Tag Archives: Top

some tops

I’ve made a couple of new tops lately  🙂

I’ve made this design once before  so I knew I’d like this new one too. It is a modified version of the
loose draped top from drape drape, by Hisako Sato.  Modified in that A; I removing a
wedge of the width in the neckline drape both front and back, so I could fit both pattern pieces
onto my small-ish piece of fabric, and B; this time I made it as a double layered top, since my fabric is so thin it’s thisclose to sheer.  This was a rayon/linen remnant bought from the
Morrison’s fabric sale, a grey-ish ivory/bone colour with a very subtle, paler, knitted-in stripe which barely shows up at all in the pictures!
It’s a basic; but I think it will be quite good with all three of the busy, feature-laden skirts I have made for my autumn/winter swap.  The thing I’m most pleased with is that I got all the seams of the top enclosed inside the two layers; and only had to hand-stitch one short bit of the hemline closed after turning it all through, right
side out.
I’d made Cassie’s Christmas dress the same way only a few months ago, but I still had to stop and
think step by step, how to do the double-layering! so I took pictures and am writing a little how-to on my method so I don’t forget for next time.  Appearing here soon  🙂

 lingerie straps; essential in this design

The next top above: I’m very meh about this one.   It’s amazingly boring and unprepossessing  given that making it has been a freakin’ saga and a half.  This is version two; I first made it as a very big and very loose tunic-y style top.  Valuable time and energy and a piece of fabric was dedicated to making a rather hideous top.  So I fixed it.  And re-made it into a marginally less hideous top.  Yay!
this is the least revolting “before” picture … 

I think it’s that the fabric, a knit remnant from Potter’s Textiles was just not suited to an oversized silhouette, being both heavy and weirdly clingy at the same time.  The combination as a whole was instantly frumpifying, like a hospital gown; or looking like you had to borrow your man’s ratty Tshirt from his gym bag in the car because you’ve ruined your dress, or something.  The exact opposite of chic.   

In anticipation that some kind people might express approval of the “before” version, please know that these are the very least offensive pictures, and let me point out that any vestiges of appeal are probably due to the fact that my hand is in a pocket/on my waist, giving it an appearance of shape that it did not have.  Other photos where it’s hanging straight and loose had the hospital gown/grotty man’s gym Tshirt vibe.  
So I cut out of it my much more fitted, regular tried-and-true custom fit Tshirt.  It’s still pretty blah but least I don’t unequivocally hate it now.
I’m thinking it will be ok for warmth or whatever during winter.  Heck, another layer’s another layer.  We’ll see how it goes!



Details:
Ivory top; the loose drape top, from the Japanese pattern book drape drape by Hisako Sato, ivory rayon/linen
Chocolate top; ultimately, my custom fit Tshirt pattern, chocolate jersey knit
Shorts; Burda 7723, charcoal stretch gabardine, details here and my review of this pattern here

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Alabama Chanin; a tank top

Fortunately I have managed to finish the matching embroidered tank top to go with my skirt.  Hurrah! for plane trips and the resulting enforced hand-sewing time!  I’m so happy with the full ensemble; I like how it looks like a full dress, and that if I choose I can break it up into the separate components.  The pattern is the fitted top from the  Alabama Studio Sewing + Style book (Natalie Chanin), and is made from the same fabrics as the skirt; a thickish, cafe au lait cotton jersey substratum (KnitWit) with a dark olive, lightweight jersey overlay (Potters Textiles), the latter stencilled with the Anna’s Garden stencil from the same book as outlined here, and top-stitched with Gutermanns topstitching thread.  

I took a slight swayback wedge out of the tank pattern…. looking at the picture below I could possibly have gone further with that, oh well, next time.  Otherwise it has the same width shoulder straps and the same low rise of the back neckline as the original pattern.  The stitching throughout is in exactly the same style as the skirt; with all seams stitched and flat-felled by hand, and the neckline and armhole binding sewn on using herringbone stitch.

