I’ve made a little black-and-white striped skirt…
another Vogue 1247. How many is this by now? Okaaaay, just counted and this is version number seven, and that’s not even counting the ones that I made leaving the pockets off. Counting those ones too, this is version number fourteen. Wowza! what a great pattern this has been!
yes to the pockets this time

I bought the striped fabric from Fabulous Fabrics during their end of year sale. It was brand new in the store when I first spotted it and bought this bit, and it must have been popular because on my next visit a couple of weeks later, it had all gone! Don’t remember its composition… often when I buy something spontaneously like this I don’t pay much attention to “what” it actually is… whoops! bad me 🙂 However, the fabric is almost like a light upholstery; loosely woven, with slightly coarse, silk-like cords of fibre-dyed threads. Quite stiff and unpliable, and doesn’t hold a crease well.
I’ve been ironing it on the silk setting, and that seems to be about as much heat as it can take.
As usual I added length about 10cm or so to the bottom edge. I didn’t measure exactly, just made it so as finish off with a black stripe at the bottom of the front hem. Since I’d measured so as to have black at the top merging in to the black waistband, it felt balanced to have the black at the bottom too. And this turned out to be a nice length for me too. There’s a little bit of the next white stripe graduating out the bottom of the back but I’m ok with this, it felt a little short when I trialled taking it up so as to eliminate that.
The black waistband is just cut so as to have exactly one full black stripe showing… the seam allowances are both in the white stripe on either side.

The camouflaged waitress pockets on the front of the skirt was the result of some very obsessive measuring during the cutting stage… followed by obsessive pinning, basting, slow sewing, and then some obsessive unpicking and re-sewing. #muchobsessiveness


I used a pale yellow poplin to line the waistband and to bind the seam allowances inside with HongKong seaming…. and I absolutely LOVE how this looks! I don’t always bind my seam allowances, but it always feels so good when I do! aaaaaah, there’s nothing quite so nice and deeply deeply satisfying for the home seamster than to gaze contentedly upon some HongKong bound seaming, yes?

Hmmm, that came out sounding a bit more navel-gazing and pathetic than intended. Clearly I need a life. Or at least to get out a bit more…
Whatever; new skirt, in too-cool-for-school black and white stripe, love it, ultra happy. I think this is going to be a very useful little thing to have in the wardrobe. I’ve already tried it on with a few of my current rotation of tops and it just goes with almost everything… yay! I LOVE it with my warm floral shirtdress, worn underneath here, so much so that I’m seriously considering re-hemming the dress a little shorter, so I can wear this combo more often.


Detail:
Skirt, Vogue 1247; striped silk-like woven, my original review of this pattern here
Shirt; Burdastyle 05/2010;111, silk georgette, details here and my review of this pattern here
Slip (under); the Ruby slip, a free pattern by pattern scissors cloth available here; mine made in ivory crepe, details here
Shoes; bensimon, from seed boutique
horizontal seam? what horizontal seam? *self back pat*

Hello there. I’m Sally 🙂
So, my Mum took me to to Calico and Ivy for my belated birthday present; and we chose this book The Making of a Rag Doll, by Jess Brown, and a little stack of fat quarters. I know, right? I’m so lucky: FABULOUS birthday present! This was on Thursday and I finished this lot last night, so obviously I just could not wait to immediately get stuck into making my doll.






Quickie review:
That townhouse print though; it did cause me a wee bit of angst… how on earth to make it into something that was going to look cute and fun and funky and stylish? You know with some prints the subject material is absolutely perfect for a person, but the print itself is kinda messy and busy and so has the potential to be disastrous? It’s one of those prima donna prints, I felt it would look overpowering in a dress with a sleeve, also I knew it would not play nicely with many other colours/prints; likewise any design details like draping or … well anything at all, was OUT. At first I thought about making a very simple plain sleeveless shift, but still worried that it would look a little naf.
Once the raglan lightbulb had popped up it was all super easy from there… I used my own raglan sleeve Tshirtpattern, that I’d worked out years ago from laying down and drawing around an old Tshirt … in a time when patterns for raglan sleeve Tshirt were non-existent! Yes, it’s hard to believe now there are tonnes of patterns available everywhere, but for a long time and until quite recently some design features were very difficult to get hold of. We had to hunt for them, and be creative and innovative and sometimes very devious in order to get what we wanted. The elusive Raglan Sleeve tee was one such rare beastie. I think it was often assumed that patterns for basics were something you either had already, or could work it out yourself with no pattern by cutting up an old one.
Collar band, simple folded band 
It’s taken a while but I’ve finally taken pictures of Cassie wearing the dress I made for her for Christmas!
btw, it’s faaaaaaar harder to hide Christmas sewing from Cassie than it is the boys! who pay precisely zero attention to whatever I’m mucking about with in the laundry… Cassie is a high probability to go snooping around the stash to periodically pet the fabrics and select stuff for herself. I had to be SUPER devious to get this made without her twigging as to what was going on… and she was completely surprised! Yay!!!




Although it looks short on the model in the magazine, it didn’t look that short when made up so I removed about 9cm off the bottom to get the same look. Sleeves are about 2cm shorter.

SO! I’m currently making a shearling jacket to take to our much anticipated trip to snowier climes, coming up v v soon… eeeeeeeeeeeeeee! I can’t wait!!






























Over the years since I first drew the pattern out I’ve had to slightly alter it and custom fit to each of my boys each time I’ve made it. They keep doing annoying things like working out and growing taller with longer arms and gaining a bit here, losing a bit there as time goes on. So it’s always a bit more of an exercise than just whipping out a pattern and zooming it up with the greatest of ease…. NOT!
The air force blue looked pretty cool and right up his alley and it’s a very nice weight, I loved it upon first sight. However, after washing it and hanging it out to dry, then laying it out for cutting, I discovered to my amazement that the “stripe” actually was more of a gentle, slight “wave” of stripes across the fabric looking like this ” ~ “, NOT a straight horizontal stripe. AAAAUGH!! and being “slight” of course, means it really comes across like a bit of a boo-boo, rather than look like an intentional wave, which I could work into the design somehow. Nope, this just looked OFF.
Oh, the hoodie strings… in each case I made a self-fabric drawstring for the hoodies, bar Tim’s, as explained. To make a drawstring in the jersey, I cut a 1-2cm strip of fabric across the grain. Most jerseys have a natural tendency to roll or curl up across the grain, and you can use this to full advantage while making your drawstring.







Well, hello thair! I’m Mr ‘Ed, but you can just call me Mr ‘Ed. Soooo frightfully pleased to meet you. My, but you have ze most beautiful eyes… shining with ze brightness of a thousand stars. May I buy you a drink?


Cut through all thicknesses, top and bottom.


























