides, draw in the above, straight lines;

blue line:  starting from the the innermost point of the armscye curve, vertically straight down to finish at the level where you wish for the top edge of the pocket to hit.  As a rough guide I find around 5cm (2″) above hip level to be generally a pretty good upper pocket point.

green line: horizontally, at the level where you wish for the top edge of the pocket to hit.  The “bagginess” of your pocket is a personal choice; as a guide; my green line is 15cm (6″) in length which coincided with the degree of “flare” of the dress at the hemline.

red line: vertical line from the outer edge of green line, straight down.  This is the new side edge of the dress/top.

orange curve; from the blue green intersection, draw a gentle pocket curve to intersect with the original side of the dress edge.  As a guide, I made my pockets 20cm deep.

purple line: vertical line from the lower edge of the pocket, up to the green line.  This is the centre fold on which you will cut the pocket piece.

The grey lines of the side front and side back represent the original lines of the pattern pieces.

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These lines define the new pattern pieces as show above; at left is the new side edge of the dress front and back, now defined by the blue line, green line and red line.  Only one side is pictured, if you want the pocket to be on both sides then obviously cut this profile both sides of the garment.  Side fronts ( 2), and side backs (cut 2) are defined by the blue line, orange curve and the original side edge (grey curve), and pocket pieces (cut 2) as defined by the orange curve, with a centre fold along purple line.  Remember to add seam allowances!

warning; hideous fabric alert… my apologies.  This blue stuff was a handy small scrap,  I also used black thread because I didn’t bother to change the thread in my machine  it stands out and can be clearly seen against the blue fabric…   🙂

 

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Also, for the drawstring ties cut 4 strips of lightweight fabric on the bias; Mine are each 41cm (15 1/2″) long by 2.5cm (1″) wide.

Construction:

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Pocket drawstring ties;  stitch the long edge and turn right side out.  My tips and method for turning out skinny spaghetti strap ties can be found here

(below L) Stitch front and back together along the red line, press open.  Stitch side fronts to side backs along side edges, press seam allowances open.

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(above R)  Stitch side front piece to front along the blue line, finishing at the top edge of the pocket.  Repeat for side back piece to back.  Clip to end of stitching, press seam allowances to front/back.

(below L) Run a long, gathering stitch along the pocket opening stitching line (green line).

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(above R) Pulling up this gathering stitch slightly to fit, stitch a pocket piece along the pocket top edge in two separate lines of stitching, leaving a short 2cm (7/8″) gap in the centre between the two.

(below L) Turn pocket piece to the inside and gently press along stitching line.

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(above R) Inside, line up pocket lining and side front/back piece along the curved lower edge and stitch together.  Finish pocket seam allowances and side front/back seam allowances if desired.

(below L) Pin the pocket piece to the dress along the top edge of the seam; and, keeping the side front/side back free, stitch together with a row of stitching 1cm (3/8″) in from the top edge.  Effectively creating a 1cm width channel  between dress and pocket.  Insert a tie into each side of the channel, starting from the gap and coming out at each end.  Apologies for the scraps of yarn used in this little blue sample pocket, for the real thing I did make proper turned out bias strips, really!

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(above R)  Secure the tie ends in place by stitching a few passes of back and forward stitching on the outside of the dress, through all layers.

With the ties, pull up the excess width of the pocket edge to fit and tie in a sweet bow or whatever.

And done!

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Thank you to everyone who expressed an interest in how I made these pockets;  I hope this is a useful and/or interesting tutorial.  If you find it so then please leave a comment and let me know.  🙂

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light as a cloud

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stylish dress bookI’ve made a softly floaty blouse  🙂  of course just as summer is on the way out… o no, wait, actually summer is over! However we’re still getting days of 40C.  Not that I’m complaining, mind you.  I love the warmth!  Only thing is that I’m getting tired of all my summer things thus the decision to make a new summer thing, ha.  #seasonallyinappropriatesewingforthewin  It’s light and pretty and easily breezy; and delightfully cool.  I fully expect the weather to turn cold now.

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Pattern; based upon dress R from the Stylish Dress Book, by Yoshiko Tsukiori.  I’ve always had luck with the patterns from this book.  But this time … well the pattern is for a short dress, and it’s quite pouffy too, and in this particular fabric it looked just like a nightie! eeeek! this fabric is far too lovely to be a nightie! So I gave it just a little chop and now it’s a top.   Much much better like this… I had also added some rather interesting gathered side pockets to the dress and managed to keep them perfectly intact.  I pinned this picture of a gathered pocket a while ago and have been itching to have a go at incorporating it into a design at some time… And I have! with an added drawstring.  I decided the drawstring was needed with this embroidered fabric, it felt kind of lacking without it.

gathered pocket

Fabric; a rather gorgeous fully embroidered Japanese silk/cotton, bought from the remnants table at Potters Textiles, years’ ago.  Probably about four years ago.   Fully embroidered with a floral motif, the background is very light and fine, quite sheer actually; so a full and voluminous design is just the ticket.  The yoke and bias cut ties on the pockets are ivory crepe from Fabulous Fabrics, cut from the leftovers of my studio faro dress.