My Mum wanted to know if the jersey fabric loses its stretch though being embroidered; it does lose a little, but not all of its stretch.  The fabric also shrinks ever so slightly through the process of quilting the two layers together. Not drastically, but if your muslin is skintight then I reckon this is definitely something to bear in mind.

OH BTW! a little tip I forgot to mention before… when the pattern pieces have been cut out and stencilled, stay-stitched and are awaiting embellishment; the very first thing I did was to tack a scrap of paper to each piece as above, marking the centre front or centre back of each piece, as applicable.  The pattern pieces for both tank and skirt, are actually all so similar to each other that I think this is an essential precaution!
Well, was it was worth all the hours of hand-work?  But of course.  I’m not going say otherwise now, am I?  😉

Actually, seriously, I totally love my AC pieces and it was no biggie to make the tank top; each pattern piece is quite small and manageable and the embroidery can be knocked off in a couple movies or a short plane trip quite easily.  A little tank top is not really the sewing marathon that the midi skirt is.  I’m even feeling optimistic about taking on another Alabama Chanin project…! (gasp!) um, well… in a while.  Maybe, hehe.  Well, I should really, I bought a whole lot of beads while Mum, Cassie and I were in Melbourne, in a zealous fit of enthusiasm, so hmmm.  (blush)

Details:
Top; the fitted top from the Alabama Studio Sewing + Style book,  hand-embroidered and -stitched cotton jersey knit in two solid colours
Skirt; the midi skirt, same as above, all sewing details here
Sandals; Zomp, from Zomp shoes

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Cocoa Tao

Hello!  I’m wearing a new blouse.
It is the Tao, by Tamanegi-Kobo.  I’ve seen lots of lovely Tamanegi-Kobo designs made by Yoshimi, and then during me-made May saw even more worn by Japanese ladies, including the adorable and very talented designer Miho.  And since I loooove Japanese designs I just had to try one out!
On a crazy spontaneous whim I added a funny little swoosh-shaped welt pocket.   I had finished sewing the blouse, tried it on and just thought; hmmm, pocket…  I had some scraps left over, the bobbin still had some of the pale grey thread wound on.  I had recently pinned this dinky little welt pocket.  Snap decision.  I just decided to go for it.  I think it turned out quite cute!

The Tao really is a very lovely style, loose and artistic, comfortable and still very feminine and flattering.  I’m still getting used to pdf patterns, I don’t mind them as long as there aren’t hundreds of pages to tape together.  The Tao is 24 pages, which is do-able.  The collar is a petite little thing,  stylistically matching the boxy cropped feel of the blouse, and I think it looks equally sweet buttoned right up.   Normally I don’t button my blouses right up to the collar stand, ‘cos I’m a laid-back Aussie beach bum, but I like this one both ways.

I made the blouse out of, believe it or not, a stark, optic white linen/silk mix from Fabulous Fabris, the leftover piece from after I had cut out the collars, cuffs and button bands for the boys’ Christmas shirts.  But since I’ve made two white shirts in hot succession recently, this one was always going to get a dye-job.  I stitched it up using a pale grey/brown thread, and once I’d finished sewing it and prior to chickening out, quickly gave it a light wash in a very weak dye solution of Brown iDye.  Giving it this subtle and rather delicate shade of pale pinky/cocoa brown.  I think this is a colour quite flattering to my skin tone.  🙂

Details:
Top; Tamanegi-Kobo Tao, white linen/silk mix dyed with a teeny amount of Brown iDye
Shorts; Burda 7723, white linen, details and my review of this pattern here

My review for this blouse pattern is below….

Pattern
Description:

The Tao is a loose-fitting, button-front
blouse; with two collar variations, wrist cuffs and a continuous
sleeve vent, cut-on sleeves and a long wrist-to-wrist yoke.
Pattern
Sizing:
Size 36-42.  I made a straight size 38.
Did
it look like the photo/drawing on the pattern envelope once you had finished
sewing it?
Yes.
Were
the instructions easy to follow?
I
could not follow the Japanese written instructions, but the illustrations are quite
clear and helpful.  The seam allowances
are clearly marked.
The
notches that you need for piecing and pleating points can be seen clearly and
easily, but I did think the Japanese character markings looked a little
chaotic, repeated for each of the sizes and heaped on top of each other. There
are two collar pieces: one the under- and the other the upper collar; if you’ve
made a collared shirt before and so know that the under-collar is supposed to
be a touch smaller then you should have no trouble working out which piece is
which.
What
did you particularly like or dislike about the pattern?
It
looks so pretty in the photographs on the website, and I like the loose
artistic shape.  The style is really
pretty and a very nice feminine alternative to the traditional style of
button-front shirt; and easier too, in fact, since you don’t have to insert the
sleeves!  The prim little collar looks
sweet, both unbuttoned and also when buttoned up all the way to the top.
It is
a pdf pattern, which I am slooowly getting used to, old-fashioned thing that I
am  😉
Fabric
Used:
Silk/linen
mix
Pattern
alterations or any design changes you made:
I added
a little asymmetrical swoosh-shaped welt pocket 
😉
Would
you sew it again? Would you recommend it to others?
Definitely!
and yes  🙂
Conclusion:
Oh, I
love it!  I’ve used Japanese pattern
books before and this is the first time I’ve made a “regular” Japanese
pattern.  I’ve made it in a summer-weight
linen/silk mix but I think it would be equally appropriate and just as
cute in a soft comfy flannelette for winter.
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Tear drops top

White tops, and particularly if lace or broderie anglaise or any wildly impractical snowy stitch-festival are part of the equation, have always been a weakness of mine.  Not just during summer but any season.  One of my earliest pins as a freshly minted Pinterest-er was this Isabel Marant top.  It was immediate love at first sight.  The perfect summer top; feminine and chic, cool and blowsy, romantically pretty and casually easy-breezy.  I wanted one, and began plotting…
At first I thought to re-create the style using plain white cotton and finding some sort of broderie border to attach to the lower edges.  Then during my long weekend away in Melbourne with Mum and Cassie I chanced upon this fabric in Tessuti; white cotton voile with beautifully intricate broderie anglaise borders already in situ.  One selvedge had very wide embroidered borders, and the opposite had a narrower border in the same design.  Utter perfection!  I used the deeper edge for the body of the blouse and the narrower edge for the sleeves. 

The pattern I used is top X, from the Stylish Dress Book by Yoshiko Tsukiori.  A big oversized loose T-shirt/peasant blouse thing, slightly gathered into a narrow neckband with a faced front split.  

A plain and simple top with very little shaping, designed to showcase to best effect a gorgeously bordered fabric.   I only very slightly altered the side edges of my pattern pieces so the motifs and the scalloped edge would match up seamlessly.

The shoulder seams are French seams but for all the seams within the embroidered borders; I just overlocked the edges, stitched the seams then pressed them open; that broderie is just too thick with stitches to attempt any fancy seam finishes!

So; a nice easy project but I still had to steel myself to take the scissors to my fabric.  That awful first snip!  Of course, ruining beautiful fabrics is terrible and the fear of that can spiral you into major second-guessing, but maybe it’s worse to hold back forever and never allow yourself take the chance on making something beautiful with it.  Give yourself permission to try… that is why you bought it, remember?  
I have to repeat that to myself, like a mantra, every time I’m faced with special fabric that I totally and utterly adore.  And I’m so relieved that I didn’t ruin this lovely fabric!  

Details:
Top; top X from the Stylish Dress Book by Yoshiko Tsukiori, broderie anglaise cotton voile
Skirt; Vogue 7303, lime print cotton
Sandals; Misano

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Alabama Chanin skirt and tank

Hello!
So! after hours (and hours… and hours…) of aeroplane and in-front-of-the-TV stitching, I have finished my first AC project(s).
This is the mid-length skirt and the fitted tank top, both from the book, Alabama Studio Sewing + Design, by Natalie Chanin.  The two are actually just one pattern, a full length dress pattern, which you cut off at the relevant places to make either a skirt or a top.  Or a tunic or a dress.
Great idea, by the way.    I love the economy of one all-inclusive pattern.  Means you only have one thing to store, but about a zillion “making” opportunities in there.  OK, to be accurate there are eight garment possibilities from the one pattern, but surely at least a zillion wearing and layering combinations to be had.