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Modifications; Shortened to be a blouse.  Also the front and back are supposed to be gathered into the yoke… I tend to steer clear of gathering.  Instead I folded the excess width into box pleats.  There are four at the front, evenly spaced and close to the centre front, and one in the centre of the back.  And I added those two gathered pockets at the sides.  I love the design of these; interesting and practical, and pretty too without being excessively twee, and they’re a little bit different from your average inseam pocket and patch pocket.  I think they add a certain visual “something” to the top that it needed.

I’m thinking of writing a tutorial to show how I made them…  coming soon  🙂

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Details:

Blouse; based upon dress R from the Stylish Dress Book by Yoshiko Tsukiori, embroidered ivory silk/cotton
Shorts; Burda 7723, green cotton gingham, details here and my review of this pattern here
Thongs, made by me, details here

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black Oxford shoes, with pinking

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I’ve made another pair of shoes.  They’re a bit shonky, dodgy and clutsy, and clearly home-made, particularly those rough n’ ready heels, but y’know what?  I LOVE THEM!!!

Pattern; classic Oxford shoe style, drafted by myself; my tutorial for drafting your own shoe pattern is here.

Fabric; black faux leather from Spotlight, lined completely with very dark navy cotton denim from Spotlight, the two layers are lightly glued together with PVA fabric glue.  Rubber soles and heels cut from black rubber matting from Bunnings, two layers of cork inner sole linings from an old set of placemats, black eyelets from Spotlight, black shoelaces and foam inner soles from Coles.

Details:  I whimsically pinked various pieces of the shoe, not sure if this looks cool or just emphasises the homemade quality, not in a good way, mind you, but meh, it’s done.  Actually there’s a little bit of a pinked theme throughout the shoe and the detailing…

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Pinked edges to the vamps and upper edges, and below, the little bit of pleather that covers the centre back seam has a pinked edge too.

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Inside; pinking to the edges of that half-circle of denim at the back of the shoe… this contains the counters, which are bits of stiffening to keep the back of the shoe stiff and standing up straight.  DSC_2691

Confession time, I cut my counters from milk bottles… yep, household rubbish; whoops! am I going to be booted out of the cobbling club now?!   😀
Well, our milk bottles here are made of a strong, sturdy plastic that I thought is totally perfect for this purpose… it is stiff, strong, pliable, can be cut very easily, coaxed into a new shape fairly easily and holds the new shape well too.  And of course; free! since it’s rubbish.  What’s not to love?

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I covered the inner soles completely with the same denim so they match and blend in with the interior nicely.  The inner soles are removable, ie. not glued down inside of the shoe.  Inside the shoe you can see the long nails that I used to secure the shoe to the sole and heel… Not seen, but between shoe and sole there are also three shorter tacks holding the sole to the heel along the straight edge of the heel.  I did this because I knew this heel/sole joint would be the weakest point in the shoe most prone to coming apart under pressure.DSC_2687Sizing; they are moulded to my own feet, so obviously the sizing is good on me.  They are sized to fit my just-slightly-larger right foot.   My feet are a touch wide compared to the average so the shoes look a little wider than most you see in the shop;  actually I was so worried about making them too tight I think I overcompensated and made them just a touch loose… ! This is ok though, since I’ll need to fit warm winter socks in there at some point and at least they are very comfy and totally not tight!

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How do they go with socks?  Phew, they still fit.  Yes, I knitted these socks too…

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Technique and finish-wise; far far far from perfect but I’m still pretty happy.  Actually, all was going swimmingly in the beginning and I was very happy with them, then ran into difficulties and self-doubt, decided they were crap, almost threw them in the bin a few times; realised that, contrary to what it says in my book on shoe-making, shoe lasts are actually INDISPENSIBLE to shoe-making… then things started to look up and I got a bit optimistic they might even work out ok.  Limped in to the finish line in the end, in spite of a little glue splodging mishap on my nice black binding which downgraded my happiness factor considerably.  *sad violin*  and resulted in a decision to use my “failed” stacked heels rather than my good ones.  Those, I’m saving for the next pair.

heels a bit nasty… but trying not to beat myself up over it

DSC_2681Yes, there is a next pair in the works, sneaky-peeked here on IG;  I’ve constructed the uppers already and have found and ordered a pair of shoe lasts.  We’re all just in a state of suspended animation, patiently waiting, waiting, waiting; just for those lasts to arrive.

HURRY UP, LASTS!!!

Final thoughts: pretty bad really, but they’re quite tough and totally wearable, even though not pretty.  Let’s just say, I’m embracing the homemade look, ok?!  😀
I’m anticipating that these ones will be hardwearing workhorses during winter; everyday things that I can just chuck on for day-to-day everything.  I think they could even look quite cute with tights and my little winter mini-skirts, a go-to winter uniform for me  🙂  At least I’m starting to get some confidence that I may just actually have a small range of wearable winter shoes for my Year of Handmade.  Woot!DSC_2632

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