My skirt!  I’m so pleased with it!  It is totally hand-quilted and stitched in the reverse appliqué technique described in the book;  using a top layer of lightweight deep olive bamboo/cotton knit, bought originally from Potters Textiles years ago, and the base layer is a thicker and more stable dirt-brown cotton jersey from KnitWit, also bought years ago.  These are my colours, yo  🙂  I also used some of that same brown cotton to make part of Tim’s hoodie, here.

The stencil pattern is Anna’s Garden from the AC book, enlarged 306%.  I applied the stencil to the olive fabric using a small foam roller and regular household paint, as described here.  The thread used throughout is a brown/grey Gutermann’s upholstery thread, although Spotlight ran out of my colour (grrr!) so a small portion was done in the same colour of Gutermann’s topstitching thread.  Top-stitching thread is kinda OK stuff but I really prefer the upholstery thread; much smoother and less prone to the strands separating from each other.
All the seams are hand stitched too, and felled by hand.  I had initially toyed with machine stitching the seams; but of course after all that hand embroidery I knew I had to finish off properly….   This took a blink of an eye compared to the embroidery side of things, so I am so pleased I opted to “do it right”, so to speak.  I like the way the felling shows upon the right side as a row of dimples; barely hinted-at stitches along the seams.

I finished the waistband with chocolate brown fold over elastic, bought from Tessuti’s in Melbourne. This stuff is extraordinarily expensive here and pretty hard to find in Perth.  Believe it or not; this colour is the closest match that I’ve found… anywhere

My top: I actually do have a matching deep-olive-and-dirt-brown fitted tank top printed, planned and ready to go, but as soon as I finished the skirt I had a Vision; only the plainest of plain white tanks would be the absolutely perfect-est accompaniment to this busy busy skirt.  I had the immediate compulsion to make such a thing.

I bought the white cotton jersey from KnitWit, and made up a very simple fitted tank; no frills but still constructed in the Alabama Chanin way, so stylistically it matches the skirt really well.    The seams are stitched and felled by hand, and the binding applied with herringbone stitch.  Although there a visible knots aplenty on the inside of the skirt… unavoidable!  I went out of my way to hide them on the inside of the tank top, concealing all the knots inside the layers of the felling and binding.
Neckline and armhole binding and seams: below left, right side view; at right, inner view with felled seams

Fitting-wise;  I raised the back neckline of the tank and made the shoulder straps a little wider also.  In my early experiments, I sliced a biggish sway-back wedge from the pattern which affected both the tank and the skirt pieces. 
Time-wise; the tank top took, like, one day at the most? while the skirt has taken weeks!  Although I would like to add more Alabama Chanin pieces to my wardrobe, there is no danger that I am going to get addicted to this technique.  It is basically identical to hand-quilting and I have made enough quilts to know I can only take so much of that.  My left pointer finger needs time to rest and recuperate.  The tip of that finger has skin like a rhino now.  Seriously.
Obviously I am thrilled to bits with my first Alabama Chanin project, and the second!  however there will be one little hurdle; I’m going to have to force myself to wear the skirt and not treat it like a museum piece.  I’m having visions of unwittingly sitting down on a patch of oil, or brushing against a spiky bush or someone carrying a glass of red wine tripping and falling in slow motion  in my direction…. aaagh!  The stuff of nightmares!  😉

Details:
Skirt; the mid-length skirt from Alabama Studio Sewing + Design, hand-embroidered and stitched cotton jersey in two solid colours
Top; the fitted tank from Alabama Studio Sewing + Design, hand-stitched, white cotton jersey
Sandals: Franco Burrone, from Marie Claire

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Cassie in burnt orange

I made a little tank dress with a matching top for Cassie… I’m hoping these will be very useful and versatile items in both her working and her weekend wardrobe.  The two pieces can be worn together as a smart/casual ensemble; also either the tank dress OR the loose top can be worn with a pencil skirt and cardigan to work; the tank dress can be worn alone or as a tunic with with jeans as a casual weekend option, or as a petticoat underneath a sheer dress; and the top can be worn with shorts or whatever.  And imho the colour is absolutely glorious with her strawberry blond hair!!

I bought the rich orange cotton-poly mesh from Tessuti’s in Melbourne during our weekend away together, and both pieces are self-drafted.  The tank dress is a pretty simple silhouette; but sewing it together was like an exercise in spatial thinking.  The fabric is completely sheer so I made it double-layered, both layers are completely sewn together before the whole dress was finally pulled right side through a gap in the lower hemline, which was hand slip-stitched closed as the very last thing.  Meaning, all the seams are enclosed between the two dress layers.  I was so pleased when it worked out successfully!  The fabric was lightweight enough that the whole thing could be bunched up and pulled through a 10cm gap quite easily.  The outer layer is 6cm longer than the inner layer, so the joining seam sits on the inside of the dress, 3cm from the lower fold.

below right; the finished dress was pulled right side out through the short gap in the hemline joining seam at lower right, now hand slip-stitched closed,

The top is also self-drafted, and loosely based upon the shape of the pieces in a very simple top that I’ve had for years, designed by a Melbourne company, tutte which seems to be no longer around.  Basically, the front and back panels are straight rectangles, and the side panels and sleeves are cut as one piece each, on the fold at the top of the sleeve/shoulder: like capital T’s with the downstroke as the sleeve.  

I cut the neckline as a gracefully curved scoop, extending and joining the front and back panels at the shoulder, and added double thickness “flaps” at the lower edge of the front and back that enclose the raw edges.  I hand-stitched the side panel lower edges and and sleeve hems in a narrow rolled edge, and finished the neckline with a long strip, stitched on the right side, turned under and hand-stitched around the inside.

Details:
Top and dress; self-drafted, in slightly stretchy cotton-poly mesh.  I think it could be this stuff

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White trees and buttons

I’ve sewn up my white trees fabric… into a top! I drafted it myself but it is a pretty simple silhouette; basically a big oversized T-shape, with something interesting in the form of the completely open top edge.  The top edges of front and back have a full length button and buttonhole placket respectively, stretching from sleeve hem to sleeve hem along the whole neckline, and it’s partially buttoned up to close the top of the sleeves.  Technically, you could button the top edge up all the way, except that the neckline is curved as an anti-strangulation measure.  It’s funny though, when you’re wearing it you can’t really tell the neckline is curved, it reads as an almost straight edge.

It is based on several different sources of inspiration: years ago I had a Metalicus Tshirt that had an open top with snaps, that could open like this from sleeve right the way along the neckline; and also a few months ago Kirsty posted plans for her gorgeous top from the Japanese pattern book She has a Mannish Style, a top with a wide buttoned neckline although with separate closed sleeves.  I sorta combined those concepts in the design of my own top.

Most time consuming bit: I fiddled for aaaages with the spacing of the buttons/buttonhole, so it would both look “right” and also that I could have a button placed just at the point on my shoulders where I wanted it to go.

the back view is unexciting, but I know those of us who sew like to see this bit too….  

Since the front neckline has a lower dip than the back, the buttons are spaced a little more wide apart along the front curve than the corresponding buttonholes at the back.  I sewed up the rest of the top completely, before doing the button/buttonhole plackets along the top edge, this was the last step.  The top edges were interfaced with similarly shaped strips of iron-on interfacing and then I sewed the plackets on.
What else.  Oh, and it’s got pockets, too  (blush)
I fear I have some sort of weird pocket obsession…  is pocket-aholic a “thing”?   Guess I should sign myself up  ;D

Details:
Top; my own design, coffee cotton broadcloth, screen-printed by me with little white trees here
Skirt; Vogue 1247, blue damask, details here and my review of this pattern here
Sandals; c/o Misano

LATER EDIT:
this tee has received a bit of a makeover! Basically I hadn’t worn it in over a year, so I gave it a rejuvenating dunk in a pink dye bath… voila!!!  I love it all over again and it’s back in rotation…. yay!!!
wearing it with:
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Gunmetal linen trousers to jacket-y thing

So new top…  well, new? not really, this funky little jacket was until recently a pair of menswear-inspired, wide-legged, linen trousers, that have been sitting in my re-fashioning bag for a coupla years now.  True!  I took them out to wear as fancy dress last year, but they went straight back into the bag afterwards!
I originally made these trousers back in 2009 using Burda 7944, and they have been good trousers.  I wore them a lot and even featured them in a 6 different ways post forever ago. 

 But eventually they got to the stage where they looked like a dishrag practically as soon as they went on and got “knees” in them instantly.  That’s linen for ya; I love it to bits but if it’s not a quality weave it does tend to lose its integrity quickly.  This linen was not particularly fine-grade in the first place.  Some linen trousers can get away with the dish-raggy look but not a tailored design like this one. 
I’ve re-made them into a loose-sleeved jacket thingy.  I’ve done this very same re-fashion once before, making a boxy little jacket out of a pair of Mum’s old cast-off three-quarter pants, but these trousers started out with quite a different shape to those pants so have ended up as quite a different shaped jacket.  The waistband is close-fitted, not loose, and those long wide legs with a satisfyingly deep cuff have resulted in long wide sleeves, still with that satisfyingly deep cuff on the ends.  You put it on with unzipped fly, and then zip it up down! and do up the buttons, just like when it was trousers but upside down.  Cool huh?  I really like it in it’s new identity.  Making something like this is deeply satisfying to me.  Taking something old, unwanted and un-chic and making it into something different; and I use the term different as in the kind of thing you rarely see a pattern for.  It’s hardly mainstream, is it?  This is why I sew; to make things for myself that are individual and unusual.

A quick run-down on the procedure…
Firstly, you cut off the legs to give a “body” section, and cut open the inner leg seam from one inner leg to the other.

as my son says; ironing is for the weak!!!

Re-stitch both the front and back crotch seams to be straight lines from the waistband(back)/bottom of zip(front) to the old-crotch/new-neckline opening,  Cut off excess fabric (the old-crotch curves).

My trousers had pockets; stitch the opening closed and trim off the pocket bags inside.  I know I know, it’s slightly painful to remove pockets, even useless ones, but they just do not work in this design.  I also switched the old plastic, colour-matched buttons I had used previously for nacre buttons sewn on upside down with the mottley-brown underneath showing, just because.

Stitch up the shoulder seams and cut armhole curve on the body section, and a sleevecap curve at the top of the cut-off legs, now sleeves.  If you have a great fitting shirt pattern then use this as a guide.  I just tried it on a few times, pinned it and winged it, being sure to keep both sides symmetrical.
Set the sleeves into the body section.

Fold in a hem around the neckline and stitch it down however you choose, I used a short bias cut strip of silk, leftovers from this top, invisibly fell-stitched.

Don’t know if it’s obvious or not, but it was crazy windy while I was taking these photos.  My tripod actually blew over once!  Goodness knows why I pick the absolute blasting-est days to get out and photograph my makes.  I must be some kind of freaking masochist.  Hair; styled by gale-force winds.  Lovely, not.  But, seize the moment, and all that.  After all, this is what I actually look like here.  Keeping it real.  Man, I’m a loon.
This one gave me a laugh when I saw it!

Details:
Jacket; refashioned from a pair of Burda 7944 trousers, gunmetal linen
Shorts; Burda 7723, themselves refashioned from an old skirt, details here, and see my review of this shorts pattern here
Tshirt (underneath); self-drafted, white cotton jersey, details here
Sandals; c/o Misano

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